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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Edquist, Samuel; Gustafson, Jörgen; Johansson, Stefan; Linderborg, Åsa;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tayebi, Shadi Sadat;

    This research analyzes the effectiveness of design elements like picture, text and color in aesthetic products advertisement; it compares advertisements in the two countries of Iran and Sweden. Dependent variables in this research are the opinion of Iranian and Swedish consumers and Independent variables are pictures (model, endorser, endorser age, endorser nationality and appeal), color (colorful and black &white) and text (typeface and text concept). Based on the causal research design, I analyze how a change in the design elements affects the opinion of consumers in Iran and Sweden about the ad. This research emphasizes on three kinds of aesthetic Products including: jewelry, make up and clothing. The reason to choose the aesthetic products is because of their uniqueness comparing to other products which are to satisfy the psychological needs of the consumers. The Media that is analyzed here is visual advertisings like magazine, newspaper, billboards and posters. Theoretical investigation was the data collection through secondary data; it was the library study, reading 151 articles and books related to the subject of this research; the primary data collection was through my own experience of cultural differences and also interview with advertisers in both countries and the finally the experiment targeted to the consumers. To do the experiment, a number of 200 females between 20-30 (100 Swedish and 100 Iranian) are chosen and they are asked to choose the ad which mostly attracts their attention. Ads are wisely chosen and each of them analyzes the change in one of the design elements and its effectiveness in attracting the attention of the consumers. This research is started with the purpose of the research and the research problem, then I bring the theoretical insights, the research questions and their relevant hypothesis; finally I bring the methodology, the experiment and the interviews and in the end, I do a qualitative analysis of the results. Based on the result of the research, picture and text are very competitive in attracting the attention of the consumers to the ad. Aesthetic product advertisement is more effective in both countries if there is a use of an endorser instead of the product image; endorsers are most likely to be celebrities, in the age of below 20 and from a mix of nationalities; ads are most likely to be colorful and use the Serif typefaces. In designing the ads for the aesthetic products in Iran it is more effective to use the sex appeal while in Sweden it is more effective to use the slice of life appeal. Finally consumers in Iran are more attracted to the ad by the impression of the text concept comparing to Swedes. The keywords of this research are: Design, Advertising, Aesthetic products and Cultural investigation

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från H...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från H...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ekstrand, Katharina;

    Abstract Syftet med denna uppsats är att med hjälp av närläsning, analysera Växjö fattigstyrelses protokoll och föredragningslistor med rapporter. Ambitionen har varit att försöka urskilja vilka individer som var i kontakt med fattigvårdsstyrelsen och vilka ärenden de hade. Vidare också om vem som sågs som rätt respektive orätt fattig och vad för värderingar som kunde skönjas i materialet. Likaså om vilka makt- och kontrollfunktioner som utövades av Fattigvårdsstyrelsen och de som var knutna till den. Det vill säga hur makten kom att manifisteras. Ambitionen har också varit att pröva min hypotes om att gifta och ogifta kvinnor och deras barn behandlades olika och där de sistnämndas vandel påverkar deras möjligheter till ersättning negativt. Materialet analyserades utifrån ett barn-, familje och maktperspektiv i ljuset av Michel Foucaults teori om normalitet och avvikelse. Källmaterialet har bestått av rapporter, föredragningslistor och framförallt protokoll från Växjö Fattigvårdsstyrelse för åren 1857, 1876 och 1919. Denna undersökning visar bland annat att familjernas vandel påverkade utfallet av ansökningarna till Fattigvårdsstyrelsen. Exempelvis behandlades ogifta kvinnor och deras barn sämre än gifta kvinnor och änkor. Vidare visar resultaten att de klienter som var i kontakt med fattigvården fick redovisa allt vad de ägde och tjänade och de fick endast ersättning för existentiella behov i form av pengar till mat, kläder, konfirmationskläder, skodon, bränsle och i enskilda fall även till begravningskostnader. De klienter som var i kontakt med Fattigvårdsstyrelsen var främst ensamma familjeförsörjare som av olika skäl hade svårigheter med att försörja sina familjer, fosterföräldrar som begärde högre fosterlega eller klienter vars omgivning skickat in skrivelser om barn de misstänkte for illa. Nyckelord: Ogifta [unmarried], gifta [married], oäkta barn [bastards], fosterbarn [foster children], vandel [repute], fattigvård [poorhouse], normalitet [normality], avvikande [abnormal], värderingar [values]

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Kolsgård, Svante;

