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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bredal-Tomren, Tom Sverre;

    In several church declarations dating as far back as the 1990s, it is stated that Sámi spirituality provides an important impulse for churches that want to develop ecotheology. In this article, I examine how two well-known Sámi priests, Bierna Leine Bientie and Tore Johnsen, have received this encouragement and what characterizes their ecotheological responses. By studying selected publications from these two, using established methods for the analysis of ecotheological texts, I show that they present an ecotheology that places more emphasis on building ecocentric worldviews than on promoting concrete solutions. This stands in contrast to the dominant theology in the Church of Norway, which places great emphasis on ethics in its statements. I conclude that Sámi theologians, measured against the findings in this analysis, challenge the church of Norway and other western churches to focus more on the connection between humans and other species and on the value of non-human nature in future ecotheological statements.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Titko, Jelena; Tambovceva, Tatjana; Atstāja, Dzintra; Lapinskaitė, Indrė; +3 Authors

    Publisher Copyright: © 2023 Jelena Titko et al. Sustainable economic development is driven by sustainable entrepreneurial activities, generated by the personal attitudes of entrepreneurs. The present and future of sustainable entrepreneurship are shaped by the youth, including students, which is why it is important to understand their attitudes towards this type of entrepreneurship. Therefore, the key goal of the research is to evaluate the attitudes and behaviours of the youth towards sustainability issues and sustainable entrepreneurship. The current article reflects the results of the second research stage and aims at evaluating attitudes towards sustainable entrepreneurship among Latvian and Lithuanian students. The results reveal that gender/age affect personal environmental attitudes, however gender/age has no effect on personal willingness to start a sustainable business. The analysis results of the personal attitudes to sustainable entrepreneurship differ by age and gender. Gender has no effect and age strongly affects personal attitudes to sustainable development. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Riga Stradiņš Univer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Riga Stradiņš Univer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: García-Díaz, José Antonio; Colomo-Palacios, Ricardo; Valencia-Garcia, Rafael;

    In general, people are usually more reluctant to follow advice and directions from politicians who do not have their ideology. In extreme cases, people can be heavily biased in favour of a political party at the same time that they are in sharp disagreement with others, which may lead to irrational decision making and can put people’s lives at risk by ignoring certain recommendations from the authorities. Therefore, considering political ideology as a psychographic trait can improve political micro-targeting by helping public authorities and local governments to adopt better communication policies during crises. In this work, we explore the reliability of determining psychographic traits concerning political ideology. Our contribution is twofold. On the one hand, we release the PoliCorpus-2020, a dataset composed by Spanish politicians’ tweets posted in 2020. On the other hand, we conduct two authorship analysis tasks with the aforementioned dataset: an author profiling task to extract demographic and psychographic traits, and an authorship attribution task to determine the author of an anonymous text in the political domain. Both experiments are evaluated with several neural network architectures grounded on explainable linguistic features, statistical features, and state-of-the-art transformers. In addition, we test whether the neural network models can be transferred to detect the political ideology of citizens. Our results indicate that the linguistic features are good indicators for identifying finegrained political affiliation, they boost the performance of neural network models when combined with embedding-based features, and they preserve relevant information when the models are tested with ordinary citizens. Besides, we found that lexical and morphosyntactic features are more effective on author profiling, whereas stylometric features are more effective in authorship attribution.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barth, Theodor;

