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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jésica López Hernández; Ángela Almela; Rafael Valencia-García;

    L’objectiu d’aquest treball és l’anàlisi d’errors continguts en un corpus d’informes mèdics en llenguatge natural i el disseny d’una tipologia d’errors, ja que no hi va haver una revisió sistemàtica sobre verificació i correcció d’errors en documentació clínica en castellà. En el desenvolupament de sistemes automàtics de detecció i correcció, és d’interès aprofundir en la naturalesa dels errors lingüístics que es produeixen en els informes clínics per tal de detectar-los i tractar-los adequadament. Els resultats mostren que els errors d’omissió són els més freqüents en la mostra analitzada i que la longitud de la paraula sens dubte influeix en la freqüència d’error. La tipificació dels patrons d’error proporcionats permet el desenvolupament d’un mòdul basat en coneixements lingüístics, actualment en curs, que serà capaç de millorar el rendiment dels sistemes de correcció de detecció i correcció d’errors per al domini biomèdic The objective of this work is the analysis of errors contained in a corpus of medical reports in natural language and the design of a typology of errors, as there was no systematic review on verification and correction of errors in clinical documentation in Spanish. In the development of automatic detection and correction systems, it is of great interest to delve into the nature of the linguistic errors that occur in clinical reports, in order to detect and treat them properly. The results show that omission errors are the most frequent ones in the analyzed sample, and that word length certainly influences error frequency. The typification of error patterns provided is enabling the development of a module based on linguistic knowledge, which is currently in progress. This will help to improve the performance of error detection and correction systems for the biomedical domain. This work was supported by the Spanish National Research Agency (AEI) through project LaTe4PSP (PID2019-107652RB-I00/AEI/10.13039/501100011033). Furthermore, the main autor is supported by Ministerio de Universidades of Spain through the national program Ayudas para la formación de profesorado universitario (FPU), with reference FPU16/03324

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sintagmaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sintagma
    Article . 2021
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Repositori Obert UdL
    Article . 2021
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sintagmaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sintagma
      Article . 2021
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Repositori Obert UdL
      Article . 2021
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Atherton, Christopher John; Barton, Thomas; Basney, Jim; Broeder, Daan; +36 Authors

    The authors also acknowledge the support and collaboration of many other colleagues in their respective institutes, research communities and IT Infrastructures, together with the funding received by these from many different sources. These include but are not limited to the following: (i) The Worldwide LHC Computing Grid (WLCG) project is a global collaboration of more than 170 computing centres in 43 countries, linking up national and international grid infrastructures. Funding is acknowledged from many national funding bodies and we acknowledge the support of several operational infrastructures including EGI, OSG and NDGF/NeIC. (ii) EGI acknowledges the funding and support received from the European Commission and the many National Grid Initiatives and other members. EOSC-hub receives funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 777536. (iii) The work leading to these results has received funding from the European Union's Horizon 2020 research and innovation programme under Grant Agreement No. 730941 (AARC2). (iv) Work on the development of ESGF's identity management system has been supported by The UK Natural Environment Research Council and funding from the European Union's Seventh Framework Programme for research, technological development and demonstration through projects IS-ENES (grant agreement no 228203) and IS-ENES2 (grant agreement no 312979). (v) Ludek Matyska and Michal Prochazka acknowledge funding from the RI ELIXIR CZ project funded by MEYS Czech Republic No. LM2015047. (vi) Scott Koranda acknowledges support provided by the United States National Science Foundation under Grant No. PHY-1700765. (vii) GÉANT Association on behalf of the GN4 Phase 2 project (GN4-2).The research leading to these results has received funding from the European Union's Horizon 2020 research and innovation programme under Grant Agreement No. 731122(GN4-2). (viii) ELIXIR acknowledges support from Research Infrastructure programme of Horizon 2020 grant No 676559 EXCELERATE. (ix) CORBEL life science cluster acknowledges support from Horizon 2020 research and innovation programme under grant agreement No 654248. (x) Mirjam van Daalen acknowledges that the research leading to this result has been supported by the project CALIPSOplus under the Grant Agreement 730872 from the EU Framework Programme for Research and Innovation HORIZON 2020. (xi) EISCAT is an international association supported by research organisations in China (CRIRP), Finland (SA), Japan (NIPR), Norway (NFR), Sweden (VR), and the United Kingdom (NERC). This white-paper expresses common requirements of Research Communities seeking to leverage Identity Federation for Authentication and Authorisation. Recommendations are made to Stakeholders to guide the future evolution of Federated Identity Management in a direction that better satisfies research use cases. The authors represent research communities, Research Services, Infrastructures, Identity Federations and Interfederations, with a joint motivation to ease collaboration for distributed researchers. The content has been edited collaboratively by the Federated Identity Management for Research (FIM4R) Community, with input sought at conferences and meetings in Europe, Asia and North America.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
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    https://doi.org/10.5445/ir/100...
    Other literature type . 2018
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other literature type . Article . 2018
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://zenodo.org/record/1307...
    Article . 2018
    License: CC BY
    Data sources: Sygma
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    KITopen
    Other literature type . 2018
    License: CC BY
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2018
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5445/ir/100...
      Other literature type . 2018
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other literature type . Article . 2018
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://zenodo.org/record/1307...
      Article . 2018
      License: CC BY
      Data sources: Sygma
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      KITopen
      Other literature type . 2018
      License: CC BY
      Data sources: KITopen
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2018
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Diaz-Bone, Rainer; Bührmann, Andrea D.; Gutiérrez Rodriguez, Encarnacion; Schneider, Werner; +2 Authors

