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13 Research products

  • Digital Humanities and Cultural Heritage
  • 2018-2022
  • Research data
  • Image
  • CoCoON
  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Il s'agit ici d'un classique du genre Pacifique en termes de métamorphose teinté de péché originel : l'amant dissimulé sous une peau de serpent. Nous retrouvons des déclinaisons de ce motif littéraire dans bien des littératures du pacifique, notamment à l'île des pins en Nouvelle-Calédonie où il a été recueilli par Pascal Germain et publié en 1985. Mais pas seulement, ce motif de la métamorphose de la femme-cygne piégée se retrouve également éparpillé dans la classification de Aarne et Thompson (MT K1335), mais pas sous forme de conte type. Dans la plupart des versions connues, écrit Jean-Loïc Le Quellec (2017) : “ un homme épie des femmes au bain, remarque qu’elles ont abandonné leur robe de plumes sur la rive et dérobe l’une d’elle ; lorsque les femmes redeviennent oiseaux -ici serpent- et s’envolent, celle qui est privée de plumage est condamnée à rester au sol, et l’homme en profite pour lui imposer le mariage”. Avec cette version, nous constatons que le récit est structurellement le même que ceux répandus mondialement- en Europe, en Afrique, en Asie septentrionale et orientale, en Inde, en Amérique centrale, Amérique du SUd et ailleurs en Océanie. Seul le paradigme à une “couleur locale”: un homme blanc/ et non une femme, un serpent/ et non un oiseau. Les motifs - de ce qui aurait pu être un conte-type- qui le constituent, selon l’index de Arne et Thompson (1961) sont les suivants: B6652.1: Mariage avec une fille-cygne; C31.10: Tabou: rendre ses habits à l’épouse surnaturelle; D161: Transformation d’une personne en cygne; D361.1: Fille-cygne. Un cygne se transforme en fille à volonté. Elle retrouve sa forme initiale en remettant son habit de cygne; D531: Métamorphose en endossant une peau. En mettant la peau, les plumes, etc d’un animal, une personne se change en cet animal; K1135: Séduction en volant les habits d’une fille au bain; T111 Mariage d’un mortel et d’un être surnaturel. Un argument supplémentaire pour indiquer que les contes ne sont pas qu’une succession de motifs mais on une structure commune. Dans ce texte, la désobéissance des deux jeune filles entraîne une réaction en chaîne jusqu'à la ruine de la famille: jalousie, séduction, assassinat et suicide vengeur. Ce récit prône également le système de mariage inter-îles qui ne saurait causer de telles perturbations. Quoi que le jeune homme de l'histoire soit de belle apparence, il demeure qu'il apparaît sous les traits d'un serpent, sémantiquement chargé de danger et d'interdit, puis d'un homme blanc, d'un étranger. Le fait qu'il séduise la jeune fille au sens étymologique du terme, la tire toujours plus à l'écart des règles jusqu'au dénouement tragique . Tongariki island, Lewahima

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CoCoON
      Image . 2021
      License: CC BY NC SA
      Data sources: CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Une famille vit sur l’île de Makira. Avant de mourir la mère des enfants met en garde le père contre un démon. Le père ne respecte pas les vœux de sa femme et le démon s’en prend aux enfants. Les enfants finissent par aller chercher leur défunte mère à « Na-tan lulu » où résident les morts et les démons. Celle-ci intervient et sauve sa progéniture. Historical narrative recorded in Agathis, Port-Vila

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
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    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CoCoON
      Image . 2021
      License: CC BY NC SA
      Data sources: CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Tongariki island, Erat

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite
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      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
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      CoCoON
      Image . 2021
      License: CC BY NC SA
      Data sources: CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2021
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      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bessis, Sandrine;

    Il s'agit d'une légende traditionnelle qui met en scène une question : comment se fait-il que les chauves-souris noires et les chauves-souris blanches de l'île vivent en des lieux si éloignés l'un de l'autre. Les règles de vie en communautés sont ici délivrées notamment sur l'autorité du chef, l'importance du partage des ressources mais aussi sur le caractère irréversible de la punition. Une suite de toponymes vient graduer l'éloignement géographique des deux espèces, et nous enseigne ainsi les noms de tous les sommets de Tongariki qui font partie des savoirs partagés par tous les membres de la communauté. Tongariki island, Muur

