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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

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    Authors: Leplongeon, Alice;

    During the Nubia Salvage Campaign and the subsequent expeditions from the 1960's to the 1980's, numerous sites attributed to the Late Palaeolithic (~25-15 ka) were found in the Nile Valley, particularly in Nubia and Upper Egypt. This region is one of the few to have allowed human occupations during the dry Marine Isotope Stage 2 and is therefore key to understanding how human populations adapted to environmental changes at this time. This paper focuses on two sites located in Upper Egypt, excavated by the Combined Prehistoric Expedition: E71K18, attributed to the Afian industry and E71K20, attributed to the Silsilian industry. It aims to review the geomorphological and chronological evidence of the sites, present a technological analysis of the lithic assemblages in order to provide data that can be used in detailed comparative studies, which will allow discussion of technological variability in the Late Palaeolithic of the Nile Valley and its place within the regional context. The lithic analysis relies on the chaîne opératoire concept combined with an attribute analysis to allow quantification. This study (1) casts doubts on the chronology of E71K18 and related Afian industry, which could be older or younger than previously suggested, highlights (2) distinct technological characteristics for the Afian and the Silsilian, as well as (3) similar technological characteristics which allow to group them under a same broad techno-cultural complex, distinct from those north or south of the area. ispartof: PLOS ONE vol:12 issue:12 ispartof: location:United States status: published

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    Europe PubMed Central
    Article . 2017
    Data sources: PubMed Central
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    Lirias
    Article . 2017
    Data sources: Lirias
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    PLoS ONE
    Article . 2017
    Data sources: DOAJ-Articles
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lauterbach, Marcel;

    International audience; Diffraction plays a crucial role in microscopy as it prevents the recording of arbitrarily sharp images with conventional light microscopes. Many names are connected with the notion of diffraction and the definition of resolution. An overview over the contributions of the different scientists to the recognition and definition of the diffraction barrier in the past centuries is given and the recent developments that led to breaking this barrier are portrayed.

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    HAL Descartes
    Article . 2012
    Data sources: HAL Descartes
    HAL-Inserm
    Article . 2012
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      HAL Descartes
      Article . 2012
      Data sources: HAL Descartes
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      Article . 2012
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    Authors: Gonzalez-Blanco, Elena; Ros, Salvador; Ruiz, Pablo; Díez, María Luisa; +4 Authors

    International audience; POSTDATA (Poetry Standardization and Linked Open Data) aims at bridging the digital gap among traditional cultural assets and the growing world of data. It is focused on poetry analysis, classification and publication, applying Digital Humanities methods of academic analysis-such as XML-TEI encoding-(Dombrowski & Denbo, 2013), (Flanders &Hmali, 2013) in order to look for standardization, as well as innovation by using semantic web technologies (Cigarrán-Recuero et al 2014) to link and publish literary datasets in a structured way in the linked data cloud. The advantages of making poetry available online as machine-readable linked data are threefold: first, the academic community will have an accessible digital platform to work with poetic corpora and to contribute to its enrichment with their own texts; second, this way of encoding and standardizing poetic information will be a guarantee of preservation for poems published only in old books or even transmitted orally, as texts will be digitized and stored; third: datasets and corpora will be available and open access to be used by the community for other purposes, such as education, cultural diffusion or entertainment. POSTDATA will be materialized in the creation of a digital semantic web-based platform for poetry analysis and edition, to study, publish and share digital collections in a virtual research environment using digital humanities open standards combined with traditional philological academic analysis. The environment will be open to any language and type of poetry and accessible for multiple users with different profiles, and it will provide access to digital resources on poetry linked together through data repositories. These data will be subsequently indexed by a search engine and finally provided simultaneously on a Website interface, an API and a single point of access to enriched and open information in accordance with RDF formalism. The proposal is based in three pillars: Semantic modeling, poetry lab and infrastructure deployment.

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    https://zenodo.org/record/2203...
    Article . 2018
    License: CC BY
    Data sources: Sygma
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    ZENODO
    Conference object . 2018
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Conference object . 2018
    License: CC BY
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    Conference object . 2018
    Data sources: Hal-Diderot
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://zenodo.org/r...arrow_drop_down
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      https://zenodo.org/record/2203...
      Article . 2018
      License: CC BY
      Data sources: Sygma
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2018
      License: CC BY
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      ZENODO
      Conference object . 2018
      License: CC BY
      Hal-Diderot
      Conference object . 2018
      Data sources: Hal-Diderot
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simon Chane, Camille, Simon;