    Der Artikel präsentiert das Feld der Foucaultschen Diskursanalyse. Anfangs werden das Foucaultsche Diskurskonzept sowie die damit verbundenen methodologischen Positionen und Entwicklungen vorgestellt. Im Vergleich mit anderen Ansätzen der qualitativen Sozialforschung unterliegt der empirischen Forschung derer, die sich auf Foucaults Diskurskonzept beziehen, kein gemeinsames Paradigma. Aber in der Foucaultschen Diskursforschung finden sich geteilte methodologische Probleme und der gemeinsame Forschungsbereich zur Methodologie der Diskursanalyse, die die Foucaultsche Diskurstheorie in Formen empirischer Sozialforschung umsetzt. In den letzten Jahrzehnten sind sich die verschiedenen Forscher(innen) und Gruppen zunehmend ihrer Gemeinsamkeiten bewusst geworden, so dass von einem entstehenden Feld der Foucaultschen Diskursanalyse anstatt von einem entstehenden Paradigma gesprochen werden kann. Der Beitrag vermittelt einen Einblick in die diskursanalytische Forschung in ausgewählten Ländern, diskutiert die Internationalisierung der Foucaultschen Diskursanalyse und macht auf aktuelle Trends und Perspektiven aufmerksam. The article outlines the field of Foucaultian discourse analysis. The Foucaultian concept of discourse is introduced, and methodological positions and methodological developments are sketched. Compared to other qualitative social research approaches, the different researchers and research groups that have adopted the Foucaultian concept of discourse are not linked by a fully integrated common research paradigm. However, they share common methodological problems and areas of methodological research resulting from various references to Foucaultian positions. In the last decade, different research groups have become aware of these shared commonalities, so that one can speak of an emerging field of Foucaultian discourse analysis rather than an emerging paradigm. The article gives insight into the discourse analytic research in selected countries, discusses the internationalisation of Foucaultian discourse analysis and highlights current trends and perspectives. Historical Social Research Vol. 33, No. 1 (2008)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
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    OPUS Augsburg
    Article . 2019
    License: CC BY
    Data sources: OPUS Augsburg
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    https://doi.org/10.17169/fqs-8...
    Article . 2007
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    OPUS Augsburg
    Article . 2019
    Data sources: OPUS Augsburg
    https://doi.org/10.12759/hsr.3...
    Article . 2008
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OPUS Augsburg
      Article . 2019
      License: CC BY
      Data sources: OPUS Augsburg
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.17169/fqs-8...
      Article . 2007
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      OPUS Augsburg
      Article . 2019
      Data sources: OPUS Augsburg
      https://doi.org/10.12759/hsr.3...
      Article . 2008
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Altin, Lutfiye Seda Mut; Bravo Serrano, Àlex, 1984-; Saggion, Horacio;

