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Helwi Blom & Francesco Montorsi, Fragments d’éditions inconnues de Claude Nourry dans les Archives du Vala
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Maria Colombo Timelli;
Maria Colombo Timelli;
doi: 10.4000/studifrancesi.53980
doi: 10.4000/studifrancesi.53980
Studi Francesiarrow_drop_down
Studi Francesi
Article . 2023 . Peer-reviewed
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Andrea Frizzera, Roma: la sovranità e il modello. Le istituzioni politiche romane nel IV libro del “Contrat social” di Jean-Jacques Rousseau
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Vittorio Fortunati;
Vittorio Fortunati;
doi: 10.4000/studifrancesi.54235
doi: 10.4000/studifrancesi.54235
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Évelyne Trouillot, Les jumelles de la rue Nicolas
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Roberto Ferraroni;
Roberto Ferraroni;
doi: 10.4000/studifrancesi.54704
doi: 10.4000/studifrancesi.54704
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Alexandre Dumas, Les Trois Mousquetaires
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Lise Sabourin;
Lise Sabourin;
doi: 10.4000/studifrancesi.54389
doi: 10.4000/studifrancesi.54389
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Écrire entre les langues. Littérature, traduction, enseignement, dir. Isabelle Cros et Anne Godard
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Sara Aggazio;
Sara Aggazio;
doi: 10.4000/studifrancesi.54609
doi: 10.4000/studifrancesi.54609
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“L’impromptu” di Ionesco
descriptionPublicationkeyboard_double_arrow_right Article 2023 Italy Publisher:OpenEdition
Authors: Bosco, Gabriella;
Bosco, Gabriella;
doi: 10.4000/studifrancesi.53590
handle: 2318/1917110
doi: 10.4000/studifrancesi.53590
handle: 2318/1917110
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Full-Text: https://iris.unito.it/bitstream/2318/1917110/1/BOSCO%20L%27impromptu%20di%20Ionesco.pdf
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«Molière est comme le chocolat». Fortunes du dramaturge en Suisse romande (1997‑2021)
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Terribilini, Josefa;
Terribilini, Josefa;
doi: 10.4000/studifrancesi.54799
doi: 10.4000/studifrancesi.54799
This paper examines the shared conceptions and current uses of Molière in Western Switzerland (or “Suisse romande”). It aims not only to analyze the reception of his theatre in a French-speaking theatrical field, but also to describe the way in which artists themselves conceive the heritage of this “héros national français”. Based on a series of interviews conducted in the spring of 2021 with seventeen directors based in the region, the contribution first shows that their interest with this playwright mainly lies in the “playfulness” that his theatre allows on stage, beyond any memorial or political question. By looking at some of their recent productions, it then examines how a large number of directors are inspired by the farcical and Italian heritages transmitted by his work in order to anchor their artistic research on the side of theatricality, or even a form of metatheatricality.
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Article . 2023
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Re-prendre les quatre Molière de Vitez (1978): le geste de Gwenaël Morin en 2014, entre rupture et filiation
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Julia Gros de Gasquet;
Julia Gros de Gasquet;
doi: 10.4000/studifrancesi.53595
doi: 10.4000/studifrancesi.53595
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Giorgio Sale, La nominazione di dotti, filosofi, medici e sapienti nelle commedie di Molière
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Laura Rescia;
Laura Rescia;
doi: 10.4000/studifrancesi.54165
doi: 10.4000/studifrancesi.54165
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Marek Thue Kretschmer, L’Adam paradisiaque, l’Adam pécheur et l’Adam pèlerin: essai d’interprétation de l’“Ovide moralisé” XI
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Maria Colombo Timelli;
Maria Colombo Timelli;
doi: 10.4000/studifrancesi.53750
doi: 10.4000/studifrancesi.53750
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Helwi Blom & Francesco Montorsi, Fragments d’éditions inconnues de Claude Nourry dans les Archives du Vala
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Maria Colombo Timelli;
Maria Colombo Timelli;
doi: 10.4000/studifrancesi.53980
doi: 10.4000/studifrancesi.53980
Studi Francesiarrow_drop_down
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Article . 2023 . Peer-reviewed
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Andrea Frizzera, Roma: la sovranità e il modello. Le istituzioni politiche romane nel IV libro del “Contrat social” di Jean-Jacques Rousseau
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Vittorio Fortunati;
Vittorio Fortunati;
doi: 10.4000/studifrancesi.54235
doi: 10.4000/studifrancesi.54235
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Évelyne Trouillot, Les jumelles de la rue Nicolas
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Roberto Ferraroni;
Roberto Ferraroni;
doi: 10.4000/studifrancesi.54704
doi: 10.4000/studifrancesi.54704
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Alexandre Dumas, Les Trois Mousquetaires
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Lise Sabourin;
Lise Sabourin;
doi: 10.4000/studifrancesi.54389
doi: 10.4000/studifrancesi.54389
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Écrire entre les langues. Littérature, traduction, enseignement, dir. Isabelle Cros et Anne Godard
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Sara Aggazio;
Sara Aggazio;
doi: 10.4000/studifrancesi.54609
doi: 10.4000/studifrancesi.54609
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“L’impromptu” di Ionesco
descriptionPublicationkeyboard_double_arrow_right Article 2023 Italy Publisher:OpenEdition
Authors: Bosco, Gabriella;
Bosco, Gabriella;
doi: 10.4000/studifrancesi.53590
handle: 2318/1917110
doi: 10.4000/studifrancesi.53590
handle: 2318/1917110
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Full-Text: https://iris.unito.it/bitstream/2318/1917110/1/BOSCO%20L%27impromptu%20di%20Ionesco.pdf
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«Molière est comme le chocolat». Fortunes du dramaturge en Suisse romande (1997‑2021)
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Terribilini, Josefa;
Terribilini, Josefa;
doi: 10.4000/studifrancesi.54799
doi: 10.4000/studifrancesi.54799
This paper examines the shared conceptions and current uses of Molière in Western Switzerland (or “Suisse romande”). It aims not only to analyze the reception of his theatre in a French-speaking theatrical field, but also to describe the way in which artists themselves conceive the heritage of this “héros national français”. Based on a series of interviews conducted in the spring of 2021 with seventeen directors based in the region, the contribution first shows that their interest with this playwright mainly lies in the “playfulness” that his theatre allows on stage, beyond any memorial or political question. By looking at some of their recent productions, it then examines how a large number of directors are inspired by the farcical and Italian heritages transmitted by his work in order to anchor their artistic research on the side of theatricality, or even a form of metatheatricality.
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Re-prendre les quatre Molière de Vitez (1978): le geste de Gwenaël Morin en 2014, entre rupture et filiation
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Julia Gros de Gasquet;
Julia Gros de Gasquet;
doi: 10.4000/studifrancesi.53595
doi: 10.4000/studifrancesi.53595
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Giorgio Sale, La nominazione di dotti, filosofi, medici e sapienti nelle commedie di Molière
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Laura Rescia;
Laura Rescia;
doi: 10.4000/studifrancesi.54165
doi: 10.4000/studifrancesi.54165
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Marek Thue Kretschmer, L’Adam paradisiaque, l’Adam pécheur et l’Adam pèlerin: essai d’interprétation de l’“Ovide moralisé” XI
descriptionPublicationkeyboard_double_arrow_right Article 2023Publisher:OpenEdition
Authors: Maria Colombo Timelli;
Maria Colombo Timelli;
doi: 10.4000/studifrancesi.53750
doi: 10.4000/studifrancesi.53750
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Helwi Blom & Francesco Montorsi, Fragments d’éditions inconnues de Claude Nourry dans les Archives du Vala

