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1,129 Research products

  • Digital Humanities and Cultural Heritage
  • 2019-2023
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  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Adedamola Adetiba; Enocent Msindo;

    Summary This article examines the role of African chiefs in the administration of colonial medicine in rural south-western Nigeria, emphasising the adaptive ways they navigated a difficult position between colonial medical authorities and indigenous medical legitimacy. Whereas colonial authorities expected chiefs to enforce medical policies and to encourage their subjects to use medical facilities, Africans wanted chiefs to defend and promote Yoruba medical and religious practices that colonial authorities and missionaries usually undermined. By supporting established African healing systems, chiefs stood to gain political mileage and favour with traditional healers. Furthermore, we argue that although African chiefs cooperated with the government in implementing health policies, they had a difficult relationship with sanitary inspectors who enforced sanitary regulations in ways that bred resentment. In the 1940s, Yoruba chiefs advocated for more rural health services, perhaps to pacify the rising nationalist movement that would have made them irrelevant had they not cooperated.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social History of Me...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Social History of Medicine
    Article . 2022 . Peer-reviewed
    License: CC BY NC ND
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Social History of Medicine
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social History of Me...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Social History of Medicine
      Article . 2022 . Peer-reviewed
      License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Social History of Medicine
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sanja Franković;

    This paper analyses the novel A Swallow of 1000 Years by Tonči Petrasov Marović. The topic of a neglected girl and her parents’ marriage problems is intertwined with the Mediterranean fairytale and mythical dimension, since the girl and her father are aided by personified helpers: a swallow, butterflies and a tree. The real social context after the Second World War is also outlined. The affiliation of helpers to the earthly and celestial dimension creates the totality of the world, which is understood by children’s logic. On the other hand, the linguistic layer introduces the adult logic. The narrative structure of the novel is complex: in the framework story, the narrator waits for a serious surgery and meets a girl whose life is narrated to him by a tree which he can see through the hospital window. As the main narrative line, the tree’s story introduces several focalisers: a girl, her deceased father, butterflies, and a swallow which the girl’s father saved in his childhood. The novel is closed by its framework story: the girl leaves her cold-hearted mother and stepfather and goes with the narrator to Dalmatia, which was also her father’s homeland. A happy outcome was already announced by her father’s dreams. In the analysis of the narrative structure and stylistic features of the novel, the paper considers the function of fairytale and mythical elements, which intertwine children’s logic with the wisdom of mature human age.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Croatica et Slavica ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Croatica et Slavica Iadertina
    Article . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Croatica et Slavica ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Croatica et Slavica Iadertina
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Robert Vacareanu; Marco Antonio Valenzuela-Escárcega; Rebecca Sharp; Mihai Surdeanu;

    This paper explores an unsupervised approach to learning a compositional representation function for multi-word expressions (MWEs), and evaluates it on the Tratz dataset, which associates two-word expressions with the semantic relation between the compound constituents (e.g. the label employer is associated with the noun compound government agency) (Tratz, 2011). The composition function is based on recurrent neural networks, and is trained using the Skip-Gram objective to predict the words in the context of MWEs. Thus our approach can naturally leverage large unlabeled text sources. Further, our method can make use of provided MWEs when available, but can also function as a completely unsupervised algorithm, using MWE boundaries predicted by a single, domain-agnostic part-of-speech pattern. With pre-defined MWE boundaries, our method outperforms the previous state-of-the-art performance on the coarse-grained evaluation of the Tratz dataset (Tratz, 2011), with an F1 score of 50.4%. The unsupervised version of our method approaches the performance of the supervised one, and even outperforms it in some configurations.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://www.aclweb.o...arrow_drop_down
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    https://www.aclweb.org/antholo...
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    https://doi.org/10.18653/v1/20...
    Conference object . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://www.aclweb.o...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Conference object . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ionut Cristi Nicu; Cristian Constantin Stoleriu;

