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12 Research products

  • Digital Humanities and Cultural Heritage
  • Open Access
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  • French National Research Agency (ANR)
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  • Hyper Article en Ligne - Sciences de l'Homme et de la Société
  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Waksman, S.Y.; Carytsiotis, Marie-Myriam;

    International audience; The Türbe excavations provided information about the Byzantine and Turkish periods of Ephesos / Ayasuluk. Chemical analyses confirm the presence of several categories of ceramic imports belonging to the main "middle Byzantine production" that were widespread in the Mediterranean and date back to the 12th and 13th centuries. Ephesos is part of the distribution area of this production, together with several other Western Anatolian sites such as Pergamon and the nearby castle of Anaia/Kadikalesi, where it is present in significant quantities. Pottery was also manufactured in Anaia. It was diffused not only at a regional level, as shown here through examples found in Ephesos, but also reached the Crusader states as seen by its noticeable presence in Saint-Jean-d'Acre.Ceramic production in Ephesos is documented in the Türbe excavations through the discovery of rubefied layers, kiln furniture and wasters (Parrer, this volume). Several local groups, showing different chemical features, were identified thanks to local reference samples. These groups do not differ from those previously defined in a preliminary study of the Artemision material. The present study complements the previous chemical characterization and further illustrates the local manufacture of various types of table wares, from coarsely potted plain glazed to more "sophisticated" ceramics of "Islamic" types (turquoise glazed and molded wares). The latter would correspond to the introduction in the local repertoire of new stylistic and technological traditions, a phenomenon which would have occurred at the Beylik period in other Western Anatolian sites as well, such as Milet and Sardis. In Ephesos, the association of turquoise glaze or molded decoration with low-calcareous pastes, instead of calcareous ones, suggests an adaptation of the initial pottery traditions, as may be observed for example in Syria.The high degree of fragmentation of the sherds in the Türbe excavations on the one hand, and the fluvial disturbances of the stratigraphy on the other hand, made it difficult to reconstruct the typo-chronological features of the local repertoire. Some connections could be made with the better preserved material from the Artemision, but were limited within our sampling. It is hoped that further sampling and analyses of ceramics coming from other excavations in Ephesos / Ayasuluk (Tribune, Isa Bey Hammam, etc...) will make it possible for us to give further insight into these questions.

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    Other literature type . 2015
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    Authors: Leplongeon, Alice;

    During the Nubia Salvage Campaign and the subsequent expeditions from the 1960's to the 1980's, numerous sites attributed to the Late Palaeolithic (~25-15 ka) were found in the Nile Valley, particularly in Nubia and Upper Egypt. This region is one of the few to have allowed human occupations during the dry Marine Isotope Stage 2 and is therefore key to understanding how human populations adapted to environmental changes at this time. This paper focuses on two sites located in Upper Egypt, excavated by the Combined Prehistoric Expedition: E71K18, attributed to the Afian industry and E71K20, attributed to the Silsilian industry. It aims to review the geomorphological and chronological evidence of the sites, present a technological analysis of the lithic assemblages in order to provide data that can be used in detailed comparative studies, which will allow discussion of technological variability in the Late Palaeolithic of the Nile Valley and its place within the regional context. The lithic analysis relies on the chaîne opératoire concept combined with an attribute analysis to allow quantification. This study (1) casts doubts on the chronology of E71K18 and related Afian industry, which could be older or younger than previously suggested, highlights (2) distinct technological characteristics for the Afian and the Silsilian, as well as (3) similar technological characteristics which allow to group them under a same broad techno-cultural complex, distinct from those north or south of the area. ispartof: PLOS ONE vol:12 issue:12 ispartof: location:United States status: published

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    Europe PubMed Central
    Article . 2017
    Data sources: PubMed Central
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    Article . 2017
    Data sources: Lirias
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    PLoS ONE
    Article . 2017
    Data sources: DOAJ-Articles
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    Authors: Tchienehom, Pascaline;