    Cette thèse s'intéresse au recalage de données issues de capteurs 3D et multispectraux pour l'étude du patrimoine.Lorsque l'on étudie ce type d'objet, il y a souvent peu de points saillants naturels entre ces jeux de données complémentaires. Par ailleurs, l'utilisation de mires optiques est proscrite.Notre problème est donc de recaler des données multimodales sans points caractéristiques.Nous avons développé une méthode de recalage basé sur le suivi des systèmes d'acquisition en utilisant des techniques issues de la photogrammétrie.Des simulations nous ont permis d'évaluer la précision de la méthode dans trois configurations qui représentent des cas typiques dans l'étude d'objets du patrimoine.Ces simulations ont montré que l'on peut atteindre une précision du suivi de 0.020 mm spatialement et 0.100 mrad angulairement en utilisant quatre caméras 5 Mpx lorsque l'on numérise une zone de 400 mm x 700 mm.La précision finale du recalage repose sur le succès d'une série de calibrations optiques et géométriques, ainsi que sur leur stabilité pour la durée du processus d'acquisition.Plusieurs tests ont permis d'évaluer la précision du suivi et du recalage de plusieurs jeux de données indépendants; d'abord seulement 3D, puis 3D et multispecrales.Enfin, nous avons étendu notre méthode d'estimation de la réflectance à partir des données multispectrales lorsque celles-ci sont recalées sur un modèle 3D. The concern and interest of this PhD thesis is the registration of featureless 3D and multispectral datasets describing cultural heritage objects.In this context, there are few natural salient features between the complementary datasets, and the use of targets is generally proscribed.We thus develop a technique based on the photogrammetric tracking of the acquisition systems in use.A series of simulations was performed to evaluate the accuracy of our method in three configurations chosen to represent a variety of cultural heritage objects.These simulations show that we can achieve a spatial tracking accuracy of 0.020 mm and an angular accuracy of 0.100 mrad using four 5 Mpx cameras when digitizing an area of 400 mm x 700 mm. The accuracy of the final registration relies on the success of a series of optical and geometrical calibrations and their stability for the duration of the full acquisition process.The accuracy of the tracking and registration was extensively tested in laboratory settings. We first evaluated the potential for multiview 3D registration. Then, the method was used for to project of multispectral images on 3D models.Finally, we used the registered data to improve the reflectance estimation from the multispectral datasets

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    Authors: POLIS, Stéphane; RAZANAJAO, Vincent;

    International audience; no abstract

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    Oskar Bordeaux
    Conference object . 2016
    Data sources: Oskar Bordeaux
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    Authors: Boukhelifa , Nadia; Giannisakis , Emmanouil; Dimara , Evanthia; Willett , Wesley; +1 Authors

    International audience; In this paper we describe the development and evaluation of a visual analytics tool to support historical research. Historians continuously gather data related to their scholarly research from archival visits and background search. Organising and making sense of all this data can be challenging as many historians continue to rely on analog or basic digital tools. We built an integrated note-taking environment for historians which unifies a set of func-tionalities we identified as important for historical research including editing, tagging, searching, sharing and visualization. Our approach was to involve users from the initial stage of brainstorming and requirement analysis through to design, implementation and evaluation. We report on the process and results of our work, and conclude by reflecting on our own experience in conducting user-centered visual analytics design for digital humanities.

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    ProdInra
    Conference object . 2015
    License: CC BY SA
    Data sources: ProdInra
    HAL Descartes; Hal-Diderot
    Conference object . 2015
    License: CC BY SA
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    Authors: Bérard , Benoît;

    International audience; The French West Indies (F.W.I.) were French colonies with a specific legal frame until 1946 when they became French departments. Since that time the legal frame in force concerning archaeological heritage protection is exactly the same than in metropolitan France. In this system all the laws relating to cultural heritage are grouped in the "Code du Patrimoine" (Heritage code), which contains several topics such as archives, museums, archaeology and historic monuments. Some articles refer to the Penal Code, the Code of Urban Development, the Environmental Code or the Mining Code. These laws are supplemented by various decrees that define the applying conditions for different areas: rescue archeology (decree 2004-490), INRAP , advisory bodies, the content of the field reports, penal provisions, etc ... The heritage laws have been created in 1917 (Historic Monuments) and 1941 (archaeology). The law on rescue archeology is in force only since 2001 and is an application of the European Convention of Malta (1992). However, the implementation of the regulation and of the institutions in charge of is application in the French West Indies is fairly recent. In this presentation after a general presentation of the archaeological heritage protection French system we will focus on the different aspects of is application in F.W.I.: difficulties linked to the application of a system suited for metropolitan France, the level of the French West Indian people implication in the archaeological heritage protection and the future perspectives.

