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38 Research products

  • Digital Humanities and Cultural Heritage
  • 2019-2023
  • Publications
  • Research data
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  • Publikationer från Umeå universitet
  • Lund University Publications
  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    What does it mean to be human in the year 2070? What does it mean today? In Torell’s sound piece, the boundaries between present and future, and between utopia and dystopia, are dissolved. What used to be science fiction has suddenly become everyday reality. Our bodies are enhanced and degraded through genetic engineering, environmental pollutants, conveniences, and steroids. The body of society is fragmented and at the same time interconnected ever more tightly by smartphones, algorithms, viruses, and drones. The work is based at Korsvägen in central Gothenburg, a place where many different perspectives come together. The voice of the narrator moves among different times and viewpoints in order to bring to life a world in transition, where many events remain incomprehensible until, suddenly, they are reality. What are we choosing not to see today that is already shaping life in the future? And what did we refuse to see yesterday that we have to live with today? (Lisa Rosendahl) Listen with earbuds through GIBCA’s app or website. We recommend standing outside the travel center at Korsvägen. Vad betyder det att vara människa år 2070? Vad betyder det idag? I Torells ljudkonstverk har gränserna mellan nutid och framtid, mellan utopi och dystopi upplösts. Det som tidigare var Sci-Fi har med ens blivit vardag. Våra kroppar förbättras och försämras genom genteknik, miljögifter, bekvämligheter och steroider. Samhällskroppen fragmenteras samtidigt som den kopplas allt tätare samman via smarta telefoner, algoritmer, virus och drönare. Verket utgår från Korsvägen i centrala Göteborg, en plats där många olika perspektiv möts. Berättarrösten rör sig mellan olika tider och synvinklar för att gestalta en värld i förändring där många skeenden förblir ogripbara tills de plötsligt är ett faktum. Vad är det vi väljer att inte se idag som redan nu formar livet i framtiden? Vad var det vi blundade för igår och därför måste leva med idag? Lyssna med hörlurar via GIBCA’s app eller hemsida, gärna på plats utanför Resecentrum på Korsvägen. GIBCA 2021, 11th edition of Göteborg International Biennal for Contemporary Art, June 5 - August 22, September 4 - November 21, 2021

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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    Authors: Roubis D.; Sciuto C.;

    The study of stone artifacts and their provenance is an important proxy for understanding the entangled relationship between humans and geological resources. In this paper, we explore the potentialities of an interdisciplinary approach combining in situ documentation of tool marks and characterization of stone types using a near infrared (NIR) portable probe. We argue that this protocol is useful for collecting screening data on objects that cannot be moved or sampled. NIR spectra describe textural and molecular features of the materials and can be used to achieve a preliminary characterization of raw materials. We present a case study from the territory of Montescaglioso (Basilicata, near Matera, Italy), where we combined the analysis of a calcarenite (limestone) quarry, in Masseria D&rsquo Alessio, which was exploited since the 6th century BC, as well as artifacts of the same chronology from surveys and excavations in the surroundings. The aim was to collect preliminary data about the distribution of the particular calcarenite extracted from the quarry and identify exploitation and trade patterns. The data were processed using multivariate statistics to highlight the relevant spectral information and perform supervised classification of spectral features. Documentation of tool marks and the process of stone working were combined with the spectral signature of the artifacts to link the stone types to the description of their extraction/carving methods.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heritage; CNR ExploR...arrow_drop_down
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    Heritage; CNR ExploRA
    Other literature type . Article . 2019 . Peer-reviewed
    License: CC BY
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    ISPC Open Portal
    Article . 2019
    Data sources: ISPC Open Portal
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    Heritage
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    Heritage
    Article . 2019
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      Other literature type . Article . 2019 . Peer-reviewed
      License: CC BY
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      ISPC Open Portal
      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2019
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    Authors: Johan Junkka; Glenn Sandström; Lotta Vikström;

