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Code for checking the status of URL links in the dataset: Horton, Laurence (2018). UK Higher Education Institution Research Data Management Policies, 2009-2016. [Data Collection]. Colchester, Essex: UK Data Archive. https://doi.org/10.5255/UKDA-SN-851566 {"references": ["Horton, Laurence (2018). UK Higher Education Institution Research Data Management Policies, 2009-2016. [Data Collection]. Colchester, Essex: UK Data Archive. 10.5255/UKDA-SN-851566"]}

The National Museum of Australia provides access to its collection data through an API. As well as collection items, data is available for parties, places, media, and more. The notebooks in this repository give examples of harvesting, analysing, and visualising data from the NMA collection.

The Editorial Board of the INSAM Journal of Contemporary Music, Art and Technology decided that both issues of 2022 will be dedicated to one main theme, namely, “Fighting for the attention: Music and art on social media”. We can say that this call for papers went very successfully, as we are now presenting to you INSAM Journal No. 9. In a year which has seen many grave turbulences on socio-economic and political levels on a global scale, we have once again confirmed the importance of social media for communication and the spreading of news, and we have also seen the limitations of these tools. Turning to music and art on social media, our Main Theme section consists of five intriguing papers, Beyond the Main Theme section has two articles, (Inter)Views bring three exciting pieces, and the Reviews one festival report.

This article examines the conditions under which a system of extended collective licensing (ECL) for the use of works contained in the collections of cultural heritage institutions (CHIs) participating in Europeana could function within a cross-border basis. ECL is understood as a form of collective rights management whereby the application of freely negotiated copyright licensing agreements between a user and a collective management organisation (“CMO”), is extended by law to non-members of the organisation. ECL regimes have already been put in place in a few Member States and so far, all have the ability to apply only on a national basis. This article proposes a mechanism that would allow works licensed under an ECL system in one territory of the European Union to be made available in all the territories of the Union. The proposal rests on the statutory recognition of the “country of origin” principle, as necessary and sufficient territory for the negotiation and application of an ECL solution for the rights clearance of works contained in the collection of a cultural heritage institution, including orphan works.

This paper explores the link between archaeology and the digital humanities, especially the adoption of 3D modeling technology, which is becoming an integral part of archaeological practice. Here we present a case study, a sample of 3D models from a large collection of well-preserved medieval ceramics from the excavations of the Sanctuary of Zeus at Nemea, Greece. This growing digital collection can illustrate the advantages, potential, and challenges presented by the incorporation of 3D technology into archaeological practice. 3D modeling technology can facilitate documentation, interpretation, and publication of archaeological datasets. However, the longevity of these datasets remains uncertain and require extensive dialogue and collaboration, as storage space requirements, support of current digital infrastructure, and long-term data accessibility and preservation are matters that do not have standardized solutions. More effort needs to be invested in preserving these large datasets before 3D modeling can become fully incorporated into archaeological practice.

This study begins with a discussion regarding the military crises of third and early fourth century Roman Empire and how they appear to have missed Sicily entirely, resulting in the island entering a period of prosperity, especially in the rural regions. The direct link between the establishment of Constantinople as capital of the Empire and Sicily’s subsequent economic boom is also examined. Within this historical context, the relationship between the mosaics of North Africa and those of Sicily begins with a survey of the richly-decorated Villa Romana del Casale near modern-day Piazza Armerina. The extensive collections of mosaics adorning this villa are examined in depth and grouped thematically. Finally, comparisons of the motifs, and the methodologies used for creating these mosaics are made with similar, and in some cases even identical works found in North Africa, especially around Carthage. From this, it can be determined that not only were the mosaics of Piazza Armerina influenced by North African design, but they may have even been made by North African mosaicists themselves.

Data tables containing macroscopic facies description of subsurface data acquisition campaigns carried out in the Ria Formosa: 1) 41 manual holes with an Eijkelkamp Auger (code RFM); 2) 5 mechanical bores per roto-percussion with a 6t mobile drilling rig (code RF). The manual boreholes were photographed and described in situ, registering stratigraphy, colour, textural class, sedimentary structures, visible organic matter, and presence of bioclasts. The drilling depth oscillated between 1.55m and 8.6m. Mechanical boreholes were recovered and analysed in laboratory, described as the manual boreholes. Drilling depth oscillated between and between 11m and 26.5m. The boreholes were sampled, on average, every 0.6m (mechanical, in the laboratory) and 0.8m (manual, in the field). Selected samples were used for carbon-14 dating, and for textural and micropalaeontological analysis. Table is an export output of subsurface dataset created with Rockworks15. Borehole location is in decimal Lat. Long. WGS84 Datum. Data is published as part of the SIHER research project (PTDC/CTE-GIX112236/2009).

This paper describes the history and development of tafsir in Southeast Asia, namely Indonesia, Malaysia, Brunei Darusalam, Singapore and Thailand, aimed at providing a new discourse to the academic world, that Islam has another treasure in Far Asia, which is known as a pluralistic country because Islam entered in those countries without any wars. And to provide information related the books, author influence, and method of their tafsir in general.

The last century of Lithuanian history and the resulting dynamics of political and demographic change have radically transformed the role, meaning and forms of interpretation of Polish heritage in Lithuania. The purpose of the article is to observe the main directions of changes taking place within the cultural memory of Poles living in Lithuania – the largest national minority group in Lithuania. The report presents the processes of changing topicality of Polish heritage in Lithuania in three main areas of active cultural memory: history, art and religion. The first area is represented by objects related to Józef Piłsudski, the second one by the Pohulanka Theatre (now the Russian Drama Theatre) in Vilnius and objects related to Adam Mickiewicz, and the third one by objects related to the cult of Divine Mercy. The article analyses official communication of these memory objects (published by the objects’ owners or official managers) as well as memory practices and rituals carried out in these objects and described on social media and in news articles published in Lithuania in 2017–2019. Observing various types of storage media, in this case, some selected objects of cultural heritage and rituals and texts accompanying them, it is possible to notice processes of variability, exchange, erasing, redefining memory and hence the dynamics of changes in the Polish collective identity in modern Lithuania. The analysis of the formal ritualization and communication of these objects has enabled noticing several interesting trends, above all an occurrence of the phenomenon of polylogue of narratives and the process of universalization of Polish heritage in Lithuania and thus Lithuanian and Polish collective memory approaching each other. The following analysis is valuable as a starting point for reflection on the transformation of the ethnic identity of Poles in Lithuania. [...]

For over a decade, oceanographers have debated the interpretation and reliability of sediment microfossil records indicating extremely low seawater radiocarbon (14C) during the last deglaciation-observations that suggest a major disruption in marine carbon cycling coincident with rising atmospheric CO2 concentrations. Possible flaws in these records include poor age model controls, utilization of mixed, infaunal foraminifera species possibly influenced by changing porewater chemistry, and bioturbation. We have addressed these concerns using a glacial-interglacial record of epifaunal benthic foraminifera 14C on an ideal sedimentary age model (wood calibrated to atmosphere 14C). Our results affirm – with important caveats – the fidelity of these microfossil archives and confirm previous observations of highly depleted seawater 14C at intermediate depths in the deglacial northeast Pacific