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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sagart, Laurent; Tze-Fu Hsu; Yuan-Ching Tsai; Cheng-Chieh Wu; +6 Authors

    Figure S2. Morphology of seed and caryopsis of all 60 aboriginal landraces. N, Nipponbare; I, IR64; 1, Pai-Ko-Tsao-Tzu; 2, O-Loan-Chu; 3, Purahaitairin; 4, Hopots utaiyaru; 5, Ragasu; 6, Pairauwar; 7, Nutsurikui; 8, Midon; 9, Burieuraozu; 10, Papito; 11, Mandarakiku; 12, Pairaur; 13, Tangengenrankatsu; 14, Paotsupagaiahon; 15, Montana; 16, Muteka; 17, Haifugoya; 18, Nata-ra; 19, Pazumatamaru; 20, Kabofu; 21, Tahobin; 22, Nabohai; 23, Nakairitsu; 24, Munagurusu; 25, Kabotsumame; 26, Bohai; 27, Gurusu; 28, Matara; 29, Nobohai; 30, Parahainakoru; 31, Habun No.1; 32, Nakarofukarapai S1; 33, Napatsupai; 34, Chuan No. 2; 35, Chuan No. 3; 36, Chuan No. 4; 37, Ragarasu; 38, Tapopuri; 39, unknown; 40, Pakaikauneku; 41, Kaisentetsuchitsu; 42, Napatsupai S3; 43, Baridon; 44, Paerizumochi; 45, Tarunatsumochi; 46, Warisanmochi 1; 47, Warisanmochi 2; 48, Szu Ming Lu Tao; 49, Komapatai; 50, Pagaitsuitaiyaru; 51, Airaromu; 52, Pazumataharu; 53, Nakara 2; 54, Nakabo; 55, Naguton; 56, Komonawai; 57, Pintowan 1; 58, Koodngoi; 59, Kahorui; 60, Tongsisai; 61, Banadoion; 62, Patsupatsu. (TIF 1961 kb)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Image . 2018
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Image . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 6: Figure S6. (A) Raman and (B) FTIR spectra of sample S2 from Landscape with Snow, i.e. a scraping of canvas and ground. Materials identified include lead white in the form of hydrocerussite, lead carboxylates, and an organic medium.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Klügl, Johanna; Pietro, Giovanna Di;

    Additional file 9: Outer side of C samples dry (above), humidified (middle) and after drying (below).

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramos, Alexandre Pinheiro;

    ABSTRACT The paper seeks to analyze how conviviality between the founder of the Brazilian Integralist Action (AIB), Plínio Salgado, and the publishers José Olympio and Augusto Frederico Schmidt contributed to the publication of Integralist books. First, it tries to ascertain the relevance of books to Integralism, since the intellectuals from AIB published almost fifty books between 1933 and 1937, most of them through two publishing houses: Editora José Olympio and Schmidt Editor. Then, it argues that the dynamics between friendship (material and ideological), interests, and power relations, built by the Salgado's relationship to those two editors, was crucial to the publication of the Integralist works, assuring their presence within the Brazilian publishing market and, thus, the circulation of AIB's ideas.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Image . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Kotyashko, Anna; Ferreira-Pereira, Laura Cristina; Vieira, Alena Vysotskaya Guedes;

    Abstract This article assesses the normative resistance to Responsibility to Protect adopted by Brazil and Russia against the backdrop of their international identities and self-assigned roles in a changing global order. Drawing upon the framework of Bloomsfield’s norm dynamics role spectrum, it argues that while the ambiguous Russian role regarding this principle represents an example of ‘norm antipreneurship’, particularities of Brazil’s resistance are better grasped by a new category left unaccounted for by this model, which this study portrays as ‘contesting entrepreneur’.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Peng, Jacqueline; Mengge Zhao; Havrilla, James; Liu, Cong; +5 Authors

    Additional file 2: Fig. 2. Frequency of FP terms predicted by CLAMP, cTAKES, and MetaMap. The frequencies of FP terms predicted by the three tools were combined and are shown as a pie graph. Prioritized CUIs represent the set of CUIs from CUI predictions shared by the three tools in the same sentence and co-occurring with a general BM term; non-prioritized CUIs represent all other CUIs. The normalized entity name for the CUI is displayed in square brackets beside the CUI. The number in each section of the pie graph, which the size of the section is scaled to, represents the frequency as a percentage of all FP predictions from CLAMP, cTAKES, and MetaMap combined, and only percentages greater than 2 are labelled.

