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  • Digital Humanities and Cultural Heritage
  • 2018-2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Margaryan Lusine;

    В статье рассматриваются некоторые аспекты ранней истории армянского христианства. Находясь между Сасанидской державой и Восточной Римской империей, Армения, для сохранения своей политической и культурной независимости, стремилась достичь баланса во взаимоотношениях с этими двумя могущественными державами региона. Однако усилия армянской политической элиты не всегда приводили к желаемому результату, что неотвратимо вело Армению к потере государственности. В этой ситуации основным и весьма эффективным инструментом для сохранения идентичности и формирования средневековой нации стало христианство. В статье рассматривается политика Армянской церкви по отношению к Сасанидам, так и к Империи Ромеев. Именно эта политика стала определяющей в армяно-иранских и армяно-византийских отношениях, она предопределила дальнейшие этапы формирования Армянской апостольской церкви. The article deals with some aspects of the early history of Armenian Christianity. Being situated between the Sasanian state and the Eastern Roman Empire, Armenia sought to strike a balance in relations with these regional powers in order to maintain its political and cultural independence. However, the Armenian political elite ultimately failed in this endeavour, leading to Armenia’s loss of statehood. In this situation Christianity became the primary and very effective tool for preserving Armenian identity and forming a medieval nation. The article discusses the policy of the Armenian Church towards the Sasanians and the Roman Empire. This policy was decisive in Armenian–Iranian and Armenian–Byzantine relations, and influenced further stages in the formation of the Armenian Apostolic Church.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2022
    License: CC BY
    Data sources: ZENODO
    Диалог со временем
    Other literature type . Article . 2023 . 2022 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2022
      License: CC BY
      Data sources: ZENODO
      Диалог со временем
      Other literature type . Article . 2023 . 2022 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alejandro Moreo; Andrea Pedrotti; Fabrizio Sebastiani;

    Funnelling(Fun) is a recently proposed method for cross-lingual text classification (CLTC) based on a two-tier learning ensemble for heterogeneous transfer learning (HTL). In this ensemble method, 1st-tier classifiers, each working on a different and language-dependent feature space, return a vector of calibrated posterior probabilities (with one dimension for each class) for each document, and the final classification decision is taken by a meta-classifier that uses this vector as its input. The meta-classifier can thus exploit class-class correlations, and this (among other things) givesFunan edge over CLTC systems in which these correlations cannot be brought to bear. In this article, we describeGeneralized Funnelling(gFun), a generalization ofFunconsisting of an HTL architecture in which 1st-tier components can be arbitraryview-generating functions, i.e., language-dependent functions that each produce a language-independent representation (“view”) of the (monolingual) document. We describe an instance ofgFunin which the meta-classifier receives as input a vector of calibrated posterior probabilities (as inFun) aggregated to other embedded representations that embody other types of correlations, such as word-class correlations (as encoded byWord-Class Embeddings), word-word correlations (as encoded byMultilingual Unsupervised or Supervised Embeddings), and word-context correlations (as encoded bymultilingual BERT). We show that this instance ofgFunsubstantially improves overFunand over state-of-the-art baselines by reporting experimental results obtained on two large, standard datasets for multilingual multilabel text classification. Our code that implementsgFunis publicly available.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODO; ACM Transact...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CNR ExploRA
    Article . 2022
    Data sources: CNR ExploRA
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ISTI Open Portal
    Article . 2022
    Data sources: ISTI Open Portal
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2021
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ISTI Open Portal
    Conference object . 2021
    Data sources: ISTI Open Portal
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CNR ExploRA
    Conference object . 2021
    Data sources: CNR ExploRA
    https://doi.org/10.48550/arxiv...
    Article . 2021
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODO; ACM Transact...arrow_drop_down
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      CNR ExploRA
      Article . 2022
      Data sources: CNR ExploRA
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ISTI Open Portal
      Article . 2022
      Data sources: ISTI Open Portal
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      arXiv.org e-Print Archive
      Other literature type . Preprint . 2021
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ISTI Open Portal
      Conference object . 2021
      Data sources: ISTI Open Portal
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CNR ExploRA
      Conference object . 2021
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      https://doi.org/10.48550/arxiv...
      Article . 2021
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Agasøster, Bodil; Arar, Karin; Gyrid Havåg Bergseth; Beuster, Benjamin; +4 Authors

