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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: YILMAZ, Dilek;

    Menuahinili olarak tanımlanan arkeolojik merkez, Iğdır’ın Karakoyunlu ilçesinin 2,6 km. güneydoğusunda alçak bir lav akıntısı tepesi üzerinde bulunmaktadır. Bu merkez ile ilgili ilk araştırmalar 19. Yüzyılın sonlarında Rus bilim insanları tarafından başlatılmış olup geride kalan yaklaşık 150 yıllık süreçte yerli yabancı birçok bilim insanının hemfikir olduğu üzere ilgili arkeolojik merkez Menuahinili olarak tanımlanmıştır. Urartu Kralı Menua’ya ait Taşburun ve/veya Başbuluk-Bulakbaşı yazıtları ile haberdar olunan antik kentin Urartu Krallığı sonrasında Geç Demir Çağı’nda da yoğun bir kullanıma sahne olduğu anlaşılmaktadır. 2021 yılı araştırmaları kapsamında çalışma yapılan arkeolojik merkezde ateş çukuru bu ateş çukurlarına entegre libasyonlar, Geç Demir Çağı’na tarihlenen çanak çömlek parçaları ve bir tane heykelcik kafası tespit edilmiştir. Orta Aras Havzası’nın Iğdır Ovası ile Ağrı Dağı’nın doğuda iç içe geçtiği alanda bulunan arkeolojik merkezin İran ve Ermenistan’a olan yakınlığı merkezin Geç Demir Çağı’nda kullanılmış olma ihtimalini güçlendirmektedir. Menuahinili olarak adlandırılan arkeolojik merkezde Geç Demir Çağı’na tarihlenen bulgular bu makalenin özünü oluşturmaktadır The Arhaeological center, defined as Menuahinili is 2,6 km. from Karakoyunlu district of Iğdır southeast of it is on a low lava flow hill. The first researches on this center were starded by Russian scientists at the end of the 19 century, and in the past 150 years, as many local and foreign scientists agree the relevant archaeological center was defined as Menuahinili. It is understood that the ancient cidy which is known with the Taşburun and/or Başbulak-Bulakbaşı inscirptions belonging to the Urartian King Menua was the sceene of intense use in the Late Iron Age after the Urartu Kingdom. In the city where the work was carried out with the scope of the 2021 researches, libations integrated into these fire pits, potsherdes from the Late Iron Age and a figurine head were found. The proximity that the archaeological center to Iran and Armenia located in the area where the Iğdır Plain of the Middle Aras Basin and Mount Ararat intertwine in the east, strengthens the possibility that the center was used in the Late Iron Age. Findings dated to the Late Iron Age in the archaeological center called Menuahinili constitute the core this article.

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    Authors: Małgorzata Ostrówka; Mirosław Jankowiak;

    Professor Iryda Grek-Pabisowa (1932–2021)This article presents the profile of Iryda Grek-Pabisowa, a renowned linguist, associated with the Institute of Slavic Studies, Polish Academy of Sciences for sixty years. She was a long-serving head of North Borderland Polish, and the deputy director of the Institute for two terms (1996–2003). She was a pioneer of research on the language and culture of Old Believers in Poland, and the language of Poles in Belarus and Lithuania. The most important research areas on which she focused were dialectology and lexicography: the study and description of the subdialects of Old Believers living in Poland (e.g. A Dictionary of the Dialect of Old Believers Living in Poland), the Russian language (e.g. The Great Russian-Polish Dictionary) and North Borderland Polish (7 monographs and A Dictionary of the Spoken Polish of the North-Eastern Borderland). She is the author or co-author of about 160 articles, 11 monographs and 7 dictionaries. In 1974–2003 she was associated with the journal Acta Baltico-Slavica, initially as its secretary and then editor-in-chief. Profesor Iryda Grek-Pabisowa (1932–2021) Opracowanie przedstawia sylwetkę Irydy Grek-Pabisowej, znanej językoznawczyni przez 60 lat związanej z Instytutem Slawistyki Polskiej Akademii Nauk. Przez wiele lat kierowała Pracownią Polszczyzny Północnokresowej. Przez dwie kadencje pełniła funkcję wicedyrektorki ds. naukowych w IS PAN (1996–2003). Była prekursorką badań języka i kultury staroobrzędowców w Polsce oraz języka Polaków na Białorusi i Litwie. Do najważniejszych kierunków badawczych należały dialektologia i leksykografia: badanie i opis gwar staroobrzędowców mieszkających w Polsce (m.in. Słownik gwary starowierców mieszkających w Polsce), język rosyjski (m.in. Wielki słownik rosyjsko-polski) oraz polszczyzna północnokresowa (7 monografii oraz Słownik mówionej polszczyzny północnokresowej). Jest autorką lub współautorką około 160 artykułów, 11 monografii i 7 słowników. W latach 1974–2003 była związana z rocznikiem „Acta Baltico-Slavica”, początkowo jako sekretarz, a następnie jako redaktor naczelna.

