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207 Research products

  • Digital Humanities and Cultural Heritage
  • 2019-2023
  • Open Access
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sánchez García, Manuel;

    Editor introduction of the special dossier on historic spaces and architectures in videogames for Culture & History Digital Journal. Área de Composición Arquitectónica, Departamento de Construcciones Arquitectónicas, Universidad de Granada Dipartimento di Architettura e Design, Politecnico di Torino HUM 813: Architecture and Contemporary Culture

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sopa Sólida, (Colectivo); Blasco, Selina; Durán, Gloria G.; Pérez Iglesias, Javier;

    Las tres integrantes de este colectivo tenemos la biblioteca como campo de indagación, como herramienta para aprehender lo que nos interpela, importa y preocupa. Estamos atravesadas por el mal de archivo, por la problematización del uso del lenguaje en los textos que conforman nuestros saberes pero también nuestros afectos. Como agentes culturales nos sentimos interpeladas por lo que el lenguaje deja cómo depósito en nuestros saberes y en la manera en la que encaramos nuestras relaciones con las otras. Queremos resignificar los textos que conforman nuestro imaginario y encarar las dinámicas y negociaciones que por ellos transitan. La articulación de un lenguaje otro que, a modo de sutil palimpsesto de infinitos sentidos aún por llegar, nos acerca, a veces, y sin apenas rozarnos. Nuestra sensibilidad se regocija, se expande, se eleva, más allá de la comprensión habitual, consiguiendo que, por un momento, seamos capaces de ver lo que nunca pensamos que íbamos a lograr y ni siquiera percibir. Siguiendo la estructura que nos ha hecho famosas ahora nos preguntamos: ¿Es posible salir de la atadura del sinsentido aromatizado? ¿Podríamos con palabras simples y sin circunloquio alguno comunicar lo que queremos comunicar? ¿Hay salida a esta red de frases hechas intercambiables? ¿Somos capaces de mantener un discurso público sin decir absolutamente nada? ¿El aturdimiento textual es parte de la poética contemporánea? ¿Es la jerga chic radical una impostura? ¿Podemos ser radicalmente modernas sin apropiarnos de estas frases hechas?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Docta Complutense
    Other ORP type . 2019
    License: CC BY NC SA
    Data sources: Docta Complutense
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Docta Complutense
      Other ORP type . 2019
      License: CC BY NC SA
      Data sources: Docta Complutense
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Inés García López;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodríguez Domínguez, Alma;

    Durante los años 2018 y 2019, la Concejalía de Cultura del Ayuntamiento de O Grove (Pontevedra) acoge una de las más importantes actuaciones en materia de recuperación del patrimonio artístico de la localidad. Se trata del desarrollo de una convocatoria trimestral destinada a la localización y puesta en valor de la obra pictórica de Ernesto Goday Caamaño. El descubrimiento de una dilatada producción plástica inexplorada, desconectada de su contexto, dispuso el compromiso personal de rescatar su legado del olvido y desconocimiento. El presente estudio ofrece el proceso de recuperación y puesta en valor de un legado inexplorado, desde la documentación, el registro y difusión de la obra pictórica y del archivo personal de Ernesto Goday. Reúne y aporta la documentación precisa para conservar no solo el estado físico, también para la comprensión de su significado y el vínculo inherente de éste con la comunidad que lo ha creado. La obra de Goday es testigo de su época y a su vez es memoria, transmitirla a las generaciones futuras supondrá el reconocimiento de su evolución cultural desde la mirada individual que representa el testimonio colectivo.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Docta Complutense
    Other ORP type . 2020
    License: CC BY NC SA
    Data sources: Docta Complutense
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Docta Complutense
      Other ORP type . 2020
      License: CC BY NC SA
      Data sources: Docta Complutense
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodríguez Martorell, Francesc;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Research Repository ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gerència d'Àrea d'Ecologia Urbana; Consorci del Besòs (Barcelona); Ajuntament de Montcada i Reixac; Carles Enrich Studio, S.L.P.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tarifa Mateo, Nàdia; Saña Seguí, Maria; Rosell Melé, Antoni; Universitat Autònoma de Barcelona. Departament de Prehistòria;

