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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: MAGGIORE M; FELICI A; RINALDIN A;

    Il contributo presenta le linee guida di un progetto di indicizzazione degli antichi commenti volgari (anteriori al 1500) alle opere di Dante, Petrarca e Boccaccio.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Conference object . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Manzin, Marinela;

    La tesi di laurea intitolata „Il patrimonio culturale nei programmi della scuola d’infanzia“ è stata suddivisa in due parti: la parte teorica e quella pratica. La parte teorica comprende tre capitoli e nel primo capitolo viene presentato il territorio del Buiese sia dal punto di vista geografico che quello storico-culturale e sociale. Segue il secondo capitolo nel quale si analizzano i concetti più significativi, come la cultura, le sue dimensioni e gli elementi che ne fanno parte: le norme, gli usi e i costumi, i valori, il linguaggio, i simboli, i miti, le leggende, le cerimonie, la tradizione. Il terzo capitolo comprende la presentazione delle più note usanze del Buiese suddivise in usanze annuali, familiari e lavorative. La seconda parte della tesi presenta l’analisi e l’elaborazione delle attività svolte e realizzate durante l’anno pedagogico 2017/2018 in seno all’asilo “Girotondo” di Umago, come pure il progetto promosso dalla Regione Istriana con il tema “Le tradizioni del paese”. Lo scopo della della tesi era quello non soltanto di raccogliere e presentare le usanze e le tradizioni popolari che segnano eventi religiosi, culturali e sociali del Buiese, ma soprattutto di analizzare quanto siano importanti nel processo educativo già dalla prima infanzia al fine di preservare ma anche di tramandare il patrimonio culturale del luogo natio. The thesis "Cultural Heritage in Kindergarten Programs" includes two parts: theoretical and practical. The theoretical part comprises three chapters. The first chapter presents the territory of the Buje region from a geographical, historical, cultural and social point of view. The second chapter discusses the most important concepts such as culture, its dimensions and elements that are its integral part: norms / rules, customs and habits, values, language, symbols, myths, legends, ceremonies, traditions. The third chapter describes and analyzes the most famous customs of the Buje region, namely: annual, family and work habits. The second part of the thesis analyzes the activities carried out during the pedagogical year 2017/2018 in the kindergarten "Girotondo" in Umag, with special emphasis on the project supported by the Istrian County, entitled "Traditions of the Homeland". The reason for choosing this topic for the thesis was not only to collect and present the most important customs and traditions that mark religious, cultural and social events and manifestations of Buje, but above all to emphasize their importance in the educational process the aim of which is the preservation of the cultural heritage of the beautiful Istrian homeland.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Juraj Dobrila Univer...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Juraj Dobrila Univer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rinaldin, Anna;

    Nell’articolo sono indagati lemmi e accezioni popolari presenti nei dizionari di Tommaseo. Da uno spoglio digitale prima delle varie edizioni del Dizionario dei Sinonimi e poi del Dizionario della lingua, sono state selezionate e raccolte per tipologia in due Appendici le voci indicate come ‘popolari’: se ne ricava che il dizionario di Tommaseo è il primo che le registra sistematicamente. Di queste si è poi studiata l’origine, fra giunte di prima mano offerte dai collaboratori e citazioni puntuali tratte da canti popolari, in particolare toscani, come quella di Giuseppe Tigri (mancante nella «Tavola delle abbreviature»). Si è potuto ricavare anche quale fosse, fra i tanti collaboratori al Dizionario, quello destinato allo spoglio dei volumi di canti, Savino Savini, e si è riportata una significativa selezione del carteggio inedito conservato alla Biblioteca Nazionale Centrale di Firenze. Language of use and popular language in Tommaseo’s dictionaries The article investigates popular terms and meanings in Tommaseo’s dictionaries. Starting rom a digital survey of the various editions of the Dictionary of Synonyms and the Dictionary of the Language, the ‘popular’ entries were selected and divided by type in two Appendices: Tommaseo’s dictionary was the first to systematically record them. Their origins were studied, among first-hand entries offered by his collaborators and precise quotations taken from popular songs, in particular from Tuscany, by Giuseppe Tigri (missing in the “Table of abbreviations”). It was also possible to discover which, among the many contributors to the Dictionary, was the one intended for the selection of the volumes of songs, Savino Savini. A significant selection of unpublished correspondence kept at the Biblioteca Nazionale Centrale in Florence was cited. Italiano LinguaDue, V. 12 N. 1 (2020)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDue; ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2020
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nigoević, Magdalena; Sučić, Patricia;

