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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Juan Diego Vila;

    The fate of Marcela, mother of Guzmán de Alfarache, is a broken mirror where the times of splendor and decadence merge, it is a reflection of what she was, and could have achieved, and a bitter anticipation of any further limitation that the rogue son will experience. Since the tragic nature of the second abandonment in which the mother will be exposed and unprotected by her son reverberates guilt in the evocation of the galley slave writer of a biblical paraphrase (Luke, 23, 31) that he only judges relevant to him when he falls, much younger, in disgrace: 'if this is how I feel about this job, if this happens on the green wood, what will the dry one do?'(II, 3, 8). In the throes of the narrated biographical adventure, the contextual and elusive figuration of the elderly mother whispers that the fading of a differential discourse about her old age must be refined from multiple angles: the gender difference, the diverse assessment of the family constituents and the age distance of each. Since in this constellation of significant tensions what is settled, with Marcela's vignettes decrepit, are the margins of freedom and agency that each culture is willing to pay tribute to their elders. El sino de Marcela, madre de Guzmán de Alfarache, es espejo quebrado donde se funden los tiempos de esplendor y decadencia, es reflejo de lo que fue, y podría haber logrado, y amargo anticipo de toda limitación ulterior que el hijo pícaro habrá de experimentar. Ya que la tragicidad del segundo abandono en el cual la madre quedará expósita y desamparada de toda protección filial reverbera culposa en la evocación del galeote escritor de una paráfrasis bíblica (Lucas, 23, 31) que él sólo juzga relevante a su respecto cuando cae, con muchos menos años, en desgracia: ‘si así siento aqueste trabajo, si esto pasa en el madero verde, ¿qué hará el seco?’ (II, 3, 8). En los estertores de la aventura biográfica narrada, la contextual y elusiva figuración de la anciana madre susurra que el esfumado de un discurso diferencial sobre su vejez debe acrisolarse en múltiples ángulos: la diferencia genérica, la diversa valoración de los constituyentes familiares y la distancia etaria de cada cual. Ya que en esta constelación de tensiones significantes lo que se dirime, con las viñetas de Marcela decrépita, son los márgenes de libertad y agencia que cada cultura está dispuesta a tributar a sus mayores. Dossier: Infancia y vejez en la literatura española: cruces, modulaciones, figuras Facultad de Humanidades y Ciencias de la Educación

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Olivar: Revista de Literatura y Cultura Españolas
    Article . 2022 . Peer-reviewed
    License: CC BY NC SA
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Olivar: Revista de Literatura y Cultura Españolas
      Article . 2022 . Peer-reviewed
      License: CC BY NC SA
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Druille, Paola;

    El objetivo de este trabajo es, en primer lugar, presentar la primera traducción del griego al castellano del papiro BGU 4, 1132, con notas que recuperan las restauraciones léxicas de los distintos editores. Esta traducción, y su correspondiente anotación, es una novedad entre los estudios modernos en lengua castellana relacionados con BGU 4,1132. En segundo lugar, analizar el uso judío de la ley helenística vigente en Alejandría durante los primeros años del Imperio romano a través de la conexión BGU 4, 1132 con el ἀρχεῖον τῶν Ἰουδαίων de BGU 4, 1151 y el examen de los términos συγχώρησις y κριτήριον. Mediante la traducción al castellano de BGU 4, 1132, su contextualización histórico-social y su comunicación con BGU 4, 1151, también discutiremos sobre la posible identidad judía de los nombres propios del papiro, y sobre los términos técnicos que informan sobre los judíos y la ley helenística del siglo I a.C. The aim of this work is, first, to present the first translation from Greek to Spanish of the papyrus BGU 4, 1132, with notes that recover the lexical restorations of the different editors. This translation, and its corresponding annotation, is a novelty among modern studies in Spanish related to BGU 4, 1132. Second, to analyze the Jewish use of the Hellenistic law active in Alexandria during the first years of the Roman Empire through the connection BGU 4, 1132 with the ἀρχεῖον τῶν Ἰουδαίων of BGU 4, 1151 and the examination of the terms συγχώρησις and κριτήριον. Through the translation from Greek to Spanish of BGU 4, 1132, its historical-social contextualization, and its communication with BGU 4, 1151, we will also discuss the possible Jewish identity of the papyrus proper names, and the technical terms that inform about the Jews and the Hellenistic law of the 1st century B.C. Dossier: Identidades judías entre el Período Helenístico y la Antigüedad Tardía. Facultad de Humanidades y Ciencias de la Educación