    Det stora intresset för "den egna historien" i form av släktforskning, gårds- och bybistoria och hembygdsforskning, har skapat ett brett behov av god handledningslitteratur. Författaren Sven Lindqvist försökte 1978 med "Gräv där Du står" att vidga "barfotaforskarnas" verksambetsfält från släktforskning och traditionell hembygdsforskning till studiet av den egna arbetsplatsens historia. Ett vällovligt irutiativ. "Verktyget" som "barfotaforskaren" behövde var just Lindqvists egen bok, enligt författaren själv. Man behöver dock inte vara särdeles väl bevandrad ilokalhistoriskt material för att inse att Lindqvists "verktyg" helt saknade skärpa. "Verktyget" för att nå "arbetarnas sanna historia" var slött redan innan "barfotaforskaren" ens hann hugga i sten, vilket naturligtvis blev det självklara resultatet om enkom Lindqvists bok användes som handledning. Till skillnad från Lindqvists "Gräv där Du står" har Thomas Aurelius med Gårdens och hembygaens historia. Del 1 och 2 Uppsala 1988 arbetat fram en verkligt kunnig och användbar handledning för den lokalhistoriskt intresserade. Tidskriften Kronos: historia i skola och samhälle gavs ut vid Linköpings univeristet mellan åren 1988-1991.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från L...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från L...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Arrhenius, Jacob;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Larsson, Esbjörn;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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    Authors: Ait Lahmouch, Nadir;

    Uppgifter för behandling av naturliga språk (NLP) har under de senaste åren visat sig vara särskilt effektiva när man använder förtränade språkmodeller som BERT. Det enorma kravet på datorresurser som krävs för att träna sådana modeller gör det dock svårt att använda dem i verkligheten. För att lösa detta problem har komprimeringsmetoder utvecklats. I det här projektet studeras, genomförs och testas några av dessa metoder för komprimering av neurala nätverk för textbearbetning. I vårt fall var den mest effektiva metoden Knowledge Distillation, som består i att överföra kunskap från ett stort neuralt nätverk, som kallas läraren, till ett litet neuralt nätverk, som kallas eleven. Det finns flera varianter av detta tillvägagångssätt, som skiljer sig åt i komplexitet. Vi kommer att titta på två av dem i det här projektet. Den första gör det möjligt att överföra kunskap mellan ett neuralt nätverk och en mindre dubbelriktad LSTM, genom att endast använda resultatet från den större modellen. Och en andra, mer komplex metod som uppmuntrar elevmodellen att också lära sig av lärarmodellens mellanliggande lager för att utvinna kunskap. Det slutliga målet med detta projekt är att ge företagets datavetare färdiga komprimeringsmetoder för framtida projekt som kräver användning av djupa neurala nätverk för NLP. Natural language processing (NLP) tasks have proven to be particularly effective when using pre-trained language models such as BERT. However, the enormous demand on computational resources required to train such models makes their use in the real world difficult. To overcome this problem, compression methods have emerged in recent years. In this project, some of these neural network compression approaches for text processing are studied, implemented and tested. In our case, the most efficient method was Knowledge Distillation, which consists in transmitting knowledge from a large neural network, called teacher, to a small neural network, called student. There are several variants of this approach, which differ in their complexity. We will see two of them in this project, the first one which allows a knowledge transfer between any neural network and another smaller bidirectional LSTM, using only the output of the larger model. And a second, more complex approach that encourages the student model to also learn from the intermediate layers of the teacher model for incremental knowledge extraction. The ultimate goal of this project is to provide the company’s data scientists with ready-to-use compression methods for their future projects requiring the use of deep neural networks for NLP. 

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
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    Authors: Sjöholm, Magnus;

    This essay concerns the interpretation of house plans in three-aisled longhouses and hall-buildings, in Scandinavia during Iron Age. Full scale house reconstructions need a better basis of interpretations to understand the patterns of roof supporting post holes in excavated house plans. This has led to the thesis, presented here, that the layout of house plans during Iron Age is based on geometrical proportions. In order to prove this, geometric house plans were applied and compared with excavated house plans in 11different case studies, including the fortification of Fyrkat Denmark. It was found that all house plans in the case studies indicate, that the geometrical proportions 1:2, 1:3 and 2:3 of a given circle must have been used for the basic layout of the roof supporting post holes, using a compass and a straightedge. Strings and stones were used in a field study.