    During the recent decades, social inequalities in mental health have increased and are now one of the most persistent features of contemporary society. There is limited knowledge about when this pattern emerged or whether it has been a historically fixed feature. The objective of this study was to assess whether socioeconomic and gender gaps in mental health changed during the period 1900–1959 in Sweden. We used historical micro data which report all necessary information on individuals’ demographic characteristics, occupational attainment and mental disorders (N = 2,450) in a Swedish population of 193,893. Changes over time was tested using multilevel Cox proportional hazard models. We tested how gender-specific risks of mental disorder changed and how gender-specific socioeconomic status was related to risks of mental disorder later in life. We found a reversal in gender gaps in mental health during the study period. Women had a lower risk than men in 1900 and higher risks in 1959. For men, we found a negative gradient in SES risks in 1900 and a positive gradient in 1959. For women, we found no clear SES gradient in the risk of mental disorder. These findings suggest that the contemporary patterns in socioeconomic and gender gaps in mental disorder emerged during the 1940s and 1950s and have since then persisted. DISTIME

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    PLoS ONE
    Other literature type . Article . 2020 . Peer-reviewed
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    Europe PubMed Central
    Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PLoS ONEarrow_drop_down
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    Authors: Catharina Andersson;

    This article presents an overview of the Cistercian monasteries that were founded in Sweden in the 12th and 13th centuries. The first were Alvastra and Nydala, founded in 1143, both male monasteries. However, eventually the nunneries came to outnumber the male monasteries (7/5). The purpose of the article is also to discuss the social background of the monks and nuns who inhabited these monasteries. As for the nuns, previous studies have shown that they initially came from the society’s elite, the royal families, but also other magnates. Gradually, social recruitment broadened, and an increasing number of women from the aristocratic lower levels came to dominate the recruitment. It is also suggested that from the end of the 14th century, the women increasingly came from the burghers. The male monasteries, on the other hand, were not even from the beginning populated by men from the nobles. Their family backgrounds seem rather to be linked to the aristocratic lower layers. This difference between the sexes can most probably be explained by the fact that ideals of monastic life—obedience, equality, poverty and ban on weapons—in a decisive way broke with what in secular life was constructed as an aristocratic masculinity.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
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    Other literature type . Article . 2021 . Peer-reviewed
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    Article . 2021
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      Other literature type . Article . 2021 . Peer-reviewed
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      Article . 2021
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    Authors: Marwan Hariz; Loránd Eross; Gun-Marie Hariz; Botond Eröss; +3 Authors

    International audience; Recently, a series of historical reports portrayed the first women neurosurgeons in various countries. One such woman, a pioneer on many levels, remained unrecognized: Judith Balkányi-Lepintre. She was the first woman neurosurgeon in France, the first woman war neurosurgeon for the French Army, and the first woman pediatric neurosurgeon in France. Born in 1912 to a Hungarian Jewish family, she graduated with honors from medical school in Budapest in 1935, then moved to Paris where she started neurosurgical training in 1937 at L'Hôpital de la Pitié under the mentorship of Clovis Vincent, the founder of French neurosurgery. Shortly after marrying a French colleague in 1940, she had to escape the Geheime Staatspolizei (Gestapo) in Paris and ended up in Algeria, where she joined the French Army of De Gaulle. As a neurosurgeon, she participated in the campaigns of Italy and France between 1943 and 1945. After the war, she returned to work at La Pitié Hospital. In 1947, she defended her doctoral thesis, "Treatment of cranio-cerebral wounds by projectiles and their early complications." Soon thereafter, she joined Europe's first dedicated children's hospital, Hôpital Necker-Enfants Malades in Paris, and contributed to the establishment of pediatric neurosurgery in France. She remained clinically and academically active at Necker until her death in 1982 but was never promoted.