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CoCoONarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
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      CoCoON
      Image . 2021
      License: CC BY NC SA
      Data sources: CoCoON
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      NAKALA; CoCoON
      Sound . 2021
      License: CC BY NC SA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Il s’agit d’un récit étiologique qui convoque le topos des parents qui adoptent un enfant d'un autre monde, et qui tôt ou tard doit retrouver les siens. Le thème de la métamorphose, fortement répandu dans le Pacifique et dans les littératures du monde y est abordé en corrélation avec l'offrande typique de la " coutume ", le cochon. A mesure que celui-ci est consommé, la transformation s'opère. Des règles de vie en société sont aussi abordées comme la légitimité du sang, la place et la connivence sociale et le nécessaire retour parmi les siens. Il est de notoriété commune au Vanuatu et c'est un thème bien souvent abordé, que l'on appartient à une île, à une caste, à une famille. De même l'adoption d'un enfant ne peut se dérouler hors d'un rituel. Un repas notamment doit être organisé sans quoi l'adoption est illégitime et on s'expose à voir son enfant s'envoler, comme un oiseau, et reprendre droit sur les terres qui sont les siennes. Tongariki island, Lakilia

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CoCoONarrow_drop_down
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    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
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    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite; CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2021
    License: CC BY NC SA
    Data sources: Datacite
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      CoCoON
      Image . 2021
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      NAKALA; CoCoON
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite; CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2021
      License: CC BY NC SA
      Data sources: Datacite
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    Authors: Bessis, Sandrine;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CoCoONarrow_drop_down
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    CoCoON
    Image . 2021
    License: CC BY NC SA
    Data sources: CoCoON
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      CoCoON
      Image . 2021
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    Ce récit n'a pas été conté publiquement mais dans le secret de la maison de LeiMala. Le cadre narratif est l'intronisation du chef Marivira qui donne pour ordre aux deux sœurs, la grande et la petite Nawa, qui représentent par leur nom la descendance des premiers hommes de Tongariki suite à l’irruption du volcan, d'aller nettoyer les tripes d'un cochon fraîchement égorgé pour l'occasion. Les deux Nawa, séduites par un démon aux testicules géants, tour à tour, sont enlevées. La première sera dévorée et la seconde sauvée par un mystérieux ancien, puis par les hommes de Marivira. Beaucoup d'histoires de Tongariki, compte-tenu du système de mariage, diabolisent Mataso et vice-versa. Cette histoire évoque entre autre le cannibalisme omniprésent avant l’arrivée des missionnaires. Tongariki island, Lewahima

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
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    NAKALA; CoCoON
    Sound . 2021
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    CoCoON
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    Sound . 2021
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      NAKALA; CoCoON
      Sound . 2021
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      CoCoON
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      Sound . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Cette tukunu rassemble les motifs principaux et les plus typiques de l'histoire de démon. Six frères vivant avec leur grand-mère doivent aller vaquer à leurs occupations, et la laisser seule. Un démon menace la grand-mère et le plus jeune des frères parvient à l'estourbir. Tongariki island, Lewahima

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    Sound . 2021
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    CoCoON
    Image . 2021
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    Data sources: CoCoON
    https://doi.org/10.24397/pangl...
    Sound . 2021
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      NAKALA; CoCoON
      Sound . 2021
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      CoCoON
      Image . 2021
      License: CC BY NC SA
      Data sources: CoCoON
      https://doi.org/10.24397/pangl...
      Sound . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Il s'agit d'un nouveau classique Shepherds1 décliné dans toutes les îles avec différents niveaux de précisions et de morale. Le thème commun et principal étant la résurrection humaine. En effet, cette " tukunu " qui dans cette version n'a aucune marque témoin dans le paysage de Tongariki, aborde les sujets de la jalousie, du mensonge et des relations interfamiliales. Une belle-mère attente à la vie de sa belle-fille et s'expose au courroux de son fils. Face à un comportement " démoniaque " la résurrection peut être positive. Dans la plupart des histoires, les jeunes filles sacrifiées ou décédées qui reviennent à la vie, le font toujours sous forme de démon. Cette histoire fait exception. Tongariki island, Lewahima

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CoCoONarrow_drop_down
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    CoCoON
    Image . 2021
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    Data sources: CoCoON
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    NAKALA; CoCoON
    Sound . 2021
    License: CC BY NC SA
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    https://doi.org/10.24397/pangl...
    Sound . 2021
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      CoCoON
      Image . 2021
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      NAKALA; CoCoON
      Sound . 2021
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      Sound . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Un autre classique Shepherd qui trouve ses preuves autour de toutes les îles. Il s 'agit de deux rochers côte-à-côte dans l'eau : un grand, représentant la grand-mère et un petit, représentant sa petite-fille. Cette histoire est le dénouement tragique d'une dispute entre une grand-mère et sa petite-fille qui, après s'être fait réprimandée pour avoir perdu un coquillage magique, se suicide en se jetant dans les flots. La grand-mère, distraite par le mensonge de la petite-fille, ne peut la sauver et la rejoint dans la mort. Tongariki island, Lewahima

