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  • Authors: Peter J. Kastor;
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: David M. Carballo;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Antiquityarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    American Antiquity
    Article . 2020 . Peer-reviewed
    License: Cambridge Core User Agreement
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Antiquityarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      American Antiquity
      Article . 2020 . Peer-reviewed
      License: Cambridge Core User Agreement
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Patrick V. Kirch;

    Polynesian societies have long been noted for encoding their histories in the form of oral narratives. While some narratives are clearly cosmogonic or mythological in nature, others purportedly recount the affairs of real persons, chronologically indexed to chiefly and family genealogies. Late 19th- and early 20th-century scholars such as Abraham Fornander and Te Rangi Hiroa relied upon such oral narratives to write the pre-European histories of various Polynesian societies. In the second half of the 20th century, however, archaeologists and cultural anthropologists alike have tended to dismiss the historical validity of oral narratives. Based on four case studies from Futuna, Tikopia, Niuatoputapu and Hawai'i, I reassess the linkages between oral narratives and the archaeological record, finding that in all cases there is strong evidence to support the view that the traditional narratives relate to real persons and events. Such traditional narratives typically do not extend farther back in time than three to four centuries, but for these later time periods they offer an invaluable resource - an indigenous perspective on island histories that complements and augments the empirical archaeological record.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of the Polynesian Society
    Article . 2018 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of the Polynesian Society
      Article . 2018 . Peer-reviewed
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  • Authors: Tonya Kim Dewey;
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  • Authors: Anna De Fina; Brittany Toscano Gore;

    Abstract The retelling and sharing of stories is not a new phenomenon. Many narrative analysts have devoted research to these processes. But the culture of participation (Jenkins 2006) in the digital world has brought sharing to a completely new level by allowing users not only to broadcast their opinions and evaluations of a story but also to reappropriate it and recontextualize it in infinite recursions. We focus on such process of transformation of a narrative in different media and social media outlets through the analysis of the viral spread of a story posted by an individual Twitter user in 2015. Specifically, we illustrate how participation frameworks change from one retelling to another and how the original story becomes "nested" into a new meta-story centered on the twitter user as a character and on the viral spread of the story.

    Narrative Inquiryarrow_drop_down
    Narrative Inquiry
    Article . 2017 . Peer-reviewed
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      Narrative Inquiryarrow_drop_down
      Narrative Inquiry
      Article . 2017 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Charles L. Hughes;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Popular M...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Popular Music Studies
    Article . 2017 . Peer-reviewed
    License: Wiley Online Library User Agreement
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Popular M...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Popular Music Studies
      Article . 2017 . Peer-reviewed
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  • Authors: Nicolas Boulbes; Serdar Mayda; Vadim V. Titov; M. Cihat Alçiçek;

    The large mammals from travertine deposits in the Denizli basin include the following species: Archidiskodon meridionalis meridionalis, Equus cf. altidens s. l., E. cf. apolloniensis, Stephanorhinus cf. etruscus, Metacervoceros rhenanus, Cervalces (Libralces) ex gr. minor-gallicus, Palaeotragus sp.,

    L Anthropologiearrow_drop_down
    L Anthropologie
    Article . 2014 . Peer-reviewed
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      L Anthropologiearrow_drop_down
      L Anthropologie
      Article . 2014 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Julie Collins; Lorina L. Barker;

    The inclusion of Australia in the Eurovision Song Contest since 2015 is both novel and geographically controversial. Even more striking is the predominance of Indigenous performers, Jessica Mauboy and Isaiah Firebrace, among Australia’s first representatives. The choice of performers by Australia’s multicultural broadcaster, Special Broadcasting Service (SBS), can be perceived as an attempt to present Australia as a modern, multicultural, and postcolonial nation that has achieved the European goal of “unity through diversity”. However, this chapter argues that a perception of Indigenous marginality from a predominantly non-indigenous white mainstream Australian viewpoint may not be an accurate perception of how the European audience view an Indigenous identity. Furthermore, Indigenous representation cannot help but reference the ancient lineage of Indigenous Australians, and their historic and ongoing struggles to overcome the legacy of colonialism.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao https://doi.org/10.1...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2019 . Peer-reviewed
    License: Springer TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao https://doi.org/10.1...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2019 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Shi, Haoyue; Livescu, Karen; Gimpel, Kevin;