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    Journal of Neurosurgery
    Article . 2022 . Peer-reviewed
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    HAL-Inserm
    Other literature type . 2021
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    Authors: Kaelin, Vera C; Valizadeh, Mina; Salgado, Zurisadai; Sim, Julia G; +4 Authors

    BackgroundThere is increased interest in using artificial intelligence (AI) to provide participation-focused pediatric re/habilitation. Existing reviews on the use of AI in participation-focused pediatric re/habilitation focus on interventions and do not screen articles based on their definition of participation. AI-based assessments may help reduce provider burden and can support operationalization of the construct under investigation. To extend knowledge of the landscape on AI use in participation-focused pediatric re/habilitation, a scoping review on AI-based participation-focused assessments is needed.ObjectiveTo understand how the construct of participation is captured and operationalized in pediatric re/habilitation using AI.MethodsWe conducted a scoping review of literature published in Pubmed, PsycInfo, ERIC, CINAHL, IEEE Xplore, ACM Digital Library, ProQuest Dissertation and Theses, ACL Anthology, AAAI Digital Library, and Google Scholar. Documents were screened by 2–3 independent researchers following a systematic procedure and using the following inclusion criteria: (1) focuses on capturing participation using AI; (2) includes data on children and/or youth with a congenital or acquired disability; and (3) published in English. Data from included studies were extracted [e.g., demographics, type(s) of AI used], summarized, and sorted into categories of participation-related constructs.ResultsTwenty one out of 3,406 documents were included. Included assessment approaches mainly captured participation through annotated observations (n = 20; 95%), were administered in person (n = 17; 81%), and applied machine learning (n = 20; 95%) and computer vision (n = 13; 62%). None integrated the child or youth perspective and only one included the caregiver perspective. All assessment approaches captured behavioral involvement, and none captured emotional or cognitive involvement or attendance. Additionally, 24% (n = 5) of the assessment approaches captured participation-related constructs like activity competencies and 57% (n = 12) captured aspects not included in contemporary frameworks of participation.ConclusionsMain gaps for future research include lack of: (1) research reporting on common demographic factors and including samples representing the population of children and youth with a congenital or acquired disability; (2) AI-based participation assessment approaches integrating the child or youth perspective; (3) remotely administered AI-based assessment approaches capturing both child or youth attendance and involvement; and (4) AI-based assessment approaches aligning with contemporary definitions of participation.

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    Frontiers in Rehabilitation Sciences
    Article . 2022 . Peer-reviewed
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    Other literature type . 2022
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      Frontiers in Rehabilitation Sciences
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    Authors: Fredrik Karlsson; Lena Hartelius;

    Maximum performance tasks have been identified as possible domains where incipient signs of neurological disease may be detected in simple speech and voice samples. However, it is likely that these will simultaneously be influenced by the age and sex of the speaker. In this study, a comprehensive set of acoustic quantifications were collected from the literature and applied to productions of sustained [a] productions and Alternating Motion Rate diadochokinetic (DDK) syllable sequences made by 130 (62 women, 68 men) healthy speakers, aged 20–90 years. The participants were asked to produce as stable (sustained [a] and DDK) and fast (DDK) productions as possible. The full set of features were reduced to a functional subset that most efficiently modeled sex-specific differences between younger and older speakers using a cross-validation procedure. Twelve measures of [a] and 16 measures of DDK sequences were identified across men and women and investigated in terms of how they were altered with increasing age of speakers. Increased production instability is observed in both tasks, primarily above the age of 60 years. DDK sequences were slower in older speakers, but also altered in their syllable and segment level acoustic properties. Increasing age does not appear to affect phonation or articulation uniformly, and men and women are affected differently in most quantifications investigated.

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    Other literature type . Article . 2021 . Peer-reviewed
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    DOAJ-Articles
    Article . 2021
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      Other literature type . Article . 2021 . Peer-reviewed
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      DOAJ-Articles
      Article . 2021
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    Authors: Barton, RNE; Belhouchet, L; Collcutt, SN; Aouadi, N; +10 Authors

