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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Çöklü, Hatice;

    Toplumsal hareketler ve sanat akımları, ortak bir akıl ya da fikir tabanında oluşmuş insan topluluklarının ortaklaşa hareketleri olarak ifade edilebilir. Birbirinden ayrı hareket eden ortak akıl grupları ve sanat akımları da toplumsal hareketler içerisinde varlığını gösterir. 1789 Fransız Devriminin ardından Oluympede Gouges tarafından 1791 yılında `Les Droits La Femme` (Kadın ve Kadın Yurttaşların Hakları Bildirgesi) ile başlayan, 1960'larda Avrupa ve ABD'de, 1980'lerde ülkemizde, etkilerini gösteren ve hız kazanan feminist toplumsal hareketler sosyolojik, kültürel ve sanatsal boyutta cinsiyetçi bakış açısının tartışılıp yaygınlaşmasında yeni mücadele alanları geliştirmiştir. Postmodern sanat, popülist kültürün sunduğu tüketici anlayışla, alternatif teknik ve malzemelerin kullanılması sonucunda modern dönem sanat disiplinlerine; Kavramsal Sanat (Conceptual Art), Yoksul Sanat (Art Povera), Süreç Sanatı (Process Art), Beden Sanatı (Body Art), Gösteri Sanatı (Performans Art), Happinings, Eylemler (Actions), Fluxus, Yeryüzü Sanatı (Eart Art), Queer Art gibi yeni sanat disiplinlerinin tanımlanmasına neden olmuştur. Bunun sonucunda sanat nesnesinin statüsünü, izleyicinin rolünü yeniden biçimlendirmiştir.Türkiye feminist sanatçılarını incelediğimizde uzun yıllar yurt dışında yaşamış ya da yaşayan, doğuya batının alışık olduğu perspektiften; oryantalist bakış açısıyla bakan ve kadın konusunu yapıtlarında cesurca dile getiren: Nil Yalter (1938), Füsun Onur (d.1938), İpek Düben (d.1941), Gülsün Karamustafa (d.1946), Hale Tenger (d.1960), Şükran Moral (d.1963), Canan Şenol (d.1970) ve Nezahat Ekici (d.1970) yi görürüz.1980'li yıllarda oluşan `kimlik` ve `farklılık` politikası, `postmodern politika` çatısı altında birleştirilmiş kültür, mekân ve zaman parçalanmalarına, öznelliğe ve yeni sanat biçimlerine sebebiyet vererek, feminist sanat algısını değiştirmiş, postfeminist sanat algısını oluşturmuştur.Feminist sanatçıların (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar vb.) `başkaları için varlık` ya da `kendi başına varlık` olan kadına yönelik eleştirel yapıtları, postfeminist sanatçıların (Sarah Lucas, Cindy Sherman, Canan Şenol, Tracey Emin) `kendi için varlık` olduklarını yansıtan yapıtlara evrilmiştir.Hayata bakış ve kavrayışımı, postfeminist bir yaklaşımla ele aldığım bu tez çalışmasında, iktidar ve toplumsal cinsiyet rolleri üzerine göndermeler bulunmaktadır. Eril ve iktidar nitelikleri görünür kılan, toplum içinde yerleşmiş cinsiyet ve kültür kodlarına, eleştirel bir bakış açısıyla gerçekleştirilen çalışmalarımda, özgün bir plastik dilin oluşturulması amaçlanmıştır.Anahtar Sözcükler:Postmodernizm, feminizm, postfeminizm, sanat, kadın. Social activities and art movements may be stated as collective activities of human groups which formed on the ground of a common mind or idea. Collective opinion groups and art movements which move separately are also existed in social movements. Feminist social movements which started with `Les Droits La Femme` (Declaration of the Rights of Woman and the Female Citizen) by Oluympe de Gouges in 1791 after 1789 French Revolution, effected Europe and the USA in 1960's and Turkey in 1980's, opened new grounds on which sexist viewpoint in culture and art is discussed.Postmodern art, with the consumer mentality offered by populist culture, as a result of using alternative techniques and materials, caused defining new art disciplines like Conceptual Art, Art Povera, Process Art, Body Art, Performance Art, Happening, Actions, Fluxus, Earth Art, Queer Art in modern art. As a result, it reshaped the status of the art object and the role of the viewer.When we study Turkish feminist artist we see Nil Yalter (b. 1938), Füsun Onur (b. 1938), İpek Düben (b. 1941), Gülsün Karamustafa (b. 1946), Hale Tenger (b. 1960), Şükran Moral (b. 1963), Canan Şenol (b. 1970) and Nezahat Ekici (b. 1970) who lived or has been living abroad for many years, can look at the east through a perspective which the west is used to: the orientalist view; and express the subject of woman in their works bravely. `Identity` and `difference` policy, emerged in 1980's, causing subjectivity, new forms of art and fragmentations in culture, place and time, which unified in `postmodern policy`, has changed the feminist art perception and formed the post feminist art perception.Critical works of feminist artists (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar etc.) against woman `being for others` or `being in itself` have evolved to post feminist artists' (Sarah Lucas, CindySherman, Canan Şenol, Tracey Emin) works which reflect woman `being for itself`In this thesis study, in which I discuss how I view and comprehend life with a post feminist approach, there are some references to power and social gender roles. With my works, which are formed with a critical approach to the common gender and culture codes of society that make masculine and power characters visible, it is intended to form an original plastic language.Key Words:Postmodernism, feminism, post feminism, art, woman 88