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    Authors: Lagerlöf, Petrus;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Edquist, Samuel; Gustafson, Jörgen; Johansson, Stefan; Linderborg, Åsa;
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    Authors: Tayebi, Shadi Sadat;

    This research analyzes the effectiveness of design elements like picture, text and color in aesthetic products advertisement; it compares advertisements in the two countries of Iran and Sweden. Dependent variables in this research are the opinion of Iranian and Swedish consumers and Independent variables are pictures (model, endorser, endorser age, endorser nationality and appeal), color (colorful and black &white) and text (typeface and text concept). Based on the causal research design, I analyze how a change in the design elements affects the opinion of consumers in Iran and Sweden about the ad. This research emphasizes on three kinds of aesthetic Products including: jewelry, make up and clothing. The reason to choose the aesthetic products is because of their uniqueness comparing to other products which are to satisfy the psychological needs of the consumers. The Media that is analyzed here is visual advertisings like magazine, newspaper, billboards and posters. Theoretical investigation was the data collection through secondary data; it was the library study, reading 151 articles and books related to the subject of this research; the primary data collection was through my own experience of cultural differences and also interview with advertisers in both countries and the finally the experiment targeted to the consumers. To do the experiment, a number of 200 females between 20-30 (100 Swedish and 100 Iranian) are chosen and they are asked to choose the ad which mostly attracts their attention. Ads are wisely chosen and each of them analyzes the change in one of the design elements and its effectiveness in attracting the attention of the consumers. This research is started with the purpose of the research and the research problem, then I bring the theoretical insights, the research questions and their relevant hypothesis; finally I bring the methodology, the experiment and the interviews and in the end, I do a qualitative analysis of the results. Based on the result of the research, picture and text are very competitive in attracting the attention of the consumers to the ad. Aesthetic product advertisement is more effective in both countries if there is a use of an endorser instead of the product image; endorsers are most likely to be celebrities, in the age of below 20 and from a mix of nationalities; ads are most likely to be colorful and use the Serif typefaces. In designing the ads for the aesthetic products in Iran it is more effective to use the sex appeal while in Sweden it is more effective to use the slice of life appeal. Finally consumers in Iran are more attracted to the ad by the impression of the text concept comparing to Swedes. The keywords of this research are: Design, Advertising, Aesthetic products and Cultural investigation

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    Authors: Ekstrand, Katharina;

    Abstract Syftet med denna uppsats är att med hjälp av närläsning, analysera Växjö fattigstyrelses protokoll och föredragningslistor med rapporter. Ambitionen har varit att försöka urskilja vilka individer som var i kontakt med fattigvårdsstyrelsen och vilka ärenden de hade. Vidare också om vem som sågs som rätt respektive orätt fattig och vad för värderingar som kunde skönjas i materialet. Likaså om vilka makt- och kontrollfunktioner som utövades av Fattigvårdsstyrelsen och de som var knutna till den. Det vill säga hur makten kom att manifisteras. Ambitionen har också varit att pröva min hypotes om att gifta och ogifta kvinnor och deras barn behandlades olika och där de sistnämndas vandel påverkar deras möjligheter till ersättning negativt. Materialet analyserades utifrån ett barn-, familje och maktperspektiv i ljuset av Michel Foucaults teori om normalitet och avvikelse. Källmaterialet har bestått av rapporter, föredragningslistor och framförallt protokoll från Växjö Fattigvårdsstyrelse för åren 1857, 1876 och 1919. Denna undersökning visar bland annat att familjernas vandel påverkade utfallet av ansökningarna till Fattigvårdsstyrelsen. Exempelvis behandlades ogifta kvinnor och deras barn sämre än gifta kvinnor och änkor. Vidare visar resultaten att de klienter som var i kontakt med fattigvården fick redovisa allt vad de ägde och tjänade och de fick endast ersättning för existentiella behov i form av pengar till mat, kläder, konfirmationskläder, skodon, bränsle och i enskilda fall även till begravningskostnader. De klienter som var i kontakt med Fattigvårdsstyrelsen var främst ensamma familjeförsörjare som av olika skäl hade svårigheter med att försörja sina familjer, fosterföräldrar som begärde högre fosterlega eller klienter vars omgivning skickat in skrivelser om barn de misstänkte for illa. Nyckelord: Ogifta [unmarried], gifta [married], oäkta barn [bastards], fosterbarn [foster children], vandel [repute], fattigvård [poorhouse], normalitet [normality], avvikande [abnormal], värderingar [values]

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    Authors: Kolsgård, Svante;

