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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Živković Kuljiš, Loren; Belamarić, Josip; Korkut, Alem;

    The script for the course Sculpture 2 at the Graduate Study of the Department of Sculpture of the Art Academy in Split continues on the script for the course Sculpture 1 from the previous semester. Fifteen teaching units are arranged in sequences consistent with real sculptural practice. The possibility of perception and articulation of new content is one of the most important aspects of the development of the author's work process. The emphasis is on its openness and improvement, as an upgrade of knowledge from the previous semester. Throughout the script, the basic structure of the creative process is determined, but now at a more demanding level. The attention paid to the language of art, as a fundamental and unifying aspect of the work, this semester is further emphasized and presented by a series of selected visual examples, as well as examples of quotations from authors that can be interpreted as the basis of the artist’s statement. The script makes it easier for students to achieve the expected learning outcomes, i.e. awareness of the full process of realization of contemporary author's sculpture, from conceiving an idea to performing the work, and thinking about its layout in exhibition space. Skripta za kolegij Kiparstvo 2 na Diplomskom studiju Odsjeka kiparstvo Umjetničke akademije u Splitu nastavlja se na skriptu za kolegij iz prethodnog semestra, Kiparstvo 1. Petnaest nastavnih jedinica nižu se slijedom sukladnim realnoj kiparskoj praksi, što predstavlja važno iskustvo za studente, osobito u kolegiju Kiparstvo 2 koji nastavno na prethodni kolegij omogućuje studentima daljnje razvijanje znanja i iskustva. Mogućnost percepcije i artikulacije novih sadržaja je jedan od najvažnijih aspekata razvoja procesa autorskog rada. Naglasak je na njegovoj otvorenosti i unaprjeđivanju, kao nadogradnji znanja iz prethodnog semestra. Kroz čitavu skriptu se utvrđuje osnovna struktura stvaralačkog procesa, no sada na zahtjevnijoj razini. Pažnja posvećena likovnom jeziku, kao temeljnom i objedinjujućem aspektu rada, u ovom semestru je dodatno naglašena i prezentirana nizom odabranih vizualnih primjera, kao i primjera citata autora koji se mogu tumačiti kao temelji izjave o radu. Skripta olakšava studentima ostvarivanje očekivanih ishoda učenja, odnosno osvješćivanje potpunog procesa realizacije suvremene autorske skulpture, od osmišljavanja ideje do izvedbe rada i promišljanja njegova postava u prostoru.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Split ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Split ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daelemans, Walter; Fišer, Darja; Franza, Jasmin; Kranjčić, Denis; +4 Authors

    The lexicon contains manual translations of the NRC Emotion Lexicon (http://saifmohammad.com/WebPages/NRC-Emotion-Lexicon.htm) that encodes the sentiment of a word (positive, negative) and its emotion association (anger, anticipation, disgust, fear, joy, sadness, surprise, trust) for Croatian, Dutch and Slovene with a binary schema. Manual translations were produced by inspecting and correcting the automatic translations from English provided with the original lexicon. While translations to all 14,182 entries are provided for Slovene and Croatian, only translations for the 6,468 entries that have any sentiment or emotion associated with the word are given for Dutch. For English entries, please refer to the original NRC Emotion Lexicon.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CLARIN.SI repository
    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CLARIN.SI repository
      Other ORP type . 2020
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  • On line service for lemmatization, full POS or MSD tagging of Croatian texts.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ulčar, Matej; Robnik-Šikonja, Marko;