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ YÖK Açık Bilim - CoH...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Takeshita, Koki; Shioyama, Juntaro; Uchida, Seiichi;

    Our daily life is surrounded by textual information. Nowadays, the automatic collection of textual information becomes possible owing to the drastic improvement of scene text detectors and recognizer. The purpose of this paper is to conduct a large-scale survey of co-occurrence between visual objects (such as book and car) and scene texts with a large image dataset and a state-of-the-art scene text detector and recognizer. Especially, we focus on the function of "label" texts, which are attached to objects for detailing the objects. By analyzing co-occurrence between objects and scene texts, it is possible to observe the statistics about the label texts and understand how the scene texts will be useful for recognizing the objects and vice versa. Accepted at ICPR2020

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    http://arxiv.org/pdf/2007.1538...
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1109/icpr48...
    Conference object . 2021 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2020
    License: arXiv Non-Exclusive Distribution
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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      http://arxiv.org/pdf/2007.1538...
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1109/icpr48...
      Conference object . 2021 . Peer-reviewed
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      https://doi.org/10.48550/arxiv...
      Article . 2020
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  • Authors: Peter J. Kastor;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: M. Ikhwan Syafiq; M. Shukor Talib; Naomie Salim; Habibollah Haron; +1 Authors

    Abstract Named Entity Recognition (NER) is an elementary tool for all application areas in Natural Language Processing (NLP) such as Automatic Summarization, Information Extraction, Information Retrieval, Text Mining, Machine Translation, Question Answering, and Genetics. NER is a task to discover and categorises the named entities (‘atomic elements’) in the text into predefined classes such as the names of persons, organizations, locations, terminologies of time, quantity and etc. Different languages may have different morphologies and thus involve dissimilar NER procedures. For example, an Arabic NER system cannot be practically used in processing Malay texts due to the different morphological features. The morphological features of every language are rich and complex and donates to the difficulties of implementing an actual method to develop the accurate NER system. In this paper, we review on three main techniques that commonly used to develop an NER system well-known as Rule-Based, Machine Learning, and Hybrid approach. This paper also highlights the features of each technique.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IOP Conference Serie...arrow_drop_down
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    IOP Conference Series : Materials Science and Engineering
    Article . 2019 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IOP Conference Serie...arrow_drop_down
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      IOP Conference Series : Materials Science and Engineering
      Article . 2019 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Katherine V. Huntley;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Roman Arc...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Roman Archaeology
    Article . 2017 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Roman Arc...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Roman Archaeology
      Article . 2017 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Shi, Haoyue; Livescu, Karen; Gimpel, Kevin;

