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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2015 FrancePublisher:CAIRN Authors: Kisiel, Marine;Kisiel, Marine;doi: 10.3917/sr.039.0257
International audience; Throughout their careers, the Impressionists demonstrated a strong, but rarely examined, interest in decoration. Between 1870 and 1900, a careful examination shows that Pissarro, Degas, Cézanne, Monet, Renoir, Morisot, and Caillebotte continued to explore the values of decoration and the decorative. Along with a number of artworks explicitly designated as “decorative” that were predominantly exhibited at the Impressionist shows, they also produced more than twenty decorative ensembles made for the interiors of patrons and amateurs. Initially publicized by the painters in the 1870s, their decorative works were subsequently undertaken more quietly, although still continuously. The critics’ attention, however, grew from the relative disinterest in making the decorative key to their approach at the turn of the century. An analysis of these experiments and their critical reception encourages, as this article demonstrates, a reconsideration of our vision of Impressionism, for its development drew much more from the decorative than has so far been said.; Manifesté entre 1876 et 1887 par la présentation publique, aux expositions impressionnistes principalement, d’œuvres clairement désignées comme décoratives par leurs auteurs, puis incarné dans plus de vingt ensembles intentionnellement conçus comme décorations pour des intérieurs, l’intérêt des Impressionnistes pour la décoration a jusqu’ici été largement occulté de l’étude de ce mouvement. Pourtant, entre 1870 et 1900 chez Pissarro, Degas, Cézanne, Monet, Renoir, Morisot et Caillebotte, et au-delà pour Renoir et Monet, la décoration et les valeurs du décoratif en art se révèlent des enjeux majeurs. L’analyse de ces expérimentations – publicisées par les peintres avant que d’être poursuivies moins ouvertement, et parallèlement éreintées par la critique qui en fera cependant, à la fin du siècle, le levier d’une interprétation laudatrice de l’impressionnisme – nous permet de relire une vaste partie de la production impressionniste et d’en découvrir de puissants ressorts, encore souvent insoupçonnés.
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For further information contact us at helpdesk@openaire.euAccess Routesbronze 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
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For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: DUBOIS, Arnaud;DUBOIS, Arnaud;À partir d’une étude croisée de la littérature savante sur la polychromie antique et industrielle et de données issues d’une enquête de terrain sur une architecture contemporaine qui prend ses distances avec les couleurs fonctionnelles de l’architecture moderniste, cet article montre qu’une approche ethnographique des pratiques coloristes permet de dégager une historiographie largement sous-évaluée des travaux sur l’art coloriste en architecture moderne. En rendant compte des entretiens que j’ai eus avec Patrick Bouchain et Daniel Buren sur leurs positions théoriques sur la coloration des murs et en confrontant leurs réponses aux théoriciens du XIXe siècle en Europe, j’aborde la délicate question de la coloration du Centre Pompidou Mobile. Relève-t-elle ou non d’une démarche « décorative » ? Based on a cross-examination of scholarly literature on antique and industrial polychromy and data from a fieldwork about a contemporary architecture that takes its distances from the functional colors of modernist architecture, this paper examines how an ethnographic approach to colorist practices reveals a widely undervalued historiography on colorist art in modern architecture. In reviewing the interviews I had with Patrick Bouchain and Daniel Buren about their ideas about coloring of walls and in comparing their answers to the nineteenth-century european theorists, I address the delicate question of the coloring of the Center Pompidou Mobile. Is it a « decorative » approach ?
Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!visibility 4visibility views 4 Powered bymore_vert Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2013 France SpanishPublisher:HAL CCSD Authors: Dedieu, Jean-Pierre;Dedieu, Jean-Pierre;Our purpose is to contextualise the demand of habits of military orders in late Old Regime Spain and Portugal. To disentangle the question from a nobiliary perspective which we suspect has been unduly inflated, we determine the factors which laid behind a similar process, taken in a different context: the demand of decoration expressed by the French colonial society of Tunisia at the beginning of the XXth Century. Such a study stresses the central paper of factors which Iberian historiographies usually do not take into account. Tentativa para poner en perspectiva la demanda de hábitos de ordenes militares en los países ibéricos a fines del Antiguo Régimen, determinando los parámetros de la demanda de condecoraciones en la sociedad colonial francesa de la Regencia de Túnez a fines del siglo XIX. La descripción de los fenómenos que se dan en lo segundo abre pautas de investigación para el primer problema, al sacarlo de la problemática tradicional del ennoblecimiento que resulta obivamente reductora.
