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  • Digital Humanities and Cultural Heritage
  • 2018-2022
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  • 16. Peace & justice
  • Religions
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alexandra Bergholm;

    Some of the earliest references to ritual lamentation or keening in the early Irish sources are found in the penitential handbooks dated to around the seventh and eighth centuries. In previous scholarship, these passages have commonly been interpreted as evidence of the continuous attempts of the Church to curb pagan practices among the 'nominally Christian' populace, thus assuming that such regulations were primarily used as a means of social control. This article examines the wider theological and intellectual context of these texts, by focusing in particular on the influence of the Old Testament on early Irish ecclesiastical writing. It will be argued that the demonstrable preoccupation of these sources with issues such as ritual purity and proper religious observance suggests that the stipulations pertaining to lamentation were not solely intended to regulate lay behavior. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2021
    Data sources: DOAJ
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    Religions
    Article
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Article . 2021
    Data sources: DOAJ-Articles
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Other literature type . Article . 2021 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2021
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Article
      License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ZALC, CLAIRE;

    AbstractDuring its first days of existence, the Vichy regime ordered a review of recent naturalizations. In accordance with a law passed on July 22, 1940, denaturalization decisions were made on a ...

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    The Journal of Modern History
    Article . 2020 . Peer-reviewed
    Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jérémy Jammes; Shao Zhu Shuai;

    i manner. Read together, these sources present a genuine project and spirit of reform in the ideas, imaginaries, and practices related to death in Vietnam from the 1920s onwards, crystallizing a specific Cao Đà i, we trace the ritual process of funerals from the altar and coffin preparation to the collection of prayers and talismanic rituals conveyed to save souls in a Cao Đà i theology represents both the body and the spiritual components of each individual in the specific millenarian conception of existence that characterizes Cao Đà i religion (or Caodaism), combining both a theological and an ethnographical analysis. After introducing how Cao Đà This article sheds light on the sophisticated funeral process set up by the Cao Đà i identity in Vietnamese and also East Asian redemptive societies&rsquo deathscapes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Other literature type . Article . 2020 . Peer-reviewed
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2020
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Article
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Article . 2020
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    HAL-ENS-LYON
    Article . 2020
    Data sources: HAL-ENS-LYON
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Other literature type . Article . 2020 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2020
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Article
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Religions
      Article . 2020
      Data sources: DOAJ-Articles
      HAL-ENS-LYON
      Article . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pedreira, Jorge M.;

    In this interview, James Green, a prominent Brazilianist, tells us about his interest in Brazilian history, his life as a civic and political activist against authoritarianism in Brazil and for gay and lesbian rights, and his academic work and career. The purpose of the interview, besides bringing his work to a wider audience of European historians and social scientists, is to reflect on the relationship between academic work and political and ideological activism, and to discuss the problems of subjectivism and the use of individual testimonies in the making of contemporary history. We invited James Green to reflect on those matters, so he could share with us the views of someone who, because of the nature of his work, could not help but deal permanently with such questions. Nesta entrevista, James Green, um importante “brasilianista”, fala-nos sobre o seu interesse pelo história do Brasil, sobre a sua vida como militante cívico e político contra o autoritarismo no Brasil e a favor dos direitos de gays e lésbicas, e ainda sobre a sua carreira e o seu trabalho académico. O objetivo da entrevista, além de levar o seu trabalho a um público mais amplo de historiadores e cientistas sociais europeus, é refletir sobre a relação entre o trabalho académico e o ativismo político e ideológico, e discutir os problemas do subjetivismo e do uso de testemunhos individuais na construção da história contemporânea. Convidámos James Green a refletir sobre esses problemas, para que pudesse compartilhar connosco as opiniões de alguém que, devido à natureza do seu trabalho, não pôde deixar de se confrontar permanentemente com tais questões. Dans cet entretien, James Green, un important spécialiste de l’histoire moderne du Brésil, nous parle de son intérêt pour le Brésil, de sa vie de militant civique et politique contre l’autoritarisme au Brésil et pour les droits des gays et lesbiennes, ainsi que de sa carrière et de son travail universitaire. L’entretien a pour but de présenter son travail à un public plus large d’historiens et de spécialistes des sciences sociales européens, mais aussi de réfléchir sur le rapport entre travail universitaire et activisme politique et idéologique, et de discuter les problèmes du subjectivisme et de l’usage de témoignages individuels dans la construction de l’histoire contemporaine. Nous avons invité James Green à réfléchir sur ces questions pourqu’il puisse partager avec nous le point de vue de quelqu’un qui, en raison de la nature de son travail, ne pourrait s’empêcher de faire toujours face à ces questions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ler Históriaarrow_drop_down
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    Ler História
    Other literature type . Article . 2019 . Peer-reviewed
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Ler História
    Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ler Históriaarrow_drop_down
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      Ler História
      Other literature type . Article . 2019 . Peer-reviewed
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      Ler História
      Article . 2019
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    Authors: Serna Vallejo, Margarita;

