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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: GASPA S;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: MAROTTA, Anna;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hatipoğlu, Tuna Yeter;

    İlkel insanların çeşitli gereksinimleri ile ortaya çıkan ve bu nedenle en eski sanat dallarından birisi olan seramik sanatı, zaman içinde farklı uygarlıkların yarattığı, değişen yaşam biçimlerine göre özgünleşmiş formlar birer sanat eseri olarak günümüze kadar ulaşmıştır. Başlangıçta sadece gereksinime uygun işlevsel kaplar ve kült eşyası olarak şekillendirilen seramik ürünler, zamanla estetik kaygı ile üretilen seçkin sanat eserlerine dönüşmüştür. Seramik biçimler üzerine uygulanan renkler, toplımsal ve kültürel değerleri ve olayları yansıtmalarının yanı sıra, ürüne estetik görünüm kazandırırlar.Günümüzde sanatın genişlemesiyle dünyada güç kazanan ve kabul gören seramik sanatı, malzemenin sağladığı olanaklar ve kişisel deneyimlerin birleşmesiyle, yeni üsluplara dönüşen sonuçlar ortaya çıkmıştır. Seramik çamurlarının renk veren oksitler, seramik boyaları veya doğal killer ile karıştırılarak yapay olarak renklendirilmesine renkli çamur adı verilir. Bir dekor uygulaması olarak renklendirilmiş seramik çamuru farklı dekor alternatifleri ile beraber sanatçıya her zaman yeni ürünleri oluşturma şansı sunmaktadır. Bu araştırmada, renkli çamurun tanımı ve tarihsel gelişiminin yanı sıra, renkli çamurun hazırlanması, seramik sanatçısına sağlayacağı çeşitli anlatım olanakları ve teknikleri incelenmiştir. Renklendirilmiş seramik çamuruyla yapılan dekor uygulamalarının gerek Türk, gerekse yabancı sanatçı çalışmalarında sanatsal kullanımı ele alınarak değerlendirilmiştir.ANAHTAR KELİMELER : Renklendirilmiş seramik çamuru, Renklendirilmiş çamurlarla yapılan dekor uygulamaları Ceramic art is one of the old types of art which has been grown out of the necessity of first human (troglodytes). They came until today as masterpieces created by different civilizations in compliance with the changing lifestyles throughout the years.At the beginning it was only functional pots and cult objects that satisfies the requirements and then they became exquisite work of art with cosmetic concerns and time. Colors that are applied to ceramic forms not only reflected cultural and social values but also caused cosmetic view.Ceramic art gained power and acceptance today with the evolvement of art. Combination of the new options provided by materials of today and personal experience turned ceramic into new styles.Ceramic mud that is mixed with oxides that provides color, ceramic paints and natural clay is called color mud. Colored ceramic mud as decorapplication gives the artist chance of forming new productsin cluding different decoroptions.In this research, besides the definition of color mudand historical evaluation, preparation of color mud and various expression option sand techniques that will be provided to ceramic artists has been investigated. Decorapplications that are made with colored ceramic mud has been evaluated based on the artistic usage in both turkis hand foreign artists' works.KEYWORDS: Colored Ceramic Mud, The Decor Applications with Colored Muds 78

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ YÖK Açık Bilim - CoH...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ YÖK Açık Bilim - CoH...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: FEDERICA RIBERA; PASQUALE CUCCO;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Branko Beštak;

    In his third paper about war honours and decorations issued by t he Republic of Bosnia and Herzegovina and the Federation of Bosnia and Herzegovina, the author writes about some new facts that were not available to him in the two earlier articles. This especially refers to descriptions of preparatory working materials in the Army of the Republic of Bosnia and Herzegovina that preceded the adoption of some of the war honours and decorations. Unfortunately, the Federation of Bosnia and Herzegovina does not yet have its own decorations, but procedures in this field are underway. Autor je u svom trećem članku o ratnim priznanjima i odlikovanjima Republike Bosne i Hercegovine i Federacije Bosne i Hercegovine obradio neke nove činjenice o toj materiji, a do kojih nije mogao doći pišući prethodna dva članka. Posebno treba istaknuti opis pripremnih radnih materijala koji su prethodili, za potrebe Armije RBiH, usvajanju dijela ratnih priznanja i odlikovanja. Na žalost, Federacija Bosne i Hercegovine nema još svojih odlikovanja, no postupak o tome još traje.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HRČAK - Portal of sc...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HRČAK - Portal of sc...arrow_drop_down
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  • Authors: M. Kelly, Robert;

    THE ZUBER PATRIARCHY Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907 This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jacqué, see link at the end of this newsletter. Two disclaimers: the thesis is written in the French language. The possibility of errors in sense and transcription should be kept in mind. Secondly, these technical and biographical sketches are a radical concision of the thesis, which takes a bird’s-eye view of the history of wallpaper.

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  • Authors: M. Kelly, Robert;

    V. 1, N. 3 (March 15, 2020) is titled "Wallpaper Values" and compares and contrasts the values of wallpaper as decorative art, as avatar of social values, and as material culture.

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  • Authors: M. Kelly, Robert;

    V. 1, N. 5 (May 15, 2020) is titled "Is Wallpaper Essential?," answers in the affirmative, and argues for a new definition: "Wallpaper is affordable and flexible, modular in form and design, ordinarily covered with a printed pattern, and made for decorating domestic walls."

