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The aim of this graduate thesis is to point out the cultural potential of the city of Šibenik at its disposal and to determine the attitudes of the local population towards the development of cultural tourism by conducting a survey questionnaire. In the theoretical part of the thesis, basic concepts such as culture, cultural heritage, cultural tourism and cultural tourists are presented. Also, the positive and negative effects of promoting the development of cultural tourism are determined. Then, the current state of cultural tourism in Croatia is analyzed by presenting the problems that Croatia is facing and by presenting the profile of cultural tourists in Croatia. The next part of thesis is dedicated to the city of Šibenik. The general characteristics of city, its tangible and intangible heritage and cultural events are presented. Also, the state od tourist traffic in the last five years and the tourist offer are analyzed. Strenghts, weaknesses, threats and opportunities are presented in the SWOT analysis. Regarding the conducted research, 155 respondents who are part of the local population participied. The research was conducted online through a survey questionnaire compiled in Google Forms. Based on the analysis of the state ofthe cultural offer and reasearch , the problems of the development of cultural tourism in Šibenik are identified and certain proposals for further development are provided. At the end ofthe thesis, there is a general conclusion about the impact of cultural tourism on the development of the city of Šibenik. Ovim diplomskim radom ţeli se ukazati na kulturni potencijal grada Šibenika kojim on raspolaţe te utvrditi stavove lokalnog stanovništva orazvoju kulturnog turizma putem provoĎenja anketnog upitnika. U teorijskom dijelu rada predstavljeni su osnovni pojmovi kao što su kultura, kulturna baština, kulturni turizam i kulturni turisti te su utvrĎeni pozitivni i negativni učinci promicanja njegova razvoja. TakoĎer, analizirano je i trenutno stanje kulturnog turizma u Hrvatskoj kroz prikaz problema s kojima se Hrvatska suočava i predstavljanjem profila kulturnih turista u Hrvatskoj. Sljedeći dio rada posvećen je gradu Šibeniku. Predstavljena su opća obiljeţja grada, njegova materijalna i nematerijalna kulturna baština te kulturne manifestacije. TakoĎer, analizirano je stanje turističkog prometa posljednjih pet godina te je predstavljena turistička ponuda. Snage, slabosti, prilike i prijetnje za razvoj kulturnog turizma u Šibeniku predstavljene su korištenjem SWOT analize. Što se tiče istraţivanja, sudjelovalo je 155 ispitanika koji činedio lokalnog stanovništva. Istraţivanje je provedeno on-line putem anketnog upitnika sastavljenog u Google Forms-u. Na temelju analize stanja kulturne ponude i istraţivanja identificirani su problemi razvoja kulturnog turizma u Šibeniku i pruţeni odreĎeni prijedlozi za daljnji razvoj. Na kraju rada donesen je opći zaključak o utjecaju kulturnog turizma na razvoj grada Šibenika.

Structural analysis of reinforced concrete business-residential building are presented in this work. The building consist of ground floor and five stories. Calculation of structural elements was performed in accordance with European standards using structural analysis software SCIA Engineer 19.1. Internal forces for the foundations, slabs ,walls, beams and columns were calculated and reinforced accordingly. The project is consisted od technical description, calculation of structural elements and characteristic structural drawings. U radu je prikazan proračun nosive konstrukcije armiranobetonske poslovno-stambene zgrade. Zgrada se sastoji od prizemlja i pet katova. Proračun i dimenzioniranje nosivih elemenata konstrukcije je provedeno u skladu sa Europskim normama pomoću računalnog programa SCIA Engineer 19.1. Proračunate su rezne sile za temelje, ploče, zidove, grede i stupove koji su sukladno tome i armirani. Projekt sadrži tehnički opis konstrukcije, proračun nosivih elemenata te karakteristične građevinske nacrte.

The task od this thesis was to make the construction project of 6-storey building in Makarska. Supporting structure makes the system of beams, walls and slabs performed in reinforced concrete. The project contains a technical description of the construction, calculation of load-bearing structural elements, specific building plans and reinforcment plans. Zadatak ovog diplomskog rada bio je izraditi projekt konstrukcije 6-etažne stambene zgrade u Makarskoj. Nosivu konstrukciju čine sustav greda,zidova i ploča izvedenih od armiranog betona. Projekt sadrži tehnički opis konstrukcije, proračun nosivih konstrukcijskih elemenata, karakteristične građevinske nacrte i armaturne planove.