HAL-ENS-LYON; Hyper ... arrow_drop_down HAL-ENS-LYON; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la Communication; HAL Lumiere Lyon 2; HAL-Lyon 3Other literature type . Part of book or chapter of book . 2013Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3393::77bf3370db77dabf54557d72d64d6967&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert HAL-ENS-LYON; Hyper ... arrow_drop_down HAL-ENS-LYON; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la Communication; HAL Lumiere Lyon 2; HAL-Lyon 3Other literature type . Part of book or chapter of book . 2013Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3393::77bf3370db77dabf54557d72d64d6967&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2013 France FrenchPublisher:HAL CCSD Authors: Rouzeau, B.; Bocquet-Lienard, Anne; Moulis, C.;Rouzeau, B.; Bocquet-Lienard, Anne; Moulis, C.;Les fouilles programmées réalisées à l’abbaye de Morimond entre 2004 et 2011 ont livré un lot de carreaux de pavement exhumés dans divers niveaux de remblais issus de bâtiments du quartier des hôtes. Les cisterciens de Morimond, comme c’est l’usage dans les autres résidences monastiques et aristocratiques du XIIe au XVIe siècle, ont choisi des motifs variés pour les sols de leurs bâtiments. Leur étude métrologique et archéométrique permet de distinguer clairement des groupes techniques et d’en associer certains aux argilières exploitées près de la tuilerie monastique. L’étude comparative des motifs connus dans l’ordre cistercien et dans des bâtiments de la moitié nord de la France montre peu de similitudes et suggère que l’atelier de Morimond, qui a fourni l’abbaye, a eu une production originale. Excavation of the Abbey of Morimond between 2004 and 2011 revealed a set of floor tiles discovered in different levels of filling from buildings in the guest quarter. As was customary in other monastic and aristocratic residences from the 12th to 16th centuries, the Cistercians of Morimond chose different motifs for the floors of their buildings. Metrological and archaeometric study clearly disclosed the batches made using the same technique and allowed some of them to be associated with clay pits near the monastic tilery. Comparison of the motifs known in the Cistercian order and the north of France revealed few similarities and suggests that the Morimond workshop, which supplied the abbey, designed its own tiles. Bei den in der Abtei von Morimond zwischen 2004 und 2011 durchgeführten Grabungen wurde aus unterschiedlichen Schuttschichten der Gebäude des Gästequartiers ein Posten Bodenfließen freigelegt. Die Zisterzienser von Morimond haben, wie es in den klösterlichen und fürstlichen Residenzen des 12. bis 16. Jahrhunderts allgemein üblich war, unterschiedliche Motive für die Böden ihrer Gebäude ausgewählt. Die metrologische und archäometrische Studie der Bodenfließen erlaubt es, die technischen Gruppen klar zu unterscheiden und einige den in der Nähe der klösterlichen Ziegelbrennerei ausgebeuteten Tongruben zuzuordnen. Der Vergleich mit den im Orden der Zisterzienser und den Klöstern Nordfrankreichs bekannten Motive weist wenig Ähnlichkeiten auf und legt nahe, dass die Werkstatt von Morimond, welche die Abtei beliefert hat, eine eigenständige Produktion besaß.
