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  • Publikationer från Umeå universitet
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  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alexanderson, Helena; Hoffstein, Ellen; Hoffstein, Iris; Peric, Zoran; +1 Authors

    Archaeological investigations have revealed cultural layers with remnants of houses and streets below up to four metres of sand at the southern end of the Falsterbo peninsula in southernmost Sweden. The cultural layers have been dated to the 15th – 16th centuries, based on finds of, for example, coins and ceramics, and interpreted to represent the medieval town Falsterbo. It has been assumed that the houses in this once central part of town, close to the church, were abandoned due to strong sand drift that eventually buried most of the structures. Here we will present results of luminescence dating, portable luminescence analysis and other geological analyses of the sand below, between and above the cultural layers. The lowermost sand is interpreted as beach sand, while all other sand beds – separating and covering the different phases of houses – are interpreted as aeolian sand. Preliminary results suggest a hiatus between the deposition of the beach sand and the first aeolian sand, followed by relatively rapid sand accumulation after final abandonment.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Lund University Publ...arrow_drop_down
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    Lund University Publications
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      Lund University Publications
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    Authors: Rudling, Per A.; Zuroff, Efraim;
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    Lund University Publications
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      Lund University Publications
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    Authors: Nordin, Jonas;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Lund University Publ...arrow_drop_down
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    Authors: Östling, Johan; Larsson Heidenblad, David; Nilsson Hammar, Anna;
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    Lund University Publications
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      Lund University Publications
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    Authors: Östling, Johan; Larsson Heidenblad, David; Nilsson Hammar, Anna;

    Historical actors are central to the history of knowledge as they are to all historical scholarship. Every country, every era has its biographies of eminent scientists, intellectuals, and educational reformers. Yet the theoretical currents that have left their mark on the historical and sociological study of knowledge since the 1960s have emphasized structures over actors, collectives over individuals.Knowledge Actors instead stresses the importance of historical actors and re-engages with their actions from fresh perspectives. This volume thus fosters a larger discussion among historians about the role of knowledge actors. Do we want individuals and networks to take centre stage in our historical narratives? And if so, which knowledge actors do we want to highlight and how best to conduct our research? What are the potential pitfalls of following an actor-centric path?This is the third of three volumes about the history of knowledge from the Lund Centre for the History of Knowledge (LUCK). The two other books are Forms of Knowledge and Circulation of Knowledge.

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    Authors: Burlingame, Katherine; Papmehl-Dufay, Ludvig;

    Recent research has revealed that interdisciplinary work combining archaeological and heritage practice continues to be limited by enduring assumptions separating the two fields. Traditional structures and institutional barriers make it difficult to break away from what is expected in order to explore what is possible in what archaeologists and heritage practitioners ‘do’. Though archaeologists play an integral role in the discovery and interpretation of the past—providing the foundation for the heritage-making process, there is often a gap between the scientific dissemination of archaeological findings and the interpretation and communication of these findings as heritage. We therefore position storytelling as a key to bridging the divide between archaeological and heritage practice. Offering perspectives from archaeological and heritage practices in Sweden, we argue that a renewed focus on storytelling creates more dynamic and collaborative pathways to interpret, communicate and experience archaeological heritagescapes.

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      Apollo
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Corfield, Penelope; Nordin, Jonas;

    While eighteenth-century print media in essence rested on the same technical apparatus as previous centuries – letterpress printing, woodcuts, and intaglio prints – the growth in quantity created a media revolution. The effect was a qualitative shift in terms of literacy, growth of newspapers, the spread of images, and distribution of knowledge, but also of misinformation and propaganda. In this volume eight scholars investigate various aspects of media and mediation in the history, culture, and politics of the eighteenth century.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Lund University Publ...arrow_drop_down
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    Authors: Nordin, Jonas;
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    Lund University Publications
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      Lund University Publications
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    Authors: Dodds, Philip;

