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175 Research products (1 rule applied)

  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Farina, Mario;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Irene, Montagnolo; Baratin, Laura; Ciardi, MARIA RITA;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tabone, A.;

    L-awtur jitkellem dwar l-arti sagra li tirreferi għal dik is-sengħa li tmiss mal-ħwejjeġ imqaddsa. peer-reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OAR@UMarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 1958 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OAR@UMarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OAR@UM
      Article . 1958 . Peer-reviewed
      Data sources: OAR@UM
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Melis Gomila, Lourdes;

    [cat] Tancar per renéixer: Sovint els museus han de tancar les seves portes per cometre reformes físiques però també de plantejament, per tal de continuar sent atractius per als visitants, oferint noves col·leccions o mostrant-les de manera diferent apostant per nous recorreguts temàtics o didàctics.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • Authors: Dockray-Miller, Mary;

    The manuscript now called the Salisbury Breviary (Paris, Bibliotheque Nationale de France, MS lat. 17294) contains the only extant illustrated cycle of of the Life of St Edith of Wilton; the fifteen miniatures accompany the readings for the feast of St Edith. These images emphasize the connections among Edith's holiness, royal genealogy, and obedience to her earthly and spiritual fathers. The cycle thus presents in microcosm the book's overall objective to proclaim and glorify the rightfully inherited temporal and spiritual power of its patron, John of Lancaster, the Duke of Bedford.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Živković, Valentina;

    This chapter analyzes the painted decorations dating from the second half of the fifteenth century in the small church of Saint Anna in the medieval town of Kotor (Cattaro). The choice of the saints represented, the votive inscriptions, and historical circumstances suggest the possibility of the miraculous anti peste character of the fresco painting. This essay will shed light on the role of the Venetian Republic in creating and promoting a pyramid of the most revered saints who watched over the spiritual and physical health of the commune. This analysis will compare written sources (archival material, the statute of Kotor and hagiographical literature) and visual religious art, in order to provide a wider context within which the process of adopting and spreading the cults of the saints was carried out.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao DAIS - Digitalni arh...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    DAIS - Digitalni arhiv izdanja SANU
    Part of book or chapter of book . 2017
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao DAIS - Digitalni arh...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      DAIS - Digitalni arhiv izdanja SANU
      Part of book or chapter of book . 2017
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  • Authors: Pinto, Rooney;

    Framed mainly in the context of Religious Art, particularly in the field of sacred art and iconography, this research had as object of study the Marian iconography in the Portuguese Jesuit space, worship and devotion of the Virgin Mary at Igreja do Colégio de Jesus de Coimbra (Church of the College of Jesus in Coimbra). Based on the analysis from the European Christian context to the Portuguese Christian context, the evolution of spirituality and devotion of the Virgin Mary emerged. It was found that the evolution of spirituality and theological debates on the divine motherhood of Mary reflected on the Marian iconographic programs. Therefore, we sought to identify the relevant iconographic elements to the various representations of the Virgin. The religious orders played a crucial role in promoting devotion to Mary. Many churches, chapels and shrines dedicated to Our Lady in Portugal appraise the strong presence of this devotional element. This research trend culminated in the analysis of the Company of Jesus' role on the promotion of Marian worship and devotion in Portugal, especially at Igreja do Colégio de Jesus de Coimbra. With the support of King John III, the Jesuits developed their educational apostolate in Portuguese lands, building colleges and strengthening its relationship with society. As many other Company's churches, Sé Nova (the New Cathedral) in Coimbra (former Igreja do Colégio de Jesus) displays in its chapels and altarpieces, several elements that identify the relevance of worship and devotion to the Virgin Mary for the Order. Marian devotion has proved to be a strong element that is present in the Company of Jesus' history, being widely exploited in the sacred art of the Jesuit churches and especially in the Company’s propaganda. Finally, it was concluded that the Igreja do Colégio de Jesus de Coimbra (current New Cathedral) has indications that show the high influence of the Jesuits in the promotion of Marian devotion in Portugal.

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  • Authors: Paull, John;

    Ernesto Genoni (1885-1975) trained for five years in classical art at the prestigious Brera Academy of Fine Art in Milan, Italy (Accademia di Belle Arti di Brera). Ernesto spent the year 1924 at Dornach, Switzerland, the headquarters of Rudolf Steiner’s Anthroposophy movement, where he experimented with painting “in the anthroposophic way” under the tutelage of Rudolf Steiner. The works presented here are believed to be those works. Eleven images were recently revealed stored in a folder in a private collection). Ernesto Genoni was a pioneer of biodynamic and organic farming in Australia. He was the first Australian member of Rudolf Steiner’s Experimental Circle of Anthroposophic Farmers & Gardeners (joining in 1928). Ernesto and Ileen Macpherson founded and farmed Australia’s original ‘Demeter Farm’ (from 1935). Ernesto joined the AIF in Western Australia and served as a stretcher bearer on the killing fields of the Western Front in 1916, in the battles of the Somme and Pozières. From the battlefield, he was conscripted into the Italian Army, and he was eventually demobilised in Italy in 1919. In 1923 , Ernesto was still in Italy. From Milan, he wrote to Rudolf Steiner offering his labour for advancing the Anthroposophy project at Dornach. Ernesto arrived there early in 1924 and successfully applied to Dr Steiner for acceptance into the First Class (Erste Klasse der Freien Hochschule für Geisteswissenschaft). The First Class was Steiner’s new course of instruction in Spiritual Science for Anthroposophists who were established in their practice. Steiner held these classes in 1924. In 1926, Ernesto migrated to Australia. He founded the Michael Group in Melbourne (with Anthroposophy meetings beginning in 1928) for the study of Steiner’s works. He taught the First Class in Melbourne and Adelaide. The works presented here were first exhibited as Angels of the First Class: The Anthroposophic Art of Ernesto Genoni, Goetheanum, 1924.