    Trilingual BERT (Bidirectional Encoder Representations from Transformers) model, trained on Croatian, Slovenian, and English data. State of the art tool representing words/tokens as contextually dependent word embeddings, used for various NLP classification tasks by finetuning the model end-to-end. CroSloEngual BERT are neural network weights and configuration files in pytorch format (ie. to be used with pytorch library).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CLARIN.SI repository
    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CLARIN.SI repository
      Other ORP type . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    hrLex is a large inflectional lexicon of Croatian language where each entry consists of a (wordform, lemma, MSD, MSD features, UPOS, morphological features, frequency, per-million frequency) 8-tuple. The (wordform, lemma, MSD) triple frequencies are calculated on the hrWaC v2.2 corpus. The MSD tagset follows the MULTEXT-East V6 tagset for the Serbo-Croatian macro-language available at http://nl.ijs.si/ME/V6/msd/html/msd-hbs.html. The UPOS + morphological features follow the UD v2 specifications available at http://universaldependencies.org/guidelines.html.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CLARIN.SI repository
    Other ORP type . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CLARIN.SI repository
    Other ORP type . 2019
    Data sources: B2FIND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CLARIN.SI repository
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CLARIN.SI repository
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Breu, Walter; Scholze, Lenka;

    La narratrice raconte des changements de l'agriculture �� partir de la Seconde Guerre Mondiale. Le point central de son r��cit est constitu�� par la description du traitement du ma��s apr��s la r��colte, �� laquelle participaient aussi beaucoup de jeunes des alentours. A cot�� de ��a m��me la r��colte des pommes de terre et la production du vin jouent un r��le important. Die Sprecherin erz��hlt vom Wandel der Landwirtschaft seit dem 2. Weltkrieg. Den Mittelpunkt bildet die Schilderung der Maisverarbeitung nach der Ernte, bei der auch viele Jugendliche aus der Umgebung zum Einsatz kamen. Daneben spielen die Kartoffelernte und die Weinherstellung eine wichtige Rolle.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2013
    License: CC BY NC
    Data sources: Datacite; CoCoON
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Sound . 2013
      License: CC BY NC
      Data sources: Datacite; CoCoON
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Breu, Walter; Scholze, Lenka;

    Il s���agit de la �� Frogstory ��, souvent utilis��e dans la linguistique avec la reformulation des illustrations selon M. Mayer: �� frog where are you? ��. La grenouille d���un gar��on a disparu (selon l���interpr��tation actuelle il s���agit de la grenouille d���une jeune fille) et l���enfant et le chien se sont mis �� sa recherche. La narratrice se focalise surtout sur le rapport entre la jeune fille et son chien et il y a aussi d���autres diff��rences caract��ristiques par rapport �� la vraie histoire. (Cette version est en dialecte de Wulkaprodersdorf) Die in der Linguistik h��ufig verwendete "Frogstory" mit Nacherz��hlung der Bildergeschichte nach M. Mayer: "frog where are you?". Der Frosch eines Jungen (in der vorliegenden Interpretation der eines M��dchens) ist verschwunden und wird zusammen mit seinem Hund gesucht. Die Sprecherin konzentriert sich vor allem auf das Verh��ltnis des M��dchens zu dem Hund und hat auch sonst einige charakteristische Abweichungen. (Version im Dialekt von Wulkaprodersdorf)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
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    NAKALA; CoCoON
    Sound . 2013
    License: CC BY NC
    Data sources: Datacite; CoCoON
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      NAKALA; CoCoON
      Sound . 2013
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ulčar, Matej; Robnik-Šikonja, Marko;

    Trilingual BERT (Bidirectional Encoder Representations from Transformers) model, trained on Croatian, Slovenian, and English data. State of the art tool representing words/tokens as contextually dependent word embeddings, used for various NLP classification tasks by finetuning the model end-to-end. CroSloEngual BERT are neural network weights and configuration files in pytorch format (i.e. to be used with pytorch library). Changes in version 1.1: fixed vocab.txt file, as previous verson had an error causing very bad results during fine-tuning and/or evaluation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CLARIN.SI repositoryarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CLARIN.SI repository
    Other ORP type . 2020
    Data sources: B2FIND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Glavaš, Ljubica;