    Det stora intresset för "den egna historien" i form av släktforskning, gårds- och bybistoria och hembygdsforskning, har skapat ett brett behov av god handledningslitteratur. Författaren Sven Lindqvist försökte 1978 med "Gräv där Du står" att vidga "barfotaforskarnas" verksambetsfält från släktforskning och traditionell hembygdsforskning till studiet av den egna arbetsplatsens historia. Ett vällovligt irutiativ. "Verktyget" som "barfotaforskaren" behövde var just Lindqvists egen bok, enligt författaren själv. Man behöver dock inte vara särdeles väl bevandrad ilokalhistoriskt material för att inse att Lindqvists "verktyg" helt saknade skärpa. "Verktyget" för att nå "arbetarnas sanna historia" var slött redan innan "barfotaforskaren" ens hann hugga i sten, vilket naturligtvis blev det självklara resultatet om enkom Lindqvists bok användes som handledning. Till skillnad från Lindqvists "Gräv där Du står" har Thomas Aurelius med Gårdens och hembygaens historia. Del 1 och 2 Uppsala 1988 arbetat fram en verkligt kunnig och användbar handledning för den lokalhistoriskt intresserade. Tidskriften Kronos: historia i skola och samhälle gavs ut vid Linköpings univeristet mellan åren 1988-1991.

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    Authors: Arrhenius, Jacob;
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    Authors: Larsson, Esbjörn;
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    Authors: Ait Lahmouch, Nadir;

    Uppgifter för behandling av naturliga språk (NLP) har under de senaste åren visat sig vara särskilt effektiva när man använder förtränade språkmodeller som BERT. Det enorma kravet på datorresurser som krävs för att träna sådana modeller gör det dock svårt att använda dem i verkligheten. För att lösa detta problem har komprimeringsmetoder utvecklats. I det här projektet studeras, genomförs och testas några av dessa metoder för komprimering av neurala nätverk för textbearbetning. I vårt fall var den mest effektiva metoden Knowledge Distillation, som består i att överföra kunskap från ett stort neuralt nätverk, som kallas läraren, till ett litet neuralt nätverk, som kallas eleven. Det finns flera varianter av detta tillvägagångssätt, som skiljer sig åt i komplexitet. Vi kommer att titta på två av dem i det här projektet. Den första gör det möjligt att överföra kunskap mellan ett neuralt nätverk och en mindre dubbelriktad LSTM, genom att endast använda resultatet från den större modellen. Och en andra, mer komplex metod som uppmuntrar elevmodellen att också lära sig av lärarmodellens mellanliggande lager för att utvinna kunskap. Det slutliga målet med detta projekt är att ge företagets datavetare färdiga komprimeringsmetoder för framtida projekt som kräver användning av djupa neurala nätverk för NLP. Natural language processing (NLP) tasks have proven to be particularly effective when using pre-trained language models such as BERT. However, the enormous demand on computational resources required to train such models makes their use in the real world difficult. To overcome this problem, compression methods have emerged in recent years. In this project, some of these neural network compression approaches for text processing are studied, implemented and tested. In our case, the most efficient method was Knowledge Distillation, which consists in transmitting knowledge from a large neural network, called teacher, to a small neural network, called student. There are several variants of this approach, which differ in their complexity. We will see two of them in this project, the first one which allows a knowledge transfer between any neural network and another smaller bidirectional LSTM, using only the output of the larger model. And a second, more complex approach that encourages the student model to also learn from the intermediate layers of the teacher model for incremental knowledge extraction. The ultimate goal of this project is to provide the company’s data scientists with ready-to-use compression methods for their future projects requiring the use of deep neural networks for NLP. 

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    Authors: Sjöholm, Magnus;

    This essay concerns the interpretation of house plans in three-aisled longhouses and hall-buildings, in Scandinavia during Iron Age. Full scale house reconstructions need a better basis of interpretations to understand the patterns of roof supporting post holes in excavated house plans. This has led to the thesis, presented here, that the layout of house plans during Iron Age is based on geometrical proportions. In order to prove this, geometric house plans were applied and compared with excavated house plans in 11different case studies, including the fortification of Fyrkat Denmark. It was found that all house plans in the case studies indicate, that the geometrical proportions 1:2, 1:3 and 2:3 of a given circle must have been used for the basic layout of the roof supporting post holes, using a compass and a straightedge. Strings and stones were used in a field study.

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    Authors: Lagerlöf, Petrus;
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