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Memoria Académica (U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sociedades Precapitalistas
    Article
    License: CC BY ND SA
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2021
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Memoria Académica (U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sociedades Precapitalistas
      Article
      License: CC BY ND SA
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2021
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pavón, María Cecilia;

    En las últimas décadas los debates en torno al archivo han excedido el campo original de la disciplina histórica para aportar nuevos interrogantes al modo de conocer de la antropología, la crítica literaria, la sociología, los estudios culturales y los estudios visuales. Siguiendo esta línea de ideas y de trabajo con los archivos (textuales y visuales) se inscribe la labor de Aby Warburg y de su Atlas Mnemosyne. A partir del análisis del método de Warburg analizaremos el trabajo con los archivos que realiza Fernando Birri en la película "El Siglo del viento" (1999). Over the last decades, debates about archives have spread beyond the original field of the historical discipline in order to provide new questions to the way of knowing of anthropology, literary criticism, sociology, cultural studies, and visual studies. Aby Warburg´s work and his Atlas Mnemosyne are found within this line of ideas and work with archives (both textual and visual). Considering Warburg´s method of analysis, this article will analyze the work with archives made by Fernando Birri in the movie "El siglo del viento" (1999). Bachillerato de Bellas Artes "Prof. Francisco A. De Santo"

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Plurentes : Artes y ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Plurentes : Artes y ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramiro Rodriguez Sperat; Mariano Juan Parnas;

    Este trabajo analiza las estimaciones realizadas para el sector “A” del Producto Bruto Geográfico de Santiago del Estero, con la intención de corroborar si contemplan el aporte de la agricultura familiar. Mediante el estudio en profundidad de los informes publicados sobre el PBG provincial, revisiones de bases de datos y entrevistas a informantes clave, se identificaron inconsistencias en 32 de las 53 actividades previstas para el sector. Se concluye que el producto sectorial estaría subestimado, no sólo por no considerar la contribución de la agricultura familiar sino también por inconsistencias para parte de la actividad formal. This paper studies how the estimates of "A" sector of the Gross Regional Product of Santiago del Estero were built, with the intention of corroborating whether the contribution of family farming is considered. Through an in-depth study of published reports on the provincial GRP, databases reviews and interviews with key informants, inconsistencies were identified in 32 of the 53 sector activities. It's concluded that there would be underestimation of the sectoral product, which would not only come from lack of consideration of the contribution of family farming, but also from inconsistencies in part of the formal activity. Facultad de Humanidades y Ciencias de la Educación

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CONICET Digital (CON...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Mundo Agrario
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Mundo Agrario
    Article . 2019
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CONICET Digital
    Article . 2019
    Data sources: CONICET Digital
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Mundo Agrario
    Article . 2019 . Peer-reviewed
    License: CC BY NC SA
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CONICET Digital (CON...arrow_drop_down
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      Mundo Agrario
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      Article . 2019
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      Mundo Agrario
      Article . 2019 . Peer-reviewed
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    Authors: Rendtorff Birrer, Nicolás Maximiliano; Morosi, Martin Eduardo; Tavani, Eduardo Luis;