OpenEdition arrow_drop_down Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::a6304693b9bb2a8a6ecd925ea9bf61f3&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert OpenEdition arrow_drop_down Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::a6304693b9bb2a8a6ecd925ea9bf61f3&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: Fellague, Djamila;Fellague, Djamila;doi: 10.4000/gallia.2730
International audience; This article proposes a re-examination of the Arch of Orange based on ancient and recent data collected in urbanism and archeology. It is also the occasion for the author to share her thoughts concerning the scientific method that mostly relies on hypotheses. One of these idea concerning this famous monument of Orange assumes the existence of a first arch. If this construction existed we should wonder why it has been destroyed and we should also reconsider the inscription. Indeed, with this hypothesis the word restitutio could be understood as a reference to the destruction of this first arch. Associated to this hypothesis, the idea of a devasting flood will also be mentionned in the following lines but as this article is not an epigraphic study and because its purpose is not to provide any certainty, this thesis will only be briefly considered. In fact, the author wants to remind the reader of the uncertain nature of archeology even with such a well-known subject as the arch of Orange. For instance, if the idea of an arch originally dedicated to Germanicus then "given back" to Tiberius is now accepted as a fact, the author rejects this option and mentions that the Tiberian date for the monument has been lately debated. Actually, the arch of Orange – which is probably Augustan or Tiberian – demonstrates the difficult task in dating a monument on the basis of typology, which is yet nothing less than the founding principle of archaeology. Indeed, if the criteria selected are crucial their choice depends on the hypothesis defended.; L’article propose une mise au point partielle sur l’arc d’Orange à partir de données anciennes et récentes sur l’urbanisme et l’archéologie. Il est aussi une réflexion sur la démarche hypothétique. L’existence possible d’un arc antérieur invite en effet à se questionner sur les causes d’une destruction et à réexaminer la restitution de l’inscription. La restitutio évoquée dans l’inscription pourrait ainsi rendre compte de la destruction du monument précédent. L’hypothèse d’une inondation dévastatrice est par ailleurs proposée, mais seulement à titre de piste de travail. Cette contribution n’est nullement une étude épigraphique complète et son objectif n’est pas d’apporter des certitudes, mais de montrer qu’un dossier que beaucoup croyaient réglé pose encore un grand nombre de problèmes d’interprétation. Ainsi, l’auteur conteste l’hypothèse généralement admise d’un monument dédié à Germanicus puis « rendu » à Tibère et rappelle que les controverses sur la chronologie tibérienne ont été récemment ravivées. L’arc d’Orange, sans doute augustéen ou tibérien, est une illustration parfaite des difficultés pour dater un monument par la méthode typologique, qui est pourtant un des fondements de l’archéologie. Le choix des critères retenus est fondamental, mais il varie en fonction des hypothèses à défendre.
Gallia; OpenEdition arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NC NDFull-Text: https://hal.science/hal-01918847/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert Gallia; OpenEdition arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NC NDFull-Text: https://hal.science/hal-01918847/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/gallia.2730&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article , Other literature type 2016 FrancePublisher:OpenEdition Authors: Froissart, Rossella; van Tilburg, Merel;Froissart, Rossella; van Tilburg, Merel;Au passage du xixe siècle, la remise en question des frontières entre beaux-arts et arts appliqués rendent plausible une « renaissance » de la tapisserie. Les relations complexes que cet art entretient avec la peinture, l’architecture et, à partir des années 1960, la sculpture, sont vivement discutées, dans une recherche inlassable des lois qui en consacreraient l’autonomie esthétique. Muralité, structuration colorée de la surface, significations symboliques, qualités fonctionnelles ou création d’un environnement spatial : c’est à partir de ces critères que les productions du passé sont appelées à dialoguer avec l’École de Paris, le modernisme et le post-modernisme. En France, le prestige des Manufactures nationales et des ateliers creusois maintient le renouveau à l’intérieur des limites d’un rapport hiérarchique peintre/lissier qui se manifeste par l’essor extraordinaire de la production des années 1950 et 1960. En Allemagne, dans les pays de l’Europe de l’Est et aux États-Unis, le paradigme pictural laisse la place à une réflexion qui, partant des pratiques du Bauhaus, replace paradoxalement le medium textile au sein du champ des « beaux-arts ». In the late nineteenth century the questioning of divisions between the fine and applied arts enabled a “renaissance” in tapestry. Subsequently this art’s complex relations with painting, architecture and – from the 1960s – sculpture were hotly debated in an endless quest for laws that would give tapestry aesthetic autonomy. Through criteria such as murality, the structuring of surface through color, symbolic meanings, functional qualities and the creation of a spatial environment, the creations of the past were brought into dialogue with the Paris School, modernism and post-modernism. In France the prestige of the Manufactures nationales and the workshops of the Creuse contained the revival within the bounds of a hierarchical relationship between painter and weaver, reflected in the extraordinary expansion of production in the 1950s and 1960s. Meanwhile in Germany, Eastern Europe and the United States, the pictorial paradigm gave way to ideas based on the practices of the Bauhaus, paradoxically relocating the textile medium within the “fine art” field.
