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AbstractScientific writings, as one essential part of human culture, have evolved over centuries into their current form. Knowing how scientific writings evolved is particularly helpful in understanding how trends in scientific culture developed. It also allows us to better understand how scientific culture was interwoven with human culture generally. The availability of massive digitized texts and the progress in computational technologies today provide us with a convenient and credible way to discern the evolutionary patterns in scientific writings by examining the diachronic linguistic changes. The linguistic changes in scientific writings reflect the genre shifts that took place with historical changes in science and scientific writings. This study investigates a general evolutionary linguistic pattern in scientific writings. It does so by merging two credible computational methods: relative entropy; word-embedding concreteness and imageability. It thus creates a novel quantitative methodology and applies this to the examination of diachronic changes in the Philosophical Transactions of Royal Society (PTRS, 1665–1869). The data from two computational approaches can be well mapped to support the argument that this journal followed the evolutionary trend of increasing professionalization and specialization. But it also shows that language use in this journal was greatly influenced by historical events and other socio-cultural factors. This study, as a “culturomic” approach, demonstrates that the linguistic evolutionary patterns in scientific discourse have been interrupted by external factors even though this scientific discourse would likely have cumulatively developed into a professional and specialized genre. The approaches proposed by this study can make a great contribution to full-text analysis in scientometrics.

This paper describes a preliminary expansion and assessment of the Latin WordNet for the purposes of the LiLa: Linking Latin project. The objective of this study is to better understand the implications of expanding and evaluating the sense coverage of the Latin WordNet, with a view to identifying the most effective method for its refinement and inclusion in the LiLa Knowledge Base of Latin resources. Our test empirically demonstrates the inadequacy for Latin of a common semi-automated approach of expansion and informs potential lines of improvement for the resource.

Whale, a common name, a simple word, but so many meanings. An animal, a good, a belief, a surprise, a part of these aspects or the encompassing of them all. It is, for sure, a being of some kind, but one that is described, depicted and appropriated in several forms, in a multitude of ways. To the whale is always assigned a role, but its relevance to distinct groups of society and its presentation to diverse audiences, across history, can be very different from one type of source to another. Working from the question – what's in a whale? – we present a study on the long-term human-whale relationships (from the 13th century onwards) connecting history and literature, to highlight the deep entanglement of societies and cultures with the marine environment. We aim at understanding the significance of whales and how culture, knowledge and values determine human behavior and actions towards these mammals. For that, we run through a long timeframe analyzing the whale, mostly based on Portuguese written sources, in comparison with European data, to discuss it as a commodity, a monster, a show and an icon. What we find is that the whale – real or conceptualized – has continuously been an element of human fascination. It is not merely a whale, but a wonder whale. An animal that still attracts crowds of people when it strands on nearby shores or when its blow is spotted in the horizon. The wonder whale allows for a close connection of people with the strange, enormous, paradoxical, ambivalent, still much unknown, oceanic realm.

This article briefly appraises the state of the art in the history of emotions, looking to its theoretical and methodological underpinnings and some of the notable scholarship in the contemporary field. The predominant focus, however, lies on the future direction of the history of emotions, based on a convergence of the humanities and neurosciences, and according to important observations about the biocultural status of human beings. While the article stops short of exhorting historians to become competent neuroscientists themselves, it does demand that historians of emotions take note of the implications of social neuroscientific research in particular, with a view to capturing the potential of the emotions to unlock the history of experience, and with a mind to unlocking the political importance of work in this area, namely, the shifting ground of what it means —how it feels— to be human.

AbstractTonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of approximately 13,000 musical pieces in MIDI format, we present two models to infer both the number and characteristics of modes of different historical periods from first principles: a geometric model of modes as clusters of musical pieces in a non-Euclidean space, and a cognitively plausible Bayesian model of modes as Dirichlet distributions. We use the geometric model to determine the optimal number of modes for five historical epochs via unsupervised learning and apply the probabilistic model to infer the characteristics of the modes. Our results show that the inference of four modes is most plausible in the Renaissance, that two modes–corresponding to major and minor–are most appropriate in the Baroque and Classical eras, whereas no clear separation into distinct modes is found for the 19th century.

In recent years, pre-modern beds have generated extensive scholarly interest. Their social, religious, and economic importance has been rightfully highlighted in the study of domestic piety. Yet, concern has primarily focused on beds in late medieval English homes. This essay uses Hebrew texts from thirteenth-century Southern Germany, primarily Sefer Hasidim, to further this analysis of the role of the bed in shaping medieval domestic devotion. Jewish notions about the social, moral, and sexual significance of the bed reflect those identified in late medieval Christian culture. These ideas inspired numerous rituals practiced in Jewish homes. Yet, the bed and the remnants of sex assumed to be found in it also frustrated Jewish attempts to perform domestic devotion. These findings highlight the complicated nature of the home and how medieval people had to navigate both its opportunities and challenges in order to foster a rich culture of domestic devotion.