    ModRef est un projet du laboratoire Labex "Les passés dans le présent" qui accompagne divers projets sur des problématiques relatives aux humanités numériques. Le projet ModRef s’intéresse spécifiquement au web sémantique et aux données ouvertes et liées. Le but de ce projet est de réaliser une migration de données hétérogènes vers des triplestores encore appelés entrepôts ou collections de fichiers RDF afin d’améliorer le partage, l’échange et la découverte de nouvelles connaissances. Pour ce faire, la norme CIDOC-CRM a été choisie car elle est actuellement la norme de référence pour la description sémantique de l’information muséographique ou d’héritage culturel. Afin de réaliser la preuve conceptuelle de ModRef,une architecture générale a été définie, une modélisation sémantique et un alignement des données des trois sous projets pilotes de ModRef ont été proposés, une migration des données vers des triplestores a également été effectuée. Une application web a été développée et déployée. Cette application web décrit le projet ModRef et permet également de consulter et d’interroger les triplestores créés. ModRef is a project from the laboratory Labex " Les passés dans le présent " , which coordinates various projects on digital humanities. ModRef focuses more precisely on the semantic web and linked open data. The goal is to move heterogeneous data into triplestores also called data warehouses or collections of RDF files in order to improve the sharing, exchange and discovery of new knowledge. For this purpose, the CIDOC-CRM norm has been chosen since it is, at present, the reference for the semantic description of museographic data or cultural heritage data. In order to realise the proof of concept of ModRef, a general architecture has been defined, a semantic modelling and data mapping of selected sub-projects of ModRef have been proposed, triplestores have also been created. A web application has been implemented and deployed. This web application describes the ModRef project, as well as it enables visualising, querying and exploring created triplestores.

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    Other literature type . 2017
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      Other literature type . 2017
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    Authors: Frontini, Francesca; Brando, Carmen; Ganascia, Jean-Gabriel;

    International audience; We present REDEN, a tool for graph-based Named EntityLinking that allows for the disambiguation of entities using domainspecificLinked Data sources and different configurations (e.g. contextsize). It takes TEI-annotated texts as input and outputs them enrichedwith external references (URIs). The possibility of customizing indexesbuilt from various knowledge sources by defining temporal and spatialextents makes REDEN particularly suited to handle domain-specific corporasuch as enriched digital editions in the Digital Humanities.

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    Authors: Pierrel, Jean-Marie; Parisse, Christophe; Blanchard, Jérôme; Petitjean, Etienne; +1 Authors

    International audience; ORTOLANG 1 (Open Resources and Tools for Language: www.ortolang.fr) is a French infrastructure which aims to ensure the management, pooling and sharing, dissemination and long-term preservation of language resources such as corpora, lexicons, terminologies and language processing tools, with particular focus on the languages of France. It will be used as a technical language platform for written and oral language forms. The ORTOLANG software platform is based on a new Digital Object Repository service. By combining a Service Oriented Architecture for high level services and a Software Component Architecture for its Repository Service, the platform seeks to build a robust and reliable Digital Object Repository that provides rich functionalities and a modern interface delivering excellent performances and the best optimization strategies. Thanks to its hardware and software architecture choices, the ORTOLANG platform ensures very flexible evolution possibilities to guarantee long-time support for the hosted resources.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Paris Nanterre; ...arrow_drop_down
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    Authors: Schiettecatte, Jérémie; Crassard, Rémy; Gavazzi, Bruno; Hilbert, Yamandu; +2 Authors

    Report of the archaeological and geophysical activities of the Saudi French mission in the oasis of al-Kharj, 80 km South of Riyadh, in the Central Province of Saudi Arabia carried out from October 24 to November 29 2013. It includes chapters on: - The survey on the prehistoric occupation - The archaeological excavation of a Bronze Age necropolis at Ayn al-Dila - The exploration of the site of al-Yamāma (geophysical survey, archaeological excavation of the Great Mosque).

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    Other literature type . 2014
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    Authors: Gominski, Dimitri; Gouet-Brunet, Valérie; Chen, Liming;

    Along with a new volume of images containing valuable information about our past, the digitization of historical territorial imagery has brought the challenge of understanding and interconnecting collections with unique or rare representation characteristics, and sparse metadata. Content-based image retrieval offers a promising solution in this context, by building links in the data without relying on human supervision. However, while the latest propositions in deep learning have shown impressive results in applications linked to feature learning, they often rely on the hypothesis that there exists a training dataset matching the use case. Increasing generalization and robustness to variations remains an open challenge, poorly understood in the context of real-world applications. Introducing the alegoria benchmark, containing multi-date vertical and oblique aerial digitized photography mixed with more modern street-level pictures, we formulate the problem of low-data, heterogeneous image retrieval, and propose associated evaluation setups and measures. We propose a review of ideas and methods to tackle this problem, extensively compare state-of-the-art descriptors and propose a new multi-descriptor diffusion method to exploit their comparative strengths. Our experiments highlight the benefits of combining descriptors and the compromise between absolute and cross-domain performance.