Perspective arrow_drop_down HAL AMU; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Article . 2016Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2016add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/perspective.6313&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Perspective arrow_drop_down HAL AMU; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Article . 2016Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2016add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/perspective.6313&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Other literature type , Part of book or chapter of book 2017 FrancePublisher:Arc Humanities Press Authors: Christian, Degrigny; Piqué, Francesca;Christian, Degrigny; Piqué, Francesca;International audience; The aim of this study was to examine and document the wall paintings in theChâteau de Germolles. Situated in Burgundy, France, Germolles is the best preservedresidence of the Dukes of Burgundy and was listed as a monument ofnational importance in 1989.The medieval wall decoration of the Château de Germolles was rediscoveredunder the nineteenth-century plasters during World War II. Medieval accounts ofthe château provide a detailed list of the materials acquired to make the muraldecoration, but this list is incongruous when compared with the current appearanceof the paintings. The discrepancy between the archival and material evidence,and also the need to understand the complexity of the painting technique usedwere the main motivations for undertaking the case study described in this chapter.Imaging alongside more traditional examination techniques were utilized torecord and document the mural decoration. The objectives of the case study wereto distinguish the original materials from those applied during restoration, identifythose materials, and correlate them with the archives. We also tried to understandthe medieval painting techniques used and assess the condition of the paintingsand stabilization requirements. Finally we aimed to find a sustainable solution forthe management of the various types of data collected. Various techniques andinvestigations offered valuable insights into the materials and the painting techniqueused. To improve visitor experience, based on the information gained in thecourse of this study, a 3D virtual representation of the original decoration is currentlyproposed for display to the public visiting the Château de Germolles.
https://hal.archives... arrow_drop_down https://doi.org/10.1017/978194...Other literature type . 2018License: Cambridge Core User AgreementData sources: Crossrefhttps://doi.org/10.2307/j.ctt1...Part of book or chapter of book . 2018 . Peer-reviewedData sources: CrossrefHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017HAL Descartes; Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2017Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.5040/9781641899444.ch-004&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert https://hal.archives... arrow_drop_down https://doi.org/10.1017/978194...Other literature type . 2018License: Cambridge Core User AgreementData sources: Crossrefhttps://doi.org/10.2307/j.ctt1...Part of book or chapter of book . 2018 . Peer-reviewedData sources: CrossrefHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017HAL Descartes; Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2017Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2015 FrancePublisher:CAIRN Authors: Kisiel, Marine;Kisiel, Marine;doi: 10.3917/sr.039.0257
International audience; Throughout their careers, the Impressionists demonstrated a strong, but rarely examined, interest in decoration. Between 1870 and 1900, a careful examination shows that Pissarro, Degas, Cézanne, Monet, Renoir, Morisot, and Caillebotte continued to explore the values of decoration and the decorative. Along with a number of artworks explicitly designated as “decorative” that were predominantly exhibited at the Impressionist shows, they also produced more than twenty decorative ensembles made for the interiors of patrons and amateurs. Initially publicized by the painters in the 1870s, their decorative works were subsequently undertaken more quietly, although still continuously. The critics’ attention, however, grew from the relative disinterest in making the decorative key to their approach at the turn of the century. An analysis of these experiments and their critical reception encourages, as this article demonstrates, a reconsideration of our vision of Impressionism, for its development drew much more from the decorative than has so far been said.; Manifesté entre 1876 et 1887 par la présentation publique, aux expositions impressionnistes principalement, d’œuvres clairement désignées comme décoratives par leurs auteurs, puis incarné dans plus de vingt ensembles intentionnellement conçus comme décorations pour des intérieurs, l’intérêt des Impressionnistes pour la décoration a jusqu’ici été largement occulté de l’étude de ce mouvement. Pourtant, entre 1870 et 1900 chez Pissarro, Degas, Cézanne, Monet, Renoir, Morisot et Caillebotte, et au-delà pour Renoir et Monet, la décoration et les valeurs du décoratif en art se révèlent des enjeux majeurs. L’analyse de ces expérimentations – publicisées par les peintres avant que d’être poursuivies moins ouvertement, et parallèlement éreintées par la critique qui en fera cependant, à la fin du siècle, le levier d’une interprétation laudatrice de l’impressionnisme – nous permet de relire une vaste partie de la production impressionniste et d’en découvrir de puissants ressorts, encore souvent insoupçonnés.