    RESUMEN: Desde finales de la Baja Edad Media y a lo largo de Época Moderna, algunas de las cofradías de pescadores establecidas en el corregimiento de las Cuatro Villas de la Costa consiguieron que la Monarquía les reconociera el privilegio de disfrutar de una jurisdicción marítima en cada corporación. El establecimiento de estas jurisdicciones disgustó a otras instituciones que vieron disminuidas sus competencias jurisdiccionales. Y de esta situación surgieron distintos conflictos en los que las hermandades tuvieron que luchar por la conservación de la jurisdicción marítima. ABSTRACT: Since the end of the Late Middle Ages and throughout the Modern Era, some of the fishermen's associations established in the corregimiento of the Four Villas of the Coast managed to get the Monarchy to recognize the privilege of enjoying a maritime jurisdiction in each brotherhood. The establishment of these jurisdictions disgusted other institutions that saw their jurisdiction diminished. From this situation arose different conflicts in which the brotherhoods had to fight for the preservation of the maritime jurisdiction. Este trabajo se ha realizado en el marco del Proyecto de Investigación Culturas urbanas en la España Moderna: policía, gobernanza e imaginarios (siglos XVI-XIX) con referencia HAR2015-64014-C3-1-R, financiado por el Ministerio de Economía y Competitividad) y del europeo (Rebellion and Resistance in the Iberian Empires, 16th-19th Centuries que ha recibido financiación del programa de investigación e innovación Horizonte 2020 de la Unión Europea en virtud del acuerdo de subvención Marie Skłodowska-Curie No 778076.

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    Authors: Bosman, Frank;

    The Assassin’s Creed game series (Ubisoft 2007, 2009, 2010, 2011, 2012, 2013a, 2013b, 2014, 2015, 2017) revolves around an alternative interpretation of human history as an ongoing battle between two rival factions: the Assassin Brotherhood (modelled on the historical Nizar Isma’ilis) and the Templar Order (inspired by the historical Order of the Knights Templar). Both factions compete over the possession of mythical artefacts, called the ‘Apples of Eden’, which once belonged to a now extinct proto-human race. The possession of these artefacts gives the owner incredible knowledge and the ability to manipulate large numbers of people. The Templars strive for world domination, while the Assassins want to prevent this; their aim is to develop human consciousness and individual freedom. Considering games as ‘playable texts’, I make an inventory of three in-game rituals, two of the Assassin Brotherhood and one of the Templar Order. Both initiation and assassination rituals are quite elaborate given the context of the games in which they are displayed. Progression and regression can be observed in terms of ritual practices within the primary series of the game series, which stretches from ancient Egypt to modernity. This article describes the three ritual practices mentioned within the Assassin’s Creed series, and links them to the larger metanarrative of the series.