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  • Authors: Leal, Lécio;

    (...)

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Valle, Marco Antonio Alves do;

    In an ancient monastery of Benedictine nuns, located in the village of Bouças it was venerated, since immemorial ages, past or contemporary of the Portuguese Nationality formation, an artistic image of Christ crucified, which is attributed supernatural gifts, therefore, becoming the object of ardent devotion which only grew over time until present days. Em um antiqüíssimo mosteiro de monjas beneditinas, localizado na aldeia de Bouças, se venerou desde eras imemoriais, anteriores ou contemporâneas da formação da nacionalidade portuguesa, artística imagem de Cristo Crucificado, a qual se atribuía dons sobrenaturais, tornando-se por isso, objeto de ardente devoção que só fez crescer através dos tempos chegando aos nossos dias.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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175 Research products (1 rule applied)
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Farina, Mario;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Irene, Montagnolo; Baratin, Laura; Ciardi, MARIA RITA;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tabone, A.;

    L-awtur jitkellem dwar l-arti sagra li tirreferi għal dik is-sengħa li tmiss mal-ħwejjeġ imqaddsa. peer-reviewed

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    Article . 1958 . Peer-reviewed
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      Article . 1958 . Peer-reviewed
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    Authors: Melis Gomila, Lourdes;

    [cat] Tancar per renéixer: Sovint els museus han de tancar les seves portes per cometre reformes físiques però també de plantejament, per tal de continuar sent atractius per als visitants, oferint noves col·leccions o mostrant-les de manera diferent apostant per nous recorreguts temàtics o didàctics.

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  • Authors: Dockray-Miller, Mary;

    The manuscript now called the Salisbury Breviary (Paris, Bibliotheque Nationale de France, MS lat. 17294) contains the only extant illustrated cycle of of the Life of St Edith of Wilton; the fifteen miniatures accompany the readings for the feast of St Edith. These images emphasize the connections among Edith's holiness, royal genealogy, and obedience to her earthly and spiritual fathers. The cycle thus presents in microcosm the book's overall objective to proclaim and glorify the rightfully inherited temporal and spiritual power of its patron, John of Lancaster, the Duke of Bedford.

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    Authors: Živković, Valentina;

    This chapter analyzes the painted decorations dating from the second half of the fifteenth century in the small church of Saint Anna in the medieval town of Kotor (Cattaro). The choice of the saints represented, the votive inscriptions, and historical circumstances suggest the possibility of the miraculous anti peste character of the fresco painting. This essay will shed light on the role of the Venetian Republic in creating and promoting a pyramid of the most revered saints who watched over the spiritual and physical health of the commune. This analysis will compare written sources (archival material, the statute of Kotor and hagiographical literature) and visual religious art, in order to provide a wider context within which the process of adopting and spreading the cults of the saints was carried out.

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    Part of book or chapter of book . 2017
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  • Authors: Pinto, Rooney;

    Framed mainly in the context of Religious Art, particularly in the field of sacred art and iconography, this research had as object of study the Marian iconography in the Portuguese Jesuit space, worship and devotion of the Virgin Mary at Igreja do Colégio de Jesus de Coimbra (Church of the College of Jesus in Coimbra). Based on the analysis from the European Christian context to the Portuguese Christian context, the evolution of spirituality and devotion of the Virgin Mary emerged. It was found that the evolution of spirituality and theological debates on the divine motherhood of Mary reflected on the Marian iconographic programs. Therefore, we sought to identify the relevant iconographic elements to the various representations of the Virgin. The religious orders played a crucial role in promoting devotion to Mary. Many churches, chapels and shrines dedicated to Our Lady in Portugal appraise the strong presence of this devotional element. This research trend culminated in the analysis of the Company of Jesus' role on the promotion of Marian worship and devotion in Portugal, especially at Igreja do Colégio de Jesus de Coimbra. With the support of King John III, the Jesuits developed their educational apostolate in Portuguese lands, building colleges and strengthening its relationship with society. As many other Company's churches, Sé Nova (the New Cathedral) in Coimbra (former Igreja do Colégio de Jesus) displays in its chapels and altarpieces, several elements that identify the relevance of worship and devotion to the Virgin Mary for the Order. Marian devotion has proved to be a strong element that is present in the Company of Jesus' history, being widely exploited in the sacred art of the Jesuit churches and especially in the Company’s propaganda. Finally, it was concluded that the Igreja do Colégio de Jesus de Coimbra (current New Cathedral) has indications that show the high influence of the Jesuits in the promotion of Marian devotion in Portugal.

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