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    Remote Sensing
    Article . 2021
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    Authors: Geet d'Sa, Ashwin; Illina, Irina; Fohr, Dominique;

    International audience; In the Internet age where the information flow has grown rapidly, there is an increase in digital communication. The spread of hatred that was previously limited to verbal communications has quickly moved over the Internet. Social media and community forums that allow people to discuss and express their opinions are becoming platforms for the dissemination of hate messages. Many countries have developed laws to prevent online hate speech. They hold the companies that run the social media responsible for their failure to remove hate speech. However, manual analysis of hate speech on online platforms is infeasible due to the huge amount of data as it is expensive and time consuming. Thus, it is important to automatically process the online user contents to detect and remove hate speech from online media. Through this work, we propose some solutions for the problem of automatic detection of hate messages. We perform hate speech classification using embedding representations of words and Deep Neural Networks (DNN). We compare fastText and BERT (Bidirectional Encoder Representations from Transformers) embedding representations of words. Furthermore, we perform classification using two approaches: (a) using word embeddings as input to Support Vector Machines (SVM) and DNN-based classifiers; (b) fine-tuning of a BERT model for classification using a task-specific corpus. Among the DNNbased classifiers, we compare Convolutional Neural Networks (CNN), Bi-Directional Long Short Term Memory (Bi-LSTM) and Convolutional Recurrent Neural Network (CRNN). The classification was performed on a Twitter dataset using three classes: hate, offensive and neither classes. Compared to the feature-based approaches, the BERT fine-tuning approach obtained a relative improvement of 16% in terms of macro-average F1-measure and 5.3% in terms of weighted F1-measure.

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    Hyper Article en Ligne; Hal-Diderot
    Other literature type . Article . 2020
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    Authors: Frontini, Francesca; Brando, Carmen; Ganascia, Jean-Gabriel;

    International audience; This paper proposes a graph based methodology for automaticallydisambiguating authors’ mentions in a corpus of French literarycriticism. Candidate referents are identified and evaluated using a graphbased named entity linking algorithm, which exploits a knowledge-basebuilt out of two different resources (DBpedia and the BnF linked data).The algorithm expands previous ones applied for word sense disambiguationand entity linking, with good results. Its novelty resides in the factthat it successfully combines a generic knowledge base such as DBpediawith a domain specific one, thus enabling the efficient annotation ofminor authors. This will help specialists to follow mentions of the sameauthor in different works of literary criticism, and thus to investigatetheir literary appreciation over time.

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    CNR ExploRA
    Conference object . 2015
    Data sources: CNR ExploRA
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12 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Waksman, S.Y.; Carytsiotis, Marie-Myriam;

    International audience; The Türbe excavations provided information about the Byzantine and Turkish periods of Ephesos / Ayasuluk. Chemical analyses confirm the presence of several categories of ceramic imports belonging to the main "middle Byzantine production" that were widespread in the Mediterranean and date back to the 12th and 13th centuries. Ephesos is part of the distribution area of this production, together with several other Western Anatolian sites such as Pergamon and the nearby castle of Anaia/Kadikalesi, where it is present in significant quantities. Pottery was also manufactured in Anaia. It was diffused not only at a regional level, as shown here through examples found in Ephesos, but also reached the Crusader states as seen by its noticeable presence in Saint-Jean-d'Acre.Ceramic production in Ephesos is documented in the Türbe excavations through the discovery of rubefied layers, kiln furniture and wasters (Parrer, this volume). Several local groups, showing different chemical features, were identified thanks to local reference samples. These groups do not differ from those previously defined in a preliminary study of the Artemision material. The present study complements the previous chemical characterization and further illustrates the local manufacture of various types of table wares, from coarsely potted plain glazed to more "sophisticated" ceramics of "Islamic" types (turquoise glazed and molded wares). The latter would correspond to the introduction in the local repertoire of new stylistic and technological traditions, a phenomenon which would have occurred at the Beylik period in other Western Anatolian sites as well, such as Milet and Sardis. In Ephesos, the association of turquoise glaze or molded decoration with low-calcareous pastes, instead of calcareous ones, suggests an adaptation of the initial pottery traditions, as may be observed for example in Syria.The high degree of fragmentation of the sherds in the Türbe excavations on the one hand, and the fluvial disturbances of the stratigraphy on the other hand, made it difficult to reconstruct the typo-chronological features of the local repertoire. Some connections could be made with the better preserved material from the Artemision, but were limited within our sampling. It is hoped that further sampling and analyses of ceramics coming from other excavations in Ephesos / Ayasuluk (Tribune, Isa Bey Hammam, etc...) will make it possible for us to give further insight into these questions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Leplongeon, Alice;

