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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Passarotti, Marco; Mambrini, Francesco; Iurescia, Federica; Cecchini, Flavio Massimiliano; +2 Authors

    The digital text of the 13 books of the "Confessiones" by Augustinus is taken from The Latin Library (http://www.thelatinlibrary.com/august.html). The original text was lemmatized and PoS tagged with the UDPipe tool (using the PROIEL trained model). The output of UDPipe was then checked manually at the CIRCSE Research Centre of the Università Cattolica del Sacro Cuore, Milan, Italy. The linking of the text to the Lemma Bank of the LiLa Knowledge Base was performed at CIRCSE, too.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: David Gentilcore;

    From the mid-sixteenth century, Italian Protomedico tribunals, Colleges of Physicians or Health Offices (jurisdiction varied from state to state) required ‘charlatans’ to submit their wares for inspection and, upon approval, pay a licence fee in order set up a stage from which to perform and sell them. As far as the medical magistracies were concerned, charlatans – or quacks, empirics, mountebanks, itinerant pedlars, whatever we wish to call them – had a definable identity. They constituted a specific trade or occupation. In this context, the Italian term <i>ciarlatano</i> lost some of its bite, becoming less a term of abuse and more a generic, bureaucratic label, identifying a category of healer. The word had a more precise meaning, fewer figurative connotations than it would acquire in English. More importantly, it was a label, the charlatans used themselves.<br> The licensing regime in place in early modern Italy allows us unparalleled opportunities when it comes to the investigation of suspect but generally tolerated categories like charlatans. It was the ongoing attempt to regulate the activity of charlatans which provides us with the raw material for this Database and for the book associated with it, David Gentilcore’s <i>Medical Charlatanism in Early Modern Italy</i> (Oxford University Press, 2006; ISBN 0199245355)<br>

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    UK Data Archive
    Dataset . 2008
    Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sacco, Daniela;

    Audio recording of the study day "Théâtre interculturel et appropriation culturelle. Enjeux éthiques et esthétiques", UQAM, Université du Quebec à Montreal, 10 March 2022.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Dataverse UNIMI
    Dataset . 2022
    License: CC 0
    Data sources: Dataverse UNIMI
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Dataverse UNIMI
      Dataset . 2022
      License: CC 0
      Data sources: Dataverse UNIMI
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Colliva L;

    Ricostruzioni tridimensionali delle tombe della necropoli meridionale di Tharros (Oristano)

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Bassi, Simonetta; Delcaldo, Mirko; Tozzini, Cinzia; Benedetti, Michela; +11 Authors
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Falcucci, Armando; Arrighi, Simona; Spagnolo, Vincenzo; Rossini, Matteo; +7 Authors

    Research compendium for 'A pre-Campanian Ignimbrite techno-cultural shift in the Aurignacian sequence of Grotta di Castelcivita, southern Italy' Compendium DOI: https://doi.org/10.5281/zenodo.10639553 The content available at the above provided URL will reproduce the results as documented in the first paper's submission. Instead, the files hosted at https://github.com/ArmandoFalcucci/Castelcivita-Aur-Techno represent the developmental versions and might have undergone modifications since the paper's publication. Maintainer of this repository: Armando Falcucci (armando.falcucci@uni-tuebingen.de; https://orcid.org/0000-0002-3255-1005) Submitted paper: Armando Falcucci, Simona Arrighi, Vincenzo Spagnolo, Matteo Rossini, Owen Higgins, Brunella Muttillo, Ivan Martini, Jacopo Crezzini, Francesco Boschin, Annamaria Ronchitelli, Adriana Moroni. A pre-Campanian Ignimbrite techno-cultural shift in the Aurignacian sequence of Grotta di Castelcivita, southern Italy. In preparation (2024). Abstract: The Aurignacian is the first European technocomplex assigned to Homo sapiens identified across a wide geographic extent. Although archaeologists have identified marked chrono-cultural shifts within the Aurignacian mostly by examining the techno-typological variations of stone tools, unraveling the underlying processes driving these changes remains a significant scientific challenge. Scholars have, for instance, hypothesized that the Campanian Ignimbrite (CI) super-eruption and the climatic deterioration associated with the onset of Heinrich Event 4 had a substantial impact on European foraging groups. The technological shift from the Protoaurignacian to the Early Aurignacian is regarded as an archaeological manifestation of adaptation to changing environments. However, some of the most crucial regions and stratigraphic sequences for testing these scenarios have been overlooked. In this study, we delve into the high-resolution stratigraphic sequence of Grotta di Castelcivita in southern Italy. Here, the Uluzzian is followed by three Aurignacian layers, all sealed by the eruptive units of the CI. Employing a comprehensive range of quantitative methods—encompassing attribute analysis, 3D model analysis, and geometric morphometrics—we demonstrate that the technological features commonly associated with the Early Aurignacian developed well before the deposition of the CI tephra. Our study provides thus the first direct evidence that the volcanic eruption played no role in this cultural process. Furthermore, we show that local paleo-environmental proxies do not correlate with the identified patterns of cultural continuity and discontinuity. Consequently, we propose alternative research paths to explore the role of demography and regional trajectories in the development of the Upper Paleolithic. Keywords: Early Upper Paleolithic; Italy; Aurignacian; lithic technology; geometric morphometrics; 3D model analysis; cultural evolution; human-environment interaction; open science. Overview of contents and how to reproduce: Within this repository, various folders house data (data), code (script), and output files (output) pertinent to the paper. The data folder encompasses the complete dataset, the core dataset, and 2D outline coordinates utilized for the geometric morphometrics study. To replicate the results, download the entire repository and employ Castelcivita-Aur-Techno.Rproj and open the folder script, following the numbered folder structure. For ensuring reproducibility, the renv package (v. 1.0.3) was utilized, following the procedures detailed in its vignette. All analyses and visualizations in the paper were conducted using R 4.3.1 on Microsoft Windows 10.0.19045 (64-bit). As the necessary packages are available in the renv folder, they are not explicitly listed here. Licenses: Code: MIT (http://opensource.org/licenses/MIT), copyright holder: Armando Falcucci (2024). Data and intellectual work: Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), copyright holder: the authors (2024).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Dataset . 2024
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Dataset . 2024
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2024
      License: CC BY
      Data sources: ZENODO
      ZENODO
      Dataset . 2024
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Delcaldo, Mirko; Zanker, Paul; Laboratorio per l'Analisi, la Ricerca, la Tutela, le Tecnologie e l'Economia del patrimonio culturale (LARTTE). Gruppo di lavoro Gestione delle fonti storico artistiche, musei e territorio;