    Research portfolio THE PROBLEM: The collection of items available as uploads (left) are broadly concerned with a class of rhythmic events that that contain disturbing elements, or “hiccups”. Example: Firstly, secondly, weirdly and thirdly… Hiccups can occur in sequences that are either logical, procedural or both (editorial). They are e.g. relevant in connection with photogravure editions. Featuring elements that are unexplainable/irrelevant in the sequence. 1, 2, X and 3… (See Didi-Huberman for an in depth analysis of the question. Didi-Huberman, Georges. (2008). La ressemblance par contact—Archaeologie et modernité de l’empreinte. Minuit.) I am broadly scouting for ways of taking stock such odd elements to see if it is possible to intercept the weft of the passage from image- to object perception. This is done by asking a question, showing an image, and providing an answer. The images are the ones contained in the slide-show (featuring the Q&A at the end). Together, the sequence of 26 Q&As with an image, feature a matrix of the type that Christopher Alexander called a pattern (with the interception X added here). The argument for making an account and finding uses for hiccups is: if unattended they leave a long tail, a growing shadow discussed here in Goethe’s and Jung’s terms. If hiccups are understood as elements occurring in a sequence/edition for which there is no rule, nor any currently existing learning algorithm, then they will tend to aggregate. If left unaccounted and unattended they will grow on par with the power and multiplication of computers in human exchange (i.e., a long entropic tail). Hence we here have a candidate model to explain how human and environmental relations could escalate to states of exception in a variety of un/related areas. And alternatives of how to deal with them are within reach of research. A solution that eliminates the problem—or, an answer that eliminates the question—contains no knowledge. SYNOPSIS From the exhibition element shown in Gallery ROM61 at KMD, for the seminar Tracing Rhythm, a carousel of slides were slung in a spiral out of the Lineup called La Kahina. Her journey around the world as the wife of a diplomat called K, features a variety of homes: domestic interiors adapted to a variety of local circumstances and the job. On the backdrop of this adaptive enclosure the life and work of her husband: the Norwegian political positions in the global oil and gas-trade. Between them a middle zone dedicated to mundane and cultural events: La Kahina’s home is never quite private, and K’s diplomatic errands are never quite public. The middle zone is fringe-space between the private and public domains. It is compared with Goethe’s studio and Arne Næss cabin at Tvergastein (Hallingskarvet). From this an idea of a proximal space—smaller than the world but wider than the body—is connected to the come-and-go between studio-work and fieldwork. In this setting, three art works are compared in terms of how they differently combine field- and studio-work: William Kentridge, Geir Harald Samuelsen, Dragoş Gheorghiu. It is suggested that the vectorial sum of field- and studio-work are organised according to 3 material tropes (Karen Barad): entanglement, superposition and intra-action. From this it is further anticipated that complex phenomena will be composite in terms of these 3 tropes. Providing a ground work for understanding current critical turns. The two chief conversation partners are here Bruno Latour’s titles: Down to Earth (2018) and After lockdown (2021). The idea of the long-tail model above came from there. The essay (attached) was written in preparation to the seminar Tracing Rhythm to reach a ground zero from where the images could be at the forefront. The result was a hiccup: that is, it produced a phenomenological equivalent—or, the event—of Shannon’s definition of information as entropy. On account of the multiplication of images perceived owing to the many instrumental shifts in the production of a photogravure, the techniques becomes an experimental laboratory to explore image collapse into object perception. The Kahina lineup attempts to transpose the production of this transition into an exhibition space, in making the image to object perception available to the viewer in the form of a debatable proposition. However, the photogravure process also features an artistic proposition (exposition) as an active model of similar types of problem (outlined above): notably types of processes where object perception is indeterminately anticipated and proposed. Calling on a hammerbolt, or featuring a counter-beat. As an entry/exit device in working with diary materials—as is the case in the National Library residency in which the project is currently hatching—photgravure has a similar function as the wind-rose on maps. One that steers towards the hatching of an object. Most probably a book. The hosting PKU project—Matter Gesture and Soul—is one of the unique arenas where academic pursuits and research can combine with workshop premises of the art field. Matter Gesture and Soul (DIKU/KMD)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KHIODA; Norwegian Op...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gomez-Baggethun, Erik;

    Except for sleep, humans spend more of their lifetimes on work than on any other activity. Many people take for granted the centrality of work in society, conceiving the prevailing 40 h workweeks in high-income countries as a ‘natural’ configuration of time. However, work and working time have been fiercely contested phenomena and have taken many different forms throughout history as they were reshaped by technological development, social struggle, and changing cultural values. Drawing on insight from history, anthropological research, and time use studies, this paper attempts to broaden the frames harnessing current debates about the future of work. First, we examine evolving conceptions of work in different cultures. Second, we review patterns of working time throughout history, contrasting some widely held assumptions against the background of the long dur´ee. Finally, we present ideas and principles to rethink dominant conceptions about the meaning, purpose, volume, content, distribution, and remuneration of work along ecological economic principles of sustainability and justice. Work time reduction Post-growth Automation Sustainability Utopia History Degrowth

