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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simona Arrighi; Adriana Moroni; Laura Tassoni; Francesco Boschin; +16 Authors

    The arrival of Modern Humans (MHs) in Europe between 50 ka and 36 ka coincides with significant changes in human behaviour, regarding the production of tools, the exploitation of resources and the systematic use of ornaments and colouring substances. The emergence of the so-called modern behaviours is usually associated with MHs, although in these last decades findings relating to symbolic thinking of pre-Sapiens groups have been claimed. In this paper we present a synthesis of the Italian evidence concerning bone manufacturing and the use of ornaments and pigments in the time span encompassing the demise of Neandertals and their replacement by MHs. Current data show that Mousterian bone tools are mostly obtained from bone fragments used as is. Conversely an organized production of fine shaped bone tools is characteristic of the Uluzzian and the Protoaurignacian, when the complexity inherent in the manufacturing processes suggests that bone artefacts are not to be considered as expedient resources. Some traces of symbolic activities are associated to Neandertals in Northern Italy. Ornaments (mostly tusk shells) and pigments used for decorative purposes are well recorded during the Uluzzian. Their features and distribution witness to an intriguing cultural homogeneity within this technocomplex. The Protoaurignacian is characterized by a wider archaeological evidence, consisting of personal ornaments (mostly pierced gastropods), pigments and artistic items.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    MPG.PuRe
    Article . 2020
    Data sources: MPG.PuRe
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    MPG.PuRe
    Article . 2020
    Data sources: MPG.PuRe
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2019
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Quaternary International
    Article
    License: CC BY NC ND
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Article . 2019
    Data sources: CNR ExploRA
    https://doi.org/10.48550/arxiv...
    Article . 2020
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frasca, Francesca; Verticchio, Elena; Peiró-Vitoria, Andrea; Grinde, Andreas; +7 Authors

    [EN] The study of the microclimate is pivotal for the protection and conservation of cultural heritage. This paper describes specifc procedures aimed at the deployment of microclimate sensors in spaces housing collections (e.g., museums) under diferent scenarios. The decision making involves a multidisciplinary discussion among museum manager, con¿ servator and conservation scientist and implies fve steps. Since the sensor¿s deployment depends on the number of available sensors, we have identifed two possible circumstances: (a) artwork-related deployment (i.e., there are as many sensors as the number of artworks) and (b) artwork-envelope-related deployment (i.e., the number of available sensors is less than the number of artworks). The former circumstance is advisable when the artwork is often moved from a museum to another one. The latter circumstance is usually the case of permanent collections, and, according to the Museum Scenario (MS), the related procedures can be further subdivided into basic (MSI and MSII) and advanced (MSIII and MSIV). Advanced procedures are preferable over basic procedures when several time series of microcli¿ mate data have been collected for at least one calendar year in several sampling points. All these procedures make it possible to design where to deploy sensors both in the case of an initial deployment and of optimisation of already installed sensors. This research was funded by the European Union's Horizon 2020 research and innovation program under grant agreement No.814624.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Heritage Science
    Article . 2022
    Data sources: DOAJ
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    RiuNet; Heritage Science
    Article . 2022 . Peer-reviewed
    License: CC BY
    Data sources: RiuNet; Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage Science
      Article . 2022
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      RiuNet; Heritage Science
      Article . 2022 . Peer-reviewed
      License: CC BY
      Data sources: RiuNet; Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    In Text-to-AMR parsing, current state-of-the-art semantic parsers use cumbersome pipelines integrating several different modules or components, and exploit graph recategorization, i.e., a set of content-specific heuristics that are developed on the basis of the training set. However, the generalizability of graph recategorization in an out-of-distribution setting is unclear. In contrast, state-of-the-art AMR-to-Text generation, which can be seen as the inverse to parsing, is based on simpler seq2seq. In this paper, we cast Text-to-AMR and AMR-to-Text as a symmetric transduction task and show that by devising a careful graph linearization and extending a pretrained encoder-decoder model, it is possible to obtain state-of-the-art performances in both tasks using the very same seq2seq approach, i.e., SPRING (Symmetric PaRsIng aNd Generation). Our model does not require complex pipelines, nor heuristics built on heavy assumptions. In fact, we drop the need for graph recategorization, showing that this technique is actually harmful outside of the standard benchmark. Finally, we outperform the previous state of the art on the English AMR 2.0 dataset by a large margin: on Text-to-AMR we obtain an improvement of 3.6 Smatch points, while on AMR-to-Text we outperform the state of the art by 11.2 BLEU points. We release the software at github.com/SapienzaNLP/spring.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2021
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2021
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2021
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2021
    License: CC BY
    Data sources: ZENODO
    ResearchGate Data
    Article . Conference object . 2021
    Data sources: Datacite; Sygma
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2021
      License: CC BY
      Data sources: Datacite
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      Conference object . 2021
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      Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Conference object . 2021
      License: CC BY
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      Article . Conference object . 2021
      Data sources: Datacite; Sygma
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    Authors: Elena Ambrosetti; Sara Miccoli; Donatella Strangio;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dusan Boric; Thomas Higham; Emanuela Cristiani; Vesna Dimitrijević; +7 Authors