    Milestone 34, Expose ESS’ interoperable services to external consumers, was achieved on 17 December 2021. The new system gives users access to the data catalogue of the European Social Survey (ESS) from the new data and metadata repositories via https://ess-search.nsd.no/en/all/query/.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other literature type . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . Project milestone . 2022
    License: CC BY
    Data sources: Datacite; Sygma
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other literature type . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . Project milestone . 2022
      License: CC BY
      Data sources: Datacite; Sygma
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Antigone Heraclidou; Theopisti Stylianou-Lambert;

    This paper explores the extent to which the recent turbulent history of Cyprus is reflected in an emblematic building, the Ledra Palace Hotel. The hotel is situated on Nicosia's buffer zone, the Green Line that, since 1964, has divided the island into Greek Cypriot and Turkish sectors. Since its establishment in 1949 the Ledra Palace has been the background of the country's key historical events. In this paper, the Ledra Palace is analysed as an integral part of Cyprus’ cultural heritage which contributes to the understanding and negotiation of the island's difficult past.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ktisisarrow_drop_down
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    Ktisis
    Article . 2022
    Data sources: Ktisis
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Byzantine and Modern Greek Studies; ZENODO
    Article . 2022 . Peer-reviewed
    License: CC BY
    Data sources: ZENODO; Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ktisisarrow_drop_down
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      Ktisis
      Article . 2022
      Data sources: Ktisis
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      Byzantine and Modern Greek Studies; ZENODO
      Article . 2022 . Peer-reviewed
      License: CC BY
      Data sources: ZENODO; Crossref
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    Authors: Jano, Dorian;

    This article presents an overview that systematically maps the historical development, thematic foci and temporal trends of research in Balkan – Southeast European studies. It uses bibliographic and content analysis as well as other tools to synthesize around 8000 scholarly publications on the Balkans – Southeast Europe that are indexed in the Web of Science databases (SSCI, A&HCI, ESCI, BKCI-SSH). We provide a visual representation of the intellectual historiography and the conceptual content and dynamics of Balkan – Southeast European studies, identifying the most prominent works, the active research themes and the emerging trajectories in the field.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Southeast...arrow_drop_down
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    Le jeu du kottabe, intervenant une fois le symposion entamé, est sans doute le plus célèbre des jeux de banquet. Cette pratique ludique, source d’émulations entre les buveurs, consistait à projeter d’un geste habile et maîtrisé la dernière goutte de vin de sa coupe sur une cible prédéfinie. Le vin, médiateur de sociabilité, est dans ce cadre à la fois la modalité et l’instrument du jeu, tandis que la vaisselle de banquet est détournée de son usage premier. À partir d’une sélection de vases italiotes, cet article questionne l’agentivité féminine associée à ce divertissement habituellement considéré comme masculin. À la fois cible animée, enjeu du lancer, joueuse ou accessoire ludique, la présence féminine mise en scène dans le champ métaphorique de l’image est multiple et protéiforme. À l’aide de jeux visuels, les imagiers italiotes se jouent des codes et des normes établies en proposant une vision renouvelée, réelle ou fantasmée, autour de la culture du vin.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Article . 2022
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    Authors: Papi, F.; Perignon, Y.; Bianchini, A.;

    Abstract Offshore wind turbines are subject not only to varying wind conditions during their lifetime, but also sea conditions. Therefore, in addition to wind speed, other sea-related quantities need to be considered to characterize a specific installation site. International standards suggest that, at a minimum, significant wave height, peak spectral period and wind/wave misalignment must be considered. In order to have a statistically significant description of the potential installation site, the long-term distributions of the three environmental variables must be determined. In this context, the objectives of the present work are twofold: firstly, to demonstrate the procedure trough which environmental conditions including wind and wave information can be derived using open-source tools. Secondly, an exemplary dataset is provided. The dataset is used both do demonstrate the procedure and provided as a ready-made example for use in future studies. The provided dataset is used in the EU-funded Horizon 2020 project FLOATECH.