    Comunicació presentada a: Iberian Languages Evaluation Forum (IberLEF 2019), celebrat el 24 de setembre de 2019 a Bilbao, Espanya. In this paper we describe the participation of LaSTUS/TALN team in the shared task:“Humor Analysis based on Human Annotation” (HAHA) at the Spanish Society for Natural Language Processing (SEPLN) organized in the context of IberLEF 2019. HAHA onjective is the classification of tweets in Spanish as humorous or not, also identifying the level of funniness. This paper presents a multi-task learning approach based on bidirectional long short-term memory (biLSTM) models. The paper presents and discusses the official results achieved by our team

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    UPF Digital Repository
    Conference object . 2019
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      UPF Digital Repository
      Conference object . 2019
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    Authors: Christian Oliva; Ignacio Palacio Marín; Luis F. Lago-Fernández; Arroyo Guardeño, David;

    Fake news detection is one of the most challenging problems in today's information and communication systems. In this article we address the challenge of detecting the generation and spreading of misleading information in the specific scenario of rumours propagation and clickbait. We realise that the construction of the dataset used to study this kind of problems dramatically affects the performance of the model and, thus, its selection. Hence, we conduct experiments with two datasets of different complexity. In experiment A, by using a simple dataset with rumour propagation data from Twitter, we demonstrate that good performance scores can be obtained without relying on the high computational cost of hyper-parameters tuning. In experiment B, an approach with fewer parameters and computational layers is not suitable to study clickbait with a larger dataset featuring more complex dynamics. Information deluge clearly demands the automation of the procedures for information treatment and the adequate combination of natural language processing and machine learning techniques. As the underlying problem is very complex, there is a tendency to think that the solution must be a complex model, i.e. a model with a large number of parameters and hyper-parameters. Our results confirm this idea, and underline the importance of identifying the most appropriate model assumptions based on the type of dataset available in order to select and configure the machine learning algorithm. No

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    DIGITAL.CSIC
    Preprint . 2021
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      DIGITAL.CSIC
      Preprint . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Domínguez Garijo, Fàtima;