    Questo contributo esplora la produzione dialogica in italiano da parte degli apprendenti di lingua materna croata con l’obiettivo di determinare la loro competenza interazionale e pragmatica in italiano L2. Particolare attenzione si è rivolta ad un aspetto caratteristico della produzione dialogica, ai segnali discorsivi ‒ espedienti dialogici per eccellenza. I parlanti nativi usano segnali discorsivi con una vasta gamma di funzioni dialogiche, mentre l’acquisizione dei segnali discorsivi italiani è un territorio relativamente inesplorato e i segnali discorsivi vengono raramente insegnati. in maniera esplicita. La capacità di riconoscere e utilizzare i segnali discorsivi italiani adeguatamente, vale a dire secondo le loro funzioni pragmatiche, rivela il livello della competenza pragmatica dell’apprendente di una lingua straniera. Ai fini dello studio presente, gli apprendenti di italiano sono stati classificati in diversi gruppi in base alla durata dell’ istruzione (principianti, intermedi, avanzati) e/o al tipo di ambiente di apprendimento (studenti universitari, corsi di lingua straniera, “full immersion”). L’analisi si è concentrata maggiormente sulla frequenza d’uso e su alcune funzioni dei segnali discorsivi italiani adoperati. Lo scopo di questo studio era quello di esaminare la differenza tra l’uso dei segnali discorsivi relativo ai diversi livelli e ambienti educativi della lingua italiana da parte degli apprendenti croati di italiano L2 e di osservare le caratteristiche di una possibile influenza derivata dal L1. Pragmatic competence in Italian L2: the use of discourse signals in Croatian-speaking learners This contribution explores the dialogue production of Croatian-speaking learners of Italian as a second language (L2) with the objective to determine their competence in L2 interactions. Special attention is paid to one particular aspect of dialogue production, discourse markers -dialogical expedients par excellence. Native speakers use discourse markers for a wide variety of dialogue functions, while the acquisition of (Italian) discourse markers is a relatively unexplored area and discourse markers are hardly ever explicitly taught. The ability to recognize and use Italian discourse markers correctly, in terms of their pragmatic functions, reveals the learners’ pragmatic competence. For this particular study, the learners of Italian were classified in different groups according to length of instruction (basic, elementary, advanced) and/or type of learning environment (university students, foreign language courses, “full immersion”). The analysis focused on the frequency of use and some functions of Italian discourse markers. The purpose of this study was to examine the difference between the Italian learners’ use of discourse markers and to observe the instances of a possible L1 influence. Italiano LinguaDue, Vol 3, N° 2 (2011)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDuearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2012
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Riviste UNIMI
    Article . 2012
    Data sources: Riviste UNIMI
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDuearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2012
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Riviste UNIMI
      Article . 2012
      Data sources: Riviste UNIMI
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zovko, Maja;

    The latest generation Spanish writers portray in their novels the country's new context of the socio-cultural reality as a consequence of the great migration flow that affected Spain abruptly in the 1990's and that still keeps increasing progressively. This article intends to analyze the immigration phenomenon in the present Spanish fiction as well as the image of the immigrant in the literary world taking into consideration different point of views: the reason for travelling, the legal and working situation, the encounter and the conflict with the customs and the shattered hopes. Altre Modernità, No 2 (2009): Letterature e migrazioni

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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    Article . 2009
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Altre Modernità
    Article . 2009
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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      DOAJ
      Article . 2009
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Altre Modernità
      Article . 2009
      Data sources: Riviste UNIMI
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    Authors: Bosnar-Valkovic, Brigita; Gjuran-Coha, Anamarija;

    If the sentences or phrases like Fast Food-Konzept in Chile, Leonardo goes Gastronomie, Der Claim „Inspiration for modern living“, WM-Countdown läuft; Deutschland ist die fünftgrößte Incoming-Destination weltweit und … are considered, the first impression is that this is a typical mixture of both English and German. To all intents and purposes, they support the main part of a definition of pidgin language. Communication plays a central role in tourism. As emphasized by numerous authors, it is a personification of tourism; conversely tourism could be said to totally encompass a system of communication. As it is a crucial component of the industry, tourist discourse not only serves as a medium for buying/selling tourist products, it also assumes the role of the product itself within the complexity of various economic, technological and political processes in tourism. If analyzed within linguistic norms, discussion of Anglo-American influence on the German tourist discourse should focus on the problem of erosion of the national language, due to the impact of these Ango-Americanisms. The German tourist discourse aims at a customer-friendly approach in order to attract potential buyers or guests, all of which results in a slightly pidginized version of the German tourist discourse. Altre Modernità, 2012: Confini mobili: lingua e cultura nel discorso del turismo

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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    DOAJ
    Article . 2012
    Data sources: DOAJ
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Altre Modernità
    Article . 2012
    Data sources: Riviste UNIMI
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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      DOAJ
      Article . 2012
      Data sources: DOAJ
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Altre Modernità
      Article . 2012
      Data sources: Riviste UNIMI
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: MAGGIORE M; FELICI A; RINALDIN A;