    El objetivo del presente trabajo fue dilucidar aspectos básicos y aplicados del proceso pirometalúrgico que fuera usado hace más de 100 años en la fundición Santa Florentina (Chilecito, provincia de La Rioja, Argentina) para extraer cobre a partir de minerales del yacimiento La Mejicana (Famatina). Con este propósito, formulamos las posibles reacciones que describen la obtención del metal, realizamos una exhaustiva caracterización fisicoquímica de la escoria, estimamos el desprendimiento gaseoso durante la oxidación de diversas sustancias, evaluamos el impacto de la minería en la deforestación regional y revisamos las causales que respaldaron la opinión de discontinuar el proyecto. La metodología experimental empleada comprendió: análisis químico, difracción de rayos X, microscopía electrónica de barrido, espectroscopía de energía dispersiva de rayos X, termogravimetría-análisis térmico diferencial y determinación de densidad. Los resultados aquí exhibidos nos permitieron establecer que la recuperación de cobre fue alta, recopilar detalles operativos de la tecnología implementada en aquella época, aportar evidencias sobre la contaminación ambiental producida por las actividades llevadas a cabo e identificar dos potenciales motivos que habrían impulsado a tomar la resolución de abandonar definitivamente el emprendimiento. The aim of the present work was to elucidate basic and applied aspects of the pyrometallurgical process which used more than 100 years ago in the Santa Florentina smelter (Chilecito, La Rioja province, Argentina) to extract copper from the minerals of La Mejicana deposit (Famatina). For this purpose, we formulated the possible reactions that describe the obtaining of the metal, we made a thorough physicochemical characterization of the slag, estimated the gas released during the oxidation of various substances, assessed the impact of mining on regional deforestation, and finally reviewed the causes that supported the opinion of discontinue the project. The experimental methodology used involved chemical analysis, X-ray diffraction, scanning electron microscopy, energydispersive X-ray spectroscopy, thermogravimetry-differential thermal analysis, and density determination. Results obtained allowed us to establish that the copper recovery rate was high; to gather operative details of the technology implemented at that time; to provide evidence on environmental pollution produced by the activities carried out, and to identify two potential reasons that would have prompted the decision to definitely abandon the venture. Centro de Tecnología de Recursos Minerales y Cerámica

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    Arqueologia
    Article . 2020
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    Arqueologia
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    Arqueologia
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      Arqueologia
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    Authors: Carlos Vladimir Mendez Escobar;

    El objetivo del presente trabajo de investigación “Liderazgo directivo en el desempeño docente en la Educación Básica Regular en los años 2014 al 2019”, fue analizar la incidencia del liderazgo directivo en el desempeño docente. La metodología utilizada se cimienta en la revisión sistemática de artículos científicos, para ello se realizó una investigación de tipo básica, donde se empleó un diseño no experimental descriptivo de corte transversal y enfoque cuantitativo. Se utilizó una población conformada por un total de 79 artículos científicos de revistas indexadas en español e inglés de los últimos 6 años, mientras que la muestra estuvo representada por 26 de ellas; y la razón de esta decisión responde al interés investigativo y a la naturaleza del problema de investigación. Así mismo los datos fueron recogidos a través de los buscadores REDALYC, SCIELO, DIALNET, EBSCO, LATINDEX, BASE, Semantic Scholar y Google académico. Los resultados de la investigación muestran que el 100% de artículos científicos indican estadísticamente que el liderazgo directivo incide positiva y significativamente en el desempeño docente tal como lo demuestra la hipótesis. The objective of this research work "Management leadership in teacher performance in Regular Basic Education in the years 2014 to 2019", was to analyze the incidence of management leadership in teacher performance. The methodology used is based on the systematic review of scientific articles, for which a basic type investigation was carried out, where a non-experimental descriptive cross-sectional design and quantitative approach were used. A population made up of a total of 79 scientific articles from journals indexed in Spanish and English from the last 6 years was used, while the sample was represented by 26 of them; and the reason for this decision responds to the research interest and the nature of the research problem. Likewise, the data was collected through the REDALYC, SCIELO, DIALNET, EBSCO, LATINDEX, BASE, Semantic Scholar and academic Google search engines. The results of the research show that 100% of scientific articles statistically indicate that executive leadership positively and significantly affects teacher performance, as shown by the hypothesis. Facultad de Informática

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    Authors: Sahade, Julieta; Jaschek, Ingrid Karen;

    This lecture was part of the "Sonorous archives and popular culture" meeting which took place on September 17th, 2019 during the Colloquium on Popular Memories organized by the postgraduate careers at FaHCE (UNLP), Doctorate in History and Master in History and Memory, together with the Italian historian, Alessandro Portelli. During the lecture, the keynote speakers, Ingrid Jaschek and Julieta Sahade, presented the oral archive "Encountered Memories" from the Provincial Commission for the Memory (CPM) institution in Buenos Aires. In doing so, they described, on one hand, the history of the production and collection of a group of interviews developed by the different projects at the CPM and, on the other hand, they reflected about some particularities of the series "Thee archive and the witness": the context of production, the dialogue between the official / police reports and the voice of the witnesses, the different ways of narrating and telling. Esta conferencia formó parte del encuentro “Archivos Sonoros y cultura popular” realizado el 17 de septiembre de 2019 en el marco del Coloquio sobre Memorias Populares organizado por Doctorado en Historia y la Maestría en Historia y Memoria de la FaHCE junto a la presencia del historiador italiano Alessandro Portelli. En dicha conferencia, las autoras presentaron el archivo oral “Memorias encontradas” de la Comisión por la Memoria (CPM). Por un lado, relataron la historia de la producción y recolección de entrevistas surgidas a partir de los distintos trabajos de la CPM y, por el otro, reflexionaron sobre algunas particularidades de la serie “El archivo y el testigo”: el contexto de producción, el diálogo entre el relato oficial/policial y la voz de las y los testigos, los distintos modos de narrar, de contar. Facultad de Humanidades y Ciencias de la Educación