    Term heritage includes natural and cultural assets of internationally recognized outstanding and universal value. The UNESCO World Cultural and Natural Heritage List includes ten cultural assets in the Republic of Croatia. Of these, seven are in Dalmatia: the Cathedral of St. Jakov in Šibenik, the defense systems of the Venetian Republic of the 16th and 17th centuries in Zadar and Šibenik, Diocletian's Palace in Split, the Old Town of Trogir, Stari Grad Plain on Hvar, the Old Town of Dubrovnik and stećci- tombstones and medieval cemeteries in Cista Provo and Konavle. The most visited material cultural heritage, which is under the protection of UNESCO is also the most endangered, due to the overload of the site in the short time. But the future brings people counters that will provide an adequate number of visitors per day. Awareness of the values of cultural goods among the local population is not sufficiently developed, which can be seen through the results of a survey in which most respondents are aware of their lack of interest in preserving cultural heritage, which is a major problem in further progress in preserving material cultural heritage. There is a lack of political will as well as insufficient investments. Conservators and experts caring for cultural assets are insufficiently connected with representatives of local authorities and the tourism sector, which has the greatest impact on the devastation of cultural heritage in Dalmatia. Pojam baština obuhvaća prirodna i kulturna dobra međunarodno priznate izvanredne i univerzalne vrijednosti. Na UNESCO-ovom Popisu svjetske kulturne i prirodne baštine nalazi se i deset kulturnih dobara u Republici Hrvatskoj. Od toga ih je sedam u Dalmaciji: katedrala sv. Jakova u Šibeniku, obrambeni sustavi Republike Venecije 16. i 17. stoljeća u Zadru i Šibeniku, Dioklecijanova palača u Splitu, Stari grad Trogir, Starogradsko polje na Hvaru, Stari grad Dubrovnik te stećci, odnosno srednjovjekovna groblja nadgrobnih spomenika u Cisti Provo i Konavlima. Najposjećenija materijalna kulturna baština koja je pod zaštitom UNESCO-a najviše je ugrožena zbog preopterećenosti lokaliteta u kratkom roku. No budućnost donosi brojače ljudi koji će osigurati adekvatan broj posjetitelja po danu. Sama svijest o vrijednostima kulturnih dobara među lokalnim stanovništvom nije dovoljno razvijena, što možemo vidjeti kroz rezultate anketnog istraživanja u kojem je većina ispitanika svjesna svoje nezainteresiranosti za očuvanje kulturne baštine što je glavni problem u daljnjem napretku očuvanja materijalne kulturne baštine. Nedostaje i političke volje kao i adekvatna količina ulaganja. Nedovoljno su povezani konzervatori i stručnjaci koji brinu o kulturnim dobrima s predstavnicima lokalnih vlasti i turistički sektor koji najviše utječe na devastaciju kulturne baštine u Dalmaciji.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repository of Univer...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repository of Univer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ljubešić, Nikola; Samardžić, Tanja;

    The hr500k training corpus contains about 500,000 tokens manually annotated on the levels of tokenisation, sentence segmentation, morphosyntactic tagging, lemmatisation and named entities. About half of the corpus is also manually annotated with syntactic dependencies. A subset of the syntactically annotated corpus is also annotated for multi-word expressions. Furthermore, about a fifth of the corpus is annotated with semantic role labels. The annotation formalisms followed in the hr500k corpus are (1) the MULTEXT-East V6 morphosyntactic specifications for the Serbo-Croatian macro-language, https://nl.ijs.si/ME/V6/msd/, (2) the UDv2 Guidelines, http://universaldependencies.org/guidelines.html, (3) the Janes annotation guidelines for named entities, https://nl.ijs.si/janes/wp-content/uploads/2017/09/SlovenianNER-eng-v1.1.pdf, (4) the PARSEME guidelines for annotating multi-word expressions, https://parsemefr.lis-lab.fr/parseme-st-guidelines/1.3/ and (4) the semantic role labelling annotation protocol for Slovenian and Croatian, https://www.sdjt.si/wp/wp-content/uploads/2018/09/JTDH-2018_Gantar-et-al_Towards-Semantic-Role-Labeling-in-Slovene-and-Croatian.pdf. Different to the previous version of the dataset, it is now encoded in the conllup format, as are other linguistic training datasets for Croatian and Serbian. The PARSEME multi-word expression annotation layer was added as well, together with countless corrections of labels on all available levels. The continuous improvement of this dataset is led by the CLASSLA knowledge centre for South Slavic languages (https://www.clarin.si/info/k-centre/) and the ReLDI Centre Belgrade (https://reldi.spur.uzh.ch).

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Živković Kuljiš, Loren; Belamarić, Josip; Korkut, Alem;

    The script for the course Sculpture 2 at the Graduate Study of the Department of Sculpture of the Art Academy in Split continues on the script for the course Sculpture 1 from the previous semester. Fifteen teaching units are arranged in sequences consistent with real sculptural practice. The possibility of perception and articulation of new content is one of the most important aspects of the development of the author's work process. The emphasis is on its openness and improvement, as an upgrade of knowledge from the previous semester. Throughout the script, the basic structure of the creative process is determined, but now at a more demanding level. The attention paid to the language of art, as a fundamental and unifying aspect of the work, this semester is further emphasized and presented by a series of selected visual examples, as well as examples of quotations from authors that can be interpreted as the basis of the artist’s statement. The script makes it easier for students to achieve the expected learning outcomes, i.e. awareness of the full process of realization of contemporary author's sculpture, from conceiving an idea to performing the work, and thinking about its layout in exhibition space. Skripta za kolegij Kiparstvo 2 na Diplomskom studiju Odsjeka kiparstvo Umjetničke akademije u Splitu nastavlja se na skriptu za kolegij iz prethodnog semestra, Kiparstvo 1. Petnaest nastavnih jedinica nižu se slijedom sukladnim realnoj kiparskoj praksi, što predstavlja važno iskustvo za studente, osobito u kolegiju Kiparstvo 2 koji nastavno na prethodni kolegij omogućuje studentima daljnje razvijanje znanja i iskustva. Mogućnost percepcije i artikulacije novih sadržaja je jedan od najvažnijih aspekata razvoja procesa autorskog rada. Naglasak je na njegovoj otvorenosti i unaprjeđivanju, kao nadogradnji znanja iz prethodnog semestra. Kroz čitavu skriptu se utvrđuje osnovna struktura stvaralačkog procesa, no sada na zahtjevnijoj razini. Pažnja posvećena likovnom jeziku, kao temeljnom i objedinjujućem aspektu rada, u ovom semestru je dodatno naglašena i prezentirana nizom odabranih vizualnih primjera, kao i primjera citata autora koji se mogu tumačiti kao temelji izjave o radu. Skripta olakšava studentima ostvarivanje očekivanih ishoda učenja, odnosno osvješćivanje potpunog procesa realizacije suvremene autorske skulpture, od osmišljavanja ideje do izvedbe rada i promišljanja njegova postava u prostoru.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daelemans, Walter; Fišer, Darja; Franza, Jasmin; Kranjčić, Denis; +4 Authors

    The lexicon contains manual translations of the NRC Emotion Lexicon (http://saifmohammad.com/WebPages/NRC-Emotion-Lexicon.htm) that encodes the sentiment of a word (positive, negative) and its emotion association (anger, anticipation, disgust, fear, joy, sadness, surprise, trust) for Croatian, Dutch and Slovene with a binary schema. Manual translations were produced by inspecting and correcting the automatic translations from English provided with the original lexicon. While translations to all 14,182 entries are provided for Slovene and Croatian, only translations for the 6,468 entries that have any sentiment or emotion associated with the word are given for Dutch. For English entries, please refer to the original NRC Emotion Lexicon.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • On line service for lemmatization, full POS or MSD tagging of Croatian texts.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ulčar, Matej; Robnik-Šikonja, Marko;

    Trilingual BERT (Bidirectional Encoder Representations from Transformers) model, trained on Croatian, Slovenian, and English data. State of the art tool representing words/tokens as contextually dependent word embeddings, used for various NLP classification tasks by finetuning the model end-to-end. CroSloEngual BERT are neural network weights and configuration files in pytorch format (ie. to be used with pytorch library).

