Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
Filters temporarily unavailable. Please try again later.
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • Research data
  • Other research products
  • FI
  • HU
  • “Lituanistika”, International Resea...
  • Digital Humanities and Cultural Her...

Date (most recent)
arrow_drop_down
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jurgutienė, Aušra;

    Straipsnyje aptariamas postmodernistinės hermeneutikos ir fenomenologijos santykis, nuošaly paliekant platesnį hermeneutinio skaitymo nuostatų aprašymą. Iš pradžių hermeneutika, iš fenomenologijos perėmusi pagrindinę ir jai labai reikalingą intencionalios sąmonės sampratą, ne tik iš naujo peržiūrėjo savo santykį su sava tradicija, bet ir pasuko į antimetodologinį interpretacijų kraštutinumą. Taip susiformavo pozityvistinės (Emilio Betti, E. D. Hirscho) ir fenomenologinės (Martino Heideggerio, Hanso-Georgo Gadamerio) hermeneutikos opozicija. Kaip tokių kraštutinumų įveika ir grįžimas prie labiau subalansuotos interpretacijos strategijos bus nurodyta Paulio Ricoeuro fenomeloginės hermeneutikos variantas ir XX amžiaus pabaigos amerikiečių postmodernistinė hermeneutika, siūlanti literatūros kritikai atnaujintus supratimo modelius, grindžiamus teorinio ir praktinio mąstymo bei loginės ir retorinės raiškos sinteze. Postmodernistinės hermeneutikos ir fenomenologijos santykis straipsnyje yra nusakomas remiantis dviem Ricoeuro pasiūlytais teiginiais: 1) hermeneutika yra Husserlio fenomenologijos vadinamojo idealizmo kritinė interpretacija ir 2) nepaisant minėtos opozicijos, fenomenologija save pilnai gali realizuoti tik tapdama hermeneutinių skaitymų prielaida. Ricoeuras šiuolaikinei hermeneutikai yra įdomus gebėjimu sinkretinti įvairias XX amžiaus filosofines kryptis, o ypač pastangas semiotiką susieti su hermeneutikos pagrindais. Straipsnio pabaigoje pateikiamos kelios pastabos apie hermeneutikos tradiciją lietuvių kultūroje. The article discusses hermeneutic relations with phenomenology and anti-methodical tendency of understanding (Heidegger, Gadamer) as an opposition to so-called positivistic branch (Betti, Hirsch). The main task of postmodern hermeneutics is to reject this opposition of understanding, to find a more syncretic model of interpreting literature, to connect semiotics with hermeneutics, as Paul Ricoeur suggested it. At the end of the twentieth-century, a lot of hermeneutic books were published in the USA. They focused on how to renew the interpretation of literary creation (Madison, Bruns, Caputo, Bernstein, Davidson, Head, Palmer, Silverman, Weinsheimer). The authors believed that the contemporary literary criticism has to embrace the scientific and creative moments of understanding, as well as the theoretical and practical dimensions of thinking. Thus, literary criticism should be expressed not only in analytical logical way, but in rhetorical artistic style, too. Hermeneutic perspective suggests that the work of literature should be understood in two ways: as aesthetic object or written form and as spoken form and discourse/dialogue about life, then the role of the reader becomes very active and interpretation develops into introspection. A short survey of the tradition of the Lithuanian hermeneutics is presented at the end of the article.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ “Lituanistika”, Inte...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ “Lituanistika”, Inte...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
Powered by OpenAIRE graph
Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jurgutienė, Aušra;

    Straipsnyje aptariamas postmodernistinės hermeneutikos ir fenomenologijos santykis, nuošaly paliekant platesnį hermeneutinio skaitymo nuostatų aprašymą. Iš pradžių hermeneutika, iš fenomenologijos perėmusi pagrindinę ir jai labai reikalingą intencionalios sąmonės sampratą, ne tik iš naujo peržiūrėjo savo santykį su sava tradicija, bet ir pasuko į antimetodologinį interpretacijų kraštutinumą. Taip susiformavo pozityvistinės (Emilio Betti, E. D. Hirscho) ir fenomenologinės (Martino Heideggerio, Hanso-Georgo Gadamerio) hermeneutikos opozicija. Kaip tokių kraštutinumų įveika ir grįžimas prie labiau subalansuotos interpretacijos strategijos bus nurodyta Paulio Ricoeuro fenomeloginės hermeneutikos variantas ir XX amžiaus pabaigos amerikiečių postmodernistinė hermeneutika, siūlanti literatūros kritikai atnaujintus supratimo modelius, grindžiamus teorinio ir praktinio mąstymo bei loginės ir retorinės raiškos sinteze. Postmodernistinės hermeneutikos ir fenomenologijos santykis straipsnyje yra nusakomas remiantis dviem Ricoeuro pasiūlytais teiginiais: 1) hermeneutika yra Husserlio fenomenologijos vadinamojo idealizmo kritinė interpretacija ir 2) nepaisant minėtos opozicijos, fenomenologija save pilnai gali realizuoti tik tapdama hermeneutinių skaitymų prielaida. Ricoeuras šiuolaikinei hermeneutikai yra įdomus gebėjimu sinkretinti įvairias XX amžiaus filosofines kryptis, o ypač pastangas semiotiką susieti su hermeneutikos pagrindais. Straipsnio pabaigoje pateikiamos kelios pastabos apie hermeneutikos tradiciją lietuvių kultūroje. The article discusses hermeneutic relations with phenomenology and anti-methodical tendency of understanding (Heidegger, Gadamer) as an opposition to so-called positivistic branch (Betti, Hirsch). The main task of postmodern hermeneutics is to reject this opposition of understanding, to find a more syncretic model of interpreting literature, to connect semiotics with hermeneutics, as Paul Ricoeur suggested it. At the end of the twentieth-century, a lot of hermeneutic books were published in the USA. They focused on how to renew the interpretation of literary creation (Madison, Bruns, Caputo, Bernstein, Davidson, Head, Palmer, Silverman, Weinsheimer). The authors believed that the contemporary literary criticism has to embrace the scientific and creative moments of understanding, as well as the theoretical and practical dimensions of thinking. Thus, literary criticism should be expressed not only in analytical logical way, but in rhetorical artistic style, too. Hermeneutic perspective suggests that the work of literature should be understood in two ways: as aesthetic object or written form and as spoken form and discourse/dialogue about life, then the role of the reader becomes very active and interpretation develops into introspection. A short survey of the tradition of the Lithuanian hermeneutics is presented at the end of the article.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ “Lituanistika”, Inte...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ “Lituanistika”, Inte...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
Powered by OpenAIRE graph