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    Aletheia
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    Aletheia
    Article . 2020 . Peer-reviewed
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      Aletheia
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    Authors: Miranda, Florencia L.;

    Este artículo se enfocará en un tema que ha sido en general pasado por alto por los estudiosos del Sendebar castellano, que es el de la representación literaria de los contextos urbanos, en especial en su vinculación con los crímenes, delitos, y todo lo que es considerado negativo en la cosmovisión de la literatura ejemplar. En el presente trabajo se abordará el tema desde dos perspectivas complementarias; por un lado, se analizará la forma en que estas representaciones urbanas se articulan con el discurso ejemplar en el que se inserta la colección, y fundamentalmente con los discursos relacionados con los peligros que acechan a la vida humana en comunidad; y, simultáneamente, se tendrá en cuenta la relevancia que tiene el origen oriental del texto y las estrategias de adaptación y asimilación que atraviesan para adaptarse al contexto castellano bajomedieval. Dado que Sendebar se tradujo en la época de emergencia de la prosa ficcional castellana, estas tempranas representaciones de la vida urbana cobran especial relevancia para comprender la forma en que la literatura incipiente representa la cotidianeidad de ciertos ambientes y espacios. The aim of this article is the study of a subject that has generally been overlooked by castillian Sendebar scholars, that is, the literary representation of urban contexts, particularly associated with crime, felonies, among other things that are considered negatively in the exemplary literature´s cosmovision. In this article, this subject will be adressed in two complementary perspectives: on the one hand, we will analyse how these urban representations interact with the exemplary discourse of this collection of tales; on the other hand, we will take into consideration the relevance of the oriental origin of these text, and the strategies for cultural adaptation and assimilation that this text had to experience in order to adapt to the Castillian Medieval context. Considering that Sendebar was translated during the period of the emergence of Castilian fictional prose, these early representations of urban life are particularly significant to comprehend the many forms that the medieval literature represents the everyday life of places and environments. Facultad de Humanidades y Ciencias de la Educación

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: María Ornela Beltrame; Alejandro Serna; Victoria Cañal; Luciano Raúl Prates;

    Nowadays, wildlife is one of the most important sources of zoonoses, and it is a major concern for the public health. Nevertheless, little is known about the role of wildlife as a reservoir and source of infectious diseases in the past. South America presents a wide diversity of wildlife. In the south of the continent, Argentina shelters a large diversity of neotropical carnivores. Although the paleoparasitological studies on carnivores have been increasing in southern Argentina, most of the efforts have been focused in a handful of sites located in western Patagonia. In this paper, two coprolites of felid found in Cueva Galpón, an initial late Holocene mortuary site from northeast Patagonia (Argentina), were studied for paleoparasitological purposes. Samples were processed by rehydration, homogenization, filtered and processed by spontaneous sedimentation. The samples were assigned to Puma concolor (puma) or Panthera onca (jaguar). Microscopic observations revealed that both coprolites were positive for parasite remains. High parasite richness was observed. Six nematodes, one cestode and one coccidian morphotypes were reported. This is the first time that Gnathostoma sp. and Spirocerca sp. were recovered from holocenic times from Patagonia. This finding implies that some diseases such as taeniasis, spirocercosis, gnathostomosis, ascariasis and coccidiosis could be present in holocenic wildlife from Patagonia prior to the Spanish colonization and domestic animal introduction. The overall results suggest that felids could have played a role as reservoirs and source of some parasitic species, some of which are zoonotic. Therefore, this animal could have entailed a risk agent for human health in the site. Facultad de Ciencias Naturales y Museo

