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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Saint-Paul, Gilles;

    International audience; When policymakers and private agents use models, the economists who design the model have an incentive to alter it in order to influence outcomes in a fashion consistent with their own preferences. I discuss some consequences of the existence of such ideological bias. In particular, I analyze the role of measurement infrastructures such as national statistical institutes, the extent to which intellectual competition between different schools of thought may lead to polarization of views over some parameters and at the same time to consensus over other parameters, and finally how the attempt to preserve influence can lead to degenerative research programs.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    EconStor
    Research . 2012
    Data sources: EconStor
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    SSRN Electronic Journal
    Article . 2013 . Peer-reviewed
    Data sources: Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    EconStor
    Research . 2012
    Data sources: EconStor
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Elisabetta Gliozzo; A. Comini; A. Cherubini; Andrea Ciacci; +2 Authors

    Located in the extreme eastern portion of present Tuscany, the archaeological area of Trebbio-Spinellina (Sansepolcro, Arezzo; Fig. 1) is situated between Umbrian and Etruscan territories, in a culturally complex area where Picenian and Sabinian influences are also present (Migliorati 2003; Zamarchi Grassi and Scarpellini Testi 1992).

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Flore (Florence Rese...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2010 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Flore (Florence Rese...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2010 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Diego Salvadori;

    This article introduces unpublished writings by Grazia Livi, held by the Archivio di Stato in Florence, sketching her biography and highlighting the connection between journalism and creative writing. We pass on to the short story Un complice (1994), examining its genesis by means of the manuscripts presented here. LEA - Lingue e Letterature d'Oriente e d'Occidente, Vol 4 (2015)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ-Articles
    Article . 2015
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2015
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ-Articles
      Article . 2015
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brunet, Claude;

    Expression of power in Cyprian’s Letters : semantic analysis of the names in – tas Cyprian’s Epistulae display a vast lexical field of power, notably abstract substantives with suffix in tas which feature the main Roman political notions in classical language. Taking into account their common sense, the determinative constructions linked to them, and using the technique of semic analysis, we propose to bring their meaning out in this correspondence and to define each one by distinguishing and comparing it to the others, thus putting in evidence Cyprian’s willpower as he addresses his fellow bishops.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://www.persee.f...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Dialogues d histoire ancienne
    Article . 2009 . Peer-reviewed
    Data sources: Crossref
    Dialogues d histoire ancienne
    Article . 2009 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: LANDI, MICHELA;

    Face à une tradition scolaire qui, se prévalant des méthodes de l’exégèse biblique, prônait pour l’œuvre littéraire la séparation entre la forme et le contenu – entre l’Esprit et la Lettre du texte –, la critique moderne recommande, comme l’on sait, l’unité ; et cela à partir d’une évidence organique qui puise son paradigme dans la tradition romantique, héritière du sensualisme des Lumières (« la forme, c’est le fond », selon le mot de Victor Hugo). Cependant, une unité inarticulée entre la f...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Revue Italienne d'Etudes Françaises
    Article
    License: CC BY NC ND
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    OpenEdition
    Article . 2015
    Data sources: OpenEdition
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Revue Italienne d'Etudes Françaises
    Article . 2014 . Peer-reviewed
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2014
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Revue Italienne d'Etudes Françaises
      Article
      License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
      Article . 2015
      Data sources: OpenEdition
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Revue Italienne d'Etudes Françaises
      Article . 2014 . Peer-reviewed
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2014
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Thomas Chauve; Maurine Montagnat; Cédric Lachaud; David Georges; +1 Authors