    Són molts els edificis sagrats en els quals l'arquitectura ha posat, en el seu disseny i construcció, el seu major potencial. La creació d'espais dedicats a la fe ha acompanyat a la humanitat des de l'aparició dels primers dogmes. Aquestes construccions es resolen en moltes varietats formals i tenen característiques diferents, però malgrat això, en totes elles hi ha una atmosfera especial, una sensació de recolliment espiritual, que sembla convidar-nos a trobar-nos davant un tot major. Amb l'objectiu de descobrir com l'arquitectura participa en aquesta experiència, aquest treball pren com a punt de partida la Capella *Rothko, buscant explorar i analitzar l'espai arquitectònic des d'una perspectiva mística. En la seva austeritat i silenci, descobrirem que el pintor Mark *Rothko va tractar de trobar l'escenari adequat perquè la seva obra creés una connexió única amb l'espectador. Lliure d'imatges i referències externes, la Capella *Rothko i els seus quadres obliguen el visitant a mirar cap al seu propi interior i trobar-se a si mateix, permetent la creació d'una experiència íntima i única per a cada individu, basada en les seves pròpies emocions i sensacions, en definitiva en la seva pròpia espiritualitat. L'arquitectura exerceix aquí un paper secundari, encara que fonamental, en la creació d'una atmosfera propícia per a la meditació, per a la trobada amb un mateix. Com diria l'artista *Mathias *Goeritz, és una arquitectura la funció principal de la qual és l'emoció. Son muchos los edificios sagrados en los que la arquitectura ha puesto, en su diseño y construcción, su mayor potencial. La creación de espacios dedicados a la fe ha acompañado a la humanidad desde la aparición de los primeros dogmas. Estas construcciones se resuelven en muchas variedades formales y tienen características diferentes, pero a pesar de ello, en todas ellas hay una atmósfera especial, una sensación de recogimiento espiritual, que parece invitarnos a encontrarnos ante un todo mayor. Con el objetivo de descubrir cómo la arquitectura participa en esta experiencia, este trabajo toma como punto de partida la Capilla Rothko, buscando explorar y analizar el espacio arquitectónico desde una perspectiva mística. En su austeridad y silencio, descubriremos que el pintor Mark Rothko trató de encontrar el escenario adecuado para que su obra creara una conexión única con el espectador. Libre de imágenes y referencias externas, la Capilla Rothko y sus cuadros obligan al visitante a mirar hacia su propio interior y encontrarse a sí mismo, permitiendo la creación de una experiencia íntima y única para cada individuo, basada en sus propias emociones y sensaciones, en definitiva en su propia espiritualidad. La arquitectura desempeña aquí un papel secundario, aunque fundamental, en la creación de una atmósfera propicia para la meditación, para el encuentro con uno mismo. Como diría el artista Mathias Goeritz, es una arquitectura cuya función principal es la emoción. There are many sacred buildings in which architecture has put, in its design and construction, its greatest potential. The creation of spaces dedicated to faith has accompanied mankind since the appearance of the first dogmas. These constructions are resolved in many formal varieties and have different characteristics, but in spite of this, in all of them there is a special atmosphere, a sensation of spiritual recollection, which seems to invite us to find ourselves in front of a greater whole. With the aim of discovering how architecture participates in this experience, this work takes the Rothko Chapel as a starting point, seeking to explore and analyse the architectural space from a mystical perspective. In its austerity and silence, we will discover that the painter Mark Rothko tried to find the right setting for his work to create a unique connection with the viewer. Free from external images and references, the Rothko Chapel and its paintings force the visitor to turn inwards and find themselves, allowing the creation of an intimate and unique experience for each individual, based on their own emotions and sensations, ultimately their own spirituality. The architecture here plays a secondary, yet fundamental role in creating an atmosphere conducive to meditation, to finding oneself. As the artist Mathias Goeritz would describe it, it is an architecture whose main function is emotion.

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    Recolector de Ciencia Abierta, RECOLECTA
    Bachelor thesis . 2022
    License: CC BY NC ND
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      Recolector de Ciencia Abierta, RECOLECTA
      Bachelor thesis . 2022
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  • Authors: Comisión Europea. Eurostat;

    El ISBN corresponde a la versión electrónica del documento This fourth edition of publication Culture statistics — 2019 edition presents a selection of indicators on culture pertaining to cultural employment, international trade in cultural goods, cultural enterprises, cultural participation and the use of the internet for cultural purposes, as well as household and government cultural expenditure. It presents also data on tertiary students in cultural fields of study, learning foreign languages and international tertiary students’ mobility. In addition, one chapter is devoted to cultural heritage. Data cover the European Union (EU) and its Member States, and (subject to data availability) the European Free Trade Area (EFTA) and enlargement countries.

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    Authors: Rodríguez Ortega, Nuria; Cruces-Rodriguez, Antonio; Tenor Polo, Carmen;

    The Exhibitium Project , awarded by the BBVA Foundation, is a data-driven project developed by an international consortium of research groups . One of its main objectives is to build a prototype that will serve as a base to produce a platform for the recording and exploitation of data about art-exhibitions available on the Internet . Therefore, our proposal aims to expose the methods, procedures and decision-making processes that have governed the technological implementation of this prototype, especially with regard to the reuse of WordPress (WP) as development framework. Universidad de Málaga. Campus de Excelencia Andalucía Tech. Fundación BBVA.

