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4,239 Research products

  • Digital Humanities and Cultural Heritage
  • 2018-2022
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  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Centre Max Weber; Centre national de la recherche scientifique; Laboratoire d'Informatique en Image et Systèmes d'Information; Laboratoire méditerranéen de sociologie; +1 Authors

    Marc Andr��, historien, reconstitue ce qu'��tait l'appellation Montluc pendant la guerre d'Alg��rie. Montluc d��signait une prison mais aussi le tribunal permanent des forces arm��es et le fort qui a fonctionn�� entre 1957 et 1962 comme �� centre d'identification �� des Alg��riens rafl��s dans la ville. L'historien explicite le fonctionnement de ce centre de tri. Alg��riens rafl��s. 1955/1961. Lyon-prison Montluc-fort Montluc-TPFA Montluc-centre de tri de Sainte Foy les Lyon-commissariat central Vauban-Alg��rie.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Audiovisual . 2020
    License: CC BY NC ND
    Data sources: Datacite; CoCoON
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Audiovisual . 2020
      License: CC BY NC ND
      Data sources: Datacite; CoCoON
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: El Ayari, Sarra; Zribi-Hertz, Anne; Soare, Elena;

    Enregistrement de l'histoire de l'âne de Nasreddin Hodja en khmer

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2018
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2018
      License: CC BY NC SA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2022
    License: CC BY NC SA
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Audiovisual . 2022
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    https://doi.org/10.24397/pangl...
    Audiovisual . 2022
    License: CC BY NC SA
    Data sources: Datacite
    https://doi.org/10.24397/pangl...
    Sound . 2022
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2022
      License: CC BY NC SA
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Audiovisual . 2022
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
      https://doi.org/10.24397/pangl...
      Audiovisual . 2022
      License: CC BY NC SA
      Data sources: Datacite
      https://doi.org/10.24397/pangl...
      Sound . 2022
      License: CC BY NC SA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    In this recording, Zhuma tells the Jackal and crow story from a picture series. Take 2 Equipment: Fostex Fr-2 AKG C900 on the left channel (mono)

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    NAKALA; CoCoON
    Sound . 2018
    License: CC BY NC ND
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    https://doi.org/10.24397/pangl...
    Sound . 2018
    License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2018
      License: CC BY NC ND
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      https://doi.org/10.24397/pangl...
      Sound . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Tone Tutorial: the investigator read tone patterns reported in the monograph about tone in Yongning Na (Michaud 2017), which at the time of recording was nearing completion. The consultant was asked to check whether those productions were correct and intelligible way. This was one of several methods for verifying the findings. Thus, this is not phonological elicitation, but a recording of a work session in which the investigator asked the consultant to check whether he realized the tone patterns in a correct and intelligible way. If a pattern was OK, the consultant repeated it. If it was not, she provided a correction. (Part 3 of 3.) This document covers: Table 5.14 and Table 5.15.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
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    NAKALA; CoCoON
    Sound . 2018
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Dataset . 2020
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2018
    License: CC BY NC SA
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    https://doi.org/10.24397/pangl...
    Dataset . 2020
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Dataset . 2020
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2018
      License: CC BY NC SA
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      https://doi.org/10.24397/pangl...
      Dataset . 2020
      License: CC BY NC SA
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    Authors: Wion, Anaïs; Bolay, Anne;
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    Sound . 2020
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      Sound . 2020
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    Authors: Delafontaine, François; Avanzi, Mathieu;
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    Sound . 2021
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      Sound . 2021
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    Authors: Ferdinand Brunot (1860-1938);

    Am��lie Moutard, interpr��tant la chanson "La destin��e, la rose au bois", effectue ensuite une imitation de la vielle La chanson "L'autre jour m'y promenant" est une forme de pastourelle Enregistr�� en France

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    NAKALA; CoCoON
    Sound . 2018
    License: PDM
    Data sources: Datacite; CoCoON
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
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      Sound . 2018
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    Authors: Institut d'histoire du temps présent, 2016-...; Cinémathèque de Toulouse;

    Intervention de Wafa Ghermani, 3 d��cembre 2011, session "Modernit�� ?", mod��rateur Christophe Gauthier

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    Sound . 2020
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      Sound . 2020
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    John Fred Masing describes the people known as 'unus' who used to be found in Southeast Ambrym.

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    Audiovisual . 2018
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    Audiovisual . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Centre Max Weber; Centre national de la recherche scientifique; Laboratoire d'Informatique en Image et Systèmes d'Information; Laboratoire méditerranéen de sociologie; +1 Authors

    Marc Andr��, historien, reconstitue ce qu'��tait l'appellation Montluc pendant la guerre d'Alg��rie. Montluc d��signait une prison mais aussi le tribunal permanent des forces arm��es et le fort qui a fonctionn�� entre 1957 et 1962 comme �� centre d'identification �� des Alg��riens rafl��s dans la ville. L'historien explicite le fonctionnement de ce centre de tri. Alg��riens rafl��s. 1955/1961. Lyon-prison Montluc-fort Montluc-TPFA Montluc-centre de tri de Sainte Foy les Lyon-commissariat central Vauban-Alg��rie.

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    Audiovisual . 2020
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      Audiovisual . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: El Ayari, Sarra; Zribi-Hertz, Anne; Soare, Elena;

    Enregistrement de l'histoire de l'âne de Nasreddin Hodja en khmer

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    Sound . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Sound . 2022
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    Audiovisual . 2022
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    https://doi.org/10.24397/pangl...
    Audiovisual . 2022
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    Sound . 2022
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      Sound . 2022
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      Audiovisual . 2022
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      Audiovisual . 2022
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      Sound . 2022
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    In this recording, Zhuma tells the Jackal and crow story from a picture series. Take 2 Equipment: Fostex Fr-2 AKG C900 on the left channel (mono)

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    Sound . 2018
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    Sound . 2018
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      Sound . 2018
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      Sound . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Tone Tutorial: the investigator read tone patterns reported in the monograph about tone in Yongning Na (Michaud 2017), which at the time of recording was nearing completion. The consultant was asked to check whether those productions were correct and intelligible way. This was one of several methods for verifying the findings. Thus, this is not phonological elicitation, but a recording of a work session in which the investigator asked the consultant to check whether he realized the tone patterns in a correct and intelligible way. If a pattern was OK, the consultant repeated it. If it was not, she provided a correction. (Part 3 of 3.) This document covers: Table 5.14 and Table 5.15.

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    Sound . 2018
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    Dataset . 2020
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    Sound . 2018
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    Dataset . 2020
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