add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.3917/sr.039.0257&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.3917/sr.039.0257&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/cdlm.8554&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/cdlm.8554&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: DUBOIS, Arnaud;DUBOIS, Arnaud;À partir d’une étude croisée de la littérature savante sur la polychromie antique et industrielle et de données issues d’une enquête de terrain sur une architecture contemporaine qui prend ses distances avec les couleurs fonctionnelles de l’architecture moderniste, cet article montre qu’une approche ethnographique des pratiques coloristes permet de dégager une historiographie largement sous-évaluée des travaux sur l’art coloriste en architecture moderne. En rendant compte des entretiens que j’ai eus avec Patrick Bouchain et Daniel Buren sur leurs positions théoriques sur la coloration des murs et en confrontant leurs réponses aux théoriciens du XIXe siècle en Europe, j’aborde la délicate question de la coloration du Centre Pompidou Mobile. Relève-t-elle ou non d’une démarche « décorative » ? Based on a cross-examination of scholarly literature on antique and industrial polychromy and data from a fieldwork about a contemporary architecture that takes its distances from the functional colors of modernist architecture, this paper examines how an ethnographic approach to colorist practices reveals a widely undervalued historiography on colorist art in modern architecture. In reviewing the interviews I had with Patrick Bouchain and Daniel Buren about their ideas about coloring of walls and in comparing their answers to the nineteenth-century european theorists, I address the delicate question of the coloring of the Center Pompidou Mobile. Is it a « decorative » approach ?
Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!visibility 4visibility views 4 Powered bymore_vert Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2013 France SpanishPublisher:HAL CCSD Authors: Dedieu, Jean-Pierre;Dedieu, Jean-Pierre;Our purpose is to contextualise the demand of habits of military orders in late Old Regime Spain and Portugal. To disentangle the question from a nobiliary perspective which we suspect has been unduly inflated, we determine the factors which laid behind a similar process, taken in a different context: the demand of decoration expressed by the French colonial society of Tunisia at the beginning of the XXth Century. Such a study stresses the central paper of factors which Iberian historiographies usually do not take into account. Tentativa para poner en perspectiva la demanda de hábitos de ordenes militares en los países ibéricos a fines del Antiguo Régimen, determinando los parámetros de la demanda de condecoraciones en la sociedad colonial francesa de la Regencia de Túnez a fines del siglo XIX. La descripción de los fenómenos que se dan en lo segundo abre pautas de investigación para el primer problema, al sacarlo de la problemática tradicional del ennoblecimiento que resulta obivamente reductora.
HAL-ENS-LYON; Hyper ... arrow_drop_down HAL-ENS-LYON; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la Communication; HAL Lumiere Lyon 2; HAL-Lyon 3Other literature type . Part of book or chapter of book . 2013Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3393::77bf3370db77dabf54557d72d64d6967&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert HAL-ENS-LYON; Hyper ... arrow_drop_down HAL-ENS-LYON; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la Communication; HAL Lumiere Lyon 2; HAL-Lyon 3Other literature type . Part of book or chapter of book . 2013Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3393::77bf3370db77dabf54557d72d64d6967&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2013 France FrenchPublisher:HAL CCSD Authors: Rouzeau, B.; Bocquet-Lienard, Anne; Moulis, C.;Rouzeau, B.; Bocquet-Lienard, Anne; Moulis, C.;Les fouilles programmées réalisées à l’abbaye de Morimond entre 2004 et 2011 ont livré un lot de carreaux de pavement exhumés dans divers niveaux de remblais issus de bâtiments du quartier des hôtes. Les cisterciens de Morimond, comme c’est l’usage dans les autres résidences monastiques et aristocratiques du XIIe au XVIe siècle, ont choisi des motifs variés pour les sols de leurs bâtiments. Leur étude métrologique et archéométrique permet de distinguer clairement des groupes techniques et d’en associer certains aux argilières exploitées près de la tuilerie monastique. L’étude comparative des motifs connus dans l’ordre cistercien et dans des bâtiments de la moitié nord de la France montre peu de similitudes et suggère que l’atelier de Morimond, qui a fourni l’abbaye, a eu une production originale. Excavation of the Abbey of Morimond between 2004 and 2011 revealed a set of floor tiles discovered in different levels of filling from buildings in the guest quarter. As was customary in other monastic and aristocratic residences from the 12th to 16th centuries, the Cistercians of Morimond chose different motifs for the floors of their buildings. Metrological and archaeometric study clearly disclosed the batches made using the same technique and allowed some of them to be associated with clay pits near the monastic tilery. Comparison of the motifs known in the Cistercian order and the north of France revealed few similarities and suggests that the Morimond workshop, which supplied the abbey, designed its own tiles. Bei den in der Abtei von Morimond zwischen 2004 und 2011 durchgeführten Grabungen wurde aus unterschiedlichen Schuttschichten der Gebäude des Gästequartiers ein Posten Bodenfließen freigelegt. Die Zisterzienser von Morimond haben, wie es in den klösterlichen und fürstlichen Residenzen des 12. bis 16. Jahrhunderts allgemein üblich war, unterschiedliche Motive für die Böden ihrer Gebäude ausgewählt. Die metrologische und archäometrische Studie der Bodenfließen erlaubt es, die technischen Gruppen klar zu unterscheiden und einige den in der Nähe der klösterlichen Ziegelbrennerei ausgebeuteten Tongruben zuzuordnen. Der Vergleich mit den im Orden der Zisterzienser und den Klöstern Nordfrankreichs bekannten Motive weist wenig Ähnlichkeiten auf und legt nahe, dass die Werkstatt von Morimond, welche die Abtei beliefert hat, eine eigenständige Produktion besaß.