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    Acta Baltico-Slavica
    Article . 2021
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    Acta Baltico-Slavica
    Article . 2021
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    Acta Baltico-Slavica
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    Acta Baltico-Slavica
    Article . 2021 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Acta Baltico-Slavicaarrow_drop_down
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      Acta Baltico-Slavica
      Article . 2021
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      Acta Baltico-Slavica
      Article . 2021
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      Acta Baltico-Slavica
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      Acta Baltico-Slavica
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Couturaud, Barbara;

    La Mission archéologique d’Amyan a débuté ses travaux en 2019. Situé dans le nord-ouest du Kurdistan irakien, le site d’Amyan se présente comme un tell important entouré d’une ville basse, d’une surface d’une quinzaine d’hectares. Occupé de manière quasi ininterrompue depuis le Néolithique jusqu’à la période islamique, Amyan se présente comme le site idéal pour étudier l’occupation de cette région du Kurdistan irakien ainsi que le rapport entre le site et son environnement immédiat, la plaine de Navkur, dans l’arrière-pays de Ninive, plaine extrêmement fertile qui témoigne d’une importante densité d’occupation. Cet article présente dans un premier temps un aperçu historique de cette région depuis le VIIe millénaire jusqu’à la période islamique. Dans un second temps sont exposés les résultats de la première campagne de la Mission archéologique d’Amyan. Northern Mesopotamia, Nineveh’s land and the new researches at AmyanThe Archaeological Expedition in Amyan began its work in 2019. Located in the northwestern region of Iraqi Kurdistan, the site of Amyan presents itself as an important tell surrounded by a lower town, with a surface area of around fifteen hectares. Occupied almost continuously from the Neolithic to the Islamic period, Amyan is the ideal archaeological site to study the occupation of this region of Iraqi Kurdistan as well as the relationship between the site and its immediate environment, the Navkur plain, in the hinterland of Nineveh, an extremely fertile plain which shows a high density of occupation. This article first presents a historical overview of this region from the 7th millennium to the Islamic period. Then, the results of the first campaign of the Archaeological Expedition in Amyan are developed. شمال بلاد الرافدين، أرض نينوى والأبحاث الأخيرة في اميانبدأت البعثة الأثرية في موقع اميان عملها في عام ٢٠١٩. وهو يقع في شمال غرب كردستان العراق، ويظهر كتل كبير محاط محاطة بمدينة منخفضة، تقدر مساحتة بحوالي خمسة عشر هكتاراً. تم استيطان الموقع دون انقطاع تقريبا منذ العصر الحجري الحديث وحتى العصر الإسلامي، ويعتبر اميان موقعاً مثالياً لدراسة الاستيطان البشري في هذه المنطقة من كردستان العراق وكذلك العلاقة المباشرة بين الموقع وبيئته، أي سهل نافكور، في المناطق المحاذية لنينوى، وهو سهل خصب للغاية يشهد على كثافة عالية من الاستيطان. يقدم هذا المقال أولاً لمحة تاريخية عن هذه المنطقة من الألف السابع حتى العصر الإسلامي. ثم يعرض ثانياً نتائج تنقيبات البعثة الأثرية في اميان.

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    Article . 2022
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    Syria
    Article . 2021 . Peer-reviewed
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      Article . 2022
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      Article . 2021 . Peer-reviewed
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    Authors: Annisa Sabrina;

    As a movement that has held an important position in the humanities for the past few decades, eco-criticism or environmental-oriented literature needs to promote a better understanding of nature more broadly. That is, ecocriticism must distinguish itself from writings on the environment in general, namely by presenting a narrative showing that humans need to have a sense of attachment to nature, as well as by presenting a narrative showing that the world of humans and the world of non-humans needs to be positioned equally. In the novel The Bear (2020) by Andrew Krivak, the voice of equality between humans and nature is the dominant issue. Using the human ecology concept from Philip J. Stewart as a key concept, this study aims to describe how human fragility and natural domination presented in the novel The Bear (2020) support the idea of human ecology, as well as how human ecologyvoiced in the novel The Bear (2020) criticizes the view of anthropocentrism which believes that humans are the center of life. This study shows that the voice of human ecology in the novel The Bear (2020) which is presented through human fragility, natural domination, to criticism of the anthropocentrism view offers the idea of a balance between humans and nature. The balance in question is a condition in which humans and nature return to an equal position, where neither one of them is harmed.

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    Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa
    Article . 2021 . Peer-reviewed
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      Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa
      Article . 2021 . Peer-reviewed
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    Authors: Pino Menzio;

    RiCOGNIZIONI. Rivista di Lingue e Letterature straniere e Culture moderne, V. 8 N. 16 (2021)

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    Article . 2021
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    RiCognizioni
    Article . 2021
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      RiCognizioni
      Article . 2021
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    Authors: Khaled Abdallah HAMMUORI;