In the paper are interpreted secular and religious customs and rituals, life and religious ceremonies that took place in the heart of Dalmatian hinterland: in Brštanovo and Gornje Vinovo. At the beginning of the thesis, the accent is on the life of the inhabitants of Zagora, traditional games that took place in these areas, naming and nicknames, then through interesting couplet of ojkalica and ganga, the thesis shows the rich traditional culture of the area. After that, the paper shows in a unique way traditions, customs and ceremonies related to the legends, and the end of the work is completed by prayers and oral literary structures of these culturally rich towns. The described traditional rituals most often have a panspermic and apotropaic character and at the same time represent an indispensable part of the life of all the inhabitants of the Dalmatian hinterland. Examples that substantiating informant's records have a significant traditional, ethnological and linguistic wealth. Customs that are written in this paper are preserved and transmitted from generation to generation for years, and it is up to us to continue to nurture and transmit them, because only in this way we can preserve our own national identity. U ovome radu interpretirani su svjetovni i vjerski običaji, život i religijski obredi koji su se odvijali u srcu Dalmatinske zagore – u Brštanovu i u Gornjem Vinovu. Na početku rada govori se o životu stanovnika Zagore, tradicionalnim igrama koje su se odvijale na tim područjima, nadijevanju imena i nadimaka, potom se skroz zanimljive dvostihove ojkalica i gangi ukazuje na bogatu tradicijsku kulturu toga područja. Nakon toga, u radu se na svojevrstan način govori o predajama, običajima i ophodima vezanima uz blagdane, a sami kraj rada upotpunjen je molitvama i usmenoknjiževnim strukturama tih kulturno bogatih mjestašaca. Opisani tradicijski obredi najčešće nose panspermijski i apotropejski karakter te ujedno predstavljaju neizostavan dio života svih stanovnika Dalmatinske zagore. Primjeri koji su potkrijepljivali zapise kazivača sadrže iznimno veliko tradicionalno, etnološko i lingvističko blago. Običaji koji su zapisani u ovome radu godinama su čuvani i prenošeni s koljena na koljeno, a na nama ostaje da ih i dalje nastavimo njegovati i prenositi jer jedino tako možemo sačuvati vlastiti nacionalni identitet.

The script for the course Sculpture 2 at the Graduate Study of the Department of Sculpture of the Art Academy in Split continues on the script for the course Sculpture 1 from the previous semester. Fifteen teaching units are arranged in sequences consistent with real sculptural practice. The possibility of perception and articulation of new content is one of the most important aspects of the development of the author's work process. The emphasis is on its openness and improvement, as an upgrade of knowledge from the previous semester. Throughout the script, the basic structure of the creative process is determined, but now at a more demanding level. The attention paid to the language of art, as a fundamental and unifying aspect of the work, this semester is further emphasized and presented by a series of selected visual examples, as well as examples of quotations from authors that can be interpreted as the basis of the artist’s statement. The script makes it easier for students to achieve the expected learning outcomes, i.e. awareness of the full process of realization of contemporary author's sculpture, from conceiving an idea to performing the work, and thinking about its layout in exhibition space. Skripta za kolegij Kiparstvo 2 na Diplomskom studiju Odsjeka kiparstvo Umjetničke akademije u Splitu nastavlja se na skriptu za kolegij iz prethodnog semestra, Kiparstvo 1. Petnaest nastavnih jedinica nižu se slijedom sukladnim realnoj kiparskoj praksi, što predstavlja važno iskustvo za studente, osobito u kolegiju Kiparstvo 2 koji nastavno na prethodni kolegij omogućuje studentima daljnje razvijanje znanja i iskustva. Mogućnost percepcije i artikulacije novih sadržaja je jedan od najvažnijih aspekata razvoja procesa autorskog rada. Naglasak je na njegovoj otvorenosti i unaprjeđivanju, kao nadogradnji znanja iz prethodnog semestra. Kroz čitavu skriptu se utvrđuje osnovna struktura stvaralačkog procesa, no sada na zahtjevnijoj razini. Pažnja posvećena likovnom jeziku, kao temeljnom i objedinjujućem aspektu rada, u ovom semestru je dodatno naglašena i prezentirana nizom odabranih vizualnih primjera, kao i primjera citata autora koji se mogu tumačiti kao temelji izjave o radu. Skripta olakšava studentima ostvarivanje očekivanih ishoda učenja, odnosno osvješćivanje potpunog procesa realizacije suvremene autorske skulpture, od osmišljavanja ideje do izvedbe rada i promišljanja njegova postava u prostoru.