Andrea Frizzera, Roma: la sovranità e il modello. Le istituzioni politiche romane nel IV libro del “Contrat social” di Jean-Jacques Rousseau

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Écrire entre les langues. Littérature, traduction, enseignement, dir. Isabelle Cros et Anne Godard

“L’impromptu” di Ionesco

«Molière est comme le chocolat». Fortunes du dramaturge en Suisse romande (1997‑2021)

Re-prendre les quatre Molière de Vitez (1978): le geste de Gwenaël Morin en 2014, entre rupture et filiation

Giorgio Sale, La nominazione di dotti, filosofi, medici e sapienti nelle commedie di Molière

Marek Thue Kretschmer, L’Adam paradisiaque, l’Adam pécheur et l’Adam pèlerin: essai d’interprétation de l’“Ovide moralisé” XI

Helwi Blom & Francesco Montorsi, Fragments d’éditions inconnues de Claude Nourry dans les Archives du Vala

Andrea Frizzera, Roma: la sovranità e il modello. Le istituzioni politiche romane nel IV libro del “Contrat social” di Jean-Jacques Rousseau

Évelyne Trouillot, Les jumelles de la rue Nicolas

Alexandre Dumas, Les Trois Mousquetaires

Écrire entre les langues. Littérature, traduction, enseignement, dir. Isabelle Cros et Anne Godard

“L’impromptu” di Ionesco

«Molière est comme le chocolat». Fortunes du dramaturge en Suisse romande (1997‑2021)

Re-prendre les quatre Molière de Vitez (1978): le geste de Gwenaël Morin en 2014, entre rupture et filiation

Giorgio Sale, La nominazione di dotti, filosofi, medici e sapienti nelle commedie di Molière

Marek Thue Kretschmer, L’Adam paradisiaque, l’Adam pécheur et l’Adam pèlerin: essai d’interprétation de l’“Ovide moralisé” XI

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