    Schools Students' Attitude Towards Distance Music Education ABSTRACT: This study aimed to recognize Self–Efficacy in Teaching among gifted students' teachers . The sample of this study consisted of male and female teachers -of gifted students- who work in the king Abdullah II schools for excellence in Jordan , , who numbered (104) male and female teachers, and were chosen in intended way, the was used scale Self–Efficacy in Teaching by Bukaiei (2001) , The study's results indicated the following: The Self–Efficacy in Teaching' level among talented students' teachers was high, in the all fields and in the total degree , Also, there were statistically significant differences (α ≥ 0.05) due to the effect of specialization, and the differences came in favor of scientific specializations. As well as the presence of statistically significant differences (α ≥ 0.05) due to the effect of gender, and the differences were in favor of females, as well as the presence of statistically significant differences due to years of experience and differences in favor of teachers with medium and large experience. (Self–Efficacy in Teaching , gifted students' teachers, gifted school ) الملخص: هدفت هذه الدراسة إلى التعرف على أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين ، تكونت عينة الدراسة من معلمي ومعلمات الطلاب الموهوبين العاملين في مدارس الملك عبدالله الثاني للتميز في المملكة الاردنية الهاشمية، والبالغ عددهم ) 104 ( معلما ومعلمة، تم اختيارهم بالطريقة القصدية. تم استخدام المنهج الوصفي التحليلي، استخدم الباحث أداة لقياس درجة أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين وهي من اعداد بقيعي (2016) ، وقد أشارت نتائج الدارسة أن على أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين كانت مرتفعة في جميع المجالات والدرجة الكلية، كوذلك وجود فروق ذات دلالة إحصائية ) α ≥ 0.05 ( تعزى لأثر التخصص، وجاءت الفروق لصالح التخصصات العلمية. وكذلك وجود فروق ذات دلالة إحصائية ) α ≥ 0.05 ( تعزى لأثر الجنس، وجاءت الفروق لصالح الإناث، كوذلك وجود فروق ذات دلالة إحصائية تعزى إلى سنوات الخبرة وجات الفروق لصالح المعلمين من ذوي الخبرة الكبيرة والمتوسطة

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    ALTRALANG Journal
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    Authors: Muhammad Owais Ifzal;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PAKISTAN LANGUAGES A...arrow_drop_down
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    PAKISTAN LANGUAGES AND HUMANITIES REVIEW
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      PAKISTAN LANGUAGES AND HUMANITIES REVIEW
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    Authors: Fahriye BAYRAM;

    Within the context of the deep-rooted cross cult from early ages in Georgian culture, influences of environmental cultures, St. Nino's inspire, pieces of a real cross sent as gifts etc., cross depictions have been included in all areas of art, especially in architecture. The same tradition has been continued in the Tao Klarceti area. For this reason, firstly, a summary of the Tao Klarceti region’s history has been included in our study and then numerous variations of crosses such as the cross with arms of equal length, Latin cross, life cross, the raising of the cross, etc. and the long past that served as the basis for the cross and the life cross symbols have been looked at.The Georgian people, who took their place in the Christian world since the beginning of the 4th century, made their basic beliefs visible in the pattern of the cross motif by blending the traditions brought from the past with the influence of the surrounding cultures and the doctrine of the new religion, so they used the cross in every area of daily life and art. In the Tao Klarceti region, many forms of the cross have been applied by creating new styles, especially the interlaced types. The compositions of the cross of life and the scenes of the raising of the cross were the most adopted types, while its practices in the West were almost non-existent, and they had been used in Georgia and Tao Klarceti with regional creations until late periods. All kinds of cross forms have been used in the compositions, but Latin cross and the Bolnuri/Bolnisi type of crosses with arms of equal length are preferred. Surprisingly, the Latin cross type that made of grapevine branches, whose horizontal arm is slightly tilted downwards, which Nino made from vine branches and tied his arms with hair strands, accepted as the sacred symbol of the Georgian Orthodox Church, was not used in the Tao Klarceti architectural decoration of churches. Emphasizing the eastern facades with crosses has become a tradition, these crosses, which are kept in small sizes in the Tao Klarceti region, have been brought to a larger size in Georgian structures and have a certain scheme. Small-sized crosses on the facades were generally placed on the arches of the loophole windows, the elevations of the arches were transformed into Calvary crosses considered as Golgotha Hill. Except for the painted examples, the motifs are made by embossed technique, but albeit a little carving technique is used. Antefixes have also taken their place among the architectural elements decorated with cross motifs. Gürcü kültüründe; erken çağlardan süre gelen köklü bir haç kültü, çevre kültürlerin etkileri, Azize Nino’nun telkinleri, hediye olarak gönderilen gerçek haçın parçaları vb. bağlamında, başta mimari olmak üzere sanatın her alanında, haç tasvirlerine yer verilmiştir. Aynı gelenek Tao Klarceti bölgesinde de sürdürülmüştür. Bu nedenle çalışmamızda öncelikle Tao Klarceti bölgesinin özet tarihine yer verilmiş, sonra da eş kollu haçlar, Latin haçı, yaşam haçları, haçın göğe yükseltilmesi vb. şekilde çok sayıda çeşitlemeleri yaratılan haç ve yaşam haçı sembollerine temel oluşturan uzun geçmişe bir göz atılmıştır. Bu çerçevede Tao Klarceti bölgesindeki haç motifleri değerlendirilmeye çalışılmıştır.4. yüzyılın başlarından itibaren Hıristiyan dünyası içerisinde yerini alan Gürcü halkı, geçmişten getirdiği gelenekleri çevre kültürlerin etkisi ve yeni dinin öğretileriyle harmanlayarak temel inançlarını haç motifi örgesinde görünür kılmış, bu nedenle haçı günlük yaşamın ve sanatın her alanında kullanmıştır. Tao Klarceti bölgesinde haçın pek çok formu, başta örgülü tipler olmak üzere yeni stiller yaratılarak uygulanmıştır. Yaşam haçı kompozisyonları ve haçın göğe yükseltilmesi sahneleri en çok benimsenen türler olmuş, Batı’da uygulanması neredeyse yok denecek kadar az iken Gürcistan ve Tao Klarceti’de bölgeye özgü yaratımlarla geç dönemlere kadar kullanılmaya devam edilmiştir. Kompozisyonlarda her türlü haç formuna yer verilmiş, ancak Latin haçı ile eğer eş kollu haç yapılacaksa Bolnuri/Bolnisi tipleri tercih edilmiştir. Şaşırtıcı bir şekilde, Hıristiyanlığın yayılmasına ön ayak olan Azize Nino’nun asma dallarından yaparak kollarını saç telleriyle bağladığı yatay kolu hafifçe aşağıya eğik olan ve Gürcü Ortodoks Kilisesi’nin kutsal sembolü olarak kabul edilen asma dalından yapılmış Latin haçı tipi Tao Klarceti kiliselerinin mimari süslemesinde kullanılmamıştır. Doğu cephelerin haçlarla vurgulanması gelenek halini almış, Tao Klarceti bölgesinde küçük boyutlu tutulan bu haçlar, Gürcistan yapılarında daha büyük boyutlara ulaştırılarak belirli bir şemaya kavuşturulmuştur. Cephelerdeki küçük boyutlu haçlar genellikle mazgal pencerelerin kemerlerine oturtulmuş, kemerlerin yükseltisi Golgoto Tepesi gibi değerlendirilerek haçlar Calvary haçına dönüştürülmüştür. Boyalı örnekler hariç motifler kabartma tekniğiyle işlenmiş, az da olsa oyma tekniği kullanılmıştır. Haç motifleriyle bezenen mimari unsurların arasında antefiksler de yerini almıştır.