Numerous wars and plague epidemics have marked the city of Šibenik through the 17th century, which caused a bad image of the city, which affected the field of art as well as the acquisition of paintings and painting production. The painting heritage of the 17th century was diverse, and most examples of sacral themes belong to imported painting. Bishops, church orders, fraternities and prominent representatives of Dalmatian society played a major role in the orders of paintings. The beginning of the 17th century was also marked by lifting of gilded and wooden altars, many of which are still preserved today. Although several works by local masters have been preserved, the works of late Renaissance painting and the continuation of the tradition of the so-called the golden age of Venetian painting stand out the most. The paintings of Palma Junior as well as the followers of his manner stand out in particular. Of great importance are also the paintings of Matteo Ponzone, a skilfully Venetian Baroque painter, which are kept today in the church of St. Francis. Three paintings stand out in the city, which are based on stylistic characteristics and are connected with the Bassano workshop, which belongs to the Venetian painting circle. A more detailed analysis shows that throughout the 17th century the influence of Venetian templates was dominant. There is not much information about local masters such as Mihovil Parkić and Antun Moneghin, but they are extremely important in the context of understanding the functioning of fraternal associations in smaller Dalmatian towns in the period of post-Tridentine reconstruction. Brojni ratovi i epidemije kuge obilježili su grad Šibenik kroz 17. stoljeće, što je prouzročilo lošu sliku grada koja je utjecala na domenu likovnosti kao i na nabavu slika i slikarsku produkciju. Slikarska baština 17. stoljeća bila je raznovrsna, a najviše primjera sakralne tematike pripada importnom slikarstvu. Veliku ulogu u narudžbama slikarskih djela imali su biskupi, crkveni redovi, bratovštine i ugledni predstavnici dalmatinskog društva. Početak 17. stoljeća obilježen je i podizanjem pozlaćenih i drvenih oltara, od kojih su i danas brojni sačuvani. Iako je sačuvano nekoliko djela lokalnih majstora, najviše se ističu djela kasnorenesansnog slikarstva i nastavak tradicije tzv. zlatnog stoljeća mletačkog slikarstva. Posebno se ističu slike Palme Mlađega kao i sljedbenika njegove maniere. Od velike važnosti su i slike Mattea Ponzonea, vještog venecijanskog baroknog slikara, koje se danas čuvaju u crkvi sv. Frane. U gradu se ističu i tri slike koje se temeljem stilskih karakteristika povezuju s radionicom Bassano koja pripada venecijanskom slikarskom krugu. Detaljnijom analizom vidljivo je da je kroz 17. stoljeće bio dominantan utjecaj mletačkih predložaka. O lokalnim majstorima poput Mihovila Parkića i Antuna Moneghina nema puno podataka, ali izrazito su značajni u kontekstu sagledavanja načina funkcioniranja bratovštinskih udruženja u manjim dalmatinskim gradovima u razdoblju poslijetridentske obnove.

The paper presents and interprets contemporary field notes of intangible cultural heritage in the area of Posušje employing a multidisciplinary approach. The field notes were recorded from the beginning of 2010 until 2020. The interpretation is complemented by using relevant literary-theoretical literature. Introduction explains the dissertation's structure, materials used, methodology, aim of research and hypotheses. Introduction is followed by the chapter that deals with the historical and geographical characteristics of Posušje area. The first written mention of Posušje dates from 1378 in the description of the meeting convened by Margareta, the widow of the Croatian feudal lord Ivan Nelipić from Sinj, who owned Posušje. It is assumed that Posušje inherited its name from the droughts that marked the Posušje region. The long period of Ottoman rule left a deep mark on the life and the culture of the whole area. The help of the priests at the time of Ottoman rule was crucial for whole Christian community. Their commitment to the community continued through later periods. Today’s life of Posušje people is also closely connected to the religion and the church. The multidisciplinary analysis begins with the chapter on customs throughout the year. In the period of Advent, inhabitants of Posušje worship the holidays of St. Barbara, St. Nicholas, the Immaculate Conception of the Blessed Virgin Mary, St. Lucy and St. Thomas in a special way. The days of Materice and Očići are associated with giving cina so they took the names Ženska (Female) and Muška (Male) cina. Recently the custom of advent wreath is more and more existent in the homes. In the period of preparation for Christmas, Christmas Eve is the day with which most folk customs are associated. The day of Christmas is characterized by going to the Holy Masses, congratulating each other, exchanging presents, praying, eating