    AbstractThe archaeological site of Lepenski Vir is widely known after its remarkable stone art sculptures that represent a unique and unprecedented case of Holocene hunter-gatherer creativity. These artworks were found largely associated with equally unique trapezoidal limestone building floors around their centrally located rectangular stone-lined hearths. A debate has raged since the discovery of the site about the chronological place of various discovered features. While over years different views from that of the excavator about the stratigraphy and chronology of the site have been put forward, some major disagreements about the chronological position of the features that make this site a key point of reference in European Prehistory persist. Despite challenges of re-analyzing the site’s stratigraphy from the original excavation records, taphonomic problems, and issues of reservoir offsets when providing radiocarbon measurements on human and dog bones, our targeted AMS (Accelerator Mass Spectrometry) dating of various contexts from this site with the application of Bayesian statistical modelling allows us to propose with confidence a new and sound chronological framework and provide formal estimates for several key developments represented in the archaeological record of Lepenski Vir that help us in understanding the transition of last foragers to first farmers in southeast Europe as a whole.

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    Authors: Orellana, Felipe; Blasco Delgado, Jose Manuel; Foumelis, Michael; D'Aranno, Peppe J. V.; +2 Authors

    International audience; The road network of metropolitan Rome is determined by a large number of structures located in different geological environments. To maintain security and service conditions, satellite-based monitoring can play a key role, since it can cover large areas by accurately detecting ground displacements due to anthropic activities (underground excavations, interference with other infrastructures, etc.) or natural hazards, mainly connected to the critical hydrogeological events. To investigate the area, two different Differential Interferometry Synthetic Aperture Radar (DInSAR) processing methods were used in this study: the first with open source using the Persistent Scatterers Interferometry (PSI) of SNAP-StaMPS workflow for Sentinel-1 (SNT1) and the second with the SBAS technique for Cosmo-SkyMed (CSK). The results obtained can corroborate the displacement trends due to the characteristics of the soil and the geological environments. With Sentinel-1 data, we were able to obtain the general deformation overview of the overall highways network, followed by a selection and classification of the PSI content for each section. With Cosmo-SkyMed data, we were able to increase the precision in the analysis for one sample infrastructure for which high-resolution data from CSK were available. Both datasets were demonstrated to be valuable for collecting data useful to understand the safety condition of the infrastructure and to support the maintenance actions.

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    Authors: C. Pepe; Laura Sadori; Valerie Andrieu-Ponel; Ferréol Salomon; +1 Authors