OpenEdition arrow_drop_down Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::a6304693b9bb2a8a6ecd925ea9bf61f3&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert OpenEdition arrow_drop_down Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2013All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::a6304693b9bb2a8a6ecd925ea9bf61f3&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: Fellague, Djamila;Fellague, Djamila;doi: 10.4000/gallia.2730
International audience; This article proposes a re-examination of the Arch of Orange based on ancient and recent data collected in urbanism and archeology. It is also the occasion for the author to share her thoughts concerning the scientific method that mostly relies on hypotheses. One of these idea concerning this famous monument of Orange assumes the existence of a first arch. If this construction existed we should wonder why it has been destroyed and we should also reconsider the inscription. Indeed, with this hypothesis the word restitutio could be understood as a reference to the destruction of this first arch. Associated to this hypothesis, the idea of a devasting flood will also be mentionned in the following lines but as this article is not an epigraphic study and because its purpose is not to provide any certainty, this thesis will only be briefly considered. In fact, the author wants to remind the reader of the uncertain nature of archeology even with such a well-known subject as the arch of Orange. For instance, if the idea of an arch originally dedicated to Germanicus then "given back" to Tiberius is now accepted as a fact, the author rejects this option and mentions that the Tiberian date for the monument has been lately debated. Actually, the arch of Orange – which is probably Augustan or Tiberian – demonstrates the difficult task in dating a monument on the basis of typology, which is yet nothing less than the founding principle of archaeology. Indeed, if the criteria selected are crucial their choice depends on the hypothesis defended.; L’article propose une mise au point partielle sur l’arc d’Orange à partir de données anciennes et récentes sur l’urbanisme et l’archéologie. Il est aussi une réflexion sur la démarche hypothétique. L’existence possible d’un arc antérieur invite en effet à se questionner sur les causes d’une destruction et à réexaminer la restitution de l’inscription. La restitutio évoquée dans l’inscription pourrait ainsi rendre compte de la destruction du monument précédent. L’hypothèse d’une inondation dévastatrice est par ailleurs proposée, mais seulement à titre de piste de travail. Cette contribution n’est nullement une étude épigraphique complète et son objectif n’est pas d’apporter des certitudes, mais de montrer qu’un dossier que beaucoup croyaient réglé pose encore un grand nombre de problèmes d’interprétation. Ainsi, l’auteur conteste l’hypothèse généralement admise d’un monument dédié à Germanicus puis « rendu » à Tibère et rappelle que les controverses sur la chronologie tibérienne ont été récemment ravivées. L’arc d’Orange, sans doute augustéen ou tibérien, est une illustration parfaite des difficultés pour dater un monument par la méthode typologique, qui est pourtant un des fondements de l’archéologie. Le choix des critères retenus est fondamental, mais il varie en fonction des hypothèses à défendre.