Christmas meal and being with loved ones. Christmas is followed by the Christmas Octave (Božićna osmina), that celebrates the days of the saints: Stephen the First Martyr and John the Evangelist, then the Innocent Children and the St. Sylvester' Day. The New Year is the last day of the Christmas Octave. With the feast of the Holy Three Kings ends the Christmas period and then all Christmas decorations are removed. Candlemas is celebrated forty days after the Christmas in memory of the Presentation of Jesus Christ in the Temple in Jerusalem. It is also called Kalandora. This holiday is associated with the divinations about the weather and fertility of the year. Carnival customs took an important place in the past among adults. The scenes of grandmother and grandfather as well as the scenes of bride and groom that were seen very often in the past, are no longer present. These scenes have elements of folklore theatre. Nowadays, children disguise themselves as characters of their favourite heroes, princesses or animals. They go from house to house and receive money and sweets as gifts. With the holiday of Ash Wednesday begins the period of Lent. In this period of preparation for the greatest Christian holiday there are no festivities or weddings. In the past women often wore black clothes and did not cut their hair. The narrators testify that people often abstained from eating meat and dairy products during the period of Lent, and on Holy Wednesday, Annunciation and Holy Days they would only drink water and eat bread. Palm Sunday presents the introduction to the Holy Week. The Paschal Triduum begins with the Holy Thursday which is associated with the presentation of Keeping the Tomb of Christ. This custom is no longer present in the parish of Posušje. The day of Holy Friday was marked as a day for helping people in need, and Holy Saturday is marked by the preparation for the Easter. In the evening people go to the Easter Vigil where the priest blesses the prepared food. Easter marks the beginning of a new, happier period for Christians when Jesus's victory over death is celebrated. Other customs throughout the year refer to the Feast of Saint George, the Feast of Saint Mark the Evangelist, the Ascension, the Feast of Corpus Christi, the Feast of Saint Anthony, the Feast of Saint John the Baptist, the Feast of Saint Elijah, The Assumption of Mary into Heaven, the Feast of Saint Rocco, All Saints' Day and All Souls' Day. A great number of customs and divinations related to mentioned feasts do not belong to the living tradition of the Posušje area. The chapter on prayer oral songs brings an analysis of about forty originally recorded prayer songs and their variations. Prayers are classified into: morning prayers; community prayers (family and relatives) afternoon and evening prayers; evening (before going to sleep) prayers; commemorative prayers; prayers dedicated to the Blessed Virgin Mary and prayers dedicated to saints. A comparative approach shows that the verses of originally recorded prayer songs in Posušje appear in Croatian records of prayers in other areas of Bosnia and Herzegovina. There are numerous variations and interleaving of verses of different prayers on the studied area, which affirms the rich transmission of the oral folk prayers. The oral folk transmission of prayers is much less present nowadays. The motif and thematic world of the traditions of the Posušje region is diverse and rich. Based on the classification of Marko Dragić, traditions are classified into: historical, etiological, eschatological, mythical, demonological and stories from everyday life. Besides the traditions associated to the Ottoman rule, the most common are mythical and demonological themes. The contents of the traditions intertwine, so some of them could be classified into several different groups. That can especially be seen with historical and etiological traditions that are largely related to the theme of the Ottoman occupation. The historical traditions in the paper are related to stećci and the mentioned period of Ottoman occupation. Etiological traditions mostly originated on the historical level and on the basis of stories from everyday life. Eschatological traditions refer to the appearance of murdered new-borns and adults. The only mythical beings of traditions recorded at the area of Posušje are fairies. In the folk tradition fairies are characterized as beings that rarely do harm to people. They would do so if someone discovered their secret that they have a horse, donkey or goat hoof. They would also revenge to those people who discover others where they took them. To those who invoke them, they caused insanity. However, if someone did a favour to them, they would have always given that person a reward. Demonological beings also possess supernatural abilities. However, they always harm people in some way. These creatures are: witches, more, werewolf, devil and ominous birds. Stories