    Il portale propone in una prospettiva ampia e con strumentazioni e sperimentazioni nuove il tema della fortuna della statuaria antica. Esso intende svolgere un itinerario che, partendo dallo studio dei topoi collezionistici e dalla loro cristallizzazione negli atlanti di stampe, giunge fino alle esperienze della fruizione contemporanea. Il portale è costruito secondo uno schema diviso in quattro sezioni: Atlanti ; Novecento ; Musei ; Didattica

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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    Authors: Sacco, Daniela;

    Interview with Isabelle Payant and Robine Kaseka

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Dataverse UNIMI
    Dataset . 2022
    License: CC 0
    Data sources: Dataverse UNIMI
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Dataverse UNIMI
      Dataset . 2022
      License: CC 0
      Data sources: Dataverse UNIMI
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    Authors: Blin, Inès; Stork, Lise; Spillner, Laura; Santagiustina, Carlo Romano Marcello Alessandro;

    The Observatory Knowledge Graph (OKG) is a knowledge graph with tweets on inequality in terms of the OBIO ontology (https://w3id.org/okg/obio-ontology/), which integrates social media metadata with various types of linguistic knowledge. The OKG can be used as the backbone of a social media observatory, to facilitate a deeper understanding of social media discourse on inequality. We retrieved tweets and retweets published from the end (30th) of May 2020 to the beginning (1st) of May 2023. In this version of the OKG, we use a sample of 85,247 tweets, published from May 30th to August 27th, 2020. To be compliant with Twitter's policies, we remove usernames and id's, as well as the tweet texts and sentences. We also replace user IRIs with skolem IRIs through skolemization. Access to the OKG as well as the SPARQL endpoint can be requested by sending a mail to the contact person with the following information: A description of the use case Affiliation of the researchers involved How their work is in line with Twitter's policies: https://developer.twitter.com/en/developer-terms/policy#4-d

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    ZENODO
    Dataset . 2023
    License: CC BY NC
    Data sources: ZENODO; Sygma
    ZENODO
    Dataset . 2023
    License: CC BY NC
    Data sources: Datacite
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      ZENODO
      Dataset . 2023
      License: CC BY NC
      Data sources: ZENODO; Sygma
      ZENODO
      Dataset . 2023
      License: CC BY NC
      Data sources: Datacite
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bardi A.;

    Anonymized responses to the ARIADNEplus questionnaire to gather information for the aggregation of metadata about archaelogical resources to be included in the ARIADNEplus Knowledge Base and portal (https://portal.ariadne-infrastructure.eu/). The csv includes only the plain responses as provided by 31 archaelogical content providers until 18 October 2021. The excel file includes also two additional sheets where the responses about the formats and the aggregation update schedule have been normalised. The responses are discussed in deliverable D12.4 "Final report on data integration".