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    Other literature type . Article . 2018 . Peer-reviewed
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    Article . 2018
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    Article . 2018
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      Other literature type . Article . 2018 . Peer-reviewed
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      Article . 2018
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      Article . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laurent Romary; Charles Riondet;

    This article tackles the issue of integrating heterogeneous archival sources in one single data repository, namely the EHRI portal, whose aim is to support Holocaust research by providing online access to information about dispersed sources relating to the Holocaust (http://portal.ehri-project.eu). In this case, the problem at hand is to combine data coming from a network of archives in order to create an interoperable data space which can be used to search for, retrieve and disseminate content in the context of archival-based research. The central aspect of the work described in this paper is the assessment of the role of the Encoded Archival Description (EAD) standard as the basis for achieving the tasks described above. We have worked out how we could develop a real strategy of defining specific customization of EAD that could be used at various stages of the process of integrating heterogeneous sources. We have developed a methodology based on a specification and customization method inspired from the extensive experience of the Text Encoding Initiative (TEI) community. In the TEI framework, one has the possibility to model specific subsets or extensions of the TEI guidelines while maintaining both the technical (XML schemas) and editorial (documentation) content within a single framework. This work has led us quite far in anticipating that the method we have developed may be of a wider interest within similar environments, but also, as we believe, for the future maintenance of the EAD standard. Special thanks to Annelies van Nispen (NIOD) and Hector Martinez Alonso (ALMAnaCH) for their help, and to Lou Burnard (TEI) for his wise comments International audience

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    Archival Science
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    Authors: Arik Moran;

    Indic rites of purification aim to negate the law of karma by removing the residues of malignant past actions from their patrons. This principle is exemplified in the Kahika Mela, a rarely studied religious festival of the West Himalayan highlands (Himachal Pradesh, India), wherein a ritual specialist assumes karmic residues from large publics and then sacrificed to their presiding deity. British officials who had ‘discovered’ this purificatory rite at the turn of the twentieth century interpreted it as a variant of the universal ‘scapegoat’ rituals that were then being popularized by James Frazer and found it loosely connected to ancient Tantric practises. The However, observing a recent performance of the ritual significantly complicated this view. This paper proposes a novel reading of the Kahika Mela through the prism of karmic transference. Tracing the path of karmas from participants to ritual specialist and beyond, it delineates the logic behind the rite, revealing that the culminating act of human sacrifice is, in fact, secondary to the mysterious force that impels its acceptance.

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    Other literature type . Article . 2018 . Peer-reviewed
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    Article . 2018
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      Other literature type . Article . 2018 . Peer-reviewed
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      Article . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alexandra Bergholm;

    Some of the earliest references to ritual lamentation or keening in the early Irish sources are found in the penitential handbooks dated to around the seventh and eighth centuries. In previous scholarship, these passages have commonly been interpreted as evidence of the continuous attempts of the Church to curb pagan practices among the 'nominally Christian' populace, thus assuming that such regulations were primarily used as a means of social control. This article examines the wider theological and intellectual context of these texts, by focusing in particular on the influence of the Old Testament on early Irish ecclesiastical writing. It will be argued that the demonstrable preoccupation of these sources with issues such as ritual purity and proper religious observance suggests that the stipulations pertaining to lamentation were not solely intended to regulate lay behavior. Peer reviewed

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    Other literature type . Article . 2021 . Peer-reviewed
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    Article . 2021
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    Article . 2021
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      Other literature type . Article . 2021 . Peer-reviewed
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      Article . 2021
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    Authors: ZALC, CLAIRE;

    AbstractDuring its first days of existence, the Vichy regime ordered a review of recent naturalizations. In accordance with a law passed on July 22, 1940, denaturalization decisions were made on a ...

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    The Journal of Modern History
    Article . 2020 . Peer-reviewed
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    Authors: Jérémy Jammes; Shao Zhu Shuai;

    i manner. Read together, these sources present a genuine project and spirit of reform in the ideas, imaginaries, and practices related to death in Vietnam from the 1920s onwards, crystallizing a specific Cao Đà i, we trace the ritual process of funerals from the altar and coffin preparation to the collection of prayers and talismanic rituals conveyed to save souls in a Cao Đà i theology represents both the body and the spiritual components of each individual in the specific millenarian conception of existence that characterizes Cao Đà i religion (or Caodaism), combining both a theological and an ethnographical analysis. After introducing how Cao Đà This article sheds light on the sophisticated funeral process set up by the Cao Đà i identity in Vietnamese and also East Asian redemptive societies&rsquo deathscapes.