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    Authors: Lanzarote Guiral, José;

    International audience; This paper explores the gradual making and display of Latin American archaeological collections in Spanish national museums, and sets out to understand this process in the framework of the elaboration of national master narratives in Spain about the conquest and colonisation of the Americas. Two institutions in particular will be considered in this analysis: the National Archaeological Museum (Museo Arqueológico Nacional), established in 1867 and the Museum of the Americas (Museo de América), inaugurated in 1965 as an offspring of the former, both located in Madrid. By studying diachronically these museums in their political and intellectual context, I aim to reflect critically on the changing meaning and the growing significance endowed upon Latin American collections in Spain throughout the nineteenth and the twentieth centuries. As this paper sets out to demonstrate, the way these collections were displayed reflects directly the interpretations developed by historians and thinkers on Spain's former role on the American continent, as well as its aspirations in contemporary international relations. 298

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    Hyper Article en Ligne
    Other literature type . 2012
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    Authors: Lefebvre , Bastien; Rodier , Xavier; Saligny , Laure;

    The proposed principle for understanding the urban fabric is based on considering the town as a set of complex objects, taking a systemic approach. The town system used to study the urban fabric over large time spans is composed of three sub-systems relating to historical objects from the level of the excavation to that of the former urban space: function (social use), space (location, surface area and morphology) and time (dating, duration and chronology). The historical object is the analytical unit of the space studied. It is the Cartesian product of the three sets, Social use, Space and Time, from which it stems. On the basis of this process, the Historical Object (OH) is broken down into three types of simple object, functional (EF), spatial (ES) and temporal (ET). The thematic approach to the OH in an urban environment is based on social use, organized according to a hierarchical thesaurus. Space, the most formalized of the three sets, is structured on the model of a planar topological graph without isthmi. Time, always considered as continuous and linear, will be modelled through analogy with space using temporal topology defined in the field of artificial intelligence. The relationships between these three sets each characterize an interaction (social use-space, social use-time, time-space, or function-space-time). In addition to reconstructing the OH, they allow urban changes to be observed by analyzing the distributions and mapping of each of the entities singly or two-by-two. The originality of this procedure lies in its approach whereby it is possible to start not from the mapping of a phenomenon at a time t1 and comparing it to that at a time t2, but to look at it in the same way whether its input is social use, space or time. The heuristic value of this modelling lies in the shift from description (what, where, when) to understanding the phenomena of change (how, why).

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    Archeologia e Calcolatori
    Article . 2008
    License: CC BY NC ND
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45 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Leplongeon, Alice;

    During the Nubia Salvage Campaign and the subsequent expeditions from the 1960's to the 1980's, numerous sites attributed to the Late Palaeolithic (~25-15 ka) were found in the Nile Valley, particularly in Nubia and Upper Egypt. This region is one of the few to have allowed human occupations during the dry Marine Isotope Stage 2 and is therefore key to understanding how human populations adapted to environmental changes at this time. This paper focuses on two sites located in Upper Egypt, excavated by the Combined Prehistoric Expedition: E71K18, attributed to the Afian industry and E71K20, attributed to the Silsilian industry. It aims to review the geomorphological and chronological evidence of the sites, present a technological analysis of the lithic assemblages in order to provide data that can be used in detailed comparative studies, which will allow discussion of technological variability in the Late Palaeolithic of the Nile Valley and its place within the regional context. The lithic analysis relies on the chaîne opératoire concept combined with an attribute analysis to allow quantification. This study (1) casts doubts on the chronology of E71K18 and related Afian industry, which could be older or younger than previously suggested, highlights (2) distinct technological characteristics for the Afian and the Silsilian, as well as (3) similar technological characteristics which allow to group them under a same broad techno-cultural complex, distinct from those north or south of the area. ispartof: PLOS ONE vol:12 issue:12 ispartof: location:United States status: published

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    Europe PubMed Central
    Article . 2017
    Data sources: PubMed Central
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    Lirias
    Article . 2017
    Data sources: Lirias
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    PLoS ONE
    Article . 2017
    Data sources: DOAJ-Articles
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lauterbach, Marcel;

    International audience; Diffraction plays a crucial role in microscopy as it prevents the recording of arbitrarily sharp images with conventional light microscopes. Many names are connected with the notion of diffraction and the definition of resolution. An overview over the contributions of the different scientists to the recognition and definition of the diffraction barrier in the past centuries is given and the recent developments that led to breaking this barrier are portrayed.