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    Lycus Dergisi
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    Authors: Wu, Jialin Christina;

    Sixty years after its enactment, the Women’s Charter remains lauded as a landmark piece of legislation in Singapore. Through its provisions, this legislative Act affirmed the rights of women, protected vulnerable women and girls, outlined the rights and responsibilities of married persons, and mandated that all non-Muslim marriages were henceforth to be monogamous. This article examines the historical developments that led to the introduction of this unprecedented “women’s Bill of Rights” by the PAP (People’s Action Party) government in 1961. Whilst extant literature credits its origins to the lobbying efforts of the Singapore’s Council of Women formed in 1952, this article argues for the need to adopt a broader contextual perspective to better account for the development of this “revolutionary” Bill between 1952 and 1961. Furthermore, earlier attempts at marriage reform, such as the 1950 Age of Marriage Bill spearheaded by the Singapore Progressive Party’s John Laycock, have curiously been overlooked in the larger narrative of women’s rights and social reform in Singapore. This article thus seeks to remedy this gap in our knowledge and to provide a fuller understanding of Singapore’s civil society in the post-war era, leading up to the introduction of the Women’s Charter. Soixante ans après sa promulgation, la Charte des femmes est encore saluée comme un texte législatif historique à Singapour. Par ses dispositions, cet Acte législatif affirmait les droits des femmes, protégeait femmes et jeunes filles vulnérables, définissait les droits et les responsabilités des personnes mariées et imposait que tous les mariages non musulmans soient désormais monogames. Cet article examine les développements historiques qui ont conduit, en 1961, à l'introduction par le gouvernement du PAP (Parti d’action populaire) de cette « déclaration des droits des femmes » sans précédent. Alors que la littérature existante attribue ses origines aux efforts de lobbying du Conseil des femmes de Singapour, créé en 1952, cet article défend la nécessité d'adopter une approche contextuelle plus large pour mieux expliquer l’origine de cette loi révolutionnaire. En effet, les tentatives antérieures de réforme du mariage, telles que le projet de loi sur l'âge du mariage de 1950 mené par John Laycock, membre du Parti progressiste de Singapour, ont curieusement été négligées dans le récit plus général des droits des femmes et de la réforme sociale à Singapour. Cet article cherche donc à combler cette lacune dans nos connaissances et à proposer une appréhension plus complète du rôle de la société civile de Singapour dans l'immédiat après-guerre, jusqu'à l'introduction de la Charte des femmes.

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    Authors: Puhmajer, Petar; Vučetić, Ratko; Haničar Buljan, Ivana;

    U članku se razmatraju prostorne i oblikovne značajke stambene arhitekture Osijeka u 18. stoljeću. To su većinom građanske kuće obrtnika, trgovaca, gradskih i vojnih činovnika, koje nastaju na parcelama unutar planski izgrađenoga grada-tvrđave. Kuće imaju karakteristična tlocrtna obilježja koja čine nizovi i grupe prostorija, kod kvalitetnijih u prizemlju redovito s vežom, koja može biti centrirana ili decentrirana u odnosu na središnju os, a na katu reprezentativni salon. Identificiraju se pojedinačni primjeri kuća, s obzirom na vrijeme nastanka i naručitelje, kao i arhitektonska rješenja, uz bitnu odrednicu da je riječ mahom o reprezentativnim katnicama višeg standarda koje su se isticale u vizuri grada. One u izvjesnoj mjeri preuzimaju elemente s javnih i vojnih zgrada što se tumači djelovanjem istih graditelja i projektanata – vojnih inženjera koji su bili angažirani na gradnji tvrđave, a koji dokumentirano projektiraju i građanske kuće.