Gallia; OpenEdition arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NC NDFull-Text: https://hal.science/hal-01918847/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/gallia.2730&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert Gallia; OpenEdition arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NC NDFull-Text: https://hal.science/hal-01918847/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/gallia.2730&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article , Other literature type 2016 FrancePublisher:OpenEdition Authors: Froissart, Rossella; van Tilburg, Merel;Froissart, Rossella; van Tilburg, Merel;Au passage du xixe siècle, la remise en question des frontières entre beaux-arts et arts appliqués rendent plausible une « renaissance » de la tapisserie. Les relations complexes que cet art entretient avec la peinture, l’architecture et, à partir des années 1960, la sculpture, sont vivement discutées, dans une recherche inlassable des lois qui en consacreraient l’autonomie esthétique. Muralité, structuration colorée de la surface, significations symboliques, qualités fonctionnelles ou création d’un environnement spatial : c’est à partir de ces critères que les productions du passé sont appelées à dialoguer avec l’École de Paris, le modernisme et le post-modernisme. En France, le prestige des Manufactures nationales et des ateliers creusois maintient le renouveau à l’intérieur des limites d’un rapport hiérarchique peintre/lissier qui se manifeste par l’essor extraordinaire de la production des années 1950 et 1960. En Allemagne, dans les pays de l’Europe de l’Est et aux États-Unis, le paradigme pictural laisse la place à une réflexion qui, partant des pratiques du Bauhaus, replace paradoxalement le medium textile au sein du champ des « beaux-arts ». In the late nineteenth century the questioning of divisions between the fine and applied arts enabled a “renaissance” in tapestry. Subsequently this art’s complex relations with painting, architecture and – from the 1960s – sculpture were hotly debated in an endless quest for laws that would give tapestry aesthetic autonomy. Through criteria such as murality, the structuring of surface through color, symbolic meanings, functional qualities and the creation of a spatial environment, the creations of the past were brought into dialogue with the Paris School, modernism and post-modernism. In France the prestige of the Manufactures nationales and the workshops of the Creuse contained the revival within the bounds of a hierarchical relationship between painter and weaver, reflected in the extraordinary expansion of production in the 1950s and 1960s. Meanwhile in Germany, Eastern Europe and the United States, the pictorial paradigm gave way to ideas based on the practices of the Bauhaus, paradoxically relocating the textile medium within the “fine art” field.
Perspective arrow_drop_down HAL AMU; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Article . 2016Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2016add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/perspective.6313&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Perspective arrow_drop_down HAL AMU; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Article . 2016Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Article . 2016add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/perspective.6313&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Other literature type , Part of book or chapter of book 2017 FrancePublisher:Arc Humanities Press Authors: Christian, Degrigny; Piqué, Francesca;Christian, Degrigny; Piqué, Francesca;International audience; The aim of this study was to examine and document the wall paintings in theChâteau de Germolles. Situated in Burgundy, France, Germolles is the best preservedresidence of the Dukes of Burgundy and was listed as a monument ofnational importance in 1989.The medieval wall decoration of the Château de Germolles was rediscoveredunder the nineteenth-century plasters during World War II. Medieval accounts ofthe château provide a detailed list of the materials acquired to make the muraldecoration, but this list is incongruous when compared with the current appearanceof the paintings. The discrepancy between the archival and material evidence,and also the need to understand the complexity of the painting technique usedwere the main motivations for undertaking the case study described in this chapter.Imaging alongside more traditional examination techniques were utilized torecord and document the mural decoration. The objectives of the case study wereto distinguish the original materials from those applied during restoration, identifythose materials, and correlate them with the archives. We also tried to understandthe medieval painting techniques used and assess the condition of the paintingsand stabilization requirements. Finally we aimed to find a sustainable solution forthe management of the various types of data collected. Various techniques andinvestigations offered valuable insights into the materials and the painting techniqueused. To improve visitor experience, based on the information gained in thecourse of this study, a 3D virtual representation of the original decoration is currentlyproposed for display to the public visiting the Château de Germolles.
https://hal.archives... arrow_drop_down https://doi.org/10.1017/978194...Other literature type . 2018License: Cambridge Core User AgreementData sources: Crossrefhttps://doi.org/10.2307/j.ctt1...Part of book or chapter of book . 2018 . Peer-reviewedData sources: CrossrefHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017HAL Descartes; Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2017Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.5040/9781641899444.ch-004&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert https://hal.archives... arrow_drop_down https://doi.org/10.1017/978194...Other literature type . 2018License: Cambridge Core User AgreementData sources: Crossrefhttps://doi.org/10.2307/j.ctt1...Part of book or chapter of book . 2018 . Peer-reviewedData sources: CrossrefHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017HAL Descartes; Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2017Hyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la SociétéOther literature type . Part of book or chapter of book . 2017add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.5040/9781641899444.ch-004&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu