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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2018 France EnglishPublisher:HAL CCSD Authors: Huet, Thomas;Huet, Thomas;International audience; As with geography, ceramic decorations are essentially spatial organisations of features. Therefore, they should be analysed with spatial indexes. But spatial analyses, at the shard or the complete ceramic scale, are often difficult to set up, mostly because of the contiguity of graphical features.This paper presents a new method to record and analyse ceramic decoration. We use graph theory, with a GIS interface and Python programming, to analyse ceramic decoration in a bottom-up process. A priori definitions are minimal and only concern elementary units (morphological, graphical and plastic) which compose the ceramic.The studied corpus is composed of ceramic decorations belonging to the Mailhac I facies (Late Bronze Age), characterised by complex figurative compositions. Each decoration — complete or fragmented — is considered as a spatialized network (i.e. geometric graph). Graph theory provides tools to record and measure proximities between units and normalised indexes to compare different decorations, whatever their completeness. The GIS offers a graphic interface and ensures the correctness of spatial relationships between these units. The typology of these units is realised in a hierarchical oriented graph. This structure allows processes of generalisation (going up the tree) and specification (going down the tree), permitting comparison between units with different kinds of resolution and/or complexity. The method presented here can be used for other types of mediums(statuary, rock art, etc.).
Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2018Full-Text: https://hal.science/hal-02913656/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2018All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______177::cf71a517edbd2f99a4f89ef456e94a0d&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2018Full-Text: https://hal.science/hal-02913656/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2018All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______177::cf71a517edbd2f99a4f89ef456e94a0d&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2014 France FrenchPublisher:HAL CCSD Authors: Labrusse, Rémi;Labrusse, Rémi;National audience à venir
Hyper Article en Lig... arrow_drop_down Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2014HAL Paris Nanterre; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Part of book or chapter of book . 2014All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______2592::4e5366800b0abb607a3227c8a46377a2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Hyper Article en Lig... arrow_drop_down Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2014HAL Paris Nanterre; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Part of book or chapter of book . 2014All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______2592::4e5366800b0abb607a3227c8a46377a2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2015 FrancePublisher:CAIRN Authors: Kisiel, Marine;Kisiel, Marine;doi: 10.3917/sr.039.0257
International audience; Throughout their careers, the Impressionists demonstrated a strong, but rarely examined, interest in decoration. Between 1870 and 1900, a careful examination shows that Pissarro, Degas, Cézanne, Monet, Renoir, Morisot, and Caillebotte continued to explore the values of decoration and the decorative. Along with a number of artworks explicitly designated as “decorative” that were predominantly exhibited at the Impressionist shows, they also produced more than twenty decorative ensembles made for the interiors of patrons and amateurs. Initially publicized by the painters in the 1870s, their decorative works were subsequently undertaken more quietly, although still continuously. The critics’ attention, however, grew from the relative disinterest in making the decorative key to their approach at the turn of the century. An analysis of these experiments and their critical reception encourages, as this article demonstrates, a reconsideration of our vision of Impressionism, for its development drew much more from the decorative than has so far been said.; Manifesté entre 1876 et 1887 par la présentation publique, aux expositions impressionnistes principalement, d’œuvres clairement désignées comme décoratives par leurs auteurs, puis incarné dans plus de vingt ensembles intentionnellement conçus comme décorations pour des intérieurs, l’intérêt des Impressionnistes pour la décoration a jusqu’ici été largement occulté de l’étude de ce mouvement. Pourtant, entre 1870 et 1900 chez Pissarro, Degas, Cézanne, Monet, Renoir, Morisot et Caillebotte, et au-delà pour Renoir et Monet, la décoration et les valeurs du décoratif en art se révèlent des enjeux majeurs. L’analyse de ces expérimentations – publicisées par les peintres avant que d’être poursuivies moins ouvertement, et parallèlement éreintées par la critique qui en fera cependant, à la fin du siècle, le levier d’une interprétation laudatrice de l’impressionnisme – nous permet de relire une vaste partie de la production impressionniste et d’en découvrir de puissants ressorts, encore souvent insoupçonnés.