    Abstract In this study, the land use around the Churches of Moldavia, UNESCO WH (World Heritage) sites, has been analysed using photo interpretation and GIS. The cartographic analysis used historical maps and modern orthophotos to highlight the main changes that took place over the last century in the area surrounding the sites, which has been extended to 1 km buffer. Historical maps and orthophotos of the years 1917, 2005, and 2016 have been processed to identify the present and historical changes in one of the most well-known historical areas of Eastern Europe. Monuments have a significant universal, national, and local value, contributing to the touristic development of the area. The most important processes that can affect the integrity of the monuments are the deforestations and the anthropogenic environmental changes. Significant changes took place around Probota, Humor, Patrauti and Arbore churches, while Sucevita, Voronet and Moldovita churches still preserve the natural landscape specific to the Bukovina historical area; Suceava church is part of a strongly urbanised landscape.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Habitat International
    Article . 2019 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Habitat International
      Article . 2019 . Peer-reviewed
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Andrei Terian;

    This article aims to explore the meanings and functions of temperature in Liviu Rebreanu’s novel Ion. The conclusions of my research are paradoxical from at least two points of view: first, the Romanian writer uses a language that is at once rudimentary and subtle, encoding a small number of meanings, but in a discreet manner; then, Rebreanu creates a genuine scale of passions arranged on the axis cold (death) – warmth (life), but at the same time he regards the boiling passions as forebodings of death.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Transilvaniaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Transilvania
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Transilvaniaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Transilvania
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The paper covers the history of 20th century Serbian fashion from the 1920s through the 1980s, focusing on the problem of its historization. Based on established readings submitting 20th century Serbian fashion to politics thus distancing it from global fashion history, I aim to structure a possible historical narrative of fashion by identifying the elements of haute couture in 20th century Serbian fashion industry. Rather than contrasting Serbian fashion figures with their Western counterparts and deepening the West / East Europe fashion divide, the paper traces similarities between them, demonstrating that 20th century Serbian fashion responded to haute couture trends simultaneously with their emergence in the West.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Istorija 20. Vekaarrow_drop_down
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    Istorija 20. Veka
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    Istorija 20. Veka
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Istorija 20. Vekaarrow_drop_down
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      Istorija 20. Veka
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Istorija 20. Veka
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Iușcă Dorina Geta;

    Abstract The accuracy of absolute pitch has often fallen into mythical perspectives, as this rare ability tends to fascinate people through its spectacular results. Many people tend to think that a musician with absolute pitch is always capable of identifying the musical note of any sound in any circumstances. The research literature has revealed that this is rarely true. Although there is a significant difference between real absolute pitch owners and pseudo-absolute pitch owners, the accuracy of absolute pitch is highly influenced by a series of musical factors such as: pitch chroma, pitch height and musical timbre. Therefore, it has been proven that the best absolute pitch accuracy manifests for medium pitch sounds, while very high or very low sounds tend to often be misidentified. Even more, absolute pitch owners tend to make an unusual mistake of misidentifying the octave. The familiar sounds (for example from the instrument the musician has studied in childhood) tend to produce less identification errors. Nevertheless, the piano timbre is usually associated with the best accuracy of absolute pitch. The aim of the present research is to synthetize up-to-date literature regarding the way these factors influence the accuracy of absolute pitch. The study focuses on the idea of normalizing the general perspective of absolute pitch accuracy, as musicians and teachers often tend to have very high expectations regarding this ability. The educational implications of the new perspective drawn here contribute to a better relation between teachers and students, as well as to a better understanding of this interesting musical ability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Review of Artistic E...arrow_drop_down
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    Review of Artistic Education
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    Review of Artistic Education
    Article . 2019 . Peer-reviewed
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    DOAJ-Articles
    Article . 2019
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      Review of Artistic Education
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      Review of Artistic Education
      Article . 2019 . Peer-reviewed
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      DOAJ-Articles
      Article . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daniela Schor; Vladimir Schor;

    The aim of this paper is to highlight the close relationship between mechanical work (J) values and functional status of the spine expressed by clinical signs such as regional pain and mobility. The group of participants is heterogeneous, consisting of 11 people who perform office work for 8 hours a day as employees of a software company. All are clinically healthy but experience temporary pain or discomfort during or at the end of the work schedule and during daily activities that involve low intensity physical exertion. They benefited from the 10 sessions of the program designed to measure, assess and enhance the statokinetic function of the spine for prevention purposes using BackFix technology. The research findings reveal an important connection between the evolution of test results and clinical manifestations.