    Pollen and non pollen palynomorph analyseswere carried out in a sediment core (MO2) drilledin the southern lobe of a palaeomeander, Fiume Morto(Dead River), in the Tiber delta area, near AncientOstia (central Italy). Since the Roman period, theTiber River flowed close to Ancient Ostia and itssaltworks, Salinae Ostiensis. The Tiber meander wascut off during the Tiber River flood of 1557 AD andtransformed into an oxbow lake. During the nineteenthcentury the Fiume Morto pond was reclaimed and atpresent the area is about 3 km distant from the presentshoreline and intensely transformed by human settlements.According to radiocarbon dates, the pollenrecord, not continuous, spans from the fourth centuryBC to the nineteenth century AD. It shows first ariverine phase before the meander cut off of sixteenthcentury AD and probably only the last centuries BCwere preserved from erosion. The river deposits recordriparian vegetation (mainly tamarisk and alder) withmesophilous (mainly deciduous oaks) and Mediterranean(mainly evergreen oaks, heather and olive tree)elements. The human presence is clear, probablyrelated to the development of Ancient Ostia andevidenced by synanthropic taxa. The second phasecorresponds to the oxbow lake formed after themeander cut off. Several peaks of pine pollen aretentatively ascribed to Tiber flood events: the first peakis found just in correspondence with the meander cutoff at 1557 AD. The numerous floods we interpret inthe following part of the diagram could be linked to theincrease in extreme events and precipitation thatoccurred during the Little Ice Age. The last phase, inwhich freshwater plants are present and chenopodsdecrease, shows the saltworks abandonment thatoccurred in nineteenth century. This study turned outto be of key relevance to reconstruct the palaeoenvironmentalevolution of the ancient Holocene Tibermeander during the last two and a half millennia. International audience

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    Journal of Paleolimnology
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    Authors: Bruce R.; Abramov A.; Bertarelli A.; Besana M. I.; +16 Authors

    The Future Circular Collider (FCC-hh) is being designed as a 100 km ring that should collide 50 TeV proton beams. At 8.3 GJ, its stored beam energy will be a factor 28 higher than what has been achieved in the Large Hadron Collider, which has the highest stored beam energy among the colliders built so far. This puts unprecedented demands on the control of beam losses and collimation, since even a tiny beam loss risks quenching superconducting magnets. We present in this article the design of the FCC-hh collimation system and study the beam cleaning through simulations of tracking, energy deposition, and thermo-mechanical response. We investigate the collimation performance for design beam loss scenarios and potential bottlenecks are highlighted. Proceedings of the 10th Int. Particle Accelerator Conf., IPAC2019, Melbourne, Australia

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    The role of task has received special attention in visual cognition research because it can provide causal explanations of goal-directed eye-movement responses. The dependency between visual attention and task suggests that eye-movements can be used to classify the task being performed. A recent study by Greene, Liu, and Wolfe (2012), however, fails to achieve accurate classification of visual tasks based on eye-movement features. In the present study, we hypothesize that tasks can be successfully classified when they differ with the respect to the involvement of other cognitive domains such as language processing. We extract the eye-movement features used by Greene et. al., as well as additional features, from the data of three different tasks: visual search, object naming, and scene description. First, we demonstrate that eye-movement responses make it possible to characterize the goals of these tasks. Then, we train three different types of classifiers and predict the task participants performed with an accuracy well above chance (a maximum of 88% for visual search). An analysis of the relative importance of features for classification accuracy reveals that just one feature, i.e., initiation time, is sufficient for above-chance performance (a maximum of 79% accuracy in object naming). Crucially, this feature is independent of task duration, which differs systematically across the three tasks we investigate. Overall, the best task classification performance is obtained with a set of seven features that include both spatial information (e.g., entropy of attention allocation) and temporal components (e.g., total fixation on objects) of the eye-movement record. This result confirms the taskdependent allocation of visual attention, and extends previous work by showing that task classification is possible when tasks differ in the cognitive processes involved (purely visual tasks such as search vs. communicative tasks such as scene description). Keywords: Task classification; eye-movement features; active vision; visual attention; communicative tasks.

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    Authors: pasini tommaso; camacho-collados jose;

    Large sense-annotated datasets are increasingly necessary for training deep supervised systems in Word Sense Disambiguation. However, gathering high-quality sense-annotated data for as many instances as possible is a laborious and expensive task. This has led to the proliferation of automatic and semi-automatic methods for overcoming the so-called knowledge-acquisition bottleneck. In this short survey we present an overview of sense-annotated corpora, annotated either manually- or (semi)automatically, that are currently available for different languages and featuring distinct lexical resources as inventory of senses, i.e. WordNet, Wikipedia, BabelNet. Furthermore, we provide the reader with general statistics of each dataset and an analysis of their specific features. Comment: 7 pages, 1 figure, 1 table

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2018
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    https://doi.org/10.48550/arxiv...
    Article . 2018
    License: arXiv Non-Exclusive Distribution
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      arXiv.org e-Print Archive
      Other literature type . Preprint . 2018
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      https://doi.org/10.48550/arxiv...
      Article . 2018
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