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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 6: Figure S6. (A) Raman and (B) FTIR spectra of sample S2 from Landscape with Snow, i.e. a scraping of canvas and ground. Materials identified include lead white in the form of hydrocerussite, lead carboxylates, and an organic medium.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Klügl, Johanna; Pietro, Giovanna Di;

    Additional file 9: Outer side of C samples dry (above), humidified (middle) and after drying (below).

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    Authors: Peng, Jacqueline; Mengge Zhao; Havrilla, James; Liu, Cong; +5 Authors

    Additional file 2: Fig. 2. Frequency of FP terms predicted by CLAMP, cTAKES, and MetaMap. The frequencies of FP terms predicted by the three tools were combined and are shown as a pie graph. Prioritized CUIs represent the set of CUIs from CUI predictions shared by the three tools in the same sentence and co-occurring with a general BM term; non-prioritized CUIs represent all other CUIs. The normalized entity name for the CUI is displayed in square brackets beside the CUI. The number in each section of the pie graph, which the size of the section is scaled to, represents the frequency as a percentage of all FP predictions from CLAMP, cTAKES, and MetaMap combined, and only percentages greater than 2 are labelled.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    Authors: Vetter, Wilfried; Frühmann, Bernadette; Cappa, Federica; Schreiner, Manfred;

    Additional file 11 Comparison of the absorption index spectrum of a blue colorant on folio 1r (red) with the IRUG reference spectrum (obtained in transmission mode) calcium stearate OF00108 (blue).

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Additional file 2: Figure S2. Board asking the participants to look at a given spot.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Duvernois, Isabelle; +1 Authors

    Additional file 5: Figure S5. Reticulation pattern of a coating layer visible on top of the black field of Iberic (1949) near site where cross section S4 was removed.

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    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 3: Figure S3. Detail of Roadway with Underpass, far right, showing dilute red underpainting of the tree trunk, thick impasto, and grainy effect created by the ground (photograph taken after the 2018 varnish removal).

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    Authors: Gatling, Benjamin;

    For many members of the Tajik governing elite, Muslim piety remains problematic—a stubborn, socially regressive holdover of anti-modern Tajiks—and Muslim leaders areoften thought of merely as anachronistic cultural survivals. This paper interrogates the depiction of Muslim exemplars as they appear on Tajik state television by comparing a 2009 documentary about the life of Imomi Abūḣanifa, the eponymous founder of the Ḣanafī school of jurisprudence, with an exposé about Ėshoni Temur, a local Naqshbandī Sufi pir tried and convicted in 2015 for polygyny and various indeterminate offenses against official notions of Muslim religiosity. This article considers different regimes of Muslim alterity as depicted on state media and argues that the Tajikgoverning elite alternately renders problematic Islam as innocuous heritage or in need of swift extermination.

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    By focusing on San Isidoro de León in the central Middle Ages, this study investigates the multiple meanings behind the presence of objects from other cultures in a royal-monastic treasury, suggesting a reconsideration of the paths by which such pieces arrived. The development of the Isidoran collection is reexamined through a close analysis of a charter recording the 1063 donation together with early thirteenth-century writings by Lucas of Tuy. Documentary evidence is further weighed against visual analysis and technical studies of several key pieces From the medieval collection. In particular, the Beatitudes Casket (now at the Museo Arqueológico Nacional, Madrid) is singled out to demonstrate how art historical, epigraphic, and historical re-search come together with carbon-14 testing, revealing that this object was assembled in a very different moment from those traditionally assumed.

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    Authors: Young, Kenneth John;

    Authors��� original file for figure 6

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 6: Figure S6. (A) Raman and (B) FTIR spectra of sample S2 from Landscape with Snow, i.e. a scraping of canvas and ground. Materials identified include lead white in the form of hydrocerussite, lead carboxylates, and an organic medium.

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    Authors: Klügl, Johanna; Pietro, Giovanna Di;

    Additional file 9: Outer side of C samples dry (above), humidified (middle) and after drying (below).

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    Authors: Peng, Jacqueline; Mengge Zhao; Havrilla, James; Liu, Cong; +5 Authors

    Additional file 2: Fig. 2. Frequency of FP terms predicted by CLAMP, cTAKES, and MetaMap. The frequencies of FP terms predicted by the three tools were combined and are shown as a pie graph. Prioritized CUIs represent the set of CUIs from CUI predictions shared by the three tools in the same sentence and co-occurring with a general BM term; non-prioritized CUIs represent all other CUIs. The normalized entity name for the CUI is displayed in square brackets beside the CUI. The number in each section of the pie graph, which the size of the section is scaled to, represents the frequency as a percentage of all FP predictions from CLAMP, cTAKES, and MetaMap combined, and only percentages greater than 2 are labelled.

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    Authors: Vetter, Wilfried; Frühmann, Bernadette; Cappa, Federica; Schreiner, Manfred;

    Additional file 11 Comparison of the absorption index spectrum of a blue colorant on folio 1r (red) with the IRUG reference spectrum (obtained in transmission mode) calcium stearate OF00108 (blue).

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Additional file 2: Figure S2. Board asking the participants to look at a given spot.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    figshare
    Image . 2021
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    figshare
    Image . 2021
    License: CC BY
    Data sources: Datacite