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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ROCCO, Elena; De Appolonia, Giovanna;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Corio, Aurora;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Anna Perin; Francesco Dacquì;

    Il sito macchineteatro.ircres.cnr.it è stato realizzato nella nuova versione 2023 in html con lo scopo di poter visualizzare online con un flipping book il libro "La Pratica di fabricare Scene e Machine ne' Teatri di Nicola Sabbattini. Uno sguardo alla lingua tecnica" a cura di Grazia Biorci. La Pratica di fabricar scene e machine ne' teatri in edizione critica solo digitale è una sperimentazione delle Digital Humanities. Solo in questa versione, infatti, è possibile la fruizione dei contenuti multimediali (animazioni) derivati dall'integrazione fra la ricerca storica e filologica tradizionale e le tecnologie grafiche per l'elaborazione dei movimenti e la riproduzione di documenti originali. Il testo ha un apparato critico con focus specifico sulla lingua settoriale tecnica utilizzata nell'opera attraverso il confronto fra le definizioni in diversi dizionari storici della lingua italiana (Vocabolario della Crusca 1612 e 1623, Il Dizionario della lingua Italiana Tommaseo-Bellini, Il Grande Dizionario della Lingua Italiana di Salvatore Battaglia). L'apparato iconografico molto diffuso nel testo originale, non per ragioni artistiche, ma per permettere la piena comprensione dei contenuti tecnici, è visibile nella pagina originale a fronte della trascrizione. Per alcuni disegni tecnici, soprattutto quelli che esemplificano movimenti complessi, si è elaborata una riproduzione digitale animata che realizza alla lettera le istruzioni fornite da Sabbattini. Agendo sulla barra di avanzamento si possono zoomare le pagine per una migliore lettura. I filmati in formato .mp4 sono avviabili, quando disponibili, cliccando su "Animazione figura xx" (il tasto appare solo in corrispondenza di contenuti multimediali nel testo). Il libro è anche scaricabile in pdf cliccando sul tasto apposito della barra di avanzamento.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: brigante;

    The paper set out to demonstrate the opportunities and critical issues arising from the dematerialisation of cultural heritage, also in the light of the novelties of PNRR

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • L’articolo discute i resti malacologici rinvenuti a Khashuri Natsargora e Aradetis Orgora, due siti dell’Età del Bronzo/ Ferro nel bacino del Kura nella provincia georgiana di Shida Kartli (Caucaso Meridionale). Il corpus consiste in più di 500 esemplari ed include specie sia di terra che d’acqua dolce (queste ultime soprattutto per Aradetis Orgora), mentre le specie marine rappresentano una porzione estremamente marginale del totale. Il record, ottenuto attraverso la raccolta diretta in corso di scavo, include solo le specie con la conchiglia più resistente e di maggiori dimensioni, più riconoscibili ad occhio nudo e quindi rappresenta solo una parte degli inventari malacologici pertinenti alle sequenze stratigrafiche investigate. Nonostante questi limiti obiettivi, si è ritenuto opportuno presentare i dati raccolti e i risultati della loro analisi, che hanno permesso di ottenere informazioni di tipo paleoecologico e paleoeconomico non prive di interesse. L’analisi dei resti disponibili mostra una chiara predominanza di specie connesse con ambienti aperti e xerici, in sostanziale accordo sia con l’ambiente locale attuale che con i pochi dati paleoambientali disponibili. La debole variazione diacronica della composizione degli inventari suggerisce una sostanziale stabilità ecologica per entrambi i biotopi. L’abbondanza di molluschi d’acqua dolce ad Aradetis Orgora può essere spiegata con la prossimità del sito ai fiumi Prone e Kura, biotopi dai quali essi potrebbero essere stati raccolti intenzionalmente a scopi alimentari, come potrebbero suggerire alcuni paralleli da altre società dell’Età del Bronzo. The paper discusses the malacological remains recovered at Khashuri Natsargora and Aradetis Orgora, two Bronze Age/Iron Age sites located in the Kura River basin of the Shida Kartli province of Georgia (Southern Caucasus). The corpus consists of over 500 items, which include both land and (especially for Aradetis Orgora) freshwater species, while marine species represent an extremely marginal portion of the total. The record, obtained through direct collection during the excavation, included only the species with the largest and most resistant shell (therefore better recognisable with the naked eye), and represents only a part of the malacological assemblages relevant to the investigated stratigraphic sequences. Despite these objective limits, it was considered appropriate to present the collected data and the results of their analysis, as they allowed to obtain some paleoecological and paleoeconomic information that is not totally devoid of interest. The analysis on the available remains shows a clear dominance of species connected with open and xeric environments, in substantial agreement both with the present local environment and with the few available palaeoenvironmental data. The very weak diachronic variability of the assemblages seems to suggest a substantial ecological stability for both biotopes. The abundance of freshwater molluscs at Aradetis Orgora can be explained with the proximinity of the site to the Prone and Kura rivers, biotopes from which they may have been intentionally collected for use as food, as some parallels from other Bronze Age societies may suggest.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: DE BENEDICTIS, Luca;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tiraboschi, Michele;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IRIS UNIMORE - Archi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IRIS UNIMORE - Archi...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vinco, Mattia;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IRIS - Institutional...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Saverio Carillo;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pavone, Sabina;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ROCCO, Elena; De Appolonia, Giovanna;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Corio, Aurora;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Anna Perin; Francesco Dacquì;