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao ISTI Open Portalarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    ISTI Open Portal
    Dataset . 2022
    Data sources: ISTI Open Portal
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao ISTI Open Portalarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      ISTI Open Portal
      Dataset . 2022
      Data sources: ISTI Open Portal
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Passarotti, Marco; Mambrini, Francesco; Iurescia, Federica; Cecchini, Flavio Massimiliano; +2 Authors

    The digital text of the 13 books of the "Confessiones" by Augustinus is taken from The Latin Library (http://www.thelatinlibrary.com/august.html). The original text was lemmatized and PoS tagged with the UDPipe tool (using the PROIEL trained model). The output of UDPipe was then checked manually at the CIRCSE Research Centre of the Università Cattolica del Sacro Cuore, Milan, Italy. The linking of the text to the Lemma Bank of the LiLa Knowledge Base was performed at CIRCSE, too.

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    Authors: David Gentilcore;

    From the mid-sixteenth century, Italian Protomedico tribunals, Colleges of Physicians or Health Offices (jurisdiction varied from state to state) required ‘charlatans’ to submit their wares for inspection and, upon approval, pay a licence fee in order set up a stage from which to perform and sell them. As far as the medical magistracies were concerned, charlatans – or quacks, empirics, mountebanks, itinerant pedlars, whatever we wish to call them – had a definable identity. They constituted a specific trade or occupation. In this context, the Italian term <i>ciarlatano</i> lost some of its bite, becoming less a term of abuse and more a generic, bureaucratic label, identifying a category of healer. The word had a more precise meaning, fewer figurative connotations than it would acquire in English. More importantly, it was a label, the charlatans used themselves.<br> The licensing regime in place in early modern Italy allows us unparalleled opportunities when it comes to the investigation of suspect but generally tolerated categories like charlatans. It was the ongoing attempt to regulate the activity of charlatans which provides us with the raw material for this Database and for the book associated with it, David Gentilcore’s <i>Medical Charlatanism in Early Modern Italy</i> (Oxford University Press, 2006; ISBN 0199245355)<br>

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    UK Data Archive
    Dataset . 2008
    Data sources: Datacite
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    Authors: Sacco, Daniela;

    Audio recording of the study day "Théâtre interculturel et appropriation culturelle. Enjeux éthiques et esthétiques", UQAM, Université du Quebec à Montreal, 10 March 2022.

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    Dataverse UNIMI
    Dataset . 2022
    License: CC 0
    Data sources: Dataverse UNIMI
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      Dataverse UNIMI
      Dataset . 2022
      License: CC 0
      Data sources: Dataverse UNIMI
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    Authors: Colliva L;

    Ricostruzioni tridimensionali delle tombe della necropoli meridionale di Tharros (Oristano)

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    Authors: Bassi, Simonetta; Delcaldo, Mirko; Tozzini, Cinzia; Benedetti, Michela; +11 Authors
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    Authors: Falcucci, Armando; Arrighi, Simona; Spagnolo, Vincenzo; Rossini, Matteo; +7 Authors

    Research compendium for 'A pre-Campanian Ignimbrite techno-cultural shift in the Aurignacian sequence of Grotta di Castelcivita, southern Italy' Compendium DOI: https://doi.org/10.5281/zenodo.10639553 The content available at the above provided URL will reproduce the results as documented in the first paper's submission. Instead, the files hosted at https://github.com/ArmandoFalcucci/Castelcivita-Aur-Techno represent the developmental versions and might have undergone modifications since the paper's publication. Maintainer of this repository: Armando Falcucci (armando.falcucci@uni-tuebingen.de; https://orcid.org/0000-0002-3255-1005) Submitted paper: Armando Falcucci, Simona Arrighi, Vincenzo Spagnolo, Matteo Rossini, Owen Higgins, Brunella Muttillo, Ivan Martini, Jacopo Crezzini, Francesco Boschin, Annamaria Ronchitelli, Adriana Moroni. A pre-Campanian Ignimbrite techno-cultural shift in the Aurignacian sequence of Grotta di Castelcivita, southern Italy. In preparation (2024). Abstract: The Aurignacian is the first European technocomplex assigned to Homo sapiens identified across a wide geographic extent. Although archaeologists have identified marked chrono-cultural shifts within the Aurignacian mostly by examining the techno-typological variations of stone tools, unraveling the underlying processes driving these changes remains a significant scientific challenge. Scholars have, for instance, hypothesized that the Campanian Ignimbrite (CI) super-eruption and the climatic deterioration associated with the onset of Heinrich Event 4 had a substantial impact on European foraging groups. The technological shift from the Protoaurignacian to the Early Aurignacian is regarded as an archaeological manifestation of adaptation to changing environments. However, some of the most crucial regions and stratigraphic sequences for testing these scenarios have been overlooked. In this study, we delve into the high-resolution stratigraphic sequence of Grotta di Castelcivita in southern Italy. Here, the Uluzzian is followed by three Aurignacian layers, all sealed by the eruptive units of the CI. Employing a comprehensive range of quantitative methods—encompassing attribute analysis, 3D model analysis, and geometric morphometrics—we demonstrate that the technological features commonly associated with the Early Aurignacian developed well before the deposition of the CI tephra. Our study provides thus the first direct evidence that the volcanic eruption played no role in this cultural process. Furthermore, we show that local paleo-environmental proxies do not correlate with the identified patterns of cultural continuity and discontinuity. Consequently, we propose alternative research paths to explore the role of demography and regional trajectories in the development of the Upper Paleolithic. Keywords: Early Upper Paleolithic; Italy; Aurignacian; lithic technology; geometric morphometrics; 3D model analysis; cultural evolution; human-environment interaction; open science. Overview of contents and how to reproduce: Within this repository, various folders house data (data), code (script), and output files (output) pertinent to the paper. The data folder encompasses the complete dataset, the core dataset, and 2D outline coordinates utilized for the geometric morphometrics study. To replicate the results, download the entire repository and employ Castelcivita-Aur-Techno.Rproj and open the folder script, following the numbered folder structure. For ensuring reproducibility, the renv package (v. 1.0.3) was utilized, following the procedures detailed in its vignette. All analyses and visualizations in the paper were conducted using R 4.3.1 on Microsoft Windows 10.0.19045 (64-bit). As the necessary packages are available in the renv folder, they are not explicitly listed here. Licenses: Code: MIT (http://opensource.org/licenses/MIT), copyright holder: Armando Falcucci (2024). Data and intellectual work: Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), copyright holder: the authors (2024).