    We analyze several recent unsupervised constituency parsing models, which are tuned with respect to the parsing $F_1$ score on the Wall Street Journal (WSJ) development set (1,700 sentences). We introduce strong baselines for them, by training an existing supervised parsing model (Kitaev and Klein, 2018) on the same labeled examples they access. When training on the 1,700 examples, or even when using only 50 examples for training and 5 for development, such a few-shot parsing approach can outperform all the unsupervised parsing methods by a significant margin. Few-shot parsing can be further improved by a simple data augmentation method and self-training. This suggests that, in order to arrive at fair conclusions, we should carefully consider the amount of labeled data used for model development. We propose two protocols for future work on unsupervised parsing: (i) use fully unsupervised criteria for hyperparameter tuning and model selection; (ii) use as few labeled examples as possible for model development, and compare to few-shot parsing trained on the same labeled examples. Comment: EMNLP 2020. Project page: https://ttic.uchicago.edu/~freda/project/rsucp/

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    https://doi.org/10.48550/arxiv...
    Article . 2020
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    https://doi.org/10.18653/v1/20...
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    Authors: McNeil, Daniel;

    Cet article s’intéresse au Dr Daniel Hill III, premier directeur de l’Agence ontarienne pour les Droits de la Personne. M’attachant plus particulièrement au travail de Dr Hill au sein du Comité pour l’adoption d’enfants de couleur et auprès de « Ontario Black History Society », j’avance que Dr Hill se définit comme étant « l’homme de la race noire », un terme masculiniste attribué à ceux qui cherchaient à diriger une communauté noire en Amérique du Nord et à effacer l’image infantilisée et féminisée du « mulâtre tragique », prisonnier dans un « monde gris pâle ». This paper is about Dr. Daniel Hill III, the first director of the Ontario Human Rights Agency. Paying particular attention to Dr Hill’s work with the Committee for the Adoption of Coloured Youngsters and the Ontario Black History Society, I argue that he fashioned himself as “Negro race man”, a masculinist term assigned to people who sought to lead a Black community in North America and lay to rest the infantilised and feminized image of the “tragic mulatto” trapped in a “light grey world”.

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    Article . 2019 . Peer-reviewed
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      Ontario History
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      Article . 2019 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marilena Di Bari; Serge Sharoff; Martin Thomas;
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    https://doi.org/10.4000/books....
    Part of book or chapter of book . 2015 . Peer-reviewed
    License: CC BY NC ND
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      https://doi.org/10.4000/books....
      Part of book or chapter of book . 2015 . Peer-reviewed
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  • Authors: Hao Bai; Xi-Wen Zhang;

    It is natural way to write Chinese characters by digital pen for foreign students, whose handwriting information is much richer than digital image. Stroke matching is the prerequisite to analyze handwriting errors of Chinese character. Present research hardly delivers the optimal solution of the problem on the growing sizes and complexity because of wide differences among learners' writing qualities and features. This paper proposes an approach based on genetic algorithm to match strokes. Construction of fitness function considers structural and writing features of Chinese characters. The method can achieve correct matching stroke rate 90.17% at least in the experiments, which indicates that our proposed approach Is effective In next steps of handwriting errors analysis.

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    Authors: TaoLu; Sicong Huo;

    Abstract The outbreak of new coronavirus in 2020, the development of bioinformatics technology has become a new hot spot, in which the prediction of protein function module has become a research hotspot. The existing algorithms for predicting protein functional modules have the disadvantages of low accuracy and few functional modules. In this paper, an algorithm for deep learning and PPI network prediction of protein functional modules is proposed. Firstly, three important attributes of PPI network (node location, PPI network structure and core node) are integrated. Then the improved density algorithm is used for clustering analysis, and then the improved isometric mapping dimension reduction algorithm is used for principal component analysis. Finally, MLP is used for training The protein function module was obtained. The accuracy, F value, dimensionality reduction rate and the number of protein functional modules were compared among the other three PPI network based algorithms acc-fmd, MCL and mcode. The experimental results show that IIMP algorithm is better than other algorithms in accuracy, F value, dimension reduction rate and number of recognition modules.