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    Revista Romaneasca pentru Educatie Multidimensionala
    Article . 2022 . Peer-reviewed
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      Revista Romaneasca pentru Educatie Multidimensionala
      Article . 2022 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wojciech Zgłobicki; Jean Poesen; Sofie De Geeter; John Boardman; +7 Authors

    Abstract Sunken lanes are roads or tracks, 2 m or more wide, that are incised at least 0.5 m, but often by several meters, below the general level of the surrounding land surface. They are formed by the passage of people, animals, vehicles and erosion by water and gravity. Although these anthropogenic landforms are quite common worldwide they received limited interest by the international scientific community. This comprehensive review analyzed all available information on their characteristics, development and functions in landscapes. Most research on sunken lanes has been conducted in Europe, whereas sunken lanes have been occasionally reported in other continents as well. Major topics addressed are spatial distribution, origin and development, morphology, erosion rates, hydrology, ecology, management, geotourism and research needs. Mean dimensions of sunken lanes reported for various regions vary widely: i.e. 30–2300 m for their length; 0.6–12.5 m for their depth and 2–36 m for their top width. Typical sunken lane densities in European regions (10 to 100 km2 large) characterized by such landforms range between 0.2 and 0.5 km km−2 but for smaller areas ( Sunken lane formation results from interactions between natural factors (i.e. lithology and soils, topography, climate, vegetation) and anthropogenic factors (i.e. traffic, land use and management). Rock type, weathering status and soil types control the erodibility of hillslope materials and hence the development and preservation of sunken lanes. Sunken lanes have been reported in several lithologies but most have been studied in loess regions. Sunken lanes, can be initiated at topographic landscape positions with a much lower slope gradient and corresponding contributing area than those needed to initiate classical gullies, due to the combined action of natural (i.e. concentrated flow erosion and mass movements) and anthropogenic processes (i.e. erosion by animal and human trampling, wheel traffic and digging). Once formed, medium to long-term average incision rates of unpaved bare sunken lanes are 1 to 5 cm year−1 often exceeding erosion rates on nearby cropland by at least one order of magnitude. Sunken lanes perform many functions in landscapes i.e. microclimatological, hydrological, geomorphological, ecological, transport, aesthetic, geotouristic, educational, scientific, strategic, and historical functions. Sunken lanes represent long-standing heritage of past agricultural landscapes and, taking into account their natural and cultural assets, justifies their protection. Unfortunately in several regions, sunken lanes are threatened by urban sprawl, agricultural intensification or land consolidation programs. It remains a challenge for environmental planners to conserve this characteristic geomorphosite for the Anthropocene and to reconcile its competing functions.

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    Lirias
    Article . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Earth-Science Reviews
    Article . 2021 . Peer-reviewed
    License: Elsevier TDM
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      Lirias
      Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Earth-Science Reviews
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria-Judit Balko;

    This paper analyzes the relationship between permanent monuments and temporary art projects, as temporality is one of the strategies employed by Romanian artists to counterbalance the support that the Romanian state has shown only towards monuments and memorials dedicated to affirming its value. The complex nature of public art requires a careful consideration of the different dimensions this practice employs, and for that the Western debate on this matter can be a reference point in understanding Romanian public art. We will be looking at possible aspects of the functions of these two main directions in Romanian public art, as they stand methodically one in opposition to the other, in connection with the texts of Piotr Piotrowski (Art and Democracy in Post-communist Europe, 2012) and Boris Groys (Art Power, 2008).

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    Journal of Education Culture and Society
    Article . 2020 . Peer-reviewed
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    Journal of Education Culture and Society
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      Journal of Education Culture and Society
      Article . 2020 . Peer-reviewed
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      Journal of Education Culture and Society
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1,129 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Adedamola Adetiba; Enocent Msindo;

    Summary This article examines the role of African chiefs in the administration of colonial medicine in rural south-western Nigeria, emphasising the adaptive ways they navigated a difficult position between colonial medical authorities and indigenous medical legitimacy. Whereas colonial authorities expected chiefs to enforce medical policies and to encourage their subjects to use medical facilities, Africans wanted chiefs to defend and promote Yoruba medical and religious practices that colonial authorities and missionaries usually undermined. By supporting established African healing systems, chiefs stood to gain political mileage and favour with traditional healers. Furthermore, we argue that although African chiefs cooperated with the government in implementing health policies, they had a difficult relationship with sanitary inspectors who enforced sanitary regulations in ways that bred resentment. In the 1940s, Yoruba chiefs advocated for more rural health services, perhaps to pacify the rising nationalist movement that would have made them irrelevant had they not cooperated.