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    HAL Descartes
    Article . 2012
    Data sources: HAL Descartes
    HAL-Inserm
    Article . 2012
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL-Inserm; Hyper Ar...arrow_drop_down
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      HAL Descartes
      Article . 2012
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      Article . 2012
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    Authors: Gonzalez-Blanco, Elena; Ros, Salvador; Ruiz, Pablo; Díez, María Luisa; +4 Authors

    International audience; POSTDATA (Poetry Standardization and Linked Open Data) aims at bridging the digital gap among traditional cultural assets and the growing world of data. It is focused on poetry analysis, classification and publication, applying Digital Humanities methods of academic analysis-such as XML-TEI encoding-(Dombrowski & Denbo, 2013), (Flanders &Hmali, 2013) in order to look for standardization, as well as innovation by using semantic web technologies (Cigarrán-Recuero et al 2014) to link and publish literary datasets in a structured way in the linked data cloud. The advantages of making poetry available online as machine-readable linked data are threefold: first, the academic community will have an accessible digital platform to work with poetic corpora and to contribute to its enrichment with their own texts; second, this way of encoding and standardizing poetic information will be a guarantee of preservation for poems published only in old books or even transmitted orally, as texts will be digitized and stored; third: datasets and corpora will be available and open access to be used by the community for other purposes, such as education, cultural diffusion or entertainment. POSTDATA will be materialized in the creation of a digital semantic web-based platform for poetry analysis and edition, to study, publish and share digital collections in a virtual research environment using digital humanities open standards combined with traditional philological academic analysis. The environment will be open to any language and type of poetry and accessible for multiple users with different profiles, and it will provide access to digital resources on poetry linked together through data repositories. These data will be subsequently indexed by a search engine and finally provided simultaneously on a Website interface, an API and a single point of access to enriched and open information in accordance with RDF formalism. The proposal is based in three pillars: Semantic modeling, poetry lab and infrastructure deployment.

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    https://zenodo.org/record/2203...
    Article . 2018
    License: CC BY
    Data sources: Sygma
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    ZENODO
    Conference object . 2018
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Conference object . 2018
    License: CC BY
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    Conference object . 2018
    Data sources: Hal-Diderot
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://zenodo.org/r...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://zenodo.org/record/2203...
      Article . 2018
      License: CC BY
      Data sources: Sygma
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2018
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      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2018
      License: CC BY
      Hal-Diderot
      Conference object . 2018
      Data sources: Hal-Diderot
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simon Chane, Camille, Simon;

    Cette thèse s'intéresse au recalage de données issues de capteurs 3D et multispectraux pour l'étude du patrimoine.Lorsque l'on étudie ce type d'objet, il y a souvent peu de points saillants naturels entre ces jeux de données complémentaires. Par ailleurs, l'utilisation de mires optiques est proscrite.Notre problème est donc de recaler des données multimodales sans points caractéristiques.Nous avons développé une méthode de recalage basé sur le suivi des systèmes d'acquisition en utilisant des techniques issues de la photogrammétrie.Des simulations nous ont permis d'évaluer la précision de la méthode dans trois configurations qui représentent des cas typiques dans l'étude d'objets du patrimoine.Ces simulations ont montré que l'on peut atteindre une précision du suivi de 0.020 mm spatialement et 0.100 mrad angulairement en utilisant quatre caméras 5 Mpx lorsque l'on numérise une zone de 400 mm x 700 mm.La précision finale du recalage repose sur le succès d'une série de calibrations optiques et géométriques, ainsi que sur leur stabilité pour la durée du processus d'acquisition.Plusieurs tests ont permis d'évaluer la précision du suivi et du recalage de plusieurs jeux de données indépendants; d'abord seulement 3D, puis 3D et multispecrales.Enfin, nous avons étendu notre méthode d'estimation de la réflectance à partir des données multispectrales lorsque celles-ci sont recalées sur un modèle 3D. The concern and interest of this PhD thesis is the registration of featureless 3D and multispectral datasets describing cultural heritage objects.In this context, there are few natural salient features between the complementary datasets, and the use of targets is generally proscribed.We thus develop a technique based on the photogrammetric tracking of the acquisition systems in use.A series of simulations was performed to evaluate the accuracy of our method in three configurations chosen to represent a variety of cultural heritage objects.These simulations show that we can achieve a spatial tracking accuracy of 0.020 mm and an angular accuracy of 0.100 mrad using four 5 Mpx cameras when digitizing an area of 400 mm x 700 mm. The accuracy of the final registration relies on the success of a series of optical and geometrical calibrations and their stability for the duration of the full acquisition process.The accuracy of the tracking and registration was extensively tested in laboratory settings. We first evaluated the potential for multiview 3D registration. Then, the method was used for to project of multispectral images on 3D models.Finally, we used the registered data to improve the reflectance estimation from the multispectral datasets

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