    We analyze several recent unsupervised constituency parsing models, which are tuned with respect to the parsing $F_1$ score on the Wall Street Journal (WSJ) development set (1,700 sentences). We introduce strong baselines for them, by training an existing supervised parsing model (Kitaev and Klein, 2018) on the same labeled examples they access. When training on the 1,700 examples, or even when using only 50 examples for training and 5 for development, such a few-shot parsing approach can outperform all the unsupervised parsing methods by a significant margin. Few-shot parsing can be further improved by a simple data augmentation method and self-training. This suggests that, in order to arrive at fair conclusions, we should carefully consider the amount of labeled data used for model development. We propose two protocols for future work on unsupervised parsing: (i) use fully unsupervised criteria for hyperparameter tuning and model selection; (ii) use as few labeled examples as possible for model development, and compare to few-shot parsing trained on the same labeled examples. Comment: EMNLP 2020. Project page: https://ttic.uchicago.edu/~freda/project/rsucp/

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://www.aclweb.o...arrow_drop_down
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    https://www.aclweb.org/antholo...
    Conference object
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.48550/arxiv...
    Article . 2020
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
    https://doi.org/10.18653/v1/20...
    Conference object . 2020 . Peer-reviewed
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    Access Routes
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://www.aclweb.o...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://www.aclweb.org/antholo...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.48550/arxiv...
      Article . 2020
      License: arXiv Non-Exclusive Distribution
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      https://doi.org/10.18653/v1/20...
      Conference object . 2020 . Peer-reviewed
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  • Authors: Christopher A. Faraone;

    Papyrus fragments from a late-antique Greek magical handbook preserve a unique recipe that directs us to make a wax “voodoo doll” and pierce it with three bones – “the left one, the right one and the one from the back” – “of an eisphatēs”, a previously unknown Greek word that has been emended to mean “sacrificial victim” (sphaktēs) or “dove” (phattēs). Emendation is not warranted, however, because the word is probably a local and previously unknown Egyptian term for the Nile catfish, which has three distinctive nail-like spines – the right and left pectoral and the dorsal – that match those of the eisphatēs. The bone of this fish is, moreover, used in a native Egyptian cursing ritual of Pharaonic date also involving a wax “voodoo doll”, that is inscribed with the bone, rather than pierced by it.

    Symbolae Osloensesarrow_drop_down
    Symbolae Osloenses
    Article . 2017 . Peer-reviewed
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      Symbolae Osloensesarrow_drop_down
      Symbolae Osloenses
      Article . 2017 . Peer-reviewed
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168,731 Research products
  • Authors: Peter J. Kastor;
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: David M. Carballo;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Antiquityarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    American Antiquity
    Article . 2020 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Antiquityarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      American Antiquity
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Patrick V. Kirch;

    Polynesian societies have long been noted for encoding their histories in the form of oral narratives. While some narratives are clearly cosmogonic or mythological in nature, others purportedly recount the affairs of real persons, chronologically indexed to chiefly and family genealogies. Late 19th- and early 20th-century scholars such as Abraham Fornander and Te Rangi Hiroa relied upon such oral narratives to write the pre-European histories of various Polynesian societies. In the second half of the 20th century, however, archaeologists and cultural anthropologists alike have tended to dismiss the historical validity of oral narratives. Based on four case studies from Futuna, Tikopia, Niuatoputapu and Hawai'i, I reassess the linkages between oral narratives and the archaeological record, finding that in all cases there is strong evidence to support the view that the traditional narratives relate to real persons and events. Such traditional narratives typically do not extend farther back in time than three to four centuries, but for these later time periods they offer an invaluable resource - an indigenous perspective on island histories that complements and augments the empirical archaeological record.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of the Polynesian Society
    Article . 2018 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
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      Journal of the Polynesian Society
      Article . 2018 . Peer-reviewed
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  • Authors: Tonya Kim Dewey;
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  • Authors: Anna De Fina; Brittany Toscano Gore;

    Abstract The retelling and sharing of stories is not a new phenomenon. Many narrative analysts have devoted research to these processes. But the culture of participation (Jenkins 2006) in the digital world has brought sharing to a completely new level by allowing users not only to broadcast their opinions and evaluations of a story but also to reappropriate it and recontextualize it in infinite recursions. We focus on such process of transformation of a narrative in different media and social media outlets through the analysis of the viral spread of a story posted by an individual Twitter user in 2015. Specifically, we illustrate how participation frameworks change from one retelling to another and how the original story becomes "nested" into a new meta-story centered on the twitter user as a character and on the viral spread of the story.

    Narrative Inquiryarrow_drop_down
    Narrative Inquiry
    Article . 2017 . Peer-reviewed
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