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For further information contact us at helpdesk@openaire.euAccess Routesbronze 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
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For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: DUBOIS, Arnaud;DUBOIS, Arnaud;À partir d’une étude croisée de la littérature savante sur la polychromie antique et industrielle et de données issues d’une enquête de terrain sur une architecture contemporaine qui prend ses distances avec les couleurs fonctionnelles de l’architecture moderniste, cet article montre qu’une approche ethnographique des pratiques coloristes permet de dégager une historiographie largement sous-évaluée des travaux sur l’art coloriste en architecture moderne. En rendant compte des entretiens que j’ai eus avec Patrick Bouchain et Daniel Buren sur leurs positions théoriques sur la coloration des murs et en confrontant leurs réponses aux théoriciens du XIXe siècle en Europe, j’aborde la délicate question de la coloration du Centre Pompidou Mobile. Relève-t-elle ou non d’une démarche « décorative » ? Based on a cross-examination of scholarly literature on antique and industrial polychromy and data from a fieldwork about a contemporary architecture that takes its distances from the functional colors of modernist architecture, this paper examines how an ethnographic approach to colorist practices reveals a widely undervalued historiography on colorist art in modern architecture. In reviewing the interviews I had with Patrick Bouchain and Daniel Buren about their ideas about coloring of walls and in comparing their answers to the nineteenth-century european theorists, I address the delicate question of the coloring of the Center Pompidou Mobile. Is it a « decorative » approach ?
Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!visibility 4visibility views 4 Powered bymore_vert Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2012 FrancePublisher:OpenEdition Authors: Roussillon-Constanty, Laurence;Roussillon-Constanty, Laurence;doi: 10.4000/miranda.4436
La récente exposition Beauté, morale et volupté dans l’Angleterre d’Oscar Wilde (Musée d’Orsay, 13 septembre 2011-15 janvier 2012) a remarquablement illustré la façon dont un artiste préraphaélite aussi emblématique que Dante Gabriel Rossetti a contribué à faire glisser l’ère victorienne vers l’esthétisme dès le milieu du siècle, accordant par exemple une place de choix à deux de ses tableaux les plus représentatifs, Bocca Baciata (1859) et The Day Dream (1880).Cependant, quel rôle exact l’artiste a-t-il joué dans l’avènement du mouvement Arts and Crafts et par quel biais s’est-il lui-même intéressé à des formes d’art moins reconnues, telle que la céramique ? Comment a-t-il réussi à l’intégrer dans son art ? Alors qu’à ses débuts, la peinture préraphaélite consistait à peindre de la façon la plus transparente possible en privilégiant un rapport direct à la nature, il semble intéressant de montrer en quoi l’intérêt de Rossetti pour les arts décoratifs a également pu inspirer les tendances et les créations du mouvement Arts and Crafts. Un tel examen conduira tout naturellement à se demander si l’on peut conclure que l’art de Rossetti a peu à peu évolué vers l’esthétisme et ce que cette lecture change quant à l’analyse de ses œuvres poétiques et picturales.Dans cet article, il s’agira d’élucider ces questions en évoquant les expériences de Rossetti avec une pluralité de média, en se concentrant plus particulièrement sur les objets en céramique qu’il collectionnait et peignait dans ses tableaux. Par là, il s’agira dans un deuxième temps d’envisager l’œuvre de Rossetti comme une œuvre totale, à portée philosophique autant qu’esthétique et de la mettre en regard avec les idées mises en avant par John Ruskin dans les années 1850. The recent “Cult of Beauty” touring exhibition (Victorian and Albert Museum, 13 September 2011, 15 January 2012) has convincingly shown the role such key pre-Raphaelite artists as Dante Gabriel Rossetti played in the transition from the mid-Victorian age to British aestheticism by dedicating much space to such emblematic paintings as Bocca Baciata (1859) or The Day Dream (1880). However, Rossetti’s exact artistic involvement with the Arts and Crafts design movement, which emerged in Britain around 1860 (but only took its official name after the foundation of the Crafts Exhibition Society in 1887) and his exploration of lesser forms of art in his own artistic career have not yet been widely examined: how could the leader of the Preraphaelite Brotherhood—an artistic endeavour renowned for its insistence on transparent, true-to-nature symbolism—have inspired the decorative, overcharged designs and furniture of the Arts and Crafts movement? Did Rossetti’s art also move towards aestheticism, and if so, does this change the way we should interpret his paintings and his poetry?This paper hopes to address these issues by looking at Rossetti’s experiments with mixed media, with a special focus on Rossetti’s interest in and collecting of ceramics. It also aims to look at Rossetti’s artistic production in a broad and inclusive manner and to balance his ideas against those expressed by John Ruskin in his conferences on art and architecture in the mid-1850s.