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    Journal of Physics : Conference Series
    Article . 2020 . Peer-reviewed
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      Journal of Physics : Conference Series
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160,110 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Çöklü, Hatice;

    Toplumsal hareketler ve sanat akımları, ortak bir akıl ya da fikir tabanında oluşmuş insan topluluklarının ortaklaşa hareketleri olarak ifade edilebilir. Birbirinden ayrı hareket eden ortak akıl grupları ve sanat akımları da toplumsal hareketler içerisinde varlığını gösterir. 1789 Fransız Devriminin ardından Oluympede Gouges tarafından 1791 yılında `Les Droits La Femme` (Kadın ve Kadın Yurttaşların Hakları Bildirgesi) ile başlayan, 1960'larda Avrupa ve ABD'de, 1980'lerde ülkemizde, etkilerini gösteren ve hız kazanan feminist toplumsal hareketler sosyolojik, kültürel ve sanatsal boyutta cinsiyetçi bakış açısının tartışılıp yaygınlaşmasında yeni mücadele alanları geliştirmiştir. Postmodern sanat, popülist kültürün sunduğu tüketici anlayışla, alternatif teknik ve malzemelerin kullanılması sonucunda modern dönem sanat disiplinlerine; Kavramsal Sanat (Conceptual Art), Yoksul Sanat (Art Povera), Süreç Sanatı (Process Art), Beden Sanatı (Body Art), Gösteri Sanatı (Performans Art), Happinings, Eylemler (Actions), Fluxus, Yeryüzü Sanatı (Eart Art), Queer Art gibi yeni sanat disiplinlerinin tanımlanmasına neden olmuştur. Bunun sonucunda sanat nesnesinin statüsünü, izleyicinin rolünü yeniden biçimlendirmiştir.Türkiye feminist sanatçılarını incelediğimizde uzun yıllar yurt dışında yaşamış ya da yaşayan, doğuya batının alışık olduğu perspektiften; oryantalist bakış açısıyla bakan ve kadın konusunu yapıtlarında cesurca dile getiren: Nil Yalter (1938), Füsun Onur (d.1938), İpek Düben (d.1941), Gülsün Karamustafa (d.1946), Hale Tenger (d.1960), Şükran Moral (d.1963), Canan Şenol (d.1970) ve Nezahat Ekici (d.1970) yi görürüz.1980'li yıllarda oluşan `kimlik` ve `farklılık` politikası, `postmodern politika` çatısı altında birleştirilmiş kültür, mekân ve zaman parçalanmalarına, öznelliğe ve yeni sanat biçimlerine sebebiyet vererek, feminist sanat algısını değiştirmiş, postfeminist sanat algısını oluşturmuştur.Feminist sanatçıların (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar vb.) `başkaları için varlık` ya da `kendi başına varlık` olan kadına yönelik eleştirel yapıtları, postfeminist sanatçıların (Sarah Lucas, Cindy Sherman, Canan Şenol, Tracey Emin) `kendi için varlık` olduklarını yansıtan yapıtlara evrilmiştir.Hayata bakış ve kavrayışımı, postfeminist bir yaklaşımla ele aldığım bu tez çalışmasında, iktidar ve toplumsal cinsiyet rolleri üzerine göndermeler bulunmaktadır. Eril ve iktidar nitelikleri görünür kılan, toplum içinde yerleşmiş cinsiyet ve kültür kodlarına, eleştirel bir bakış açısıyla gerçekleştirilen çalışmalarımda, özgün bir plastik dilin oluşturulması amaçlanmıştır.Anahtar Sözcükler:Postmodernizm, feminizm, postfeminizm, sanat, kadın. Social activities and art movements may be stated as collective activities of human groups which formed on the ground of a common mind or idea. Collective opinion groups and art movements which move separately are also existed in social movements. Feminist social movements which started with `Les Droits La Femme` (Declaration of the Rights of Woman and the Female Citizen) by Oluympe de Gouges in 1791 after 1789 French Revolution, effected Europe and the USA in 1960's and Turkey in 1980's, opened new grounds on which sexist viewpoint in culture and art is discussed.Postmodern art, with the consumer mentality offered by populist culture, as a result of using alternative techniques and materials, caused defining new art disciplines like Conceptual Art, Art Povera, Process Art, Body Art, Performance Art, Happening, Actions, Fluxus, Earth Art, Queer Art in modern art. As a result, it reshaped the status of the art object and the role of the viewer.When we study Turkish feminist artist we see Nil Yalter (b. 1938), Füsun Onur (b. 1938), İpek Düben (b. 1941), Gülsün Karamustafa (b. 1946), Hale Tenger (b. 1960), Şükran Moral (b. 1963), Canan Şenol (b. 1970) and Nezahat Ekici (b. 1970) who lived or has been living abroad for many years, can look at the east through a perspective which the west is used to: the orientalist view; and express the subject of woman in their works bravely. `Identity` and `difference` policy, emerged in 1980's, causing subjectivity, new forms of art and fragmentations in culture, place and time, which unified in `postmodern policy`, has changed the feminist art perception and formed the post feminist art perception.Critical works of feminist artists (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar etc.) against woman `being for others` or `being in itself` have evolved to post feminist artists' (Sarah Lucas, CindySherman, Canan Şenol, Tracey Emin) works which reflect woman `being for itself`In this thesis study, in which I discuss how I view and comprehend life with a post feminist approach, there are some references to power and social gender roles. With my works, which are formed with a critical approach to the common gender and culture codes of society that make masculine and power characters visible, it is intended to form an original plastic language.Key Words:Postmodernism, feminism, post feminism, art, woman 88

