• Digital Humanities and Cultural Heritage
• Publicationsclose
• 2017-2021close
• 0601 history and archaeology close
• FI close
• Digital Humanities and Cultural Heritage close

In this article we explore relations between personal, collective, private, and public dimensions of remembrance in the context of the Ingrians – The Forgotten Finns exhibition presented at the National Museum of Finland in 2020 by analyzing it through the lenses of memory, heritage, and tradition. We argue that while promoting remembrance of allegedly absent pasts and experiences of a forgotten group of people, the exhibition simultaneously relied on and reinterpreted earlier nationalistic projects related to heritage and folklore connected to Ingria. Moreover, while the National Museum of Finland enabled the heritagization and mobilization of the exhibition’s message, the exhibition reciprocally supported the message of transformation that the museum arguably wished to convey about itself.

The article focuses on masculine consumption patterns and the production and dyeing of textiles in rural Finland in the early nineteenth century. It maintains that the rural consumption of textiles as well as individual choices and tastes evolved, and our selected examples of males’ wardrobes demonstrate that contemporary styles were followed. The article targets an era that can be regarded as a watershed: this was a time when mass production was in its infancy and craft production and self-sufficiency were still relevant to household economies. As the wealth of certain groups, particularly landed peasantry, increased, they began among other things to purchase and wear clothes dyed with imported dyes such as indigo. The presence of blue garments in the wardrobes of the common people testifies to a change that took place in rural Finland. This change is evident especially in our analysis of probate inventories of the male inhabitants. Variety of documents on artisanship, the textile and dyeing industry and the import of indigo dye to Finland provide further evidence. The research thus contributes to the discussion on changing consumption patterns among the rural inhabitants in a country that is usually seen as one to which industrialisation came late. peerReviewed

International audience; In this paper, we examine the international criminal trial of Ahmad al-Faqi al-Mahdi, a Malian Islamist who appeared before the International Criminal Court (ICC) in The Hague, charged with the destruction of Islamic shrines during the 2012 jihadist occupation of Timbuktu. Our objective is to analyze the so-called 'al-Mahdi case' as a dialogical network (the destructions occurred in the context of an asynchronous translocal press-mediated exchange between jihadists and the international community) and as an event unfolding at a dialogical site (when the commander responsible for the destructions was referred to the ICC four years later). These two dialogical orders exist largely independent of each other, but are at crucial points also partly entangled. We conclude by pointing out the relevance of this 'doubly-dialogical' approach to the broader field of sociolegal studies of international criminal justice.

This article illustrates how changes in the use of vegetal temper in Bronze Age earthen architecture in Crete are a key line of evidence for investigating the appearance of architectural craft specialization. The macroscopic study of sundried mudbricks is combined with geoarchaeological analyses (SEM and thin section petrography) to explore patterns and variations in the use of vegetal temper throughout the Pre-, Proto-, and Neopalatial periods (3650-1425 BCE). This diversity in the selection of vegetal temper is an important aspect of the chaine ope acute accent ratoire, which points not only to opportunistic but also technological motivations in the selection of raw source material and also the development of earthen architecture. The seagrass species Posidonia oceanica is employed across the island, indicating a standardization of recipes between sites by manufacturers and builders. Peer reviewed

The article analyses the emergence of decorum as a central concept of rhetorical theory in the early 16th-century writings of Erasmus and Juan Luis Vives. In rhetorical theory, decorum shifted the emphasis from formulaic rules to their creative application in concrete cases. In doing so, it emphasized a close analysis of the rhetorical situation (above all the nature of the audience) and it underscored the persuasive possibilities of politeness and civil conversation as opposed to passionate, adversarial rhetoric. The article argues that the stress put on decorum in early 16th-century theory is not just an internal development in the history of rhetoric but linked to far wider questions concerning the role of rhetoric in religious and secular lives. Decorum appears as a solution both to the divisiveness of language in the context of the Reformation and dynastic warfare of the early 16th century and as an adaptation of the republican tradition of political rhetoric to a changed, monarchical context. Erasmus and Vives maintained that decorum not only suppressed destructive passions and discord, but that it was only through polite and civil rhetoric (or conversation) that a truly effective persuasion was possible in a vast array of contexts. The article analyses the emergence of decorum (appropriateness) as a central concept of rhetorical theory in the early sixteenth-century writings of Erasmus and Juan Luis Vives. In rhetorical theory, decorum shifted the emphasis from formulaic rules to their creative application in concrete cases. In doing so, it emphasized a close analysis of the rhetorical situation (above all the preferences of the audience) and underscored the persuasive possibilities of civil conversation as opposed to passionate, adversarial rhetoric. The article argues that the stress put on decorum in early sixteenth-century theory is not just an internal development in the history of rhetoric but linked to far wider questions concerning the role of rhetoric in religious and secular lives. Decorum appears as a solution both to the divisiveness of language in the context of the Reformation and dynastic warfare of the early sixteenth century and as an adaptation of the republican tradition of political rhetoric to a changed, monarchical context. Erasmus and Vives maintained that decorum not only suppressed destructive passions and discord, but that it was only through polite and civil rhetoric (or conversation) that a truly effective persuasion was possible in a vast array of contexts. Peer reviewed

This paper studies the phenomenon of fictionalizing terrorism as a literary response to the violence paradigm within nuclear narrative from the perspective of nuclear awareness formation as a critical thinking product about the nuclear energy related issues within the Nuclear Anthropocene. Focusing on James Reich’s Bombshell (2013), the paper goes beyond literary critical analysis of exploring the ways of fictionalizing the sociopolitical and psychic motives and ideas behind an act of terrorism. The paper highlights the factual component of the literary figurations of terrorism and terrorist activities in nuclear fiction, which is regarded here not only as a factor of weakening the apocalyptic rhetoric of nuclear narrative by transforming its “fabulously textual” nature, but mainly as a trigger of shaping public awareness and knowledge management on nuclear history and nuclear industry with a view to considering the possible patters of nuclear terrorism within the contemporary nuclear agenda. Keywords: nuclear fiction, nuclear narrative, terrorist narrative, nuclear terrorism, nuclear awareness, James Reich, Bombshell Peer reviewed

Supplementary audiovisual material: https://youtu.be/K-EE9YY6pHY https://youtu.be/gRpxQOx9ugs In the Late Mesolithic graves of Yuzhniy Oleniy Ostrov, Northwest Russia, large amounts of Eurasian elk (Alces alces) incisors have been found. These teeth, for the most part fashioned into portable pendants, seem to have formed decorative sets for the garments or accessories of the deceased. This article examines both the technologies associated with these artefacts and their uses, as well as reflecting on the sensorial experiences generated by them. Osteological analysis of a sample of 100 specimens indicates that all types of incisors were used for making the pendants. Traceological analysis indicates that the teeth were modified by scraping, grooving, grinding, and retouching. Traces of wear consist of general wear and distinctive pits or pecks on the perimeters of the crowns. These traces indicate that the pendants were worn before their deposition in the graves, in such a way that they were in contact with both soft and solid materials. The pattern of pits or pecks has until now been unreported in the traceological literature. In experiments, a similar pattern emerged when pendants of fresh elk incisors were hung in rows and bunches and struck against one another. These strokes created a rattling sound. Thus, the elk incisors of Yuzhniy Oleniy Ostrov appear to provide insight into previously unattainable sonic experiences and activities of Mesolithic hunter-gatherers, as well as the early history of the instrument category of rattles. Peer reviewed