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    Other literature type . Article . 2020 . Peer-reviewed
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    Article . 2020
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    Authors: Pedreira, Jorge M.;

    In this interview, James Green, a prominent Brazilianist, tells us about his interest in Brazilian history, his life as a civic and political activist against authoritarianism in Brazil and for gay and lesbian rights, and his academic work and career. The purpose of the interview, besides bringing his work to a wider audience of European historians and social scientists, is to reflect on the relationship between academic work and political and ideological activism, and to discuss the problems of subjectivism and the use of individual testimonies in the making of contemporary history. We invited James Green to reflect on those matters, so he could share with us the views of someone who, because of the nature of his work, could not help but deal permanently with such questions. Nesta entrevista, James Green, um importante “brasilianista”, fala-nos sobre o seu interesse pelo história do Brasil, sobre a sua vida como militante cívico e político contra o autoritarismo no Brasil e a favor dos direitos de gays e lésbicas, e ainda sobre a sua carreira e o seu trabalho académico. O objetivo da entrevista, além de levar o seu trabalho a um público mais amplo de historiadores e cientistas sociais europeus, é refletir sobre a relação entre o trabalho académico e o ativismo político e ideológico, e discutir os problemas do subjetivismo e do uso de testemunhos individuais na construção da história contemporânea. Convidámos James Green a refletir sobre esses problemas, para que pudesse compartilhar connosco as opiniões de alguém que, devido à natureza do seu trabalho, não pôde deixar de se confrontar permanentemente com tais questões. Dans cet entretien, James Green, un important spécialiste de l’histoire moderne du Brésil, nous parle de son intérêt pour le Brésil, de sa vie de militant civique et politique contre l’autoritarisme au Brésil et pour les droits des gays et lesbiennes, ainsi que de sa carrière et de son travail universitaire. L’entretien a pour but de présenter son travail à un public plus large d’historiens et de spécialistes des sciences sociales européens, mais aussi de réfléchir sur le rapport entre travail universitaire et activisme politique et idéologique, et de discuter les problèmes du subjectivisme et de l’usage de témoignages individuels dans la construction de l’histoire contemporaine. Nous avons invité James Green à réfléchir sur ces questions pourqu’il puisse partager avec nous le point de vue de quelqu’un qui, en raison de la nature de son travail, ne pourrait s’empêcher de faire toujours face à ces questions.

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    Authors: Serna Vallejo, Margarita;

    RESUMEN: Desde finales de la Baja Edad Media y a lo largo de Época Moderna, algunas de las cofradías de pescadores establecidas en el corregimiento de las Cuatro Villas de la Costa consiguieron que la Monarquía les reconociera el privilegio de disfrutar de una jurisdicción marítima en cada corporación. El establecimiento de estas jurisdicciones disgustó a otras instituciones que vieron disminuidas sus competencias jurisdiccionales. Y de esta situación surgieron distintos conflictos en los que las hermandades tuvieron que luchar por la conservación de la jurisdicción marítima. ABSTRACT: Since the end of the Late Middle Ages and throughout the Modern Era, some of the fishermen's associations established in the corregimiento of the Four Villas of the Coast managed to get the Monarchy to recognize the privilege of enjoying a maritime jurisdiction in each brotherhood. The establishment of these jurisdictions disgusted other institutions that saw their jurisdiction diminished. From this situation arose different conflicts in which the brotherhoods had to fight for the preservation of the maritime jurisdiction. Este trabajo se ha realizado en el marco del Proyecto de Investigación Culturas urbanas en la España Moderna: policía, gobernanza e imaginarios (siglos XVI-XIX) con referencia HAR2015-64014-C3-1-R, financiado por el Ministerio de Economía y Competitividad) y del europeo (Rebellion and Resistance in the Iberian Empires, 16th-19th Centuries que ha recibido financiación del programa de investigación e innovación Horizonte 2020 de la Unión Europea en virtud del acuerdo de subvención Marie Skłodowska-Curie No 778076.