    This paper presents, for the first time, the evolution of the local heterogeneous strain field around intra-granular cracking in polycrystalline ice, at the onset of tertiary creep. Owing to the high homologous temperature conditions and relatively low compressive stress applied, stress concentration at the crack tips is relaxed by plastic mechanisms associated with dynamic recrystallization. Strain field evolution followed by digital image correlation (DIC) directly shows the redistribution of strain during crack opening, but also the redistribution driven by crack tip plasticity mechanisms and recrystallization. Associated local changes in microstructure induce modifications of the local stress field evidenced by crack closure during deformation. At the ductile-to-brittle transition in ice, micro-cracking and dynamic recrystallization mechanisms can co-exist and interact, the later being efficient to relax stress concentration at the crack tips. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Solid Earth (SE)arrow_drop_down
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    Solid Earth (SE)
    Article . 2017 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Solid Earth (SE)
    Other literature type . 2018
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2017
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Solid Earth; Solid Earth (SE)
    Article . 2017
    License: CC BY
    Copernicus Publications
    Other literature type . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Solid Earth (SE)arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Solid Earth (SE)
      Article . 2017 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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      Solid Earth (SE)
      Other literature type . 2018
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      DOAJ
      Article . 2017
      Data sources: DOAJ
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      Solid Earth; Solid Earth (SE)
      Article . 2017
      License: CC BY
      Copernicus Publications
      Other literature type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: M. Garzaniti; POSSAMAI, DONATELLA;

    This book on Slavic matriarchy is the result of the studies and researches that Evel Gasparini carried out over the span of his lifetime. Intrigued by the possibility of a close link between the collective ownership of the land and the ancient agricultural-matriarchal substrate of Slav culture, Gasparini launched on the titanic enterprise of analysing the archaeological and historical sources of early Slavic civilisation. Basing himself on a concept of culture elaborated in the ethnological field, he brought to light certain contradictions in the application of the Indo-European paradigm to Slavic culture and identified a series of elements illustrating the matriarchal substrate. Exploiting an uncommon knowledge of cultural anthropology and profound linguistic competencies, in this book Gasparini maps out a complex panorama ranging from the economy to the social structure and from the religious traditions to music and dance. Out of print for some time, the book is now proposed in a new, more convenient form, complete with an appendix on Finns and Slavs – which was originally intended as another chapter in the book but was then left out – a detailed preface by Gasparini's disciple Remo Faccani, and a bibliography of the scholar's oeuvre edited by Donatella Possamai.Il matriarcato slavo e il frutto degli studi e delle ricerche che Evel Gasparini compi durante l'arco della sua vita. Affascinato dall'ipotesi di una stretta connessione fra la proprieta collettiva delle terre e l'antico substrato agricolo-matriarcale della civilta slava, Gasparini si lancio nella titanica impresa di analizzare le fonti archeologiche e storiche sulla prima civilta slava. Basandosi su un'idea di cultura elaborata in campo etnologico, egli mise in luce alcune contraddizioni nell'applicazione del paradigma indoeuropeo alla civilta slava e individuo una serie di elementi a dimostrazione del substrato matriarcale. Grazie a conoscenze non comuni in antropologia culturale e a profonde competenze linguistiche, nel Matriarcato slavo Gasparini delinea un panorama complesso, dall'economia alla struttura sociale, dalle tradizioni religiose alla musica e alle danze. Scomparso dal mercato editoriale, il volume viene ora riproposto in una nuova, piu agevole veste, corredata dall'appendice Finni e slavi – che doveva rappresentare un ulteriore capitolo del Matriarcato, ma ne resto esclusa –, da una dettagliata prefazione di Remo Faccani, che di Gasparini fu discepolo, e da una bibliografia delle opere dello studioso curata da Donatella Possamai.

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    Authors: Benjamin Guiot; Iu. Karpenko; T. Pierog; G. Sophys; +1 Authors

    International audience; The implementation of heavy quarks and prompt photons in EPOS is presented. One of the interests of event generators is their capability to reproduce exclusive observables. Our results for charms and prompt photons, in p-p collisions at $\sqrt s = 7{\rm{ TeV}}$, are compared with experiments and FONLL calculations [1].