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    Authors: Bartocci P.; Bidini G.; Abad A.; Bischi A.; +6 Authors

    Bioenergy combustion with Carbon Capture and Storage (BECCS) is a key technology to achieve carbon negative emissions power generation. This can be achieved by coupling the biofuels combustion with CO2 capture and storage (CCS). The lowest cost for CCS corresponds at the moment to the Chemical Looping Combustion (CLC) process. This can use biofuels which can be gaseous (biomethane, biogas or syngas etc.), liquid (biodiesel, bioethanol, biobutanol and pyrolysis oils etc.) or solids (wood dust, charcoal dust, wood chips, wood pellets etc.) While plant design with gaseous and liquid biofuels would be simpler, plants using solid biofuels and based on two couple fluidisd beds would need the use of a third reactor named carbon stripper. In the specific case if we plan to couple a CLC plant with a turbo expander (to achieve the high efficiencies of a combined cycle power plant) we have to work with pressurized reactors. However, there are some technical barriers to the coupling of a chemical looping combustor with a turbo expander, such as: the operation of the combustor in pressurised conditions; the inventory balance among reactors; elutriated particles reaching the turbo expander. This explaind why there is no commercial plant at the moment capable to do this. The aim of this paper is to present a model for the dimensioning of an air reactor to be coupled to a turbo expander of the power of about 12 MWe. Based on this, the air mass flow can be obtained and the geometric parameters can be calculated, to have an air velocity which is needed to achieve the fast fluidization regime and to ensure a high conversion rate as well as particles and heat exchage among air and fuel reactor. This work has been funded by the GTCLC-NEG project that has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodow-ska-Curie grant agreement No. 101018756. 6 figures, 2 tables.-- ATI Annual Congress (ATI 2022) 11/09/2022 - 14/09/2022 Bari, Italy. Peer reviewed

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    Authors: Lukaszewicz, Aleksandra; Gorewicz, Igor;

    Analyzing the current political scenario, it is good to mind the ‘distribution of the sensible’ as phrased by Jacques Ranciére, which refers to a regime and delimitates spaces and times, of the visible and the invisible, of speech and noise;and to think about possible re-distribution, which has emancipating character that can contribute to more democratic politics and aesthetics. In contemporary times of visual culture, it is important to mind especially strong, symbolic images constructed for political stakes and distributed in the public sphere to understand what they do and how, in order to disarm and transform them. Focusing on two faces of backlash observed in contemporary Europe, one anti-Muslim and the other anti-women, we propose the interdisciplinary analysis of two artworks by Polish female artists: The Polish Burqa by Karolina Mełnicka (2013) and Mokosh by Katarzyna Górewicz (phot. Jacek Gajak, 2017), which imply discourses on women in tradition in different ways that might be considered as dialectic and symbolic in Ranciére’s terms. One is decomposing the politically oppressive use of traditional symbols, and the other is proposing a reference to tradition in an empowering way. Analizzando l’attuale scenario politico, è bene ricordare la ‘distribuzione del sensibile’ come l’ha formulata Jacques Ranciére, che fa riferimento a un regime e delimita spazi e tempi, del visibile e dell’invisibile, della parola e del rumore, e allo stesso tempo pensare a una possibile ridistribuzione, che ha un carattere emancipativo il quale può contribuire a politiche ed estetiche più democratiche. Nell’epoca contemporanea, dominata dalla ‘visual culture’, è importante pensare a immagini simboliche particolarmente forti, costruite per la posta in gioco politica e distribuite nella sfera pubblica, per capire cosa fanno e come, al fine di disarmarle e trasformarle. Concentrandomi sulle due facce del contraccolpo osservate nell’Europa contemporanea, una anti-musulmana e l’altra anti-donne, propongo l’analisi interdisciplinare di due opere di artiste polacche: The Polish Burqa di Karolina Mełnicka (2013) e Mokosh di Katarzyna Górewicz (foto Jacek Gajak, 2017), che implicano discorsi sulla donna nella tradizione in modi diversi che potrebbero essere considerati dialettici e simbolici nei termini di Ranciére. Uno sta scomponendo l’uso politicamente oppressivo dei simboli tradizionali e l’altro propone un riferimento alla tradizione in maniera emancipante.