from everyday life refer to: didactical stories about killing father, those that explain the causes of burying the dead after twenty-four hours have passed since death, the story about going to work in Dalmatia, story about the hero Sirovina from Rakitno and the story about three hunters. Main characters of legends recorded in the area of Posušje are Jesus Christ, Saint Peter and Saint Anthony. The paper also presents and interprets legends about the origin of Blidinje Lake which reflect the Old Testament motif of Sodom and Gomorrah. Compared to the customs that preceded the traditional wedding, the customs that precede contemporary weddings are significantly reduced. Considering wedding morning, day and evening, recently taken customs often overlap with the traditional ones. Therefore, in addition to frequently modified traditional customs such as welcoming wedding guests at home, aspersion, throwing an apple, toasting and giving presents, customs that have been adopted under the influence of various media such as the first wedding dance, cake-cutting and throwing the bridal bouquet appear in contemporary weddings. Ganga is the way of singing that is characteristic for the researched region. Although it is much less present today than it was in the last century, ganga is still considered to be an important part of the cultural tradition of Posušje area. The examples of gangas are classified according to the main motifs: about ganga and singing, ganga of love themes and other ganga that cover several different themes. The chapter on microstructures refers to proverbs and riddles. Proverbs were often used when one wanted to instruct or warn a certain way of behaving while riddles were used to entertain and to develop way of thinking. The paper presents sixty records of proverbs and fifty-two records of riddles classified alphabetically. In addition to the cattle raising and agriculture, inhabitants of Posušje in the past earned for their living by growing and selling tobacco. They also practiced traditional crafts and handicrafts. Carpenters, saddlers and coopers were engaged in wood processing. Blacksmiths made, sharpened and repaired items made of iron and steel. Stonemasonry or stone craft refers to craft of shaping rock. People used rock to build houses, farm buildings, draw-wells, drywells but also gravestones and crosses. The most common raw material in the production of textile handicrafts was wool. With the abandonment of cattle raising as the primary form of economy and the arrival of various factory materials, customs related to the manufacture of clothing and other items of wool were extinguished at the area of Posušje. Today, these items can more often be seen by elderly who keep them as a memory of past days. Conclusion of the dissertation presents the knowledge about the intangible cultural heritage of the area of Posušje, which is an integral and important part of the Croatian intangible cultural heritage. The paper ends with Resources and References. Key words: intangible cultural heritage, customs throughout the year, prayer oral songs, traditions, legends, wedding customs, gange, microstructures, economy, Posušje area. U radu se navode i multidisciplinarno analiziraju suvremeni terenski zapisi primjera nematerijalne kulturne baštine posuškoga kraja. Zapisi su nastajali u vremenskom razdoblju od 2010. do 2020. godine na području posuške općine. Interpretacija se nadopunila korištenjem relevantne književno-teorijske literature. U uvodnom dijelu rada izneseni su podatci o građi, metodologiji, ciljevima i hipotezama istraživanja. Nakon uvodnoga dijela pružen je osvrt na povijesni pregled posuškoga kraja. Prvi pisani spomen posuškoga imena potječe iz 1378. godine u opisu zbora kojeg je sazvala Margareta, udovica hrvatskog feudalca Ivana Nelipića iz Sinja, u čijem se vlasništvu nalazilo i Posušje. Pretpostavlja se da Posušje svoj naziv baštini po sušama koje su obilježile posuški kraj. Na život i kulturu Posušana dubok trag ostavilo je višestoljetno razdoblje osmanske vladavine. U to se vrijeme ističe snalažljivost svećenika i njihova pomoć koju su pružali narodu. Njihovo zalaganje za narod nastavilo se i kroz kasnija razdoblja, a danas je život Posušana također usko vezan uz vjeru i crkvu. Multidisciplinarna analiza građe započinje poglavljem o običajima kroz godinu, razdobljem adventa. Na poseban se način u ovom razdoblju štuju spomendani svete Barbare, svetoga Nikole, blagdan Bezgrješnoga začeća Blažene Djevice Marije, spomendani svete Lucije i svetoga Tome. Uz dane Materica i Očića vezuje se običaj davanja cine pa su tako ovi dani poprimili nazive Ženska i Muška cina. Od novijih adventskih običaja ističe se adventski vijenac koji je sve češće prisutan u domovima Posušana. U razdoblju priprave za Božić, Badnjak je dan uz kojeg se veže ponajviše narodnih običaja. Vrhunac božićnih blagdana je sami Božić, a karakterizira ga: odlazak na svete mise, čestitanje, darivanje, molitva, božićno