    This article reports on a new project to investigate the activities of early Homo sapiens in the area of the Chotts ‘megalake’ in southern Tunisia. Excavations in 2015 and 2019 at Oued el Akarit revealed one of a number of Middle Stone Age (MSA) horizons near the top of a long sequence of Upper Pleistocene deposits. The site identified as Oued el Akarit (Sondage 8) consists of lithic artefacts, bone fragments of large ungulates and pieces of ostrich eggshell. Many of the objects are burnt. Excavation of about nine square metres revealed that these were associated with a lightly trampled and combusted occupation surface. Amongst the identified artefacts were Levallois flakes some of which could be refitted, thereby indicating the generally undisturbed nature of the occupation. The lithic finds also included side scrapers and other tools diagnostic of the MSA but significantly no bifacial or tanged tools. OSL (Optically Stimulated Luminescence) dating of the sediments and AMS (Accelerator Mass Spectrometry) radiocarbon dating of ostrich eggshell have produced uncalibrated age determinations in the range 37,000–40,000 years ago, one of the youngest ages for MSA sites in the region. This is the first example of a securely dated later MSA occupation in a riparian environment in south-eastern Tunisia. Introduction and background The site and its context - Structural geology and sedimentological setting Sondage 8 excavation - Description of the lithostratigraphic sequence and interpretation - Soil micromorphology, chemistry and magnetic susceptibility -- Soil micromorphology -- Micromorphology results: (1A and 1B) - Dating studies (optical luminescence, radiocarbon and tephrochronology) - Description of lithic assemblage -- Raw material -- Debitage -- Refitting evidence - Faunal evidence Discussion and conclusions

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    Libyan Studies
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    Libyan Studies
    Article . 2021 . Peer-reviewed
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    MPG.PuRe
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    Authors: Kadhum, Oula;

    Abstract While emigration and population displacements have long been a feature of Iraqi history, this article argues that the 2003 Anglo-American intervention in Iraq and its legacy has contributed to the gradual disappearance of many non-Muslim Iraqi minorities from Iraq. Though the legacy of 2003 can be attributed to a confluence of domestic and geopolitical factors, it is argued here that the 2003 intervention set in motion a process of nation-destroying instead of nation-building, as Iraqi nationhood was divided along primordial lines. Caught between competing ethnic and sectarian nationalisms, Iraqi non-Muslim minorities became targets in the quest for territorial gain and political power heralding an unprecedented and steady level of emigration. This has changed the ethnic and religious demographic of Iraq, the identity of the Iraqi nation-state, as well as fragmented Iraq's multiple ethnic and religious nations both inside and outside the country. Indeed, the effects of nation-destroying have also been transported to the diaspora, strengthening communal identities, altering attachments and creating distance between Iraqi communities abroad. This has led to distanced transnational ethnic and religious Iraqi nations in diaspora who must now also contend with assimilation, a loss of culture and language in the absence of physical links to Iraq. The article offers the first comprehensive and scholarly treatment of the effects of emigration of Iraq's non-Muslim minorities on Iraqi nationhood within the new Iraqi nation-state. It therefore contributes conceptually and empirically to advancing our understanding of the role of nation-destroying and emigration in nationalizing processes, a neglected area in current migration and nationalism scholarship.

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    International Affairs
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Garz, Jona T; Isensee, Fanny; Töpper, Daniel;