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    Authors: Andrea Ottone; Erika;

    This essay proposes an overview of the digital tools designed and developedby the EMoBookTrade project team to investigate the economic and legalframework of the late Renaissance and early Baroque European book mar-ket. In particular it illustrates the structure of the two databases developedto cross-reference the evolution of book prices in conjunction with the devel-opment of the system of book privileges. The article proposes a model forusers and developers interested in pursuing big-data-oriented investigationsin the field of book history with a focus on the economy of the book market.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Margaryan Lusine;

    В статье рассматриваются некоторые аспекты ранней истории армянского христианства. Находясь между Сасанидской державой и Восточной Римской империей, Армения, для сохранения своей политической и культурной независимости, стремилась достичь баланса во взаимоотношениях с этими двумя могущественными державами региона. Однако усилия армянской политической элиты не всегда приводили к желаемому результату, что неотвратимо вело Армению к потере государственности. В этой ситуации основным и весьма эффективным инструментом для сохранения идентичности и формирования средневековой нации стало христианство. В статье рассматривается политика Армянской церкви по отношению к Сасанидам, так и к Империи Ромеев. Именно эта политика стала определяющей в армяно-иранских и армяно-византийских отношениях, она предопределила дальнейшие этапы формирования Армянской апостольской церкви. The article deals with some aspects of the early history of Armenian Christianity. Being situated between the Sasanian state and the Eastern Roman Empire, Armenia sought to strike a balance in relations with these regional powers in order to maintain its political and cultural independence. However, the Armenian political elite ultimately failed in this endeavour, leading to Armenia’s loss of statehood. In this situation Christianity became the primary and very effective tool for preserving Armenian identity and forming a medieval nation. The article discusses the policy of the Armenian Church towards the Sasanians and the Roman Empire. This policy was decisive in Armenian–Iranian and Armenian–Byzantine relations, and influenced further stages in the formation of the Armenian Apostolic Church.

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    Authors: Alejandro Moreo; Andrea Pedrotti; Fabrizio Sebastiani;

    Funnelling(Fun) is a recently proposed method for cross-lingual text classification (CLTC) based on a two-tier learning ensemble for heterogeneous transfer learning (HTL). In this ensemble method, 1st-tier classifiers, each working on a different and language-dependent feature space, return a vector of calibrated posterior probabilities (with one dimension for each class) for each document, and the final classification decision is taken by a meta-classifier that uses this vector as its input. The meta-classifier can thus exploit class-class correlations, and this (among other things) givesFunan edge over CLTC systems in which these correlations cannot be brought to bear. In this article, we describeGeneralized Funnelling(gFun), a generalization ofFunconsisting of an HTL architecture in which 1st-tier components can be arbitraryview-generating functions, i.e., language-dependent functions that each produce a language-independent representation (“view”) of the (monolingual) document. We describe an instance ofgFunin which the meta-classifier receives as input a vector of calibrated posterior probabilities (as inFun) aggregated to other embedded representations that embody other types of correlations, such as word-class correlations (as encoded byWord-Class Embeddings), word-word correlations (as encoded byMultilingual Unsupervised or Supervised Embeddings), and word-context correlations (as encoded bymultilingual BERT). We show that this instance ofgFunsubstantially improves overFunand over state-of-the-art baselines by reporting experimental results obtained on two large, standard datasets for multilingual multilabel text classification. Our code that implementsgFunis publicly available.