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    KITopen
    Article . 2017
    License: CC BY
    Data sources: KITopen
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    https://doi.org/10.5445/ir/100...
    Article . 2017
    License: CC BY
    Data sources: Datacite
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    Journal of Physics : Conference Series
    Article . 2017 . Peer-reviewed
    License: CC BY
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      KITopen
      Article . 2017
      License: CC BY
      Data sources: KITopen
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      https://doi.org/10.5445/ir/100...
      Article . 2017
      License: CC BY
      Data sources: Datacite
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      Journal of Physics : Conference Series
      Article . 2017 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: de Becdelievre , Camille; Thiol , Camille; Saligny , Laure; Granjon , Ludovic; +1 Authors

    International audience; The use of collective graves is one of the main features of the western European Late Neolithic. A single gravesite received the successive deposition of dozens or sometimes hundreds of individuals. While cremations or even full-fired inhumation layers are often found within these funerary deposits, the actual role of fire is still poorly understood. Recently discovered within the important archaeological complex of Passy (Yonne, France), the burned collective grave of La Truie-Pendue provides an outstanding case study to examine the use of fire within Neolithic funerary rites. In this study, we develop a new contextual approach to bone alterations in order to reconstruct the original circumstances of combustion and to examine cultural motivations for the use of fire. Results of spatial statistical analyses indicate that the fire event was the first step of a procedure that sealed the grave, closed the access to the dead and signaled the end of the grave's history. Similar sealing procedures were usual elsewhere during the Late Neolithic. Finally, this study demonstrates the value of using GIS as a tool to optimize taphonomic analyses of widely fragmented and commingled skeletal assemblages.

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    Journal of Field Archaeology
    Article . 2016 . Peer-reviewed
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    Authors: Depoortère, Christophe;

    This article transcripts and analyzes two hitherto unpublished letters by David Ricardo. The first one (6 December 1812), was addressed to Leonard Horner. In the second one (3 March 1813), Ricardo thanked Samuel Tertius Galton for having sent him the pamphlet on monetary questions Galton had just published. This second letter was very useful to identify the work discussed by Ricardo in the first letter. Indeed, in his writing to Horner, Ricardo commented extensively on Galton’s manuscript. He dealt with important monetary issues such as the distinction between a deteriorated and a depreciated currency, the determination of the par of exchange between countries admitting two different monetary standards, and the distinction between an increased issue of notes by the Bank of England and an increased quantity of money in circulation.

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    Journal of the History of Economic Thought
    Article . 2015 . Peer-reviewed
    License: Cambridge Core User Agreement
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Histo...arrow_drop_down
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      Journal of the History of Economic Thought
      Article . 2015 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Saint-Paul, Gilles;

    International audience; When policymakers and private agents use models, the economists who design the model have an incentive to alter it in order to influence outcomes in a fashion consistent with their own preferences. I discuss some consequences of the existence of such ideological bias. In particular, I analyze the role of measurement infrastructures such as national statistical institutes, the extent to which intellectual competition between different schools of thought may lead to polarization of views over some parameters and at the same time to consensus over other parameters, and finally how the attempt to preserve influence can lead to degenerative research programs.

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    EconStor
    Research . 2012
    Data sources: EconStor
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    SSRN Electronic Journal
    Article . 2013 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    EconStor
    Research . 2012
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    Authors: Elisabetta Gliozzo; A. Comini; A. Cherubini; Andrea Ciacci; +2 Authors

    Located in the extreme eastern portion of present Tuscany, the archaeological area of Trebbio-Spinellina (Sansepolcro, Arezzo; Fig. 1) is situated between Umbrian and Etruscan territories, in a culturally complex area where Picenian and Sabinian influences are also present (Migliorati 2003; Zamarchi Grassi and Scarpellini Testi 1992).

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Flore (Florence Rese...arrow_drop_down
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    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2010 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Flore (Florence Rese...arrow_drop_down
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      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2010 . Peer-reviewed
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    Authors: Diego Salvadori;

    This article introduces unpublished writings by Grazia Livi, held by the Archivio di Stato in Florence, sketching her biography and highlighting the connection between journalism and creative writing. We pass on to the short story Un complice (1994), examining its genesis by means of the manuscripts presented here. LEA - Lingue e Letterature d'Oriente e d'Occidente, Vol 4 (2015)

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    DOAJ-Articles
    Article . 2015
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    DOAJ
    Article . 2015
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    Authors: Brunet, Claude;

    Expression of power in Cyprian’s Letters : semantic analysis of the names in – tas Cyprian’s Epistulae display a vast lexical field of power, notably abstract substantives with suffix in tas which feature the main Roman political notions in classical language. Taking into account their common sense, the determinative constructions linked to them, and using the technique of semic analysis, we propose to bring their meaning out in this correspondence and to define each one by distinguishing and comparing it to the others, thus putting in evidence Cyprian’s willpower as he addresses his fellow bishops.