    Collecting and producing mass data has offered an appealing way to condense educational phenomena. However, thus far, little attention has been given to the seemingly insignificant preprinted forms that represent the basis for compiling and aggregating data. Taking inspiration from science and technology studies and the ensuing development of so-called paper technologies, this article highlights the potential of small forms in education that were used to record, evaluate, and aggregate data for educational statistics. By suggesting a multi-level methodological approach that we frame as 3D hermeneutics, we seek to contribute a methodological proposal on how to analyse these materials and showcase what lies beneath – or what comes before – the knowledge produced by educational statistics. These analyses draw on pre-printed forms collected by the Prussian educational administration at the turn of the nineteenth century, and re-trace the contexts they were embedded in, examine their materiality, and reconstruct their usage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Zurich Open Reposito...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Zurich Open Repository and Archive
    Other literature type . 2022
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Nordic Journal of Educational History
    Article . 2022 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5167/uzh-22...
    Other literature type . 2022
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Zurich Open Reposito...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Zurich Open Repository and Archive
      Other literature type . 2022
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Nordic Journal of Educational History
      Article . 2022 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5167/uzh-22...
      Other literature type . 2022
      Data sources: Datacite
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38 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    What does it mean to be human in the year 2070? What does it mean today? In Torell’s sound piece, the boundaries between present and future, and between utopia and dystopia, are dissolved. What used to be science fiction has suddenly become everyday reality. Our bodies are enhanced and degraded through genetic engineering, environmental pollutants, conveniences, and steroids. The body of society is fragmented and at the same time interconnected ever more tightly by smartphones, algorithms, viruses, and drones. The work is based at Korsvägen in central Gothenburg, a place where many different perspectives come together. The voice of the narrator moves among different times and viewpoints in order to bring to life a world in transition, where many events remain incomprehensible until, suddenly, they are reality. What are we choosing not to see today that is already shaping life in the future? And what did we refuse to see yesterday that we have to live with today? (Lisa Rosendahl) Listen with earbuds through GIBCA’s app or website. We recommend standing outside the travel center at Korsvägen. Vad betyder det att vara människa år 2070? Vad betyder det idag? I Torells ljudkonstverk har gränserna mellan nutid och framtid, mellan utopi och dystopi upplösts. Det som tidigare var Sci-Fi har med ens blivit vardag. Våra kroppar förbättras och försämras genom genteknik, miljögifter, bekvämligheter och steroider. Samhällskroppen fragmenteras samtidigt som den kopplas allt tätare samman via smarta telefoner, algoritmer, virus och drönare. Verket utgår från Korsvägen i centrala Göteborg, en plats där många olika perspektiv möts. Berättarrösten rör sig mellan olika tider och synvinklar för att gestalta en värld i förändring där många skeenden förblir ogripbara tills de plötsligt är ett faktum. Vad är det vi väljer att inte se idag som redan nu formar livet i framtiden? Vad var det vi blundade för igår och därför måste leva med idag? Lyssna med hörlurar via GIBCA’s app eller hemsida, gärna på plats utanför Resecentrum på Korsvägen. GIBCA 2021, 11th edition of Göteborg International Biennal for Contemporary Art, June 5 - August 22, September 4 - November 21, 2021

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roubis D.; Sciuto C.;

    The study of stone artifacts and their provenance is an important proxy for understanding the entangled relationship between humans and geological resources. In this paper, we explore the potentialities of an interdisciplinary approach combining in situ documentation of tool marks and characterization of stone types using a near infrared (NIR) portable probe. We argue that this protocol is useful for collecting screening data on objects that cannot be moved or sampled. NIR spectra describe textural and molecular features of the materials and can be used to achieve a preliminary characterization of raw materials. We present a case study from the territory of Montescaglioso (Basilicata, near Matera, Italy), where we combined the analysis of a calcarenite (limestone) quarry, in Masseria D&rsquo Alessio, which was exploited since the 6th century BC, as well as artifacts of the same chronology from surveys and excavations in the surroundings. The aim was to collect preliminary data about the distribution of the particular calcarenite extracted from the quarry and identify exploitation and trade patterns. The data were processed using multivariate statistics to highlight the relevant spectral information and perform supervised classification of spectral features. Documentation of tool marks and the process of stone working were combined with the spectral signature of the artifacts to link the stone types to the description of their extraction/carving methods.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heritage; CNR ExploR...arrow_drop_down
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    Heritage; CNR ExploRA
    Other literature type . Article . 2019 . Peer-reviewed
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ISPC Open Portal
    Article . 2019
    Data sources: ISPC Open Portal
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Heritage
    Article
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Heritage
    Article . 2019
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heritage; CNR ExploR...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage; CNR ExploRA
      Other literature type . Article . 2019 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ISPC Open Portal
      Article . 2019
      Data sources: ISPC Open Portal
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage
      Article
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage
      Article . 2019
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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