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    arXiv.org e-Print Archive
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    https://doi.org/10.48550/arxiv...
    Article . 2021
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      https://doi.org/10.48550/arxiv...
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    Authors: Agasøster, Bodil; Arar, Karin; Gyrid Havåg Bergseth; Beuster, Benjamin; +4 Authors

    Milestone 34, Expose ESS’ interoperable services to external consumers, was achieved on 17 December 2021. The new system gives users access to the data catalogue of the European Social Survey (ESS) from the new data and metadata repositories via https://ess-search.nsd.no/en/all/query/.

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    Authors: Antigone Heraclidou; Theopisti Stylianou-Lambert;

    This paper explores the extent to which the recent turbulent history of Cyprus is reflected in an emblematic building, the Ledra Palace Hotel. The hotel is situated on Nicosia's buffer zone, the Green Line that, since 1964, has divided the island into Greek Cypriot and Turkish sectors. Since its establishment in 1949 the Ledra Palace has been the background of the country's key historical events. In this paper, the Ledra Palace is analysed as an integral part of Cyprus’ cultural heritage which contributes to the understanding and negotiation of the island's difficult past.

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    Byzantine and Modern Greek Studies; ZENODO
    Article . 2022 . Peer-reviewed
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      Byzantine and Modern Greek Studies; ZENODO
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    Authors: Jano, Dorian;

    This article presents an overview that systematically maps the historical development, thematic foci and temporal trends of research in Balkan – Southeast European studies. It uses bibliographic and content analysis as well as other tools to synthesize around 8000 scholarly publications on the Balkans – Southeast Europe that are indexed in the Web of Science databases (SSCI, A&HCI, ESCI, BKCI-SSH). We provide a visual representation of the intellectual historiography and the conceptual content and dynamics of Balkan – Southeast European studies, identifying the most prominent works, the active research themes and the emerging trajectories in the field.

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    Le jeu du kottabe, intervenant une fois le symposion entamé, est sans doute le plus célèbre des jeux de banquet. Cette pratique ludique, source d’émulations entre les buveurs, consistait à projeter d’un geste habile et maîtrisé la dernière goutte de vin de sa coupe sur une cible prédéfinie. Le vin, médiateur de sociabilité, est dans ce cadre à la fois la modalité et l’instrument du jeu, tandis que la vaisselle de banquet est détournée de son usage premier. À partir d’une sélection de vases italiotes, cet article questionne l’agentivité féminine associée à ce divertissement habituellement considéré comme masculin. À la fois cible animée, enjeu du lancer, joueuse ou accessoire ludique, la présence féminine mise en scène dans le champ métaphorique de l’image est multiple et protéiforme. À l’aide de jeux visuels, les imagiers italiotes se jouent des codes et des normes établies en proposant une vision renouvelée, réelle ou fantasmée, autour de la culture du vin.

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    Authors: Papi, F.; Perignon, Y.; Bianchini, A.;

    Abstract Offshore wind turbines are subject not only to varying wind conditions during their lifetime, but also sea conditions. Therefore, in addition to wind speed, other sea-related quantities need to be considered to characterize a specific installation site. International standards suggest that, at a minimum, significant wave height, peak spectral period and wind/wave misalignment must be considered. In order to have a statistically significant description of the potential installation site, the long-term distributions of the three environmental variables must be determined. In this context, the objectives of the present work are twofold: firstly, to demonstrate the procedure trough which environmental conditions including wind and wave information can be derived using open-source tools. Secondly, an exemplary dataset is provided. The dataset is used both do demonstrate the procedure and provided as a ready-made example for use in future studies. The provided dataset is used in the EU-funded Horizon 2020 project FLOATECH.

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    Authors: Bartocci P.; Bidini G.; Abad A.; Bischi A.; +6 Authors