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    Radovi Instituta za Povijest Umjetnosti
    Article . 2021 . Peer-reviewed
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      Radovi Instituta za Povijest Umjetnosti
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: YILMAZ, Dilek;

    Menuahinili olarak tanımlanan arkeolojik merkez, Iğdır’ın Karakoyunlu ilçesinin 2,6 km. güneydoğusunda alçak bir lav akıntısı tepesi üzerinde bulunmaktadır. Bu merkez ile ilgili ilk araştırmalar 19. Yüzyılın sonlarında Rus bilim insanları tarafından başlatılmış olup geride kalan yaklaşık 150 yıllık süreçte yerli yabancı birçok bilim insanının hemfikir olduğu üzere ilgili arkeolojik merkez Menuahinili olarak tanımlanmıştır. Urartu Kralı Menua’ya ait Taşburun ve/veya Başbuluk-Bulakbaşı yazıtları ile haberdar olunan antik kentin Urartu Krallığı sonrasında Geç Demir Çağı’nda da yoğun bir kullanıma sahne olduğu anlaşılmaktadır. 2021 yılı araştırmaları kapsamında çalışma yapılan arkeolojik merkezde ateş çukuru bu ateş çukurlarına entegre libasyonlar, Geç Demir Çağı’na tarihlenen çanak çömlek parçaları ve bir tane heykelcik kafası tespit edilmiştir. Orta Aras Havzası’nın Iğdır Ovası ile Ağrı Dağı’nın doğuda iç içe geçtiği alanda bulunan arkeolojik merkezin İran ve Ermenistan’a olan yakınlığı merkezin Geç Demir Çağı’nda kullanılmış olma ihtimalini güçlendirmektedir. Menuahinili olarak adlandırılan arkeolojik merkezde Geç Demir Çağı’na tarihlenen bulgular bu makalenin özünü oluşturmaktadır The Arhaeological center, defined as Menuahinili is 2,6 km. from Karakoyunlu district of Iğdır southeast of it is on a low lava flow hill. The first researches on this center were starded by Russian scientists at the end of the 19 century, and in the past 150 years, as many local and foreign scientists agree the relevant archaeological center was defined as Menuahinili. It is understood that the ancient cidy which is known with the Taşburun and/or Başbulak-Bulakbaşı inscirptions belonging to the Urartian King Menua was the sceene of intense use in the Late Iron Age after the Urartu Kingdom. In the city where the work was carried out with the scope of the 2021 researches, libations integrated into these fire pits, potsherdes from the Late Iron Age and a figurine head were found. The proximity that the archaeological center to Iran and Armenia located in the area where the Iğdır Plain of the Middle Aras Basin and Mount Ararat intertwine in the east, strengthens the possibility that the center was used in the Late Iron Age. Findings dated to the Late Iron Age in the archaeological center called Menuahinili constitute the core this article.

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    Authors: Małgorzata Ostrówka; Mirosław Jankowiak;

    Professor Iryda Grek-Pabisowa (1932–2021)This article presents the profile of Iryda Grek-Pabisowa, a renowned linguist, associated with the Institute of Slavic Studies, Polish Academy of Sciences for sixty years. She was a long-serving head of North Borderland Polish, and the deputy director of the Institute for two terms (1996–2003). She was a pioneer of research on the language and culture of Old Believers in Poland, and the language of Poles in Belarus and Lithuania. The most important research areas on which she focused were dialectology and lexicography: the study and description of the subdialects of Old Believers living in Poland (e.g. A Dictionary of the Dialect of Old Believers Living in Poland), the Russian language (e.g. The Great Russian-Polish Dictionary) and North Borderland Polish (7 monographs and A Dictionary of the Spoken Polish of the North-Eastern Borderland). She is the author or co-author of about 160 articles, 11 monographs and 7 dictionaries. In 1974–2003 she was associated with the journal Acta Baltico-Slavica, initially as its secretary and then editor-in-chief. Profesor Iryda Grek-Pabisowa (1932–2021) Opracowanie przedstawia sylwetkę Irydy Grek-Pabisowej, znanej językoznawczyni przez 60 lat związanej z Instytutem Slawistyki Polskiej Akademii Nauk. Przez wiele lat kierowała Pracownią Polszczyzny Północnokresowej. Przez dwie kadencje pełniła funkcję wicedyrektorki ds. naukowych w IS PAN (1996–2003). Była prekursorką badań języka i kultury staroobrzędowców w Polsce oraz języka Polaków na Białorusi i Litwie. Do najważniejszych kierunków badawczych należały dialektologia i leksykografia: badanie i opis gwar staroobrzędowców mieszkających w Polsce (m.in. Słownik gwary starowierców mieszkających w Polsce), język rosyjski (m.in. Wielki słownik rosyjsko-polski) oraz polszczyzna północnokresowa (7 monografii oraz Słownik mówionej polszczyzny północnokresowej). Jest autorką lub współautorką około 160 artykułów, 11 monografii i 7 słowników. W latach 1974–2003 była związana z rocznikiem „Acta Baltico-Slavica”, początkowo jako sekretarz, a następnie jako redaktor naczelna.