    Il contributo presenta le linee guida di un progetto di indicizzazione degli antichi commenti volgari (anteriori al 1500) alle opere di Dante, Petrarca e Boccaccio.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Conference object . 2015
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    Authors: Manzin, Marinela;

    La tesi di laurea intitolata „Il patrimonio culturale nei programmi della scuola d’infanzia“ è stata suddivisa in due parti: la parte teorica e quella pratica. La parte teorica comprende tre capitoli e nel primo capitolo viene presentato il territorio del Buiese sia dal punto di vista geografico che quello storico-culturale e sociale. Segue il secondo capitolo nel quale si analizzano i concetti più significativi, come la cultura, le sue dimensioni e gli elementi che ne fanno parte: le norme, gli usi e i costumi, i valori, il linguaggio, i simboli, i miti, le leggende, le cerimonie, la tradizione. Il terzo capitolo comprende la presentazione delle più note usanze del Buiese suddivise in usanze annuali, familiari e lavorative. La seconda parte della tesi presenta l’analisi e l’elaborazione delle attività svolte e realizzate durante l’anno pedagogico 2017/2018 in seno all’asilo “Girotondo” di Umago, come pure il progetto promosso dalla Regione Istriana con il tema “Le tradizioni del paese”. Lo scopo della della tesi era quello non soltanto di raccogliere e presentare le usanze e le tradizioni popolari che segnano eventi religiosi, culturali e sociali del Buiese, ma soprattutto di analizzare quanto siano importanti nel processo educativo già dalla prima infanzia al fine di preservare ma anche di tramandare il patrimonio culturale del luogo natio. The thesis "Cultural Heritage in Kindergarten Programs" includes two parts: theoretical and practical. The theoretical part comprises three chapters. The first chapter presents the territory of the Buje region from a geographical, historical, cultural and social point of view. The second chapter discusses the most important concepts such as culture, its dimensions and elements that are its integral part: norms / rules, customs and habits, values, language, symbols, myths, legends, ceremonies, traditions. The third chapter describes and analyzes the most famous customs of the Buje region, namely: annual, family and work habits. The second part of the thesis analyzes the activities carried out during the pedagogical year 2017/2018 in the kindergarten "Girotondo" in Umag, with special emphasis on the project supported by the Istrian County, entitled "Traditions of the Homeland". The reason for choosing this topic for the thesis was not only to collect and present the most important customs and traditions that mark religious, cultural and social events and manifestations of Buje, but above all to emphasize their importance in the educational process the aim of which is the preservation of the cultural heritage of the beautiful Istrian homeland.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Juraj Dobrila Univer...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Juraj Dobrila Univer...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rinaldin, Anna;

    Nell’articolo sono indagati lemmi e accezioni popolari presenti nei dizionari di Tommaseo. Da uno spoglio digitale prima delle varie edizioni del Dizionario dei Sinonimi e poi del Dizionario della lingua, sono state selezionate e raccolte per tipologia in due Appendici le voci indicate come ‘popolari’: se ne ricava che il dizionario di Tommaseo è il primo che le registra sistematicamente. Di queste si è poi studiata l’origine, fra giunte di prima mano offerte dai collaboratori e citazioni puntuali tratte da canti popolari, in particolare toscani, come quella di Giuseppe Tigri (mancante nella «Tavola delle abbreviature»). Si è potuto ricavare anche quale fosse, fra i tanti collaboratori al Dizionario, quello destinato allo spoglio dei volumi di canti, Savino Savini, e si è riportata una significativa selezione del carteggio inedito conservato alla Biblioteca Nazionale Centrale di Firenze. Language of use and popular language in Tommaseo’s dictionaries The article investigates popular terms and meanings in Tommaseo’s dictionaries. Starting rom a digital survey of the various editions of the Dictionary of Synonyms and the Dictionary of the Language, the ‘popular’ entries were selected and divided by type in two Appendices: Tommaseo’s dictionary was the first to systematically record them. Their origins were studied, among first-hand entries offered by his collaborators and precise quotations taken from popular songs, in particular from Tuscany, by Giuseppe Tigri (missing in the “Table of abbreviations”). It was also possible to discover which, among the many contributors to the Dictionary, was the one intended for the selection of the volumes of songs, Savino Savini. A significant selection of unpublished correspondence kept at the Biblioteca Nazionale Centrale in Florence was cited. Italiano LinguaDue, V. 12 N. 1 (2020)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDue; ...arrow_drop_down
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    DOAJ
    Article . 2020
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nigoević, Magdalena; Sučić, Patricia;