    Bioenergy combustion with Carbon Capture and Storage (BECCS) is a key technology to achieve carbon negative emissions power generation. This can be achieved by coupling the biofuels combustion with CO2 capture and storage (CCS). The lowest cost for CCS corresponds at the moment to the Chemical Looping Combustion (CLC) process. This can use biofuels which can be gaseous (biomethane, biogas or syngas etc.), liquid (biodiesel, bioethanol, biobutanol and pyrolysis oils etc.) or solids (wood dust, charcoal dust, wood chips, wood pellets etc.) While plant design with gaseous and liquid biofuels would be simpler, plants using solid biofuels and based on two couple fluidisd beds would need the use of a third reactor named carbon stripper. In the specific case if we plan to couple a CLC plant with a turbo expander (to achieve the high efficiencies of a combined cycle power plant) we have to work with pressurized reactors. However, there are some technical barriers to the coupling of a chemical looping combustor with a turbo expander, such as: the operation of the combustor in pressurised conditions; the inventory balance among reactors; elutriated particles reaching the turbo expander. This explaind why there is no commercial plant at the moment capable to do this. The aim of this paper is to present a model for the dimensioning of an air reactor to be coupled to a turbo expander of the power of about 12 MWe. Based on this, the air mass flow can be obtained and the geometric parameters can be calculated, to have an air velocity which is needed to achieve the fast fluidization regime and to ensure a high conversion rate as well as particles and heat exchage among air and fuel reactor. This work has been funded by the GTCLC-NEG project that has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodow-ska-Curie grant agreement No. 101018756. 6 figures, 2 tables.-- ATI Annual Congress (ATI 2022) 11/09/2022 - 14/09/2022 Bari, Italy. Peer reviewed

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    Authors: Lukaszewicz, Aleksandra; Gorewicz, Igor;

    Analyzing the current political scenario, it is good to mind the ‘distribution of the sensible’ as phrased by Jacques Ranciére, which refers to a regime and delimitates spaces and times, of the visible and the invisible, of speech and noise;and to think about possible re-distribution, which has emancipating character that can contribute to more democratic politics and aesthetics. In contemporary times of visual culture, it is important to mind especially strong, symbolic images constructed for political stakes and distributed in the public sphere to understand what they do and how, in order to disarm and transform them. Focusing on two faces of backlash observed in contemporary Europe, one anti-Muslim and the other anti-women, we propose the interdisciplinary analysis of two artworks by Polish female artists: The Polish Burqa by Karolina Mełnicka (2013) and Mokosh by Katarzyna Górewicz (phot. Jacek Gajak, 2017), which imply discourses on women in tradition in different ways that might be considered as dialectic and symbolic in Ranciére’s terms. One is decomposing the politically oppressive use of traditional symbols, and the other is proposing a reference to tradition in an empowering way. Analizzando l’attuale scenario politico, è bene ricordare la ‘distribuzione del sensibile’ come l’ha formulata Jacques Ranciére, che fa riferimento a un regime e delimita spazi e tempi, del visibile e dell’invisibile, della parola e del rumore, e allo stesso tempo pensare a una possibile ridistribuzione, che ha un carattere emancipativo il quale può contribuire a politiche ed estetiche più democratiche. Nell’epoca contemporanea, dominata dalla ‘visual culture’, è importante pensare a immagini simboliche particolarmente forti, costruite per la posta in gioco politica e distribuite nella sfera pubblica, per capire cosa fanno e come, al fine di disarmarle e trasformarle. Concentrandomi sulle due facce del contraccolpo osservate nell’Europa contemporanea, una anti-musulmana e l’altra anti-donne, propongo l’analisi interdisciplinare di due opere di artiste polacche: The Polish Burqa di Karolina Mełnicka (2013) e Mokosh di Katarzyna Górewicz (foto Jacek Gajak, 2017), che implicano discorsi sulla donna nella tradizione in modi diversi che potrebbero essere considerati dialettici e simbolici nei termini di Ranciére. Uno sta scomponendo l’uso politicamente oppressivo dei simboli tradizionali e l’altro propone un riferimento alla tradizione in maniera emancipante.

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    Authors: Andrea Ottone; Erika;

    This essay proposes an overview of the digital tools designed and developedby the EMoBookTrade project team to investigate the economic and legalframework of the late Renaissance and early Baroque European book mar-ket. In particular it illustrates the structure of the two databases developedto cross-reference the evolution of book prices in conjunction with the devel-opment of the system of book privileges. The article proposes a model forusers and developers interested in pursuing big-data-oriented investigationsin the field of book history with a focus on the economy of the book market.

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