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Since the first lockdown in March 2020, time seems to have slowed to a continuous present tense. The Greek language has three words to express different experiences of time: aion, chronos and kairos. If aion is the boundless and limbo-like time of eternity, chronos represents chronological, sequential, and linear time. Kairos, however, signifies the rupture of ordinary time with the opportune moment, epiphany and redemption, revolution, and most broadly, crisis and emergency. This paper argues that the pandemic is impacting how individuals perceive time in two ways: first, as a distortion of time in which individuals are caught between linear time ( chronos) and rupture ( kairos) invoking the state of emergency and second, as an extended present that blurs the passing of chronological time with its seeming eternity ( aion). As a result of the perceived suspension of ordinary time, temporal understandings of the future are postponed, while the past hovers like a ghost over the present.

This article offers translation as a new model for conceptualising the transnational travel of memories that operates through transcultural memorial forms. It draws on translation studies, world literature studies and receptions studies to describe the domesticating and foreignising effects of memories that are ‘born translated’ and the ways they are received. The second part of the article discusses Sofi Oksanen’s novel Purge as a translation of memories of Soviet state terror through the transcultural memorial form of war rape and its foreignising effects in the local context of remembering of these events.

Introduction to the special issue ’Cultural Memorial Forms’