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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Waksman, S.Y.; Carytsiotis, Marie-Myriam;

    International audience; The Türbe excavations provided information about the Byzantine and Turkish periods of Ephesos / Ayasuluk. Chemical analyses confirm the presence of several categories of ceramic imports belonging to the main "middle Byzantine production" that were widespread in the Mediterranean and date back to the 12th and 13th centuries. Ephesos is part of the distribution area of this production, together with several other Western Anatolian sites such as Pergamon and the nearby castle of Anaia/Kadikalesi, where it is present in significant quantities. Pottery was also manufactured in Anaia. It was diffused not only at a regional level, as shown here through examples found in Ephesos, but also reached the Crusader states as seen by its noticeable presence in Saint-Jean-d'Acre.Ceramic production in Ephesos is documented in the Türbe excavations through the discovery of rubefied layers, kiln furniture and wasters (Parrer, this volume). Several local groups, showing different chemical features, were identified thanks to local reference samples. These groups do not differ from those previously defined in a preliminary study of the Artemision material. The present study complements the previous chemical characterization and further illustrates the local manufacture of various types of table wares, from coarsely potted plain glazed to more "sophisticated" ceramics of "Islamic" types (turquoise glazed and molded wares). The latter would correspond to the introduction in the local repertoire of new stylistic and technological traditions, a phenomenon which would have occurred at the Beylik period in other Western Anatolian sites as well, such as Milet and Sardis. In Ephesos, the association of turquoise glaze or molded decoration with low-calcareous pastes, instead of calcareous ones, suggests an adaptation of the initial pottery traditions, as may be observed for example in Syria.The high degree of fragmentation of the sherds in the Türbe excavations on the one hand, and the fluvial disturbances of the stratigraphy on the other hand, made it difficult to reconstruct the typo-chronological features of the local repertoire. Some connections could be made with the better preserved material from the Artemision, but were limited within our sampling. It is hoped that further sampling and analyses of ceramics coming from other excavations in Ephesos / Ayasuluk (Tribune, Isa Bey Hammam, etc...) will make it possible for us to give further insight into these questions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Prévot, Nathalie;

    International audience; The revival of studies on the Atonist temples of Karnak (program of the French National Research Agency ATON-3D – ANR-08-BLAN-0202-01) required the implementation of an Information Sys- tem dedicated to the Theban talatat that would also be accessible to the scientific community. This IS is associated with software which helps to reassemble the fragmented reliefs (a digital interactive puzzle), constituting a real tool for researchers and providing the knowledge needed to produce and validate hypotheses about the structures and dimensions of the buildings. The database is then enriched with images of the temple’s extrapolated decoration, which involves 3D modelling of these extrapolations. Talatat indexing was based on the Multilingual Egyptian Thesaurus conventions regarding “passport” data, including iconographic description using descriptive operators called unicos. In the spirit of the international movement in favour of open access to scientific data, the talatat metadata and images are accessible online to researchers working on the proto-Amarna or Amarna periods. The talatat metadata is published using RDFa data model mapping for embedding RDF triples within the XHTML of our web pages, which can be extracted by compliant user agents. This corpus is stored in a secured warehouse with strong human and digital infrastructure for preservation of the images and of their metadata.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oskar Bordeauxarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oskar Bordeaux
    Part of book or chapter of book . 2013
    Data sources: Oskar Bordeaux
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2013
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    popularityAverage
    influenceAverage
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    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oskar Bordeauxarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oskar Bordeaux
      Part of book or chapter of book . 2013
      Data sources: Oskar Bordeaux
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2013
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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
3 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
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    popularityAverage
    influenceAverage
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    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Waksman, S.Y.; Carytsiotis, Marie-Myriam;

    International audience; The Türbe excavations provided information about the Byzantine and Turkish periods of Ephesos / Ayasuluk. Chemical analyses confirm the presence of several categories of ceramic imports belonging to the main "middle Byzantine production" that were widespread in the Mediterranean and date back to the 12th and 13th centuries. Ephesos is part of the distribution area of this production, together with several other Western Anatolian sites such as Pergamon and the nearby castle of Anaia/Kadikalesi, where it is present in significant quantities. Pottery was also manufactured in Anaia. It was diffused not only at a regional level, as shown here through examples found in Ephesos, but also reached the Crusader states as seen by its noticeable presence in Saint-Jean-d'Acre.Ceramic production in Ephesos is documented in the Türbe excavations through the discovery of rubefied layers, kiln furniture and wasters (Parrer, this volume). Several local groups, showing different chemical features, were identified thanks to local reference samples. These groups do not differ from those previously defined in a preliminary study of the Artemision material. The present study complements the previous chemical characterization and further illustrates the local manufacture of various types of table wares, from coarsely potted plain glazed to more "sophisticated" ceramics of "Islamic" types (turquoise glazed and molded wares). The latter would correspond to the introduction in the local repertoire of new stylistic and technological traditions, a phenomenon which would have occurred at the Beylik period in other Western Anatolian sites as well, such as Milet and Sardis. In Ephesos, the association of turquoise glaze or molded decoration with low-calcareous pastes, instead of calcareous ones, suggests an adaptation of the initial pottery traditions, as may be observed for example in Syria.The high degree of fragmentation of the sherds in the Türbe excavations on the one hand, and the fluvial disturbances of the stratigraphy on the other hand, made it difficult to reconstruct the typo-chronological features of the local repertoire. Some connections could be made with the better preserved material from the Artemision, but were limited within our sampling. It is hoped that further sampling and analyses of ceramics coming from other excavations in Ephesos / Ayasuluk (Tribune, Isa Bey Hammam, etc...) will make it possible for us to give further insight into these questions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2015
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    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Prévot, Nathalie;

    International audience; The revival of studies on the Atonist temples of Karnak (program of the French National Research Agency ATON-3D – ANR-08-BLAN-0202-01) required the implementation of an Information Sys- tem dedicated to the Theban talatat that would also be accessible to the scientific community. This IS is associated with software which helps to reassemble the fragmented reliefs (a digital interactive puzzle), constituting a real tool for researchers and providing the knowledge needed to produce and validate hypotheses about the structures and dimensions of the buildings. The database is then enriched with images of the temple’s extrapolated decoration, which involves 3D modelling of these extrapolations. Talatat indexing was based on the Multilingual Egyptian Thesaurus conventions regarding “passport” data, including iconographic description using descriptive operators called unicos. In the spirit of the international movement in favour of open access to scientific data, the talatat metadata and images are accessible online to researchers working on the proto-Amarna or Amarna periods. The talatat metadata is published using RDFa data model mapping for embedding RDF triples within the XHTML of our web pages, which can be extracted by compliant user agents. This corpus is stored in a secured warehouse with strong human and digital infrastructure for preservation of the images and of their metadata.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oskar Bordeauxarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oskar Bordeaux
    Part of book or chapter of book . 2013
    Data sources: Oskar Bordeaux
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2013
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    citations0
    popularityAverage
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    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oskar Bordeauxarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oskar Bordeaux
      Part of book or chapter of book . 2013
      Data sources: Oskar Bordeaux
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2013
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