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Norwegian Open Resea...arrow_drop_down
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    Authors: Stana, Ingeborg;

    The phenomenon of artistic research attracts a significant amount of attention because of the growing integration between art and science. At the same time, it remains a challenging research subject that is interpreted differently by various scientists and artists. This paper presents an attempt to investigate the role of artistic research in artists’ books. It aims to present a brief history of the artists’ books and show how various artists have captured the complex artistic processes, results, or the stories behind the works of art. The article discusses further the problem and potential of representation in artists´ books and examine the artists’ books as an effective mechanism of disseminating findings of artistic research. To present the complex artistic processes and the stories behind a work of art implies challenges. My own attempts to capture knowledge from my artistic research have been challenged while working on my own project the last year, and will be discussed. Eventually, the study will illustrate how artists’ books contribute to the process of capturing the reflections of artistic research and make the manifestations accessible to people outside of the formal contexts of the lecture halls.

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    Authors: Shabani, Amirhosein; Skamantzari, Margarita; Tapinaki, Sevasti; Georgopoulos, Andreas; +2 Authors

    Structural vulnerability assessment of heritage structures is a pivotal part of a risk mitigation strategy for preserving these valuable assets for the nations. For this purpose, developing digital twins has gained much attention lately to provide an accurate digital model for performing finite element (FE) analyses. Three-dimensional (3D) geometric documentation is the first step in developing the digital twin, and various equipment and methodologies have been developed to facilitate the procedure. Both aerial and terrestrial close-range photogrammetry can be combined with 3D laser scanning and geodetic methods for the accurate 3D geometric documentation. The data processing procedure in these cases mostly focuses on developing detailed, accurate 3D models that can be used for the FE modeling. The final 3D surface or volumes are produced mainly by combining the 3D point clouds obtained from the laser scanner and the photogrammetric methods. 3D FE models can be developed based on the geometries derived from the 3D models using FE software packages. As an alternative, developed 3D volumes provided in the previous step can be directly imported to some FE software packages. In this study, the challenges and strategies of each step are investigated by providing examples of surveyed heritage structures.

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    Authors: Choidis, Petros; Sharma, Akriti; Grottesi, Giulia; Kraniotis, Dimitrios;

    Climate change is expected to significantly affect the interior climate of old, leaky buildings without HVAC systems. As a result, the items of cultural significance that are hosted indoors will experience new ambient conditions, which will affect their degradation. In the current research, the impact of climate change on the biological, mechanical, and chemical degradation of a cabinet and a storage trunk which are made of wood and have paintings on their outer surface is investigated. These two items are found in two different rooms of a historic timber building in Vestfold, Norway. Data from the REMO2015 driven by the global model MPI-ESM-LR are used in order to account for past, present, and future climate conditions. In addition, climate data from ERA5 reanalysis are used in order to assess the accuracy of the MPI-ES-LR_REMO2015 model results. Whole building hygrothermal simulations are employed to calculate the temperature and the relative humidity inside the rooms that host the items of interest. The transient hygrothermal condition and certain characteristics of the timber surfaces are used as inputs in models that describe their degradation. The biological degradation is examined by using i) the updated VTT mould model and ii) the Growing Degree Days (GDD) for temperature and humidity dependant insects. The mechanical deterioration is assessed by the method proposed by Mecklenburg et al. (1998). The concept of the Lifetime Multiplier (LM) is used in order to assess the chemical deterioration of the furniture. Results reveal a significant mechanical degradation risk and a very high chemical deterioration risk. The biodeterioration risk remains at acceptable levels. Moreover, it could be possible that the storage trunk would be damaged by certain insects in the future. It is then suggested that both items should be moved to a room with proper conditions in order to minimize their chemical and mechanical deterioration risk and extend their life span. Finally, the significance of implementing bias correction in the data from climate models is underlined.