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    hrLex is a large inflectional lexicon of Croatian language where each entry consists of a (wordform, lemma, MSD, MSD features, UPOS, morphological features, frequency, per-million frequency) 8-tuple. The (wordform, lemma, MSD) triple frequencies are calculated on the hrWaC v2.2 corpus. The MSD tagset follows the MULTEXT-East V6 tagset for the Serbo-Croatian macro-language available at http://nl.ijs.si/ME/V6/msd/html/msd-hbs.html. The UPOS + morphological features follow the UD v2 specifications available at http://universaldependencies.org/guidelines.html.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Breu, Walter; Scholze, Lenka;

    La narratrice raconte des changements de l'agriculture �� partir de la Seconde Guerre Mondiale. Le point central de son r��cit est constitu�� par la description du traitement du ma��s apr��s la r��colte, �� laquelle participaient aussi beaucoup de jeunes des alentours. A cot�� de ��a m��me la r��colte des pommes de terre et la production du vin jouent un r��le important. Die Sprecherin erz��hlt vom Wandel der Landwirtschaft seit dem 2. Weltkrieg. Den Mittelpunkt bildet die Schilderung der Maisverarbeitung nach der Ernte, bei der auch viele Jugendliche aus der Umgebung zum Einsatz kamen. Daneben spielen die Kartoffelernte und die Weinherstellung eine wichtige Rolle.

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    Sound . 2013
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      Sound . 2013
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    Authors: Breu, Walter; Scholze, Lenka;

    Il s���agit de la �� Frogstory ��, souvent utilis��e dans la linguistique avec la reformulation des illustrations selon M. Mayer: �� frog where are you? ��. La grenouille d���un gar��on a disparu (selon l���interpr��tation actuelle il s���agit de la grenouille d���une jeune fille) et l���enfant et le chien se sont mis �� sa recherche. La narratrice se focalise surtout sur le rapport entre la jeune fille et son chien et il y a aussi d���autres diff��rences caract��ristiques par rapport �� la vraie histoire. (Cette version est en dialecte de Wulkaprodersdorf) Die in der Linguistik h��ufig verwendete "Frogstory" mit Nacherz��hlung der Bildergeschichte nach M. Mayer: "frog where are you?". Der Frosch eines Jungen (in der vorliegenden Interpretation der eines M��dchens) ist verschwunden und wird zusammen mit seinem Hund gesucht. Die Sprecherin konzentriert sich vor allem auf das Verh��ltnis des M��dchens zu dem Hund und hat auch sonst einige charakteristische Abweichungen. (Version im Dialekt von Wulkaprodersdorf)

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    Sound . 2013
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      Sound . 2013
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    Authors: Ulčar, Matej; Robnik-Šikonja, Marko;

    Trilingual BERT (Bidirectional Encoder Representations from Transformers) model, trained on Croatian, Slovenian, and English data. State of the art tool representing words/tokens as contextually dependent word embeddings, used for various NLP classification tasks by finetuning the model end-to-end. CroSloEngual BERT are neural network weights and configuration files in pytorch format (i.e. to be used with pytorch library). Changes in version 1.1: fixed vocab.txt file, as previous verson had an error causing very bad results during fine-tuning and/or evaluation.

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    Other ORP type . 2020
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Glavaš, Ljubica;