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    Acta Baltico-Slavica
    Article . 2021
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    Acta Baltico-Slavica
    Article . 2021
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    Acta Baltico-Slavica
    Article
    License: CC BY
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    Acta Baltico-Slavica
    Article . 2021 . Peer-reviewed
    License: CC BY
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      Acta Baltico-Slavica
      Article . 2021
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      Acta Baltico-Slavica
      Article . 2021
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      Acta Baltico-Slavica
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      Acta Baltico-Slavica
      Article . 2021 . Peer-reviewed
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    Authors: Couturaud, Barbara;

    La Mission archéologique d’Amyan a débuté ses travaux en 2019. Situé dans le nord-ouest du Kurdistan irakien, le site d’Amyan se présente comme un tell important entouré d’une ville basse, d’une surface d’une quinzaine d’hectares. Occupé de manière quasi ininterrompue depuis le Néolithique jusqu’à la période islamique, Amyan se présente comme le site idéal pour étudier l’occupation de cette région du Kurdistan irakien ainsi que le rapport entre le site et son environnement immédiat, la plaine de Navkur, dans l’arrière-pays de Ninive, plaine extrêmement fertile qui témoigne d’une importante densité d’occupation. Cet article présente dans un premier temps un aperçu historique de cette région depuis le VIIe millénaire jusqu’à la période islamique. Dans un second temps sont exposés les résultats de la première campagne de la Mission archéologique d’Amyan. Northern Mesopotamia, Nineveh’s land and the new researches at AmyanThe Archaeological Expedition in Amyan began its work in 2019. Located in the northwestern region of Iraqi Kurdistan, the site of Amyan presents itself as an important tell surrounded by a lower town, with a surface area of around fifteen hectares. Occupied almost continuously from the Neolithic to the Islamic period, Amyan is the ideal archaeological site to study the occupation of this region of Iraqi Kurdistan as well as the relationship between the site and its immediate environment, the Navkur plain, in the hinterland of Nineveh, an extremely fertile plain which shows a high density of occupation. This article first presents a historical overview of this region from the 7th millennium to the Islamic period. Then, the results of the first campaign of the Archaeological Expedition in Amyan are developed. شمال بلاد الرافدين، أرض نينوى والأبحاث الأخيرة في اميانبدأت البعثة الأثرية في موقع اميان عملها في عام ٢٠١٩. وهو يقع في شمال غرب كردستان العراق، ويظهر كتل كبير محاط محاطة بمدينة منخفضة، تقدر مساحتة بحوالي خمسة عشر هكتاراً. تم استيطان الموقع دون انقطاع تقريبا منذ العصر الحجري الحديث وحتى العصر الإسلامي، ويعتبر اميان موقعاً مثالياً لدراسة الاستيطان البشري في هذه المنطقة من كردستان العراق وكذلك العلاقة المباشرة بين الموقع وبيئته، أي سهل نافكور، في المناطق المحاذية لنينوى، وهو سهل خصب للغاية يشهد على كثافة عالية من الاستيطان. يقدم هذا المقال أولاً لمحة تاريخية عن هذه المنطقة من الألف السابع حتى العصر الإسلامي. ثم يعرض ثانياً نتائج تنقيبات البعثة الأثرية في اميان.

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    Authors: Annisa Sabrina;

    As a movement that has held an important position in the humanities for the past few decades, eco-criticism or environmental-oriented literature needs to promote a better understanding of nature more broadly. That is, ecocriticism must distinguish itself from writings on the environment in general, namely by presenting a narrative showing that humans need to have a sense of attachment to nature, as well as by presenting a narrative showing that the world of humans and the world of non-humans needs to be positioned equally. In the novel The Bear (2020) by Andrew Krivak, the voice of equality between humans and nature is the dominant issue. Using the human ecology concept from Philip J. Stewart as a key concept, this study aims to describe how human fragility and natural domination presented in the novel The Bear (2020) support the idea of human ecology, as well as how human ecologyvoiced in the novel The Bear (2020) criticizes the view of anthropocentrism which believes that humans are the center of life. This study shows that the voice of human ecology in the novel The Bear (2020) which is presented through human fragility, natural domination, to criticism of the anthropocentrism view offers the idea of a balance between humans and nature. The balance in question is a condition in which humans and nature return to an equal position, where neither one of them is harmed.

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    Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa
    Article . 2021 . Peer-reviewed
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      Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa
      Article . 2021 . Peer-reviewed
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    Authors: Pino Menzio;

    RiCOGNIZIONI. Rivista di Lingue e Letterature straniere e Culture moderne, V. 8 N. 16 (2021)

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    Authors: Khaled Abdallah HAMMUORI;