    Making It Home: An Aesthetic Methodological Contribution to the Study of Migrant Home-Making and Politics of Integration (aka MaHoMe) is a NordForsk-funded project involving eight researchers from universities in the UK, Denmark and Sweden. It examines how migrants make and make sense of home amidst the complex and divergent politics of integration in these three so-called “host societies”. My role in the project has included: (1) co-organising and evaluating two “visual ethnography workshops” with migrants in Lund, Sweden, focusing on the objects and images of home, facilitated by the artist Henrik Teleman; (2) participating in and auto-ethnographically reflecting on two “aesthetic workshops” with migrants on Gotland, Sweden, focusing on the food of home, facilitated by the Baltic Art Centre; and (3) analysing how professional artists in Sweden have explored the theme of migrant home-making in Sweden over the last decade. In this presentation, I will briefly discuss all three elements, but I will focus especially on the third. In particular, I will analyse the work of the artists Sirous Namazi (b. 1970, Iran) and Lap-See Lam (b. 1990, Sweden), who have featured in home-themed group exhibitions such as “Unhomed” (Uppsala Konstmuseum, 2020) and “A Home” (Thielska Galleriet, Stockholm, 2022). Both artists have used 3D scanning and printing technology to (imperfectly) recreate the objects of lost homes and their aesthetic explorations of the materiality of home contribute a rich understanding of migrant belonging.

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    Authors: Derudas, Paola;

    This PhD thesis examines how application of 3D visualization and related digital analytical tools is having a transformative impact on archaeological practice via improvement of visual-spatial thinking and the strengthening of conceptual understanding. However, the deployment of these new digital methods is essentially still at an experimental stage. Therefore, the thesis undertakes a critical evaluation of current progress, identifying both shortcomings and opportunities. It argues that more work is needed to systematically identify and resolve current operational challenges in order to create improved digital frameworks that can strengthen future performance across the wider discipline.The PhD research is based on four “parallel experiments” designed to facilitate mutual enrichment and on-going refinement. Each individual experiment generated research articles, which investigate how particular 3D and digital methods can be adapted to diverse kinds of archaeological sites and features,each with unique characteristics. The articles demonstrate how particular methods can be deployed to constantly refine and improve documentation procedures, and to review and adjust interpretation during the excavation process. In total, the thesis produced five research articles and three new web-based publishing systems.Overall, the thesis demonstrates that application, proactive evaluation and constant improvement of new 3D visualization and digital analytical tools will play an increasingly significant role in strengthening and better integrating future archaeological methods and practice. The research also generates original insights and new digital platforms that together underline the importance of applying these new digital tools across the wider archaeological discipline. Finally, the thesis cautions that digital innovation needs to be anchored in an "open science" culture, including strong ethical frameworks and commitment to FAIR principles (i.e. Findability, Accessibility, Interoperability, and Reusability) of data archiving as a key component of research design and wider societal engagement.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alexanderson, Helena; Hoffstein, Ellen; Hoffstein, Iris; Peric, Zoran; +1 Authors

    Archaeological investigations have revealed cultural layers with remnants of houses and streets below up to four metres of sand at the southern end of the Falsterbo peninsula in southernmost Sweden. The cultural layers have been dated to the 15th – 16th centuries, based on finds of, for example, coins and ceramics, and interpreted to represent the medieval town Falsterbo. It has been assumed that the houses in this once central part of town, close to the church, were abandoned due to strong sand drift that eventually buried most of the structures. Here we will present results of luminescence dating, portable luminescence analysis and other geological analyses of the sand below, between and above the cultural layers. The lowermost sand is interpreted as beach sand, while all other sand beds – separating and covering the different phases of houses – are interpreted as aeolian sand. Preliminary results suggest a hiatus between the deposition of the beach sand and the first aeolian sand, followed by relatively rapid sand accumulation after final abandonment.