    A partir del Neolític es constaten una sèrie de profunds canvis econòmics i socials que afectaran el mode de vida de les poblacions, especialment a la Mediterrània. En aquest marc espacial, la difusió de la ceràmica y la substitució de les pràctiques caçadores-recol·lectores-pescadores per un model agropecuari esdevindran les causes del canvi en l'alimentació. La possibilitat de fer bullir o barrejar els aliments permetrà obrir un nou ventall de productes alimentaris y unes noves practiques culinàries. La incorporació de noves tècniques analítiques en Arqueologia ofereix el coneixement de noves dades que fins ara ens eren desconegudes sobre com es va desenvolupar el Neolític al nostre territori. Tanmateix, les dades de que disposem de la Península Ibérica pel Neolític en termes d'alimentació és, encara, escàs. En aquesta tesi doctoral ens hem proposat generar coneixement y aportar noves dades en aquests canvis culinaris a partir de l'anàlisi molecular dels residus orgànics preservats en els recipients ceràmics a l'extrem occidental de la Mediterrània entre el 5600 y el 3800 cal BC. Un total de 205 vasos ceràmics han estat analitzats y un 62% han preservats lípids arqueològics que provenen de la degradació de productes animals y vegetals que es van processar a l'interior dels vasos. A partir de la caracterització d'aquests compostos s'ha pogut constatar la explotació dels recursos disponibles, com la cera d'abella més antiga identificada dins d'un recipient fins a l'actualitat en la Península Ibérica. Per tal d'analitzar la composició isotòpica de compostos específics s'ha dissenyat un model referencial de greixos animals procedents de l'àrea geogràfica estudiada amb l'objectiu, no només d'incloure especies potencialment consumibles al Neolític y fins ara no contemplades, sinó també proposar una aproximació més acurada de les diferents especies animals que conformarien les practiques culinàries en un moment on convergeixen especies domèstiques y salvatges. La caracterització de greixos animals en els recipients ceràmics neolítics ha permès constatar la evidencia directa de processat de productes làctics des del sud de la Península Ibérica fins els Pirineus. El tractament de les dades des d'un punt de vista pluridisciplinar i transversal ofereix la possibilitat d'anar més enllà en les interpretacions dels resultats i incidir en les pràctiques de subsistència i l'ús dels recipients ceràmics que es donarien en aquest període. Com a conseqüència d'aquesta recerca, s'obre una nova porta a l'estudi del recipients ceràmics més enllà de les decoracions i que ofereix una gran informació sobre l'economia i l'explotació dels recursos en el moment on s'inicia el model de vida que marcarà el futur de les comunitats mediterrànies.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: Hernandez Güell, Marc; Ananiadou, Elena;

    This report has been submitted by Tempesta Media SL as deliverable D1.3 within the framework of H2020 project "SO-CLOSE: Enhancing Social Cohesion through Sharing the Cultural Heritage of Forced Migrations" Grant No. 870939. This report aims to conduct research on the specific topics and needs of the SO-CLOSE project, addressing the available solutions through a state-of-the-art digital tools analysis, applied in the cultural heritage and migration fields. More specifically the report's scope is:To define proper tools and proceedings for the interview needs -performing, recording, transcription, translation. To analyse potential content gathering tools for the co-creation workshops. To conduct a state-of-the-art sharing tools analysis, applied in the cultural heritage and migration fields, and propose a critically adjusted and innovative digital approach.

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    Authors: Mantilla J;

    This article aims to analyze the use of digital communication technologies in the solidarity processes of Venezuelan migrants in Quito, Ecuador. The methodology applied was based on in-depth interviews and content analysis of WhatsApp groups. The research was conducted between June 2020 and March 2021. A non-probabilistic strategy (snowball sampling) was applied for the sampling. The results illustrate the dynamics of digital solidarity both in groups with strong ties (families) and weak ties. However, due to its qualitative nature, these results cannot be generalized. The conclusions show that in transnational families, solidarity develops from a sense of co-presence that allows the fulfillment of moral obligations, the generation of an economy of care, and emotional support. On the other hand, in the case of migrants without connective ties with each other, solidarity occurs through the construction of digital communities in large and impersonal groups.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramon Arnabat i Mata;

    La Batalla del Ebro fue una de las más importantes de la Guerra Civil española y ha sido profusamente explicada y analizada. Este texto ofrece una visión personal y contextualizada de un pontonero, Miquel Ferret Batlle, que la vivió a ras del suelo y del agua y la explicó a través de cartas a su familia. En estas cartas encontramos reflejado el día a día de los pontoneros: construir y rehacer puentes para que las tropas republicanas pudieran atravesar el Ebro, pero que la aviación fascista destruía poco tiempo después. Aun así, estas cartas también permiten acercarnos a la vida cotidiana de los soldados en el frente del Ebro y a los sentimientos que experimentaron lejos de sus familias.