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    Authors: Takeshita, Koki; Shioyama, Juntaro; Uchida, Seiichi;

    Our daily life is surrounded by textual information. Nowadays, the automatic collection of textual information becomes possible owing to the drastic improvement of scene text detectors and recognizer. The purpose of this paper is to conduct a large-scale survey of co-occurrence between visual objects (such as book and car) and scene texts with a large image dataset and a state-of-the-art scene text detector and recognizer. Especially, we focus on the function of "label" texts, which are attached to objects for detailing the objects. By analyzing co-occurrence between objects and scene texts, it is possible to observe the statistics about the label texts and understand how the scene texts will be useful for recognizing the objects and vice versa. Accepted at ICPR2020

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    http://arxiv.org/pdf/2007.1538...
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    https://doi.org/10.1109/icpr48...
    Conference object . 2021 . Peer-reviewed
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    Article . 2020
    License: arXiv Non-Exclusive Distribution
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      http://arxiv.org/pdf/2007.1538...
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      https://doi.org/10.1109/icpr48...
      Conference object . 2021 . Peer-reviewed
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  • Authors: Peter J. Kastor;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: M. Ikhwan Syafiq; M. Shukor Talib; Naomie Salim; Habibollah Haron; +1 Authors

    Abstract Named Entity Recognition (NER) is an elementary tool for all application areas in Natural Language Processing (NLP) such as Automatic Summarization, Information Extraction, Information Retrieval, Text Mining, Machine Translation, Question Answering, and Genetics. NER is a task to discover and categorises the named entities (‘atomic elements’) in the text into predefined classes such as the names of persons, organizations, locations, terminologies of time, quantity and etc. Different languages may have different morphologies and thus involve dissimilar NER procedures. For example, an Arabic NER system cannot be practically used in processing Malay texts due to the different morphological features. The morphological features of every language are rich and complex and donates to the difficulties of implementing an actual method to develop the accurate NER system. In this paper, we review on three main techniques that commonly used to develop an NER system well-known as Rule-Based, Machine Learning, and Hybrid approach. This paper also highlights the features of each technique.

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    IOP Conference Series : Materials Science and Engineering
    Article . 2019 . Peer-reviewed
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      IOP Conference Series : Materials Science and Engineering
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Katherine V. Huntley;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Roman Arc...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Roman Archaeology
    Article . 2017 . Peer-reviewed
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