jelo i druženje s najbližima. Nakon Božića slijedi Božićna osmina u kojoj se slave blagdani svetaca: Stjepana prvomučenika i Ivana evanđelista, zatim Nevina dječica i spomendan svetoga Silvestra. Zadnji dan u Božićnoj osmini zauzima Nova godina. Blagdanom Sveta tri kralja završava božićno razdoblje i tada se sklanjaju svi božićni ukrasi. Kršćanski blagdan Svijećnica slavi se četrdeset dana nakon Božića u spomen Prikazanja Gospodinovog u Hramu u Jeruzalemu. U narodu se naziva i Kalandora, a uz ovaj blagdan vežu se proricanja o vremenu i plodnosti godine. Pokladni običaji maskiranja i maskirnih ophoda u prošlosti su zauzimali važno mjesto među u posuškom kraju. Tako su bili česti prizori babe i dida, mlade i mladoženje 298 koji imaju elemente folklornog kazališta. Ovakvi prizori nisu više prisutni u pokladnoj tradiciji istraživanog područja. U današnje se vrijeme najčešće djeca prerušavaju u ustaljene likove omiljenih junaka, princeza ili životinja. Obilazeći kuće, djeca kao poklon primaju novce i slatkiše te se za njih u vrtićima i školama organiziraju maskenbali. Nakon poklada, danom Čiste srijede započinje korizmeno razdoblje pripreme za Uskrs. Ne održavaju se veselja ni svadbe, a žene su u prošlosti najčešće nosile crnu odjeću te nisu kratile kosu. Kazivači svjedoče kako se u prošlosti držalo više do posta, tako su se ljudi često suzdržavali od mesa i mliječnih proizvoda tijekom cijele korizme, a na Čistu srijedu, Blagovijest i Velike dane bi postili o kruhu i vodi. Uvod u Veliki tjedan nastupa blagdanom Cvjetnice ili Nedjeljom Muke Gospodnje, a Sveto trodnevlje započinje Velikim četvrtkom uz koji se veže prikazivanje Čuvanja Kristova groba koji se u posuškoj župi više ne održava. Na Veliki petak se očituje preduskrsni duh pomaganja drugima jer se osim sijanja rasada, nije smjelo raditi ništa o zemlji, osim ako je to bilo za potrebe siromašnih. Velika ili Bijela subota obilježena je spremanjem za sami blagdan Uskrsa. Navečer se odlazi na uskrsno bdijenje i blagoslov hrane. Blagdanom Uskrsa započinje novo, radosnije razdoblje za kršćane kada se slavi Isusova pobjeda nad smrću. Ostali godišnji običaji odnose se na: spomendan svetoga Jure, spomendan svetoga Marka, Spasovo, blagdan Tijelova, spomendan svetoga Ante, spomendan svetoga Ivana Krstitelja, spomendan svetoga Ilije, blagdan Velike Gospe, spomendan svetoga Roka, blagdan Svih svetih i Dušnoga dana. Velik dio običaja i divinacija vezanih uz navedene blagdane i spomendane ne pripadaju živoj tradiciji posuškoga kraja. Poglavlje o molitvenim usmenim pjesmama donosi analizu četrdesetak izvornih zapisa molitvenih pjesama i njihovih varijacija. Molitve su klasificirane na: jutarnje; općinske (zajedničke obiteljske i rodbinske) poslijepodnevne i večernje molitve, večernje (pred odlazak na spavanje); prigodne; molitve posvećene Blaženoj Djevici Mariji te svetačke molitve. Komparativnim pristupom utvrđeno je kako se stihovi izvorno zapisanih molitvenih pjesama u posuškom kraju pojavljuju u zapisima molitvi kod Hrvata na drugim područjima Bosne i Hercegovine. U samom Posušju dolazi do brojnih varijacija i prepletanja stihova različitih molitvi. To svjedoči o bogatoj, ali u današnje vrijeme znatno manje prisutnoj tradiciji prenošenja narodnih molitvi usmenim putem. Motivski i tematski svijet predaja posuškoga kraja raznolik je i bogat. Polazeći od klasifikacije Marka Dragića, predaje su podijeljene na: povijesne, etiološke, eshatološke, mitske, demonološke i pričanja iz života. Osim tematike turske vladavine, informanti se najviše zadržavaju na mitskim i demonološkim temama. Sadržaji predaja prepleću se, stoga bi se neke od njih mogle svrstati u više različitih skupina. Posebice je to u radu vidljivo kod povijesnih i etioloških predaja koje su velikim dijelom povezane s tematikom osmanske okupacije. Povijesne predaje u radu vezuju se uz stećke i spomenuto razdoblje osmanske okupacije. Zapisane etiološke predaje nastale su najvećim dijelom na povijesnoj razini te na temelju pričanja iz života. Eshatološke predaje kazuju o pojavljivanju ubijene tek rođene djece te odraslih osoba. Mitska bića posuških predaja su vile. Vile se u narodnim predajama karakteriziraju kao bića koja rijetko nanose zlo ljudima, a činile bi to ukoliko bi netko otkrio njihovu tajnu da imaju konjsko ili magareće kopito ili kozji papak. Također znale su se osvetiti onima koji bi otkrili drugima gdje su ih one vodile, a onima koji su ih prizivali izazivale su pomutnju razuma. Međutim, ukoliko bi im netko učinio uslugu, uvijek bi ga na neki način nagradile. Bića demonoloških predaja također posjeduju nadnaravne sposobnosti. Međutim, ona uvijek na neki način nanose ljudima zlo. U radu su ta bića: vještice i more, vukodlak, đavao te zloguke ptice. Pričanja iz života donose: poučnu priču o ubijanju oca, zatim predaje koje objašnjavaju uzroke pokapanja mrtvaca nakon što prođu dvadeset i četiri sata od smrti. Nadalje, navodi se priča o odlasku na nadnicu u