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    CONICET Digital
    Article . 2019
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    International Journal of Osteoarchaeology
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      CONICET Digital
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      International Journal of Osteoarchaeology
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: De Giusti, Armando Eduardo;

    En este breve texto se tratan de sintetizar aspectos positivos y negativos que hemos apreciado durante el recorrido educativo en la pandemia, aspectos que se proyectan hacia el futuro. El foco estará en los temas universitarios, pero muchos conceptos que se exponen tienen validez para otros niveles educativos. Esta síntesis tiene diez puntos, tres de los cuales he considerado “positivos” y siete “negativos”. Se expone cada uno de ellos y se analiza su impacto en la educación y en un nuevo modelo “pedagógico-tecnológico” que se avizora a futuro. En las Conclusiones se expone que estos diez puentos pueden extenderse y al mismo tiempo se debe comprender la importancia de la tarea que nos espera: transformar los puntos negativos y potenciar los aspectos positivos. This short text is intended to synthesize positive and negative aspects that we have experienced during the pandemic educational scheme, aspects that are projected to be in the future. The focus will be on university issues, but many concepts exposed here are valid for other educational levels. This summary has ten points; I have considered three of them as “positive”(+), and seven “negative” (-). Each of them are explained, considering its impact on education and also on the new pedagogical-technological model to be considered in the future. In the Conclusions we consider these ten points may be extended and also that the task we have ahead is: turn the negative aspects into positive ones, and to develop the positive aspects as well. Facultad de Informática

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    Revista Iberoamericana de Tecnología en Educación y Educación en Tecnología
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      Revista Iberoamericana de Tecnología en Educación y Educación en Tecnología
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Juan Diego Vila;

    The fate of Marcela, mother of Guzmán de Alfarache, is a broken mirror where the times of splendor and decadence merge, it is a reflection of what she was, and could have achieved, and a bitter anticipation of any further limitation that the rogue son will experience. Since the tragic nature of the second abandonment in which the mother will be exposed and unprotected by her son reverberates guilt in the evocation of the galley slave writer of a biblical paraphrase (Luke, 23, 31) that he only judges relevant to him when he falls, much younger, in disgrace: 'if this is how I feel about this job, if this happens on the green wood, what will the dry one do?'(II, 3, 8). In the throes of the narrated biographical adventure, the contextual and elusive figuration of the elderly mother whispers that the fading of a differential discourse about her old age must be refined from multiple angles: the gender difference, the diverse assessment of the family constituents and the age distance of each. Since in this constellation of significant tensions what is settled, with Marcela's vignettes decrepit, are the margins of freedom and agency that each culture is willing to pay tribute to their elders. El sino de Marcela, madre de Guzmán de Alfarache, es espejo quebrado donde se funden los tiempos de esplendor y decadencia, es reflejo de lo que fue, y podría haber logrado, y amargo anticipo de toda limitación ulterior que el hijo pícaro habrá de experimentar. Ya que la tragicidad del segundo abandono en el cual la madre quedará expósita y desamparada de toda protección filial reverbera culposa en la evocación del galeote escritor de una paráfrasis bíblica (Lucas, 23, 31) que él sólo juzga relevante a su respecto cuando cae, con muchos menos años, en desgracia: ‘si así siento aqueste trabajo, si esto pasa en el madero verde, ¿qué hará el seco?’ (II, 3, 8). En los estertores de la aventura biográfica narrada, la contextual y elusiva figuración de la anciana madre susurra que el esfumado de un discurso diferencial sobre su vejez debe acrisolarse en múltiples ángulos: la diferencia genérica, la diversa valoración de los constituyentes familiares y la distancia etaria de cada cual. Ya que en esta constelación de tensiones significantes lo que se dirime, con las viñetas de Marcela decrépita, son los márgenes de libertad y agencia que cada cultura está dispuesta a tributar a sus mayores. Dossier: Infancia y vejez en la literatura española: cruces, modulaciones, figuras Facultad de Humanidades y Ciencias de la Educación

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    Olivar: Revista de Literatura y Cultura Españolas
    Article . 2022 . Peer-reviewed
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      Olivar: Revista de Literatura y Cultura Españolas
      Article . 2022 . Peer-reviewed
      License: CC BY NC SA
      Data sources: Crossref
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