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    Authors: Valluzzi, M. R.; Girardello, P.; Francescato, D.; Pospisil, S.; +9 Authors
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    Other literature type . Conference object . 2012
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jésica López Hernández; Ángela Almela; Rafael Valencia-García;

    L’objectiu d’aquest treball és l’anàlisi d’errors continguts en un corpus d’informes mèdics en llenguatge natural i el disseny d’una tipologia d’errors, ja que no hi va haver una revisió sistemàtica sobre verificació i correcció d’errors en documentació clínica en castellà. En el desenvolupament de sistemes automàtics de detecció i correcció, és d’interès aprofundir en la naturalesa dels errors lingüístics que es produeixen en els informes clínics per tal de detectar-los i tractar-los adequadament. Els resultats mostren que els errors d’omissió són els més freqüents en la mostra analitzada i que la longitud de la paraula sens dubte influeix en la freqüència d’error. La tipificació dels patrons d’error proporcionats permet el desenvolupament d’un mòdul basat en coneixements lingüístics, actualment en curs, que serà capaç de millorar el rendiment dels sistemes de correcció de detecció i correcció d’errors per al domini biomèdic The objective of this work is the analysis of errors contained in a corpus of medical reports in natural language and the design of a typology of errors, as there was no systematic review on verification and correction of errors in clinical documentation in Spanish. In the development of automatic detection and correction systems, it is of great interest to delve into the nature of the linguistic errors that occur in clinical reports, in order to detect and treat them properly. The results show that omission errors are the most frequent ones in the analyzed sample, and that word length certainly influences error frequency. The typification of error patterns provided is enabling the development of a module based on linguistic knowledge, which is currently in progress. This will help to improve the performance of error detection and correction systems for the biomedical domain. This work was supported by the Spanish National Research Agency (AEI) through project LaTe4PSP (PID2019-107652RB-I00/AEI/10.13039/501100011033). Furthermore, the main autor is supported by Ministerio de Universidades of Spain through the national program Ayudas para la formación de profesorado universitario (FPU), with reference FPU16/03324

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    Sintagma
    Article . 2021
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    Repositori Obert UdL
    Article . 2021
    License: CC BY
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      Article . 2021
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      Article . 2021
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    Authors: Atherton, Christopher John; Barton, Thomas; Basney, Jim; Broeder, Daan; +36 Authors

    The authors also acknowledge the support and collaboration of many other colleagues in their respective institutes, research communities and IT Infrastructures, together with the funding received by these from many different sources. These include but are not limited to the following: (i) The Worldwide LHC Computing Grid (WLCG) project is a global collaboration of more than 170 computing centres in 43 countries, linking up national and international grid infrastructures. Funding is acknowledged from many national funding bodies and we acknowledge the support of several operational infrastructures including EGI, OSG and NDGF/NeIC. (ii) EGI acknowledges the funding and support received from the European Commission and the many National Grid Initiatives and other members. EOSC-hub receives funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 777536. (iii) The work leading to these results has received funding from the European Union's Horizon 2020 research and innovation programme under Grant Agreement No. 730941 (AARC2). (iv) Work on the development of ESGF's identity management system has been supported by The UK Natural Environment Research Council and funding from the European Union's Seventh Framework Programme for research, technological development and demonstration through projects IS-ENES (grant agreement no 228203) and IS-ENES2 (grant agreement no 312979). (v) Ludek Matyska and Michal Prochazka acknowledge funding from the RI ELIXIR CZ project funded by MEYS Czech Republic No. LM2015047. (vi) Scott Koranda acknowledges support provided by the United States National Science Foundation under Grant No. PHY-1700765. (vii) GÉANT Association on behalf of the GN4 Phase 2 project (GN4-2).The research leading to these results has received funding from the European Union's Horizon 2020 research and innovation programme under Grant Agreement No. 731122(GN4-2). (viii) ELIXIR acknowledges support from Research Infrastructure programme of Horizon 2020 grant No 676559 EXCELERATE. (ix) CORBEL life science cluster acknowledges support from Horizon 2020 research and innovation programme under grant agreement No 654248. (x) Mirjam van Daalen acknowledges that the research leading to this result has been supported by the project CALIPSOplus under the Grant Agreement 730872 from the EU Framework Programme for Research and Innovation HORIZON 2020. (xi) EISCAT is an international association supported by research organisations in China (CRIRP), Finland (SA), Japan (NIPR), Norway (NFR), Sweden (VR), and the United Kingdom (NERC). This white-paper expresses common requirements of Research Communities seeking to leverage Identity Federation for Authentication and Authorisation. Recommendations are made to Stakeholders to guide the future evolution of Federated Identity Management in a direction that better satisfies research use cases. The authors represent research communities, Research Services, Infrastructures, Identity Federations and Interfederations, with a joint motivation to ease collaboration for distributed researchers. The content has been edited collaboratively by the Federated Identity Management for Research (FIM4R) Community, with input sought at conferences and meetings in Europe, Asia and North America.