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    Dialogues d histoire ancienne
    Article . 2009 . Peer-reviewed
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    Dialogues d histoire ancienne
    Article . 2009 . Peer-reviewed
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    Authors: LANDI, MICHELA;

    Face à une tradition scolaire qui, se prévalant des méthodes de l’exégèse biblique, prônait pour l’œuvre littéraire la séparation entre la forme et le contenu – entre l’Esprit et la Lettre du texte –, la critique moderne recommande, comme l’on sait, l’unité ; et cela à partir d’une évidence organique qui puise son paradigme dans la tradition romantique, héritière du sensualisme des Lumières (« la forme, c’est le fond », selon le mot de Victor Hugo). Cependant, une unité inarticulée entre la f...

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    Revue Italienne d'Etudes Françaises
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    Article . 2015
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    Revue Italienne d'Etudes Françaises
    Article . 2014 . Peer-reviewed
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    DOAJ
    Article . 2014
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      Revue Italienne d'Etudes Françaises
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      OpenEdition
      Article . 2015
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      Revue Italienne d'Etudes Françaises
      Article . 2014 . Peer-reviewed
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      DOAJ
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    Authors: Thomas Chauve; Maurine Montagnat; Cédric Lachaud; David Georges; +1 Authors

    This paper presents, for the first time, the evolution of the local heterogeneous strain field around intra-granular cracking in polycrystalline ice, at the onset of tertiary creep. Owing to the high homologous temperature conditions and relatively low compressive stress applied, stress concentration at the crack tips is relaxed by plastic mechanisms associated with dynamic recrystallization. Strain field evolution followed by digital image correlation (DIC) directly shows the redistribution of strain during crack opening, but also the redistribution driven by crack tip plasticity mechanisms and recrystallization. Associated local changes in microstructure induce modifications of the local stress field evidenced by crack closure during deformation. At the ductile-to-brittle transition in ice, micro-cracking and dynamic recrystallization mechanisms can co-exist and interact, the later being efficient to relax stress concentration at the crack tips. International audience

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    Solid Earth (SE)
    Article . 2017 . Peer-reviewed
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    Solid Earth (SE)
    Other literature type . 2018
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    DOAJ
    Article . 2017
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    Solid Earth; Solid Earth (SE)
    Article . 2017
    License: CC BY
    Copernicus Publications
    Other literature type . 2018
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      Solid Earth (SE)
      Article . 2017 . Peer-reviewed
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      Other literature type . 2018
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      DOAJ
      Article . 2017
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      Solid Earth; Solid Earth (SE)
      Article . 2017
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    Authors: M. Garzaniti; POSSAMAI, DONATELLA;