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  • Authors: M. Kelly, Robert;

    V. 1, N. 4 (April 15, 2020) is titled "Bernard Jacqué, His Thesis, and His Methods." It shows how Jacqué's work relates to that of Jules David Prown, an art historian credited with formulating an influential approach to material culture in the pages of the Winterthur Portfolio in the early 1980s.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jakubiak, Krzysztof;

    Krzysztof Jakubiak

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Otwarte Repozytorium...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Otwarte Repozytorium...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: GASPA S;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: MAROTTA, Anna;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
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    Authors: Hatipoğlu, Tuna Yeter;

    İlkel insanların çeşitli gereksinimleri ile ortaya çıkan ve bu nedenle en eski sanat dallarından birisi olan seramik sanatı, zaman içinde farklı uygarlıkların yarattığı, değişen yaşam biçimlerine göre özgünleşmiş formlar birer sanat eseri olarak günümüze kadar ulaşmıştır. Başlangıçta sadece gereksinime uygun işlevsel kaplar ve kült eşyası olarak şekillendirilen seramik ürünler, zamanla estetik kaygı ile üretilen seçkin sanat eserlerine dönüşmüştür. Seramik biçimler üzerine uygulanan renkler, toplımsal ve kültürel değerleri ve olayları yansıtmalarının yanı sıra, ürüne estetik görünüm kazandırırlar.Günümüzde sanatın genişlemesiyle dünyada güç kazanan ve kabul gören seramik sanatı, malzemenin sağladığı olanaklar ve kişisel deneyimlerin birleşmesiyle, yeni üsluplara dönüşen sonuçlar ortaya çıkmıştır. Seramik çamurlarının renk veren oksitler, seramik boyaları veya doğal killer ile karıştırılarak yapay olarak renklendirilmesine renkli çamur adı verilir. Bir dekor uygulaması olarak renklendirilmiş seramik çamuru farklı dekor alternatifleri ile beraber sanatçıya her zaman yeni ürünleri oluşturma şansı sunmaktadır. Bu araştırmada, renkli çamurun tanımı ve tarihsel gelişiminin yanı sıra, renkli çamurun hazırlanması, seramik sanatçısına sağlayacağı çeşitli anlatım olanakları ve teknikleri incelenmiştir. Renklendirilmiş seramik çamuruyla yapılan dekor uygulamalarının gerek Türk, gerekse yabancı sanatçı çalışmalarında sanatsal kullanımı ele alınarak değerlendirilmiştir.ANAHTAR KELİMELER : Renklendirilmiş seramik çamuru, Renklendirilmiş çamurlarla yapılan dekor uygulamaları Ceramic art is one of the old types of art which has been grown out of the necessity of first human (troglodytes). They came until today as masterpieces created by different civilizations in compliance with the changing lifestyles throughout the years.At the beginning it was only functional pots and cult objects that satisfies the requirements and then they became exquisite work of art with cosmetic concerns and time. Colors that are applied to ceramic forms not only reflected cultural and social values but also caused cosmetic view.Ceramic art gained power and acceptance today with the evolvement of art. Combination of the new options provided by materials of today and personal experience turned ceramic into new styles.Ceramic mud that is mixed with oxides that provides color, ceramic paints and natural clay is called color mud. Colored ceramic mud as decorapplication gives the artist chance of forming new productsin cluding different decoroptions.In this research, besides the definition of color mudand historical evaluation, preparation of color mud and various expression option sand techniques that will be provided to ceramic artists has been investigated. Decorapplications that are made with colored ceramic mud has been evaluated based on the artistic usage in both turkis hand foreign artists' works.KEYWORDS: Colored Ceramic Mud, The Decor Applications with Colored Muds 78

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    Authors: FEDERICA RIBERA; PASQUALE CUCCO;
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    Authors: Branko Beštak;

    In his third paper about war honours and decorations issued by t he Republic of Bosnia and Herzegovina and the Federation of Bosnia and Herzegovina, the author writes about some new facts that were not available to him in the two earlier articles. This especially refers to descriptions of preparatory working materials in the Army of the Republic of Bosnia and Herzegovina that preceded the adoption of some of the war honours and decorations. Unfortunately, the Federation of Bosnia and Herzegovina does not yet have its own decorations, but procedures in this field are underway. Autor je u svom trećem članku o ratnim priznanjima i odlikovanjima Republike Bosne i Hercegovine i Federacije Bosne i Hercegovine obradio neke nove činjenice o toj materiji, a do kojih nije mogao doći pišući prethodna dva članka. Posebno treba istaknuti opis pripremnih radnih materijala koji su prethodili, za potrebe Armije RBiH, usvajanju dijela ratnih priznanja i odlikovanja. Na žalost, Federacija Bosne i Hercegovine nema još svojih odlikovanja, no postupak o tome još traje.

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  • Authors: M. Kelly, Robert;

    THE ZUBER PATRIARCHY Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907 This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jacqué, see link at the end of this newsletter. Two disclaimers: the thesis is written in the French language. The possibility of errors in sense and transcription should be kept in mind. Secondly, these technical and biographical sketches are a radical concision of the thesis, which takes a bird’s-eye view of the history of wallpaper.

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  • Authors: M. Kelly, Robert;