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    https://doi.org/10.5445/ir/100...
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    Authors: Simonnot, Josephine;

    La plateforme web en ligne pour les archives sonores du CNRS-Musée de l’Homme permet d’accéder à des enregistrements musicaux du monde entier, publiés (disques) et inédit, collectés depuis les années 1900 jusqu’à nos jours. Nous présentons d’abord ces archives sonores gérées par le Centre de recherche en ethnomusicologie. Nous expliquons ensuite leur entrée dans le nouvel écosystème du Web ainsi que leur ouverture à un large public grâce à des outils d’analyse et de visualisation du son. Enfin, nous étudions comment une base de données d’archives sonores peut devenir un outil de collaboration pour produire et la diffuser des connaissances. The online web-based platform for the French CNRS-Musée de l'Homme sound archives offers access to published and unpublished recordings of music from all over the world, collected from the 1900's through the present day. We first introduce these sound archives managed by the Research Centre for Ethnomusicology. We then explain their entry in the new web ecosystem as well as their availability to a broad audience through a suite of tools for analysis and visualization. Finally, we study how a sound archive database can become a collaborative tool for the production and dissemination of knowledge.

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    Authors: Diaz-Bone, Rainer; Bührmann, Andrea D.; Gutiérrez Rodriguez, Encarnacion; Schneider, Werner; +2 Authors

    Der Artikel präsentiert das Feld der Foucaultschen Diskursanalyse. Anfangs werden das Foucaultsche Diskurskonzept sowie die damit verbundenen methodologischen Positionen und Entwicklungen vorgestellt. Im Vergleich mit anderen Ansätzen der qualitativen Sozialforschung unterliegt der empirischen Forschung derer, die sich auf Foucaults Diskurskonzept beziehen, kein gemeinsames Paradigma. Aber in der Foucaultschen Diskursforschung finden sich geteilte methodologische Probleme und der gemeinsame Forschungsbereich zur Methodologie der Diskursanalyse, die die Foucaultsche Diskurstheorie in Formen empirischer Sozialforschung umsetzt. In den letzten Jahrzehnten sind sich die verschiedenen Forscher(innen) und Gruppen zunehmend ihrer Gemeinsamkeiten bewusst geworden, so dass von einem entstehenden Feld der Foucaultschen Diskursanalyse anstatt von einem entstehenden Paradigma gesprochen werden kann. Der Beitrag vermittelt einen Einblick in die diskursanalytische Forschung in ausgewählten Ländern, diskutiert die Internationalisierung der Foucaultschen Diskursanalyse und macht auf aktuelle Trends und Perspektiven aufmerksam. The article outlines the field of Foucaultian discourse analysis. The Foucaultian concept of discourse is introduced, and methodological positions and methodological developments are sketched. Compared to other qualitative social research approaches, the different researchers and research groups that have adopted the Foucaultian concept of discourse are not linked by a fully integrated common research paradigm. However, they share common methodological problems and areas of methodological research resulting from various references to Foucaultian positions. In the last decade, different research groups have become aware of these shared commonalities, so that one can speak of an emerging field of Foucaultian discourse analysis rather than an emerging paradigm. The article gives insight into the discourse analytic research in selected countries, discusses the internationalisation of Foucaultian discourse analysis and highlights current trends and perspectives. Historical Social Research Vol. 33, No. 1 (2008)

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    https://doi.org/10.17169/fqs-8...
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    https://doi.org/10.12759/hsr.3...
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