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    NAKALA; CoCoON
    Sound . 2021
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    CoCoON
    Image . 2021
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    https://doi.org/10.24397/pangl...
    Sound . 2021
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      Sound . 2021
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      CoCoON
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13 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Il s'agit ici d'un classique du genre Pacifique en termes de métamorphose teinté de péché originel : l'amant dissimulé sous une peau de serpent. Nous retrouvons des déclinaisons de ce motif littéraire dans bien des littératures du pacifique, notamment à l'île des pins en Nouvelle-Calédonie où il a été recueilli par Pascal Germain et publié en 1985. Mais pas seulement, ce motif de la métamorphose de la femme-cygne piégée se retrouve également éparpillé dans la classification de Aarne et Thompson (MT K1335), mais pas sous forme de conte type. Dans la plupart des versions connues, écrit Jean-Loïc Le Quellec (2017) : “ un homme épie des femmes au bain, remarque qu’elles ont abandonné leur robe de plumes sur la rive et dérobe l’une d’elle ; lorsque les femmes redeviennent oiseaux -ici serpent- et s’envolent, celle qui est privée de plumage est condamnée à rester au sol, et l’homme en profite pour lui imposer le mariage”. Avec cette version, nous constatons que le récit est structurellement le même que ceux répandus mondialement- en Europe, en Afrique, en Asie septentrionale et orientale, en Inde, en Amérique centrale, Amérique du SUd et ailleurs en Océanie. Seul le paradigme à une “couleur locale”: un homme blanc/ et non une femme, un serpent/ et non un oiseau. Les motifs - de ce qui aurait pu être un conte-type- qui le constituent, selon l’index de Arne et Thompson (1961) sont les suivants: B6652.1: Mariage avec une fille-cygne; C31.10: Tabou: rendre ses habits à l’épouse surnaturelle; D161: Transformation d’une personne en cygne; D361.1: Fille-cygne. Un cygne se transforme en fille à volonté. Elle retrouve sa forme initiale en remettant son habit de cygne; D531: Métamorphose en endossant une peau. En mettant la peau, les plumes, etc d’un animal, une personne se change en cet animal; K1135: Séduction en volant les habits d’une fille au bain; T111 Mariage d’un mortel et d’un être surnaturel. Un argument supplémentaire pour indiquer que les contes ne sont pas qu’une succession de motifs mais on une structure commune. Dans ce texte, la désobéissance des deux jeune filles entraîne une réaction en chaîne jusqu'à la ruine de la famille: jalousie, séduction, assassinat et suicide vengeur. Ce récit prône également le système de mariage inter-îles qui ne saurait causer de telles perturbations. Quoi que le jeune homme de l'histoire soit de belle apparence, il demeure qu'il apparaît sous les traits d'un serpent, sémantiquement chargé de danger et d'interdit, puis d'un homme blanc, d'un étranger. Le fait qu'il séduise la jeune fille au sens étymologique du terme, la tire toujours plus à l'écart des règles jusqu'au dénouement tragique . Tongariki island, Lewahima

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    NAKALA; CoCoON
    Sound . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CoCoON
    Image . 2021
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    https://doi.org/10.24397/pangl...
    Sound . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NAKALA; CoCoONarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NAKALA; CoCoON
      Sound . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CoCoON
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      Sound . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Une famille vit sur l’île de Makira. Avant de mourir la mère des enfants met en garde le père contre un démon. Le père ne respecte pas les vœux de sa femme et le démon s’en prend aux enfants. Les enfants finissent par aller chercher leur défunte mère à « Na-tan lulu » où résident les morts et les démons. Celle-ci intervient et sauve sa progéniture. Historical narrative recorded in Agathis, Port-Vila

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NAKALA; CoCoON
    Sound . 2021
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    Tongariki island, Erat

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    Authors: Bessis, Sandrine;

    Il s'agit d'une légende traditionnelle qui met en scène une question : comment se fait-il que les chauves-souris noires et les chauves-souris blanches de l'île vivent en des lieux si éloignés l'un de l'autre. Les règles de vie en communautés sont ici délivrées notamment sur l'autorité du chef, l'importance du partage des ressources mais aussi sur le caractère irréversible de la punition. Une suite de toponymes vient graduer l'éloignement géographique des deux espèces, et nous enseigne ainsi les noms de tous les sommets de Tongariki qui font partie des savoirs partagés par tous les membres de la communauté. Tongariki island, Muur

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