• Digital Humanities and Cultural Heritage
• Publications close
• Antiquity close
• Geochimica et Cosmochimica Acta close

Archaeology is often defined as the study of the past through material culture. As we enter the Anthropocene, however, the two parts of this definition increasingly diverge. In the Anthropocene the archaeological record ceases to be observed from a distance, but is something we exist within. It is not an assemblage of material culture, but a hyperobject of vast temporal and geographical scope, in which ecofacts increase in prominence and the role of artefacts recedes. This article examines the archaeological record as a hyperobject and argues for an expanded definition of archaeology for the future past. It argues for a shift from the study of objects towards a broader archaeology that includes immaterial Anthropocene culture.

Archaeological remains at a religious site dedicated to a Yasawiyya Sufi saint reveal a possible centre of iron production along the trade routes connecting the medieval urban centres of Central Asia.

This article presents the initial results of a multidisciplinary project aimed at documenting evidence of the genocide that took place on the northern outskirts of Chojnice, Poland, in the autumn of 1939 and in January 1945.

Between 2018 and 2020 the Kipot ja kielet [Beakers and Speakers] project (KiKi) collected a typological database of archaeological artefacts in Finland and a typological linguistic database of Uralic languages. Both datasets will be accessible through a public online interface (URHIA) from 2021. The data will help integrate Finnish- and Uralic-speaking areas into global perspectives on human history.

The introduction of new animals into hunter-gatherer societies produces a variety of cultural responses. This article explores the role of rock art in western Arnhem Land, Australia, in helping to mediate contact-period changes in Indigenous society in the nineteenth century. The authors explore etic and emic perspectives on the ‘re-emergence’ of water buffalo into Aboriginal cultural life. Merging archaeological analysis, rock art and ethnographic accounts, the article demonstrates how such artworks were used as a tool for maintaining order in times of dramatic social change. The results of this research have significant implications for understanding how cultural groups and individuals worldwide used rock art during periods of upheaval.

Examination of Philipp von Stosch's documentation of engraved gems, discovered in previously unknown archival sources in the Princes Czartoryski Museum in Krakow and other public and private collections, considerably advances our understanding of the move from antiquarianism to proto-archaeology in the eighteenth century.