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    Lund University Publications
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      Lund University Publications
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    Authors: Rudling, Per A.; Zuroff, Efraim;
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    Lund University Publications
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      Lund University Publications
      Contribution for newspaper or weekly magazine . 2023
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    Authors: Nordin, Jonas;
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    Authors: Östling, Johan; Larsson Heidenblad, David; Nilsson Hammar, Anna;
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    Lund University Publications
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      Lund University Publications
      Part of book or chapter of book . 2023
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    Authors: Östling, Johan; Larsson Heidenblad, David; Nilsson Hammar, Anna;

    Historical actors are central to the history of knowledge as they are to all historical scholarship. Every country, every era has its biographies of eminent scientists, intellectuals, and educational reformers. Yet the theoretical currents that have left their mark on the historical and sociological study of knowledge since the 1960s have emphasized structures over actors, collectives over individuals.Knowledge Actors instead stresses the importance of historical actors and re-engages with their actions from fresh perspectives. This volume thus fosters a larger discussion among historians about the role of knowledge actors. Do we want individuals and networks to take centre stage in our historical narratives? And if so, which knowledge actors do we want to highlight and how best to conduct our research? What are the potential pitfalls of following an actor-centric path?This is the third of three volumes about the history of knowledge from the Lund Centre for the History of Knowledge (LUCK). The two other books are Forms of Knowledge and Circulation of Knowledge.

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    Authors: Burlingame, Katherine; Papmehl-Dufay, Ludvig;

    Recent research has revealed that interdisciplinary work combining archaeological and heritage practice continues to be limited by enduring assumptions separating the two fields. Traditional structures and institutional barriers make it difficult to break away from what is expected in order to explore what is possible in what archaeologists and heritage practitioners ‘do’. Though archaeologists play an integral role in the discovery and interpretation of the past—providing the foundation for the heritage-making process, there is often a gap between the scientific dissemination of archaeological findings and the interpretation and communication of these findings as heritage. We therefore position storytelling as a key to bridging the divide between archaeological and heritage practice. Offering perspectives from archaeological and heritage practices in Sweden, we argue that a renewed focus on storytelling creates more dynamic and collaborative pathways to interpret, communicate and experience archaeological heritagescapes.

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    Apollo
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      Apollo
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    Authors: Corfield, Penelope; Nordin, Jonas;

    While eighteenth-century print media in essence rested on the same technical apparatus as previous centuries – letterpress printing, woodcuts, and intaglio prints – the growth in quantity created a media revolution. The effect was a qualitative shift in terms of literacy, growth of newspapers, the spread of images, and distribution of knowledge, but also of misinformation and propaganda. In this volume eight scholars investigate various aspects of media and mediation in the history, culture, and politics of the eighteenth century.

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    Authors: Nordin, Jonas;
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    Lund University Publications
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      Lund University Publications
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    Authors: Dodds, Philip;

    Making It Home: An Aesthetic Methodological Contribution to the Study of Migrant Home-Making and Politics of Integration (aka MaHoMe) is a NordForsk-funded project involving eight researchers from universities in the UK, Denmark and Sweden. It examines how migrants make and make sense of home amidst the complex and divergent politics of integration in these three so-called “host societies”. My role in the project has included: (1) co-organising and evaluating two “visual ethnography workshops” with migrants in Lund, Sweden, focusing on the objects and images of home, facilitated by the artist Henrik Teleman; (2) participating in and auto-ethnographically reflecting on two “aesthetic workshops” with migrants on Gotland, Sweden, focusing on the food of home, facilitated by the Baltic Art Centre; and (3) analysing how professional artists in Sweden have explored the theme of migrant home-making in Sweden over the last decade. In this presentation, I will briefly discuss all three elements, but I will focus especially on the third. In particular, I will analyse the work of the artists Sirous Namazi (b. 1970, Iran) and Lap-See Lam (b. 1990, Sweden), who have featured in home-themed group exhibitions such as “Unhomed” (Uppsala Konstmuseum, 2020) and “A Home” (Thielska Galleriet, Stockholm, 2022). Both artists have used 3D scanning and printing technology to (imperfectly) recreate the objects of lost homes and their aesthetic explorations of the materiality of home contribute a rich understanding of migrant belonging.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Lund University Publ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/