Dalmaciju, priča o junaku Sirovini iz Rakitna te o tri lovca. U legendama zapisanim na posuškom području glavni su sudionici Isus Krist i sv. Petar te sv. Ante. U radu se također navode legende o postanku Blidinjskoga jezera u kojima se ogleda starozavjetni motiv Sodome i Gomore. U usporedbi s običajima koji su prethodili tradicijskom sklapanju braka, običaji koji prethode suvremenim svadbama znatno su reducirani. Kada je riječ o samom tijeku svadbenoga jutra, dana i večeri, najčešće dolazi do prepletanja tradicijskih i novijih svadbenih običaja. Tako su od tradicijskih, uz preinake, najzastupljeniji: doček svatova kod kuće, škropljenje prilikom odlaska u crkvu, prebacivanje jabuke preko krova kuće, zdravice te darivanje mladenaca i uzdarje uzvanicima. U suvremenim su svadbama najčešće prisutni, putem medija novije usvojeni običaji, prvi ples mladenaca, rezanje torte i bacanje buketa. Ganga je način pjevanja koji je karakterističan za istraživano područje. Iako se u današnje vrijeme može čuti znatno rjeđe nego je to bio slučaj u prošlom stoljeću, smatra se neizostavnim dijelom kulturne tradicije u posuškom kraju. Navedeni primjeri gangi u radu su klasificirani prema glavnim motivima. Tako su prikazani zapisi gangi koje govore o gangi i pjevanju, nadalje, gange ljubavne tematike i ostale gange koje obuhvaćaju više različitih tema. Poglavlje o mikrostrukturama odnosi se na poslovice i zagonetke. Poslovice su se često koristile kada bi se nekoga htjelo uputiti ili upozoriti na određeni način ponašanja dok su zagonetke služile za zabavu i razvijanje načina razmišljanja. Rad donosi šezdeset zapisa poslovica te pedeset i dva zapisa zagonetki. Poslovice i zagonetke klasificirane su abecedno. Pored osnovnih grana privređivanja stočarstva i poljoprivrede, Posušani su u prošlosti zarađivali za život uzgojem i prodajom duhana. Također, bavili su se tradicijskim zanatima i rukotvorinama. Obradom drva bavili su se stolari, samardžije i bačvari. Kovači su izrađivali, oštrili i popravljali predmete izrađene od željeza. Kamenoklesari i zidari su obrađivali kamen kojim su se gradile kuće, gospodarski objekti poput staja i mlinica, zatim bunari i čatrnje, suvozidine, a služio je također pri izradi nadgrobnih spomenika i križeva. Najčešća sirovina pri izradi tekstilnih rukotvorina bila je vuna. Napuštanjem stočarstva kao primarnog oblika privređivanja te dolaskom raznih tvorničkih materijala, običaji vezani uz izrađivanje odjevnih i drugih predmeta od vune gasili su se na posuškome području, a navedeni se vuneni predmeti danas najčešće mogu naći kod starijih osoba. U zaključku rada iznesene su spoznaje o nematerijalnoj kulturnoj baštini posuškoga kraja koja je sastavni i važan dio hrvatske nematerijalne kulturne baštine. Na kraju rada donosi se popis kazivača i literature.

In this paper we are going to talk about the cultural heritage of the Ljubuski region in ethnological, anthropological and historical terms. At the beginning, in order to get an insight into the customs and life of the people in this area, we researched something about the city itself, about its location and history. In the continuation of our work, we researched various customs that are associated with different holidays throughout the year from Christmas to Easter, and through the great saints who are especially revered. In the paper, we also talked about customs that are associated with various celebrations and ceremonies, such as weddings and funerals. After that, we dealt with legends related to the origin of the names of certain places and hamlets that are specific. In the end, we also touched on historical figures who are associated with the Ljubuski region, where Duke Stjepan Vuksič Kosača stands out, with whom the origin of the town itself and the hajduk Andrijica Šimić are also associated. In the paper, we also gave examples of some songs that were sung at various celebrations and gatherings, and prayers that were especially addressed to some saints. U ovom radu govorimo o kulturnoj baštini ljubuškog kraja u etnološkom, antropološkom i povijesnom smislu. Na početku, kako bi mogli dobiti uvid u običaje i život ljudi u ovome kraju, istražili smo nešto o samom gradu, o njegovu smještaju i povijesti. U nastavku rada bavili smo se istraživanjem različitih običaja koji se vežu uz različite blagdane kroz godinu od Božića do Uskrsa, pa preko velikih svetaca koji se osobito štuju. U radu smo govorili i o običajima koji se vežu uz različita slavlja i obrede, poput vjenčanja i sprovoda. Nakon toga bavili smo se predajama vezanim uz nastanak imena pojedinih mjesta i zaseoka koja su specifična. Na kraju smo se dotakli i povijesnih osoba koje se vežu uz ljubuški kraj gdje se posebno ističe herceg Stjepan Vuksič Kosača uz kojeg se veže i nastanak samog grada te hajduk Andrijica Šimić. U radu smo naveli i primjere nekih pjesmica koje su pjevale na različitim slavljima i druženjima te molitve koje su bile posebno upućene nekim svecima.