    Term heritage includes natural and cultural assets of internationally recognized outstanding and universal value. The UNESCO World Cultural and Natural Heritage List includes ten cultural assets in the Republic of Croatia. Of these, seven are in Dalmatia: the Cathedral of St. Jakov in Šibenik, the defense systems of the Venetian Republic of the 16th and 17th centuries in Zadar and Šibenik, Diocletian's Palace in Split, the Old Town of Trogir, Stari Grad Plain on Hvar, the Old Town of Dubrovnik and stećci- tombstones and medieval cemeteries in Cista Provo and Konavle. The most visited material cultural heritage, which is under the protection of UNESCO is also the most endangered, due to the overload of the site in the short time. But the future brings people counters that will provide an adequate number of visitors per day. Awareness of the values of cultural goods among the local population is not sufficiently developed, which can be seen through the results of a survey in which most respondents are aware of their lack of interest in preserving cultural heritage, which is a major problem in further progress in preserving material cultural heritage. There is a lack of political will as well as insufficient investments. Conservators and experts caring for cultural assets are insufficiently connected with representatives of local authorities and the tourism sector, which has the greatest impact on the devastation of cultural heritage in Dalmatia. Pojam baština obuhvaća prirodna i kulturna dobra međunarodno priznate izvanredne i univerzalne vrijednosti. Na UNESCO-ovom Popisu svjetske kulturne i prirodne baštine nalazi se i deset kulturnih dobara u Republici Hrvatskoj. Od toga ih je sedam u Dalmaciji: katedrala sv. Jakova u Šibeniku, obrambeni sustavi Republike Venecije 16. i 17. stoljeća u Zadru i Šibeniku, Dioklecijanova palača u Splitu, Stari grad Trogir, Starogradsko polje na Hvaru, Stari grad Dubrovnik te stećci, odnosno srednjovjekovna groblja nadgrobnih spomenika u Cisti Provo i Konavlima. Najposjećenija materijalna kulturna baština koja je pod zaštitom UNESCO-a najviše je ugrožena zbog preopterećenosti lokaliteta u kratkom roku. No budućnost donosi brojače ljudi koji će osigurati adekvatan broj posjetitelja po danu. Sama svijest o vrijednostima kulturnih dobara među lokalnim stanovništvom nije dovoljno razvijena, što možemo vidjeti kroz rezultate anketnog istraživanja u kojem je većina ispitanika svjesna svoje nezainteresiranosti za očuvanje kulturne baštine što je glavni problem u daljnjem napretku očuvanja materijalne kulturne baštine. Nedostaje i političke volje kao i adekvatna količina ulaganja. Nedovoljno su povezani konzervatori i stručnjaci koji brinu o kulturnim dobrima s predstavnicima lokalnih vlasti i turistički sektor koji najviše utječe na devastaciju kulturne baštine u Dalmaciji.

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    Authors: Ljubešić, Nikola; Samardžić, Tanja;

    The hr500k training corpus contains about 500,000 tokens manually annotated on the levels of tokenisation, sentence segmentation, morphosyntactic tagging, lemmatisation and named entities. About half of the corpus is also manually annotated with syntactic dependencies. A subset of the syntactically annotated corpus is also annotated for multi-word expressions. Furthermore, about a fifth of the corpus is annotated with semantic role labels. The annotation formalisms followed in the hr500k corpus are (1) the MULTEXT-East V6 morphosyntactic specifications for the Serbo-Croatian macro-language, https://nl.ijs.si/ME/V6/msd/, (2) the UDv2 Guidelines, http://universaldependencies.org/guidelines.html, (3) the Janes annotation guidelines for named entities, https://nl.ijs.si/janes/wp-content/uploads/2017/09/SlovenianNER-eng-v1.1.pdf, (4) the PARSEME guidelines for annotating multi-word expressions, https://parsemefr.lis-lab.fr/parseme-st-guidelines/1.3/ and (4) the semantic role labelling annotation protocol for Slovenian and Croatian, https://www.sdjt.si/wp/wp-content/uploads/2018/09/JTDH-2018_Gantar-et-al_Towards-Semantic-Role-Labeling-in-Slovene-and-Croatian.pdf. Different to the previous version of the dataset, it is now encoded in the conllup format, as are other linguistic training datasets for Croatian and Serbian. The PARSEME multi-word expression annotation layer was added as well, together with countless corrections of labels on all available levels. The continuous improvement of this dataset is led by the CLASSLA knowledge centre for South Slavic languages (https://www.clarin.si/info/k-centre/) and the ReLDI Centre Belgrade (https://reldi.spur.uzh.ch).

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    CLARIN.SI repository
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