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    ZENODO
    Dataset . 2024
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Dataset . 2024
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2024
      License: CC BY
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      ZENODO
      Dataset . 2024
      License: CC BY
      Data sources: Datacite
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    Authors: Delcaldo, Mirko; Zanker, Paul; Laboratorio per l'Analisi, la Ricerca, la Tutela, le Tecnologie e l'Economia del patrimonio culturale (LARTTE). Gruppo di lavoro Gestione delle fonti storico artistiche, musei e territorio;

    Il portale propone in una prospettiva ampia e con strumentazioni e sperimentazioni nuove il tema della fortuna della statuaria antica. Esso intende svolgere un itinerario che, partendo dallo studio dei topoi collezionistici e dalla loro cristallizzazione negli atlanti di stampe, giunge fino alle esperienze della fruizione contemporanea. Il portale è costruito secondo uno schema diviso in quattro sezioni: Atlanti ; Novecento ; Musei ; Didattica

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    Authors: Sacco, Daniela;

    Interview with Isabelle Payant and Robine Kaseka

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    Dataverse UNIMI
    Dataset . 2022
    License: CC 0
    Data sources: Dataverse UNIMI
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      Dataverse UNIMI
      Dataset . 2022
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    Authors: Blin, Inès; Stork, Lise; Spillner, Laura; Santagiustina, Carlo Romano Marcello Alessandro;

    The Observatory Knowledge Graph (OKG) is a knowledge graph with tweets on inequality in terms of the OBIO ontology (https://w3id.org/okg/obio-ontology/), which integrates social media metadata with various types of linguistic knowledge. The OKG can be used as the backbone of a social media observatory, to facilitate a deeper understanding of social media discourse on inequality. We retrieved tweets and retweets published from the end (30th) of May 2020 to the beginning (1st) of May 2023. In this version of the OKG, we use a sample of 85,247 tweets, published from May 30th to August 27th, 2020. To be compliant with Twitter's policies, we remove usernames and id's, as well as the tweet texts and sentences. We also replace user IRIs with skolem IRIs through skolemization. Access to the OKG as well as the SPARQL endpoint can be requested by sending a mail to the contact person with the following information: A description of the use case Affiliation of the researchers involved How their work is in line with Twitter's policies: https://developer.twitter.com/en/developer-terms/policy#4-d

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    ZENODO
    Dataset . 2023
    License: CC BY NC
    Data sources: ZENODO; Sygma
    ZENODO
    Dataset . 2023
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    Data sources: Datacite
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      ZENODO
      Dataset . 2023
      License: CC BY NC
      Data sources: ZENODO; Sygma
      ZENODO
      Dataset . 2023
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      Data sources: Datacite
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    Authors: Bardi A.;

    Anonymized responses to the ARIADNEplus questionnaire to gather information for the aggregation of metadata about archaelogical resources to be included in the ARIADNEplus Knowledge Base and portal (https://portal.ariadne-infrastructure.eu/). The csv includes only the plain responses as provided by 31 archaelogical content providers until 18 October 2021. The excel file includes also two additional sheets where the responses about the formats and the aggregation update schedule have been normalised. The responses are discussed in deliverable D12.4 "Final report on data integration".

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    ISTI Open Portal
    Dataset . 2022
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      ISTI Open Portal
      Dataset . 2022
      Data sources: ISTI Open Portal