    Il sito macchineteatro.ircres.cnr.it è stato realizzato nella nuova versione 2023 in html con lo scopo di poter visualizzare online con un flipping book il libro "La Pratica di fabricare Scene e Machine ne' Teatri di Nicola Sabbattini. Uno sguardo alla lingua tecnica" a cura di Grazia Biorci. La Pratica di fabricar scene e machine ne' teatri in edizione critica solo digitale è una sperimentazione delle Digital Humanities. Solo in questa versione, infatti, è possibile la fruizione dei contenuti multimediali (animazioni) derivati dall'integrazione fra la ricerca storica e filologica tradizionale e le tecnologie grafiche per l'elaborazione dei movimenti e la riproduzione di documenti originali. Il testo ha un apparato critico con focus specifico sulla lingua settoriale tecnica utilizzata nell'opera attraverso il confronto fra le definizioni in diversi dizionari storici della lingua italiana (Vocabolario della Crusca 1612 e 1623, Il Dizionario della lingua Italiana Tommaseo-Bellini, Il Grande Dizionario della Lingua Italiana di Salvatore Battaglia). L'apparato iconografico molto diffuso nel testo originale, non per ragioni artistiche, ma per permettere la piena comprensione dei contenuti tecnici, è visibile nella pagina originale a fronte della trascrizione. Per alcuni disegni tecnici, soprattutto quelli che esemplificano movimenti complessi, si è elaborata una riproduzione digitale animata che realizza alla lettera le istruzioni fornite da Sabbattini. Agendo sulla barra di avanzamento si possono zoomare le pagine per una migliore lettura. I filmati in formato .mp4 sono avviabili, quando disponibili, cliccando su "Animazione figura xx" (il tasto appare solo in corrispondenza di contenuti multimediali nel testo). Il libro è anche scaricabile in pdf cliccando sul tasto apposito della barra di avanzamento.

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    Authors: brigante;

    The paper set out to demonstrate the opportunities and critical issues arising from the dematerialisation of cultural heritage, also in the light of the novelties of PNRR

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  • L’articolo discute i resti malacologici rinvenuti a Khashuri Natsargora e Aradetis Orgora, due siti dell’Età del Bronzo/ Ferro nel bacino del Kura nella provincia georgiana di Shida Kartli (Caucaso Meridionale). Il corpus consiste in più di 500 esemplari ed include specie sia di terra che d’acqua dolce (queste ultime soprattutto per Aradetis Orgora), mentre le specie marine rappresentano una porzione estremamente marginale del totale. Il record, ottenuto attraverso la raccolta diretta in corso di scavo, include solo le specie con la conchiglia più resistente e di maggiori dimensioni, più riconoscibili ad occhio nudo e quindi rappresenta solo una parte degli inventari malacologici pertinenti alle sequenze stratigrafiche investigate. Nonostante questi limiti obiettivi, si è ritenuto opportuno presentare i dati raccolti e i risultati della loro analisi, che hanno permesso di ottenere informazioni di tipo paleoecologico e paleoeconomico non prive di interesse. L’analisi dei resti disponibili mostra una chiara predominanza di specie connesse con ambienti aperti e xerici, in sostanziale accordo sia con l’ambiente locale attuale che con i pochi dati paleoambientali disponibili. La debole variazione diacronica della composizione degli inventari suggerisce una sostanziale stabilità ecologica per entrambi i biotopi. L’abbondanza di molluschi d’acqua dolce ad Aradetis Orgora può essere spiegata con la prossimità del sito ai fiumi Prone e Kura, biotopi dai quali essi potrebbero essere stati raccolti intenzionalmente a scopi alimentari, come potrebbero suggerire alcuni paralleli da altre società dell’Età del Bronzo. The paper discusses the malacological remains recovered at Khashuri Natsargora and Aradetis Orgora, two Bronze Age/Iron Age sites located in the Kura River basin of the Shida Kartli province of Georgia (Southern Caucasus). The corpus consists of over 500 items, which include both land and (especially for Aradetis Orgora) freshwater species, while marine species represent an extremely marginal portion of the total. The record, obtained through direct collection during the excavation, included only the species with the largest and most resistant shell (therefore better recognisable with the naked eye), and represents only a part of the malacological assemblages relevant to the investigated stratigraphic sequences. Despite these objective limits, it was considered appropriate to present the collected data and the results of their analysis, as they allowed to obtain some paleoecological and paleoeconomic information that is not totally devoid of interest. The analysis on the available remains shows a clear dominance of species connected with open and xeric environments, in substantial agreement both with the present local environment and with the few available palaeoenvironmental data. The very weak diachronic variability of the assemblages seems to suggest a substantial ecological stability for both biotopes. The abundance of freshwater molluscs at Aradetis Orgora can be explained with the proximinity of the site to the Prone and Kura rivers, biotopes from which they may have been intentionally collected for use as food, as some parallels from other Bronze Age societies may suggest.

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    Authors: DE BENEDICTIS, Luca;
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    Authors: Tiraboschi, Michele;
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    Authors: Vinco, Mattia;
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    Authors: Saverio Carillo;
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