DOAJ arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2012 . Peer-reviewedData sources: CrossrefMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWalladd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert DOAJ arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2012 . Peer-reviewedData sources: CrossrefMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWalladd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Conference object , Other literature type 2021 FrancePublisher:Rencontres scientifiques et techniques de l'Inrap Authors: Jandot, Céline;Jandot, Céline;doi: 10.58079/ujzu
Les regards portés sur l’évolution de maisons, des périodes médiévales et modernes, par les sondages des murs en élévation, ont permis de restituer des états structurels anciens, des murs aux planchers, avec leurs ouvertures jusqu’aux toitures. La transformation chronologique des espaces pendant les mutations des XIXe et XXe siècle a pu être dévoilée par la prise en compte des aménagements de second œuvre (cloisons, placards) et des stratigraphies… de papiers peints. The views on the evolution of houses, from the medieval and modern periods, through surveys of the walls in elevation, have made it possible to restore ancient structural states, from the walls to the floors, with their openings to the roofs. The chronological transformation of the spaces during the changes of the 19th and 20th centuries could be revealed by taking into account the fittings of second work (partitions, cupboards) and stratigraphies… of wallpapers.
Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationConference object . 2021License: CC BY NC NDHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Conference object . 2021License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationConference object . 2021License: CC BY NC NDHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Conference object . 2021License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Preprint 2014 France SpanishPublisher:HAL CCSD Authors: Artola Renedo, Andoni;Artola Renedo, Andoni;L'explosion du nombre de décorations en Espagne à partir de la guerre d'Indépendance est à peine étudiée par l'historiographie. Cependant, son insertion dans le champ des études d'histoire sociale peut aider à comprendre le rôle de l'Etat dans la satisfaction de la demande de distinction des groupes émergents dans un contexte de changement rapide. Ce travail se penche sur les années du règne de Ferdinand VII, au cours desquelles émerge avec vigueur la nécessité de redistribuer les honneurs dans un contexte de mobilité sociale, régulée suivant des principes différents de ceux de l'Ancien Régime. La eclosión de condecoraciones en España a partir de la guerra de la Independencia apenas ha recibido atención historiográfica. Sin embargo, la su inserción en el campo de estudio de la historia social puede ayudar a comprender el papel del Estado en la satisfacción de la demanda de diferenciación de grupos emergentes en un contexto de rápido cambio. Este trabajo se centra en los años del reinado de Fernando VII, en los que emerge con fuerza la necesidad de redistribuir los honores en el contexto de una movilidad social no regulada por los mismos principios que en el Antiguo Régimen. Scholars have not paid attention to the enormous increase of decorations in early nineteenth-century Spain. Nevertheless, research on decorations from a social history perspective shows clearly their role in reorganizing a highly transformed social field after the Peninsular War. This paper focuses on the reign of Ferdinand VII, in which the Spanish State created and bestowed decorations as a means of redistributing honors.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______2592::4fec4676e4cbf661575999dc573bf3a5&type=result"></script>'); --> </script>
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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2018 France EnglishPublisher:HAL CCSD Authors: Huet, Thomas;Huet, Thomas;International audience; As with geography, ceramic decorations are essentially spatial organisations of features. Therefore, they should be analysed with spatial indexes. But spatial analyses, at the shard or the complete ceramic scale, are often difficult to set up, mostly because of the contiguity of graphical features.This paper presents a new method to record and analyse ceramic decoration. We use graph theory, with a GIS interface and Python programming, to analyse ceramic decoration in a bottom-up process. A priori definitions are minimal and only concern elementary units (morphological, graphical and plastic) which compose the ceramic.The studied corpus is composed of ceramic decorations belonging to the Mailhac I facies (Late Bronze Age), characterised by complex figurative compositions. Each decoration — complete or fragmented — is considered as a spatialized network (i.e. geometric graph). Graph theory provides tools to record and measure proximities between units and normalised indexes to compare different decorations, whatever their completeness. The GIS offers a graphic interface and ensures the correctness of spatial relationships between these units. The typology of these units is realised in a hierarchical oriented graph. This structure allows processes of generalisation (going up the tree) and specification (going down the tree), permitting comparison between units with different kinds of resolution and/or complexity. The method presented here can be used for other types of mediums(statuary, rock art, etc.).
Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2018Full-Text: https://hal.science/hal-02913656/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2018All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______177::cf71a517edbd2f99a4f89ef456e94a0d&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationPart of book or chapter of book . 2018Full-Text: https://hal.science/hal-02913656/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2018All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______177::cf71a517edbd2f99a4f89ef456e94a0d&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2014 France FrenchPublisher:HAL CCSD Authors: Labrusse, Rémi;Labrusse, Rémi;National audience à venir
Hyper Article en Lig... arrow_drop_down Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2014HAL Paris Nanterre; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Part of book or chapter of book . 2014All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______2592::4e5366800b0abb607a3227c8a46377a2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Hyper Article en Lig... arrow_drop_down Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotPart of book or chapter of book . 2014HAL Paris Nanterre; Hyper Article en Ligne; Mémoires en Sciences de l'Information et de la CommunicationOther literature type . Part of book or chapter of book . 2014All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______2592::4e5366800b0abb607a3227c8a46377a2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2015 FrancePublisher:CAIRN Authors: Kisiel, Marine;Kisiel, Marine;doi: 10.3917/sr.039.0257
International audience; Throughout their careers, the Impressionists demonstrated a strong, but rarely examined, interest in decoration. Between 1870 and 1900, a careful examination shows that Pissarro, Degas, Cézanne, Monet, Renoir, Morisot, and Caillebotte continued to explore the values of decoration and the decorative. Along with a number of artworks explicitly designated as “decorative” that were predominantly exhibited at the Impressionist shows, they also produced more than twenty decorative ensembles made for the interiors of patrons and amateurs. Initially publicized by the painters in the 1870s, their decorative works were subsequently undertaken more quietly, although still continuously. The critics’ attention, however, grew from the relative disinterest in making the decorative key to their approach at the turn of the century. An analysis of these experiments and their critical reception encourages, as this article demonstrates, a reconsideration of our vision of Impressionism, for its development drew much more from the decorative than has so far been said.; Manifesté entre 1876 et 1887 par la présentation publique, aux expositions impressionnistes principalement, d’œuvres clairement désignées comme décoratives par leurs auteurs, puis incarné dans plus de vingt ensembles intentionnellement conçus comme décorations pour des intérieurs, l’intérêt des Impressionnistes pour la décoration a jusqu’ici été largement occulté de l’étude de ce mouvement. Pourtant, entre 1870 et 1900 chez Pissarro, Degas, Cézanne, Monet, Renoir, Morisot et Caillebotte, et au-delà pour Renoir et Monet, la décoration et les valeurs du décoratif en art se révèlent des enjeux majeurs. L’analyse de ces expérimentations – publicisées par les peintres avant que d’être poursuivies moins ouvertement, et parallèlement éreintées par la critique qui en fera cependant, à la fin du siècle, le levier d’une interprétation laudatrice de l’impressionnisme – nous permet de relire une vaste partie de la production impressionniste et d’en découvrir de puissants ressorts, encore souvent insoupçonnés.