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    Authors: Bosman, Frank;

    The Assassin’s Creed game series (Ubisoft 2007, 2009, 2010, 2011, 2012, 2013a, 2013b, 2014, 2015, 2017) revolves around an alternative interpretation of human history as an ongoing battle between two rival factions: the Assassin Brotherhood (modelled on the historical Nizar Isma’ilis) and the Templar Order (inspired by the historical Order of the Knights Templar). Both factions compete over the possession of mythical artefacts, called the ‘Apples of Eden’, which once belonged to a now extinct proto-human race. The possession of these artefacts gives the owner incredible knowledge and the ability to manipulate large numbers of people. The Templars strive for world domination, while the Assassins want to prevent this; their aim is to develop human consciousness and individual freedom. Considering games as ‘playable texts’, I make an inventory of three in-game rituals, two of the Assassin Brotherhood and one of the Templar Order. Both initiation and assassination rituals are quite elaborate given the context of the games in which they are displayed. Progression and regression can be observed in terms of ritual practices within the primary series of the game series, which stretches from ancient Egypt to modernity. This article describes the three ritual practices mentioned within the Assassin’s Creed series, and links them to the larger metanarrative of the series.

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    Other literature type . Article . 2018 . Peer-reviewed
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    Article . 2018
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    Authors: Laurent Romary; Charles Riondet;

    This article tackles the issue of integrating heterogeneous archival sources in one single data repository, namely the EHRI portal, whose aim is to support Holocaust research by providing online access to information about dispersed sources relating to the Holocaust (http://portal.ehri-project.eu). In this case, the problem at hand is to combine data coming from a network of archives in order to create an interoperable data space which can be used to search for, retrieve and disseminate content in the context of archival-based research. The central aspect of the work described in this paper is the assessment of the role of the Encoded Archival Description (EAD) standard as the basis for achieving the tasks described above. We have worked out how we could develop a real strategy of defining specific customization of EAD that could be used at various stages of the process of integrating heterogeneous sources. We have developed a methodology based on a specification and customization method inspired from the extensive experience of the Text Encoding Initiative (TEI) community. In the TEI framework, one has the possibility to model specific subsets or extensions of the TEI guidelines while maintaining both the technical (XML schemas) and editorial (documentation) content within a single framework. This work has led us quite far in anticipating that the method we have developed may be of a wider interest within similar environments, but also, as we believe, for the future maintenance of the EAD standard. Special thanks to Annelies van Nispen (NIOD) and Hector Martinez Alonso (ALMAnaCH) for their help, and to Lou Burnard (TEI) for his wise comments International audience

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    Authors: Arik Moran;

    Indic rites of purification aim to negate the law of karma by removing the residues of malignant past actions from their patrons. This principle is exemplified in the Kahika Mela, a rarely studied religious festival of the West Himalayan highlands (Himachal Pradesh, India), wherein a ritual specialist assumes karmic residues from large publics and then sacrificed to their presiding deity. British officials who had ‘discovered’ this purificatory rite at the turn of the twentieth century interpreted it as a variant of the universal ‘scapegoat’ rituals that were then being popularized by James Frazer and found it loosely connected to ancient Tantric practises. The However, observing a recent performance of the ritual significantly complicated this view. This paper proposes a novel reading of the Kahika Mela through the prism of karmic transference. Tracing the path of karmas from participants to ritual specialist and beyond, it delineates the logic behind the rite, revealing that the culminating act of human sacrifice is, in fact, secondary to the mysterious force that impels its acceptance.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
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    Other literature type . Article . 2018 . Peer-reviewed
    License: CC BY
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    Article . 2018
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    Article . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . Article . 2018 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article
      License: CC BY
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