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    Authors: Lazarevic, Sladjana;

    The archaeological and cultural heritage sites' role in urban regeneration in UNESCO’s protected areas becomes increasingly important for natural and cultural heritage protection in tourist cities with urban expansion. However, there is no straightforward methodological approach for the inclusion of these important natural and cultural heritage sites in the process of urban regeneration of the cities. This study aims to analyze how two contemporary urban planning tools, sustainable urban mobility plans and heritage impact assessments, contribute to archaeological sites' protection and sustainable use. The methodology used in this study is dual, theoretical, through literature review, and empirical, through the appliance of the case study method and expert observation and mapping of the most valuable archaeological sites in Boka Bay. The results of this study show that practical usage of the two proposed tools in the urban regeneration projects could help in cultural and natural heritage protection and their inclusion as drivers of sustainable urban planning and cultural heritage management. The results of the study confirm the authors’ hypothesis that the role of the archaeological sites in the process of urban regeneration is evident in the touristic cities in the coastal area of Montenegro, concluding that urban mobility principles and heritage impact assessment studies must be considered in the process of urban regeneration while at the same time, cultural (archaeological) heritage management is an integral part of this process.

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    Authors: Trantas, Georgios;

    The Levant has diachronically been a highly contested region in terms of rights and entitlement, and, ultimately, in terms of sovereignty over territory. This is not a new phenomenon, particularly in a region that is laden with history. Religion has been, and still is, central in the demarcation and distinction of territorial custodianship, administration, and ownership, as it codetermines the terms and limits of boundaries by way of materiality in the public sphere. Antitheses and frictions are frequent over disputed territories and spatialities, where religioscapes overlap or intersect in a non-harmonious fashion. Especially at times of political unrest, religion, as a value system, as cultural heritage and as a collective identifier of self-perception, has a central role in the signification of (pre)dominance over territory. This holds true particularly for the Christian minorities in the Levant, with immediate consequences on their religious sites and their overall religiocultural heritage. In this light, I argue that this issue deserves extensive further study, to better understand and explain the complex georeligious landscape in the region, and specifically the place of Christianity therein by way of its materiality, given that the latter is mutatis mutandis under threat.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bredal-Tomren, Tom Sverre;

    In several church declarations dating as far back as the 1990s, it is stated that Sámi spirituality provides an important impulse for churches that want to develop ecotheology. In this article, I examine how two well-known Sámi priests, Bierna Leine Bientie and Tore Johnsen, have received this encouragement and what characterizes their ecotheological responses. By studying selected publications from these two, using established methods for the analysis of ecotheological texts, I show that they present an ecotheology that places more emphasis on building ecocentric worldviews than on promoting concrete solutions. This stands in contrast to the dominant theology in the Church of Norway, which places great emphasis on ethics in its statements. I conclude that Sámi theologians, measured against the findings in this analysis, challenge the church of Norway and other western churches to focus more on the connection between humans and other species and on the value of non-human nature in future ecotheological statements.

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    Authors: Titko, Jelena; Tambovceva, Tatjana; Atstāja, Dzintra; Lapinskaitė, Indrė; +3 Authors

    Publisher Copyright: © 2023 Jelena Titko et al. Sustainable economic development is driven by sustainable entrepreneurial activities, generated by the personal attitudes of entrepreneurs. The present and future of sustainable entrepreneurship are shaped by the youth, including students, which is why it is important to understand their attitudes towards this type of entrepreneurship. Therefore, the key goal of the research is to evaluate the attitudes and behaviours of the youth towards sustainability issues and sustainable entrepreneurship. The current article reflects the results of the second research stage and aims at evaluating attitudes towards sustainable entrepreneurship among Latvian and Lithuanian students. The results reveal that gender/age affect personal environmental attitudes, however gender/age has no effect on personal willingness to start a sustainable business. The analysis results of the personal attitudes to sustainable entrepreneurship differ by age and gender. Gender has no effect and age strongly affects personal attitudes to sustainable development. Peer reviewed

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    Authors: García-Díaz, José Antonio; Colomo-Palacios, Ricardo; Valencia-Garcia, Rafael;