    Schools Students' Attitude Towards Distance Music Education ABSTRACT: This study aimed to recognize Self–Efficacy in Teaching among gifted students' teachers . The sample of this study consisted of male and female teachers -of gifted students- who work in the king Abdullah II schools for excellence in Jordan , , who numbered (104) male and female teachers, and were chosen in intended way, the was used scale Self–Efficacy in Teaching by Bukaiei (2001) , The study's results indicated the following: The Self–Efficacy in Teaching' level among talented students' teachers was high, in the all fields and in the total degree , Also, there were statistically significant differences (α ≥ 0.05) due to the effect of specialization, and the differences came in favor of scientific specializations. As well as the presence of statistically significant differences (α ≥ 0.05) due to the effect of gender, and the differences were in favor of females, as well as the presence of statistically significant differences due to years of experience and differences in favor of teachers with medium and large experience. (Self–Efficacy in Teaching , gifted students' teachers, gifted school ) الملخص: هدفت هذه الدراسة إلى التعرف على أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين ، تكونت عينة الدراسة من معلمي ومعلمات الطلاب الموهوبين العاملين في مدارس الملك عبدالله الثاني للتميز في المملكة الاردنية الهاشمية، والبالغ عددهم ) 104 ( معلما ومعلمة، تم اختيارهم بالطريقة القصدية. تم استخدام المنهج الوصفي التحليلي، استخدم الباحث أداة لقياس درجة أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين وهي من اعداد بقيعي (2016) ، وقد أشارت نتائج الدارسة أن على أبعاد الفاعلية الذاتية التدريسية لدى معلمي الطلبة الموهوبين كانت مرتفعة في جميع المجالات والدرجة الكلية، كوذلك وجود فروق ذات دلالة إحصائية ) α ≥ 0.05 ( تعزى لأثر التخصص، وجاءت الفروق لصالح التخصصات العلمية. وكذلك وجود فروق ذات دلالة إحصائية ) α ≥ 0.05 ( تعزى لأثر الجنس، وجاءت الفروق لصالح الإناث، كوذلك وجود فروق ذات دلالة إحصائية تعزى إلى سنوات الخبرة وجات الفروق لصالح المعلمين من ذوي الخبرة الكبيرة والمتوسطة

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    ALTRALANG Journal
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    ALTRALANG Journal
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      ALTRALANG Journal
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    Authors: Muhammad Owais Ifzal;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PAKISTAN LANGUAGES A...arrow_drop_down
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    PAKISTAN LANGUAGES AND HUMANITIES REVIEW
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      PAKISTAN LANGUAGES AND HUMANITIES REVIEW
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    Authors: Fahriye BAYRAM;

    Within the context of the deep-rooted cross cult from early ages in Georgian culture, influences of environmental cultures, St. Nino's inspire, pieces of a real cross sent as gifts etc., cross depictions have been included in all areas of art, especially in architecture. The same tradition has been continued in the Tao Klarceti area. For this reason, firstly, a summary of the Tao Klarceti region’s history has been included in our study and then numerous variations of crosses such as the cross with arms of equal length, Latin cross, life cross, the raising of the cross, etc. and the long past that served as the basis for the cross and the life cross symbols have been looked at.The Georgian people, who took their place in the Christian world since the beginning of the 4th century, made their basic beliefs visible in the pattern of the cross motif by blending the traditions brought from the past with the influence of the surrounding cultures and the doctrine of the new religion, so they used the cross in every area of daily life and art. In the Tao Klarceti region, many forms of the cross have been applied by creating new styles, especially the interlaced types. The compositions of the cross of life and the scenes of the raising of the cross were the most adopted types, while its practices in the West were almost non-existent, and they had been used in Georgia and Tao Klarceti with regional creations until late periods. All kinds of cross forms have been used in the compositions, but Latin cross and the Bolnuri/Bolnisi type of crosses with arms of equal length are preferred. Surprisingly, the Latin cross type that made of grapevine branches, whose horizontal arm is slightly tilted downwards, which Nino made from vine branches and tied his arms with hair strands, accepted as the sacred symbol of the Georgian Orthodox Church, was not used in the Tao Klarceti architectural decoration of churches. Emphasizing the eastern facades with crosses has become a tradition, these crosses, which are kept in small sizes in the Tao Klarceti region, have been brought to a larger size in Georgian structures and have a certain scheme. Small-sized crosses on the facades were generally placed on the arches of the loophole windows, the elevations of the arches were transformed into Calvary crosses considered as Golgotha Hill. Except for the painted examples, the motifs are made by embossed technique, but albeit a little carving technique is used. Antefixes have also taken their place among the architectural elements decorated with cross motifs. Gürcü kültüründe; erken çağlardan süre gelen köklü bir haç kültü, çevre kültürlerin etkileri, Azize Nino’nun telkinleri, hediye olarak gönderilen gerçek haçın parçaları vb. bağlamında, başta mimari olmak üzere sanatın her alanında, haç tasvirlerine yer verilmiştir. Aynı gelenek Tao Klarceti bölgesinde de sürdürülmüştür. Bu nedenle çalışmamızda öncelikle Tao Klarceti bölgesinin özet tarihine yer verilmiş, sonra da eş kollu haçlar, Latin haçı, yaşam haçları, haçın göğe yükseltilmesi vb. şekilde çok sayıda çeşitlemeleri yaratılan haç ve yaşam haçı sembollerine temel oluşturan uzun geçmişe bir göz atılmıştır. Bu çerçevede Tao Klarceti bölgesindeki haç motifleri değerlendirilmeye çalışılmıştır.4. yüzyılın başlarından itibaren Hıristiyan dünyası içerisinde yerini alan Gürcü halkı, geçmişten getirdiği gelenekleri çevre kültürlerin etkisi ve yeni dinin öğretileriyle harmanlayarak temel inançlarını haç motifi örgesinde görünür kılmış, bu nedenle haçı günlük yaşamın ve sanatın her alanında kullanmıştır. Tao Klarceti bölgesinde haçın pek çok formu, başta örgülü tipler olmak üzere yeni stiller yaratılarak uygulanmıştır. Yaşam haçı kompozisyonları ve haçın göğe yükseltilmesi sahneleri en çok benimsenen türler olmuş, Batı’da uygulanması neredeyse yok denecek kadar az iken Gürcistan ve Tao Klarceti’de bölgeye özgü yaratımlarla geç dönemlere kadar kullanılmaya devam edilmiştir. Kompozisyonlarda her türlü haç formuna yer verilmiş, ancak Latin haçı ile eğer eş kollu haç yapılacaksa Bolnuri/Bolnisi tipleri tercih edilmiştir. Şaşırtıcı bir şekilde, Hıristiyanlığın yayılmasına ön ayak olan Azize Nino’nun asma dallarından yaparak kollarını saç telleriyle bağladığı yatay kolu hafifçe aşağıya eğik olan ve Gürcü Ortodoks Kilisesi’nin kutsal sembolü olarak kabul edilen asma dalından yapılmış Latin haçı tipi Tao Klarceti kiliselerinin mimari süslemesinde kullanılmamıştır. Doğu cephelerin haçlarla vurgulanması gelenek halini almış, Tao Klarceti bölgesinde küçük boyutlu tutulan bu haçlar, Gürcistan yapılarında daha büyük boyutlara ulaştırılarak belirli bir şemaya kavuşturulmuştur. Cephelerdeki küçük boyutlu haçlar genellikle mazgal pencerelerin kemerlerine oturtulmuş, kemerlerin yükseltisi Golgoto Tepesi gibi değerlendirilerek haçlar Calvary haçına dönüştürülmüştür. Boyalı örnekler hariç motifler kabartma tekniğiyle işlenmiş, az da olsa oyma tekniği kullanılmıştır. Haç motifleriyle bezenen mimari unsurların arasında antefiksler de yerini almıştır.