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You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.3917/sr.039.0257&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.3917/sr.039.0257&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/cdlm.8554&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2016 FrancePublisher:OpenEdition Authors: DUBOIS, Arnaud;DUBOIS, Arnaud;À partir d’une étude croisée de la littérature savante sur la polychromie antique et industrielle et de données issues d’une enquête de terrain sur une architecture contemporaine qui prend ses distances avec les couleurs fonctionnelles de l’architecture moderniste, cet article montre qu’une approche ethnographique des pratiques coloristes permet de dégager une historiographie largement sous-évaluée des travaux sur l’art coloriste en architecture moderne. En rendant compte des entretiens que j’ai eus avec Patrick Bouchain et Daniel Buren sur leurs positions théoriques sur la coloration des murs et en confrontant leurs réponses aux théoriciens du XIXe siècle en Europe, j’aborde la délicate question de la coloration du Centre Pompidou Mobile. Relève-t-elle ou non d’une démarche « décorative » ? Based on a cross-examination of scholarly literature on antique and industrial polychromy and data from a fieldwork about a contemporary architecture that takes its distances from the functional colors of modernist architecture, this paper examines how an ethnographic approach to colorist practices reveals a widely undervalued historiography on colorist art in modern architecture. In reviewing the interviews I had with Patrick Bouchain and Daniel Buren about their ideas about coloring of walls and in comparing their answers to the nineteenth-century european theorists, I address the delicate question of the coloring of the Center Pompidou Mobile. Is it a « decorative » approach ?
Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!visibility 4visibility views 4 Powered bymore_vert Oskar Bordeaux arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationArticle . 2016License: CC BY NCFull-Text: https://hal.science/hal-03214505/documentHyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotArticle . 2016License: CC BY NCadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/imagesrevues.3947&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2012 FrancePublisher:OpenEdition Authors: Roussillon-Constanty, Laurence;Roussillon-Constanty, Laurence;doi: 10.4000/miranda.4436
La récente exposition Beauté, morale et volupté dans l’Angleterre d’Oscar Wilde (Musée d’Orsay, 13 septembre 2011-15 janvier 2012) a remarquablement illustré la façon dont un artiste préraphaélite aussi emblématique que Dante Gabriel Rossetti a contribué à faire glisser l’ère victorienne vers l’esthétisme dès le milieu du siècle, accordant par exemple une place de choix à deux de ses tableaux les plus représentatifs, Bocca Baciata (1859) et The Day Dream (1880).Cependant, quel rôle exact l’artiste a-t-il joué dans l’avènement du mouvement Arts and Crafts et par quel biais s’est-il lui-même intéressé à des formes d’art moins reconnues, telle que la céramique ? Comment a-t-il réussi à l’intégrer dans son art ? Alors qu’à ses débuts, la peinture préraphaélite consistait à peindre de la façon la plus transparente possible en privilégiant un rapport direct à la nature, il semble intéressant de montrer en quoi l’intérêt de Rossetti pour les arts décoratifs a également pu inspirer les tendances et les créations du mouvement Arts and Crafts. Un tel examen conduira tout naturellement à se demander si l’on peut conclure que l’art de Rossetti a peu à peu évolué vers l’esthétisme et ce que cette lecture change quant à l’analyse de ses œuvres poétiques et picturales.Dans cet article, il s’agira d’élucider ces questions en évoquant les expériences de Rossetti avec une pluralité de média, en se concentrant plus particulièrement sur les objets en céramique qu’il collectionnait et peignait dans ses tableaux. Par là, il s’agira dans un deuxième temps d’envisager l’œuvre de Rossetti comme une œuvre totale, à portée philosophique autant qu’esthétique et de la mettre en regard avec les idées mises en avant par John Ruskin dans les années 1850. The recent “Cult of Beauty” touring exhibition (Victorian and Albert Museum, 13 September 2011, 15 January 2012) has convincingly shown the role such key pre-Raphaelite artists as Dante Gabriel Rossetti played in the transition from the mid-Victorian age to British aestheticism by dedicating much space to such emblematic paintings as Bocca Baciata (1859) or The Day Dream (1880). However, Rossetti’s exact artistic involvement with the Arts and Crafts design movement, which emerged in Britain around 1860 (but only took its official name after the foundation of the Crafts Exhibition Society in 1887) and his exploration of lesser forms of art in his own artistic career have not yet been widely examined: how could the leader of the Preraphaelite Brotherhood—an artistic endeavour renowned for its insistence on transparent, true-to-nature symbolism—have inspired the decorative, overcharged designs and furniture of the Arts and Crafts movement? Did Rossetti’s art also move towards aestheticism, and if so, does this change the way we should interpret his paintings and his poetry?This paper hopes to address these issues by looking at Rossetti’s experiments with mixed media, with a special focus on Rossetti’s interest in and collecting of ceramics. It also aims to look at Rossetti’s artistic production in a broad and inclusive manner and to balance his ideas against those expressed by John Ruskin in his conferences on art and architecture in the mid-1850s.