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207 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sánchez García, Manuel;

    Editor introduction of the special dossier on historic spaces and architectures in videogames for Culture & History Digital Journal. Área de Composición Arquitectónica, Departamento de Construcciones Arquitectónicas, Universidad de Granada Dipartimento di Architettura e Design, Politecnico di Torino HUM 813: Architecture and Contemporary Culture

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sopa Sólida, (Colectivo); Blasco, Selina; Durán, Gloria G.; Pérez Iglesias, Javier;

    Las tres integrantes de este colectivo tenemos la biblioteca como campo de indagación, como herramienta para aprehender lo que nos interpela, importa y preocupa. Estamos atravesadas por el mal de archivo, por la problematización del uso del lenguaje en los textos que conforman nuestros saberes pero también nuestros afectos. Como agentes culturales nos sentimos interpeladas por lo que el lenguaje deja cómo depósito en nuestros saberes y en la manera en la que encaramos nuestras relaciones con las otras. Queremos resignificar los textos que conforman nuestro imaginario y encarar las dinámicas y negociaciones que por ellos transitan. La articulación de un lenguaje otro que, a modo de sutil palimpsesto de infinitos sentidos aún por llegar, nos acerca, a veces, y sin apenas rozarnos. Nuestra sensibilidad se regocija, se expande, se eleva, más allá de la comprensión habitual, consiguiendo que, por un momento, seamos capaces de ver lo que nunca pensamos que íbamos a lograr y ni siquiera percibir. Siguiendo la estructura que nos ha hecho famosas ahora nos preguntamos: ¿Es posible salir de la atadura del sinsentido aromatizado? ¿Podríamos con palabras simples y sin circunloquio alguno comunicar lo que queremos comunicar? ¿Hay salida a esta red de frases hechas intercambiables? ¿Somos capaces de mantener un discurso público sin decir absolutamente nada? ¿El aturdimiento textual es parte de la poética contemporánea? ¿Es la jerga chic radical una impostura? ¿Podemos ser radicalmente modernas sin apropiarnos de estas frases hechas?

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Docta Complutense
    Other ORP type . 2019
    License: CC BY NC SA
    Data sources: Docta Complutense
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Docta Complutense
      Other ORP type . 2019
      License: CC BY NC SA
      Data sources: Docta Complutense
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Inés García López;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodríguez Domínguez, Alma;

    Durante los años 2018 y 2019, la Concejalía de Cultura del Ayuntamiento de O Grove (Pontevedra) acoge una de las más importantes actuaciones en materia de recuperación del patrimonio artístico de la localidad. Se trata del desarrollo de una convocatoria trimestral destinada a la localización y puesta en valor de la obra pictórica de Ernesto Goday Caamaño. El descubrimiento de una dilatada producción plástica inexplorada, desconectada de su contexto, dispuso el compromiso personal de rescatar su legado del olvido y desconocimiento. El presente estudio ofrece el proceso de recuperación y puesta en valor de un legado inexplorado, desde la documentación, el registro y difusión de la obra pictórica y del archivo personal de Ernesto Goday. Reúne y aporta la documentación precisa para conservar no solo el estado físico, también para la comprensión de su significado y el vínculo inherente de éste con la comunidad que lo ha creado. La obra de Goday es testigo de su época y a su vez es memoria, transmitirla a las generaciones futuras supondrá el reconocimiento de su evolución cultural desde la mirada individual que representa el testimonio colectivo.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Docta Complutense
    Other ORP type . 2020
    License: CC BY NC SA
    Data sources: Docta Complutense
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Docta Complutensearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other ORP type . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodríguez Martorell, Francesc;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Research Repository ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gerència d'Àrea d'Ecologia Urbana; Consorci del Besòs (Barcelona); Ajuntament de Montcada i Reixac; Carles Enrich Studio, S.L.P.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/