    Questo contributo esplora la produzione dialogica in italiano da parte degli apprendenti di lingua materna croata con l’obiettivo di determinare la loro competenza interazionale e pragmatica in italiano L2. Particolare attenzione si è rivolta ad un aspetto caratteristico della produzione dialogica, ai segnali discorsivi ‒ espedienti dialogici per eccellenza. I parlanti nativi usano segnali discorsivi con una vasta gamma di funzioni dialogiche, mentre l’acquisizione dei segnali discorsivi italiani è un territorio relativamente inesplorato e i segnali discorsivi vengono raramente insegnati. in maniera esplicita. La capacità di riconoscere e utilizzare i segnali discorsivi italiani adeguatamente, vale a dire secondo le loro funzioni pragmatiche, rivela il livello della competenza pragmatica dell’apprendente di una lingua straniera. Ai fini dello studio presente, gli apprendenti di italiano sono stati classificati in diversi gruppi in base alla durata dell’ istruzione (principianti, intermedi, avanzati) e/o al tipo di ambiente di apprendimento (studenti universitari, corsi di lingua straniera, “full immersion”). L’analisi si è concentrata maggiormente sulla frequenza d’uso e su alcune funzioni dei segnali discorsivi italiani adoperati. Lo scopo di questo studio era quello di esaminare la differenza tra l’uso dei segnali discorsivi relativo ai diversi livelli e ambienti educativi della lingua italiana da parte degli apprendenti croati di italiano L2 e di osservare le caratteristiche di una possibile influenza derivata dal L1. Pragmatic competence in Italian L2: the use of discourse signals in Croatian-speaking learners This contribution explores the dialogue production of Croatian-speaking learners of Italian as a second language (L2) with the objective to determine their competence in L2 interactions. Special attention is paid to one particular aspect of dialogue production, discourse markers -dialogical expedients par excellence. Native speakers use discourse markers for a wide variety of dialogue functions, while the acquisition of (Italian) discourse markers is a relatively unexplored area and discourse markers are hardly ever explicitly taught. The ability to recognize and use Italian discourse markers correctly, in terms of their pragmatic functions, reveals the learners’ pragmatic competence. For this particular study, the learners of Italian were classified in different groups according to length of instruction (basic, elementary, advanced) and/or type of learning environment (university students, foreign language courses, “full immersion”). The analysis focused on the frequency of use and some functions of Italian discourse markers. The purpose of this study was to examine the difference between the Italian learners’ use of discourse markers and to observe the instances of a possible L1 influence. Italiano LinguaDue, Vol 3, N° 2 (2011)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDuearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2012
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Riviste UNIMI
    Article . 2012
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Italiano LinguaDuearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2012
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Riviste UNIMI
      Article . 2012
      Data sources: Riviste UNIMI
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zovko, Maja;

    The latest generation Spanish writers portray in their novels the country's new context of the socio-cultural reality as a consequence of the great migration flow that affected Spain abruptly in the 1990's and that still keeps increasing progressively. This article intends to analyze the immigration phenomenon in the present Spanish fiction as well as the image of the immigrant in the literary world taking into consideration different point of views: the reason for travelling, the legal and working situation, the encounter and the conflict with the customs and the shattered hopes. Altre Modernità, No 2 (2009): Letterature e migrazioni

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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    Article . 2009
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Altre Modernità
    Article . 2009
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
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      Article . 2009
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Altre Modernità
      Article . 2009
      Data sources: Riviste UNIMI
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    Authors: Bosnar-Valkovic, Brigita; Gjuran-Coha, Anamarija;

    If the sentences or phrases like Fast Food-Konzept in Chile, Leonardo goes Gastronomie, Der Claim „Inspiration for modern living“, WM-Countdown läuft; Deutschland ist die fünftgrößte Incoming-Destination weltweit und … are considered, the first impression is that this is a typical mixture of both English and German. To all intents and purposes, they support the main part of a definition of pidgin language. Communication plays a central role in tourism. As emphasized by numerous authors, it is a personification of tourism; conversely tourism could be said to totally encompass a system of communication. As it is a crucial component of the industry, tourist discourse not only serves as a medium for buying/selling tourist products, it also assumes the role of the product itself within the complexity of various economic, technological and political processes in tourism. If analyzed within linguistic norms, discussion of Anglo-American influence on the German tourist discourse should focus on the problem of erosion of the national language, due to the impact of these Ango-Americanisms. The German tourist discourse aims at a customer-friendly approach in order to attract potential buyers or guests, all of which results in a slightly pidginized version of the German tourist discourse. Altre Modernità, 2012: Confini mobili: lingua e cultura nel discorso del turismo

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2012
    Data sources: DOAJ
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Altre Modernità
    Article . 2012
    Data sources: Riviste UNIMI
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Altre Modernità; Riv...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2012
      Data sources: DOAJ
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Altre Modernità
      Article . 2012
      Data sources: Riviste UNIMI
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