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Indic rites of purification aim to negate the law of karma by removing the residues of malignant past actions from their patrons. This principle is exemplified in the Kahika Mela, a rarely studied religious festival of the West Himalayan highlands (Himachal Pradesh, India), wherein a ritual specialist assumes karmic residues from large publics and then sacrificed to their presiding deity. British officials who had ‘discovered’ this purificatory rite at the turn of the twentieth century interpreted it as a variant of the universal ‘scapegoat’ rituals that were then being popularized by James Frazer and found it loosely connected to ancient Tantric practises. The However, observing a recent performance of the ritual significantly complicated this view. This paper proposes a novel reading of the Kahika Mela through the prism of karmic transference. Tracing the path of karmas from participants to ritual specialist and beyond, it delineates the logic behind the rite, revealing that the culminating act of human sacrifice is, in fact, secondary to the mysterious force that impels its acceptance.

s zenith, the Jewish sages introduced special ecological regulations pertaining to its overall urban landscape. One of them was a prohibition against growing plants within the city in order to prevent undesirable odors or litter and thus maintain the city&rsquo s respectable image. The prohibition against growing plants within the city did not apply to rose gardens, maybe because of ecological reasons, i.e., their contribution to aesthetics and to improving bad odors in a crowded city. In the city&rsquo ) around the city of Jerusalem. Haggadic-Talmudic tradition tries to endow Jerusalem with a metaphysical uniqueness by describing fantastic plants that allegedly grew in it in the past but disappeared as a result of its destruction. s status is its flora and ecology. The current study aims to address the historical events and the Talmudic traditions concerning the flora and landscape of Jerusalem. In the city&rsquo The Second Temple period is considered both a pinnacle and a low point in the history of Jerusalem. One manifestation of the sharp fluctuations in Jerusalem&rsquo s decline, its agricultural crops and natural vegetation were destroyed when the beleaguered inhabitants were defeated by Titus&rsquo army. One Talmudic tradition voices hope for the rehabilitation of the flora (&ldquo shitim&rdquo

Whereas the conflict over Palestine’s’ holy places and their role in forming Israeli or Palestinian national identity is well studied, this article brings to the fore an absent perspective. It shows that in the first half of the 20th century Muslims and Jews in Jerusalem shared holy sites, religious beliefs and feasts. Jewish–Muslim encounters of that period went much beyond pre-modern practices of cohabitation, to the extent of developing joint local patriotism. On the other hand, religious and other holy sites were instrumental in the Jewish and Palestinian exclusive nation building process rather than an inclusive one, thus contributing to escalate the national conflict.

In recent years, pre-modern beds have generated extensive scholarly interest. Their social, religious, and economic importance has been rightfully highlighted in the study of domestic piety. Yet, concern has primarily focused on beds in late medieval English homes. This essay uses Hebrew texts from thirteenth-century Southern Germany, primarily Sefer Hasidim, to further this analysis of the role of the bed in shaping medieval domestic devotion. Jewish notions about the social, moral, and sexual significance of the bed reflect those identified in late medieval Christian culture. These ideas inspired numerous rituals practiced in Jewish homes. Yet, the bed and the remnants of sex assumed to be found in it also frustrated Jewish attempts to perform domestic devotion. These findings highlight the complicated nature of the home and how medieval people had to navigate both its opportunities and challenges in order to foster a rich culture of domestic devotion.

s vast output on the Gardens of divine reward and their divisions generated a number of instructive comparisons to the eschatological and theosophical writing about the same subject in early Spanish Kabbalah. Although there is no direct historical evidence that kabbalists knew of such Arabic works from the region Catalonia or Andalusia, there are commonalities in fundamental imagery and in ontological and exegetical assumptions that resulted from an internalization of similar patterns of thought. It is quite reasonable to assume that these literary corpora, both products of the thirteenth century, were shaped by common sources from earlier visionary literature. The prevalence of translations of religious writing about ascents on high, produced in Castile in the later thirteenth century, can help explain the sudden appearance of visionary literature on Paradise and its divisions in the writings of Jewish esotericists of the same region. These findings therefore enrich our knowledge of the literary, intellectual, and creative background against which these kabbalists were working when they chose to depict Paradise in the way that they did, at the time that they did. This study is a comparative analysis of the appearances of the lower and upper Paradise, their divisions, and the journeys to and within them, which appear in mystical Jewish and Islamic sources in medieval Iberia. Ibn al-&lsquo Arabī&rsquo

This article presents the study of a Jewish liturgical genre that is performed in main sections of Jewish prayer services. This liturgical genre is called “prayer chanting”. The term refers to the musical performance by the cantor of the prose texts in Jewish prayer services. The genre of prayer chanting characterizes most Jewish liturgical traditions, and its central characteristic is a close attachment of the musical structure to the structure of the text. The article will examine musical, cultural, and historical characteristics of prayer chanting of two Sephardi Jewish traditions and will explain how this liturgical genre reflects historical and cultural features related to these liturgical traditions. The study presented here is based on field work that includes recordings of prayer and interviews of well-known cantors of the two traditions as well as observations in synagogue of the two liturgical traditions.

In recent years, scholars have devoted a great deal of attention to the history of scholarship in general and, more specifically, to the emergence of critical historical and anthropological literature from and within ecclesiastical scholarship. However, few studies have discussed the Jewish figures who took part in this process. This paper analyzes the role played by historiographical and ethnographical writing in seventeenth- and eighteenth-century Italian Jewish–Christian polemics. Tracing various Christian polemical ethnographical depictions of the Jewish rite of shaking the lulav (sacramental palm leaves used by Jews during the festival of Sukkot), it discusses the variety of ways in which Jewish scholars responded to these depictions or circumvented them. These responses reflect the Jewish scholars’ familiarity with prevailing contemporary scholarship and the key role of translation and cultural transfers in their own attempts to create parallel works. Furthermore, this paper presents new Jewish polemical manuscript material within the relevant contexts, examines Jewish attempts to compose polemical and apologetic ethnographies, and argues that Jewish engagement with critical scholarship began earlier than scholars of this period usually suggest