The content of the script consistently follows the curriculum. It is conceived in four phases and in fifteen teaching units, which are extensively elaborated in the script with explanations and examples. Through them, the student goes through all stages of conceptualization, realization and presentation of a sculptural work, in which the script serves as the basic literature. The script explains the goal and task of each teaching unit, elaborating the topic through a series of selected examples of works of art by Croatian and foreign sculptors. These examples further explain the artistic and technological problems that students face in their work: they explain different types of artistic themes ranging from classical to conceptual and self-referential, ways of their artistic interpretation, the relationship of sculpture to categories of space and time, different types of artistic motivation in choosing a topic, different connotational meanings of certain materials, aspects of performance in certain materials etc. With the help of the script, the students can more easily follow the contents of the course and rely on it when thinking and planning their own work, developing individual style and perception of their own position with unfettered treatment of ideas and clear interpretation of concepts. Sadržaj skripte dosljedno prati nastavni program te je koncipiran je u četiri faze i u petnaest nastavnih jedinica koje su u skripti opširno elaborirane objašnjenjima i primjerima. Kroz nijh student prolazi kroz sve etape konceptualizacije, realizacije i predstavljanja kiparskog djela, u čemu mu skripta služi kao temeljna literatura. Skripta objašnjava cilj i zadatak svake nastavne jedinice, elaborirajući temu kroz niz odabranih primjera umjetničkih djela hrvatskih i inozemnih kipara. Putem ovih primjera dodatno se razlažu umjetnički i tehnološki problemi s kojima se sreću studenti u svome radu: pojašnjavaju se različiti tipovi umjetničkih tema u rasponu od klasičnih tema do konceptualnih i autoreferencijalnih, načini njihove likovne interpretacije, odnos kiparskog medija prema kategorijama prostora i vremena, različite vrste umjetničke motivacije pri izboru teme, različita konotacijska značenja pojedinih materijala, aspekti izvedbe u pojedinim materijalima i slično. Pomoću skripte student može lakše pratiti sadržaje kolegija te se na nju osloniti pri promišljanju i planiranju vlastitog rada, razvoju individualnog stila i percepciji vlastite autorske pozicije s nesputanim tretmanom ideja i jasnom interpretacijom koncepata.

Navedeni i interpretirani primjeri u radu zorno svjedoče bogatstvo i raznovrsnost duhovnosti u drniškom kraju. U rad su uvršteni suvremeni zapisi običaja, obreda i pučkih vjerovanja vezanih za dane kroz godinu te blagdane poput Adventa, Boţića, Sveta tri kralja ili Uskrsa. TakoĎer, prikazani su godišnji narodni običaji vezani uz spomendane svetaca koji se slave u Drnišu kao što su sveti Roko ili sveti Ivan. Navedeni primjeri imaju izniman etnološki, antropološki i filološki značaj te svjedoče o nekadašnjem bogatstvu tradicijske baštine u području drniškog kraja. S obzirom na oskudnu znanstvenu literaturu koja se općenito moţe povezati s crkveno-pučkom kulturnom baštinom, uz pomoć kazivača zapisani su izvorni terenski zapisi na drniškom području kojih danas nema ili su prisutni u mnogo manjoj mjeri. Examples that are listed and interpreted in this graduate paper vividly testify about the richness and diversity of Drniš region. In this paper there are contemporary records of customs, rituals and folk beliefs that are related to the memorials of saints that are celebrated in Drniš region, such as Saint Rocco and Saint John. Examples listed have a significant ethnological, anthropological and philological importance and they testify about former richness of traditional heritage of Drniš region. Because of the exceptionally insufficient literature relating to Church-folk cultural heritage, with the help of storytellers, authentic field records are written but still very rare.