    During the Nubia Salvage Campaign and the subsequent expeditions from the 1960's to the 1980's, numerous sites attributed to the Late Palaeolithic (~25-15 ka) were found in the Nile Valley, particularly in Nubia and Upper Egypt. This region is one of the few to have allowed human occupations during the dry Marine Isotope Stage 2 and is therefore key to understanding how human populations adapted to environmental changes at this time. This paper focuses on two sites located in Upper Egypt, excavated by the Combined Prehistoric Expedition: E71K18, attributed to the Afian industry and E71K20, attributed to the Silsilian industry. It aims to review the geomorphological and chronological evidence of the sites, present a technological analysis of the lithic assemblages in order to provide data that can be used in detailed comparative studies, which will allow discussion of technological variability in the Late Palaeolithic of the Nile Valley and its place within the regional context. The lithic analysis relies on the chaîne opératoire concept combined with an attribute analysis to allow quantification. This study (1) casts doubts on the chronology of E71K18 and related Afian industry, which could be older or younger than previously suggested, highlights (2) distinct technological characteristics for the Afian and the Silsilian, as well as (3) similar technological characteristics which allow to group them under a same broad techno-cultural complex, distinct from those north or south of the area. ispartof: PLOS ONE vol:12 issue:12 ispartof: location:United States status: published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Europe PubMed Centra...arrow_drop_down
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    Europe PubMed Central
    Article . 2017
    Data sources: PubMed Central
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Lirias
    Article . 2017
    Data sources: Lirias
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    PLoS ONE
    Article . 2017
    Data sources: DOAJ-Articles
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tchienehom, Pascaline;

    ModRef est un projet du laboratoire Labex "Les passés dans le présent" qui accompagne divers projets sur des problématiques relatives aux humanités numériques. Le projet ModRef s’intéresse spécifiquement au web sémantique et aux données ouvertes et liées. Le but de ce projet est de réaliser une migration de données hétérogènes vers des triplestores encore appelés entrepôts ou collections de fichiers RDF afin d’améliorer le partage, l’échange et la découverte de nouvelles connaissances. Pour ce faire, la norme CIDOC-CRM a été choisie car elle est actuellement la norme de référence pour la description sémantique de l’information muséographique ou d’héritage culturel. Afin de réaliser la preuve conceptuelle de ModRef,une architecture générale a été définie, une modélisation sémantique et un alignement des données des trois sous projets pilotes de ModRef ont été proposés, une migration des données vers des triplestores a également été effectuée. Une application web a été développée et déployée. Cette application web décrit le projet ModRef et permet également de consulter et d’interroger les triplestores créés. ModRef is a project from the laboratory Labex " Les passés dans le présent " , which coordinates various projects on digital humanities. ModRef focuses more precisely on the semantic web and linked open data. The goal is to move heterogeneous data into triplestores also called data warehouses or collections of RDF files in order to improve the sharing, exchange and discovery of new knowledge. For this purpose, the CIDOC-CRM norm has been chosen since it is, at present, the reference for the semantic description of museographic data or cultural heritage data. In order to realise the proof of concept of ModRef, a general architecture has been defined, a semantic modelling and data mapping of selected sub-projects of ModRef have been proposed, triplestores have also been created. A web application has been implemented and deployed. This web application describes the ModRef project, as well as it enables visualising, querying and exploring created triplestores.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . 2017
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2017
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frontini, Francesca; Brando, Carmen; Ganascia, Jean-Gabriel;

    International audience; We present REDEN, a tool for graph-based Named EntityLinking that allows for the disambiguation of entities using domainspecificLinked Data sources and different configurations (e.g. contextsize). It takes TEI-annotated texts as input and outputs them enrichedwith external references (URIs). The possibility of customizing indexesbuilt from various knowledge sources by defining temporal and spatialextents makes REDEN particularly suited to handle domain-specific corporasuch as enriched digital editions in the Digital Humanities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CNR ExploRA
    Conference object . 2015
    Data sources: CNR ExploRA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pierrel, Jean-Marie; Parisse, Christophe; Blanchard, Jérôme; Petitjean, Etienne; +1 Authors

    International audience; ORTOLANG 1 (Open Resources and Tools for Language: www.ortolang.fr) is a French infrastructure which aims to ensure the management, pooling and sharing, dissemination and long-term preservation of language resources such as corpora, lexicons, terminologies and language processing tools, with particular focus on the languages of France. It will be used as a technical language platform for written and oral language forms. The ORTOLANG software platform is based on a new Digital Object Repository service. By combining a Service Oriented Architecture for high level services and a Software Component Architecture for its Repository Service, the platform seeks to build a robust and reliable Digital Object Repository that provides rich functionalities and a modern interface delivering excellent performances and the best optimization strategies. Thanks to its hardware and software architecture choices, the ORTOLANG platform ensures very flexible evolution possibilities to guarantee long-time support for the hosted resources.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Paris Nanterre; ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/