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    Social History of Medicine
    Article . 2022 . Peer-reviewed
    License: CC BY NC ND
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    Social History of Medicine
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      Social History of Medicine
      Article . 2022 . Peer-reviewed
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      Social History of Medicine
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sanja Franković;

    This paper analyses the novel A Swallow of 1000 Years by Tonči Petrasov Marović. The topic of a neglected girl and her parents’ marriage problems is intertwined with the Mediterranean fairytale and mythical dimension, since the girl and her father are aided by personified helpers: a swallow, butterflies and a tree. The real social context after the Second World War is also outlined. The affiliation of helpers to the earthly and celestial dimension creates the totality of the world, which is understood by children’s logic. On the other hand, the linguistic layer introduces the adult logic. The narrative structure of the novel is complex: in the framework story, the narrator waits for a serious surgery and meets a girl whose life is narrated to him by a tree which he can see through the hospital window. As the main narrative line, the tree’s story introduces several focalisers: a girl, her deceased father, butterflies, and a swallow which the girl’s father saved in his childhood. The novel is closed by its framework story: the girl leaves her cold-hearted mother and stepfather and goes with the narrator to Dalmatia, which was also her father’s homeland. A happy outcome was already announced by her father’s dreams. In the analysis of the narrative structure and stylistic features of the novel, the paper considers the function of fairytale and mythical elements, which intertwine children’s logic with the wisdom of mature human age.

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    Croatica et Slavica Iadertina
    Article . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Croatica et Slavica ...arrow_drop_down
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      Croatica et Slavica Iadertina
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Robert Vacareanu; Marco Antonio Valenzuela-Escárcega; Rebecca Sharp; Mihai Surdeanu;

    This paper explores an unsupervised approach to learning a compositional representation function for multi-word expressions (MWEs), and evaluates it on the Tratz dataset, which associates two-word expressions with the semantic relation between the compound constituents (e.g. the label employer is associated with the noun compound government agency) (Tratz, 2011). The composition function is based on recurrent neural networks, and is trained using the Skip-Gram objective to predict the words in the context of MWEs. Thus our approach can naturally leverage large unlabeled text sources. Further, our method can make use of provided MWEs when available, but can also function as a completely unsupervised algorithm, using MWE boundaries predicted by a single, domain-agnostic part-of-speech pattern. With pre-defined MWE boundaries, our method outperforms the previous state-of-the-art performance on the coarse-grained evaluation of the Tratz dataset (Tratz, 2011), with an F1 score of 50.4%. The unsupervised version of our method approaches the performance of the supervised one, and even outperforms it in some configurations.

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    https://www.aclweb.org/antholo...
    Conference object
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    https://doi.org/10.18653/v1/20...
    Conference object . 2020 . Peer-reviewed
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      Conference object
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      Data sources: UnpayWall
      https://doi.org/10.18653/v1/20...
      Conference object . 2020 . Peer-reviewed
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ionut Cristi Nicu; Cristian Constantin Stoleriu;

    Abstract In this study, the land use around the Churches of Moldavia, UNESCO WH (World Heritage) sites, has been analysed using photo interpretation and GIS. The cartographic analysis used historical maps and modern orthophotos to highlight the main changes that took place over the last century in the area surrounding the sites, which has been extended to 1 km buffer. Historical maps and orthophotos of the years 1917, 2005, and 2016 have been processed to identify the present and historical changes in one of the most well-known historical areas of Eastern Europe. Monuments have a significant universal, national, and local value, contributing to the touristic development of the area. The most important processes that can affect the integrity of the monuments are the deforestations and the anthropogenic environmental changes. Significant changes took place around Probota, Humor, Patrauti and Arbore churches, while Sucevita, Voronet and Moldovita churches still preserve the natural landscape specific to the Bukovina historical area; Suceava church is part of a strongly urbanised landscape.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Habitat International
    Article . 2019 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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