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    Authors: Vetter, Wilfried; Frühmann, Bernadette; Cappa, Federica; Schreiner, Manfred;

    Additional file 11 Comparison of the absorption index spectrum of a blue colorant on folio 1r (red) with the IRUG reference spectrum (obtained in transmission mode) calcium stearate OF00108 (blue).

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    Additional file 2: Figure S2. Board asking the participants to look at a given spot.

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    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Duvernois, Isabelle; +1 Authors

    Additional file 5: Figure S5. Reticulation pattern of a coating layer visible on top of the black field of Iberic (1949) near site where cross section S4 was removed.

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    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 3: Figure S3. Detail of Roadway with Underpass, far right, showing dilute red underpainting of the tree trunk, thick impasto, and grainy effect created by the ground (photograph taken after the 2018 varnish removal).

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sagart, Laurent; Tze-Fu Hsu; Yuan-Ching Tsai; Cheng-Chieh Wu; +6 Authors

    Figure S2. Morphology of seed and caryopsis of all 60 aboriginal landraces. N, Nipponbare; I, IR64; 1, Pai-Ko-Tsao-Tzu; 2, O-Loan-Chu; 3, Purahaitairin; 4, Hopots utaiyaru; 5, Ragasu; 6, Pairauwar; 7, Nutsurikui; 8, Midon; 9, Burieuraozu; 10, Papito; 11, Mandarakiku; 12, Pairaur; 13, Tangengenrankatsu; 14, Paotsupagaiahon; 15, Montana; 16, Muteka; 17, Haifugoya; 18, Nata-ra; 19, Pazumatamaru; 20, Kabofu; 21, Tahobin; 22, Nabohai; 23, Nakairitsu; 24, Munagurusu; 25, Kabotsumame; 26, Bohai; 27, Gurusu; 28, Matara; 29, Nobohai; 30, Parahainakoru; 31, Habun No.1; 32, Nakarofukarapai S1; 33, Napatsupai; 34, Chuan No. 2; 35, Chuan No. 3; 36, Chuan No. 4; 37, Ragarasu; 38, Tapopuri; 39, unknown; 40, Pakaikauneku; 41, Kaisentetsuchitsu; 42, Napatsupai S3; 43, Baridon; 44, Paerizumochi; 45, Tarunatsumochi; 46, Warisanmochi 1; 47, Warisanmochi 2; 48, Szu Ming Lu Tao; 49, Komapatai; 50, Pagaitsuitaiyaru; 51, Airaromu; 52, Pazumataharu; 53, Nakara 2; 54, Nakabo; 55, Naguton; 56, Komonawai; 57, Pintowan 1; 58, Koodngoi; 59, Kahorui; 60, Tongsisai; 61, Banadoion; 62, Patsupatsu. (TIF 1961 kb)

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    Authors: Pozzi, Federica; Basso, Elena; Centeno, Silvia A.; Smieska, Louisa M.; +4 Authors

    Additional file 6: Figure S6. (A) Raman and (B) FTIR spectra of sample S2 from Landscape with Snow, i.e. a scraping of canvas and ground. Materials identified include lead white in the form of hydrocerussite, lead carboxylates, and an organic medium.

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    Authors: Klügl, Johanna; Pietro, Giovanna Di;

    Additional file 9: Outer side of C samples dry (above), humidified (middle) and after drying (below).

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    Authors: Ramos, Alexandre Pinheiro;

    ABSTRACT The paper seeks to analyze how conviviality between the founder of the Brazilian Integralist Action (AIB), Plínio Salgado, and the publishers José Olympio and Augusto Frederico Schmidt contributed to the publication of Integralist books. First, it tries to ascertain the relevance of books to Integralism, since the intellectuals from AIB published almost fifty books between 1933 and 1937, most of them through two publishing houses: Editora José Olympio and Schmidt Editor. Then, it argues that the dynamics between friendship (material and ideological), interests, and power relations, built by the Salgado's relationship to those two editors, was crucial to the publication of the Integralist works, assuring their presence within the Brazilian publishing market and, thus, the circulation of AIB's ideas.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Image . 2018
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Image . 2018
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      figshare
      Image . 2018
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      figshare
      Image . 2018
      License: CC BY
      Data sources: Datacite
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/