DOAJ arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2012 . Peer-reviewedData sources: CrossrefMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWalladd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/miranda.4436&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert DOAJ arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2012 . Peer-reviewedData sources: CrossrefMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWalladd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Conference object , Other literature type 2021 FrancePublisher:Rencontres scientifiques et techniques de l'Inrap Authors: Jandot, Céline;Jandot, Céline;doi: 10.58079/ujzu
Les regards portés sur l’évolution de maisons, des périodes médiévales et modernes, par les sondages des murs en élévation, ont permis de restituer des états structurels anciens, des murs aux planchers, avec leurs ouvertures jusqu’aux toitures. La transformation chronologique des espaces pendant les mutations des XIXe et XXe siècle a pu être dévoilée par la prise en compte des aménagements de second œuvre (cloisons, placards) et des stratigraphies… de papiers peints. The views on the evolution of houses, from the medieval and modern periods, through surveys of the walls in elevation, have made it possible to restore ancient structural states, from the walls to the floors, with their openings to the roofs. The chronological transformation of the spaces during the changes of the 19th and 20th centuries could be revealed by taking into account the fittings of second work (partitions, cupboards) and stratigraphies… of wallpapers.
Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationConference object . 2021License: CC BY NC NDHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Conference object . 2021License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.58079/ujzu&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Mémoires en Sciences... arrow_drop_down Mémoires en Sciences de l'Information et de la CommunicationConference object . 2021License: CC BY NC NDHyper Article en Ligne; Hyper Article en Ligne - Sciences de l'Homme et de la Société; Hal-DiderotOther literature type . Conference object . 2021License: CC BY NC NDadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.58079/ujzu&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Preprint 2014 France SpanishPublisher:HAL CCSD Authors: Artola Renedo, Andoni;Artola Renedo, Andoni;L'explosion du nombre de décorations en Espagne à partir de la guerre d'Indépendance est à peine étudiée par l'historiographie. Cependant, son insertion dans le champ des études d'histoire sociale peut aider à comprendre le rôle de l'Etat dans la satisfaction de la demande de distinction des groupes émergents dans un contexte de changement rapide. Ce travail se penche sur les années du règne de Ferdinand VII, au cours desquelles émerge avec vigueur la nécessité de redistribuer les honneurs dans un contexte de mobilité sociale, régulée suivant des principes différents de ceux de l'Ancien Régime. La eclosión de condecoraciones en España a partir de la guerra de la Independencia apenas ha recibido atención historiográfica. Sin embargo, la su inserción en el campo de estudio de la historia social puede ayudar a comprender el papel del Estado en la satisfacción de la demanda de diferenciación de grupos emergentes en un contexto de rápido cambio. Este trabajo se centra en los años del reinado de Fernando VII, en los que emerge con fuerza la necesidad de redistribuir los honores en el contexto de una movilidad social no regulada por los mismos principios que en el Antiguo Régimen. Scholars have not paid attention to the enormous increase of decorations in early nineteenth-century Spain. Nevertheless, research on decorations from a social history perspective shows clearly their role in reorganizing a highly transformed social field after the Peninsular War. This paper focuses on the reign of Ferdinand VII, in which the Spanish State created and bestowed decorations as a means of redistributing honors.
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