    This book on Slavic matriarchy is the result of the studies and researches that Evel Gasparini carried out over the span of his lifetime. Intrigued by the possibility of a close link between the collective ownership of the land and the ancient agricultural-matriarchal substrate of Slav culture, Gasparini launched on the titanic enterprise of analysing the archaeological and historical sources of early Slavic civilisation. Basing himself on a concept of culture elaborated in the ethnological field, he brought to light certain contradictions in the application of the Indo-European paradigm to Slavic culture and identified a series of elements illustrating the matriarchal substrate. Exploiting an uncommon knowledge of cultural anthropology and profound linguistic competencies, in this book Gasparini maps out a complex panorama ranging from the economy to the social structure and from the religious traditions to music and dance. Out of print for some time, the book is now proposed in a new, more convenient form, complete with an appendix on Finns and Slavs – which was originally intended as another chapter in the book but was then left out – a detailed preface by Gasparini's disciple Remo Faccani, and a bibliography of the scholar's oeuvre edited by Donatella Possamai.Il matriarcato slavo e il frutto degli studi e delle ricerche che Evel Gasparini compi durante l'arco della sua vita. Affascinato dall'ipotesi di una stretta connessione fra la proprieta collettiva delle terre e l'antico substrato agricolo-matriarcale della civilta slava, Gasparini si lancio nella titanica impresa di analizzare le fonti archeologiche e storiche sulla prima civilta slava. Basandosi su un'idea di cultura elaborata in campo etnologico, egli mise in luce alcune contraddizioni nell'applicazione del paradigma indoeuropeo alla civilta slava e individuo una serie di elementi a dimostrazione del substrato matriarcale. Grazie a conoscenze non comuni in antropologia culturale e a profonde competenze linguistiche, nel Matriarcato slavo Gasparini delinea un panorama complesso, dall'economia alla struttura sociale, dalle tradizioni religiose alla musica e alle danze. Scomparso dal mercato editoriale, il volume viene ora riproposto in una nuova, piu agevole veste, corredata dall'appendice Finni e slavi – che doveva rappresentare un ulteriore capitolo del Matriarcato, ma ne resto esclusa –, da una dettagliata prefazione di Remo Faccani, che di Gasparini fu discepolo, e da una bibliografia delle opere dello studioso curata da Donatella Possamai.

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    Authors: Benjamin Guiot; Iu. Karpenko; T. Pierog; G. Sophys; +1 Authors

    International audience; The implementation of heavy quarks and prompt photons in EPOS is presented. One of the interests of event generators is their capability to reproduce exclusive observables. Our results for charms and prompt photons, in p-p collisions at $\sqrt s = 7{\rm{ TeV}}$, are compared with experiments and FONLL calculations [1].

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    KITopen
    Article . 2017
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    https://doi.org/10.5445/ir/100...
    Article . 2017
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    Journal of Physics : Conference Series
    Article . 2017 . Peer-reviewed
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      KITopen
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      https://doi.org/10.5445/ir/100...
      Article . 2017
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      Journal of Physics : Conference Series
      Article . 2017 . Peer-reviewed
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    Authors: de Becdelievre , Camille; Thiol , Camille; Saligny , Laure; Granjon , Ludovic; +1 Authors

    International audience; The use of collective graves is one of the main features of the western European Late Neolithic. A single gravesite received the successive deposition of dozens or sometimes hundreds of individuals. While cremations or even full-fired inhumation layers are often found within these funerary deposits, the actual role of fire is still poorly understood. Recently discovered within the important archaeological complex of Passy (Yonne, France), the burned collective grave of La Truie-Pendue provides an outstanding case study to examine the use of fire within Neolithic funerary rites. In this study, we develop a new contextual approach to bone alterations in order to reconstruct the original circumstances of combustion and to examine cultural motivations for the use of fire. Results of spatial statistical analyses indicate that the fire event was the first step of a procedure that sealed the grave, closed the access to the dead and signaled the end of the grave's history. Similar sealing procedures were usual elsewhere during the Late Neolithic. Finally, this study demonstrates the value of using GIS as a tool to optimize taphonomic analyses of widely fragmented and commingled skeletal assemblages.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Field Arc...arrow_drop_down
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    Journal of Field Archaeology
    Article . 2016 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Depoortère, Christophe;

    This article transcripts and analyzes two hitherto unpublished letters by David Ricardo. The first one (6 December 1812), was addressed to Leonard Horner. In the second one (3 March 1813), Ricardo thanked Samuel Tertius Galton for having sent him the pamphlet on monetary questions Galton had just published. This second letter was very useful to identify the work discussed by Ricardo in the first letter. Indeed, in his writing to Horner, Ricardo commented extensively on Galton’s manuscript. He dealt with important monetary issues such as the distinction between a deteriorated and a depreciated currency, the determination of the par of exchange between countries admitting two different monetary standards, and the distinction between an increased issue of notes by the Bank of England and an increased quantity of money in circulation.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Histo...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of the History of Economic Thought
    Article . 2015 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Histo...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of the History of Economic Thought
      Article . 2015 . Peer-reviewed
      License: Cambridge Core User Agreement
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