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    Lycus Dergisi
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      Lycus Dergisi
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    Authors: Wu, Jialin Christina;

    Sixty years after its enactment, the Women’s Charter remains lauded as a landmark piece of legislation in Singapore. Through its provisions, this legislative Act affirmed the rights of women, protected vulnerable women and girls, outlined the rights and responsibilities of married persons, and mandated that all non-Muslim marriages were henceforth to be monogamous. This article examines the historical developments that led to the introduction of this unprecedented “women’s Bill of Rights” by the PAP (People’s Action Party) government in 1961. Whilst extant literature credits its origins to the lobbying efforts of the Singapore’s Council of Women formed in 1952, this article argues for the need to adopt a broader contextual perspective to better account for the development of this “revolutionary” Bill between 1952 and 1961. Furthermore, earlier attempts at marriage reform, such as the 1950 Age of Marriage Bill spearheaded by the Singapore Progressive Party’s John Laycock, have curiously been overlooked in the larger narrative of women’s rights and social reform in Singapore. This article thus seeks to remedy this gap in our knowledge and to provide a fuller understanding of Singapore’s civil society in the post-war era, leading up to the introduction of the Women’s Charter. Soixante ans après sa promulgation, la Charte des femmes est encore saluée comme un texte législatif historique à Singapour. Par ses dispositions, cet Acte législatif affirmait les droits des femmes, protégeait femmes et jeunes filles vulnérables, définissait les droits et les responsabilités des personnes mariées et imposait que tous les mariages non musulmans soient désormais monogames. Cet article examine les développements historiques qui ont conduit, en 1961, à l'introduction par le gouvernement du PAP (Parti d’action populaire) de cette « déclaration des droits des femmes » sans précédent. Alors que la littérature existante attribue ses origines aux efforts de lobbying du Conseil des femmes de Singapour, créé en 1952, cet article défend la nécessité d'adopter une approche contextuelle plus large pour mieux expliquer l’origine de cette loi révolutionnaire. En effet, les tentatives antérieures de réforme du mariage, telles que le projet de loi sur l'âge du mariage de 1950 mené par John Laycock, membre du Parti progressiste de Singapour, ont curieusement été négligées dans le récit plus général des droits des femmes et de la réforme sociale à Singapour. Cet article cherche donc à combler cette lacune dans nos connaissances et à proposer une appréhension plus complète du rôle de la société civile de Singapour dans l'immédiat après-guerre, jusqu'à l'introduction de la Charte des femmes.

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    Authors: Puhmajer, Petar; Vučetić, Ratko; Haničar Buljan, Ivana;

    U članku se razmatraju prostorne i oblikovne značajke stambene arhitekture Osijeka u 18. stoljeću. To su većinom građanske kuće obrtnika, trgovaca, gradskih i vojnih činovnika, koje nastaju na parcelama unutar planski izgrađenoga grada-tvrđave. Kuće imaju karakteristična tlocrtna obilježja koja čine nizovi i grupe prostorija, kod kvalitetnijih u prizemlju redovito s vežom, koja može biti centrirana ili decentrirana u odnosu na središnju os, a na katu reprezentativni salon. Identificiraju se pojedinačni primjeri kuća, s obzirom na vrijeme nastanka i naručitelje, kao i arhitektonska rješenja, uz bitnu odrednicu da je riječ mahom o reprezentativnim katnicama višeg standarda koje su se isticale u vizuri grada. One u izvjesnoj mjeri preuzimaju elemente s javnih i vojnih zgrada što se tumači djelovanjem istih graditelja i projektanata – vojnih inženjera koji su bili angažirani na gradnji tvrđave, a koji dokumentirano projektiraju i građanske kuće.

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    Radovi Instituta za Povijest Umjetnosti
    Article . 2021 . Peer-reviewed
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