    In general, people are usually more reluctant to follow advice and directions from politicians who do not have their ideology. In extreme cases, people can be heavily biased in favour of a political party at the same time that they are in sharp disagreement with others, which may lead to irrational decision making and can put people’s lives at risk by ignoring certain recommendations from the authorities. Therefore, considering political ideology as a psychographic trait can improve political micro-targeting by helping public authorities and local governments to adopt better communication policies during crises. In this work, we explore the reliability of determining psychographic traits concerning political ideology. Our contribution is twofold. On the one hand, we release the PoliCorpus-2020, a dataset composed by Spanish politicians’ tweets posted in 2020. On the other hand, we conduct two authorship analysis tasks with the aforementioned dataset: an author profiling task to extract demographic and psychographic traits, and an authorship attribution task to determine the author of an anonymous text in the political domain. Both experiments are evaluated with several neural network architectures grounded on explainable linguistic features, statistical features, and state-of-the-art transformers. In addition, we test whether the neural network models can be transferred to detect the political ideology of citizens. Our results indicate that the linguistic features are good indicators for identifying finegrained political affiliation, they boost the performance of neural network models when combined with embedding-based features, and they preserve relevant information when the models are tested with ordinary citizens. Besides, we found that lexical and morphosyntactic features are more effective on author profiling, whereas stylometric features are more effective in authorship attribution.

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    Authors: Barth, Theodor;

    Research portfolio THE PROBLEM: The collection of items available as uploads (left) are broadly concerned with a class of rhythmic events that that contain disturbing elements, or “hiccups”. Example: Firstly, secondly, weirdly and thirdly… Hiccups can occur in sequences that are either logical, procedural or both (editorial). They are e.g. relevant in connection with photogravure editions. Featuring elements that are unexplainable/irrelevant in the sequence. 1, 2, X and 3… (See Didi-Huberman for an in depth analysis of the question. Didi-Huberman, Georges. (2008). La ressemblance par contact—Archaeologie et modernité de l’empreinte. Minuit.) I am broadly scouting for ways of taking stock such odd elements to see if it is possible to intercept the weft of the passage from image- to object perception. This is done by asking a question, showing an image, and providing an answer. The images are the ones contained in the slide-show (featuring the Q&A at the end). Together, the sequence of 26 Q&As with an image, feature a matrix of the type that Christopher Alexander called a pattern (with the interception X added here). The argument for making an account and finding uses for hiccups is: if unattended they leave a long tail, a growing shadow discussed here in Goethe’s and Jung’s terms. If hiccups are understood as elements occurring in a sequence/edition for which there is no rule, nor any currently existing learning algorithm, then they will tend to aggregate. If left unaccounted and unattended they will grow on par with the power and multiplication of computers in human exchange (i.e., a long entropic tail). Hence we here have a candidate model to explain how human and environmental relations could escalate to states of exception in a variety of un/related areas. And alternatives of how to deal with them are within reach of research. A solution that eliminates the problem—or, an answer that eliminates the question—contains no knowledge. SYNOPSIS From the exhibition element shown in Gallery ROM61 at KMD, for the seminar Tracing Rhythm, a carousel of slides were slung in a spiral out of the Lineup called La Kahina. Her journey around the world as the wife of a diplomat called K, features a variety of homes: domestic interiors adapted to a variety of local circumstances and the job. On the backdrop of this adaptive enclosure the life and work of her husband: the Norwegian political positions in the global oil and gas-trade. Between them a middle zone dedicated to mundane and cultural events: La Kahina’s home is never quite private, and K’s diplomatic errands are never quite public. The middle zone is fringe-space between the private and public domains. It is compared with Goethe’s studio and Arne Næss cabin at Tvergastein (Hallingskarvet). From this an idea of a proximal space—smaller than the world but wider than the body—is connected to the come-and-go between studio-work and fieldwork. In this setting, three art works are compared in terms of how they differently combine field- and studio-work: William Kentridge, Geir Harald Samuelsen, Dragoş Gheorghiu. It is suggested that the vectorial sum of field- and studio-work are organised according to 3 material tropes (Karen Barad): entanglement, superposition and intra-action. From this it is further anticipated that complex phenomena will be composite in terms of these 3 tropes. Providing a ground work for understanding current critical turns. The two chief conversation partners are here Bruno Latour’s titles: Down to Earth (2018) and After lockdown (2021). The idea of the long-tail model above came from there. The essay (attached) was written in preparation to the seminar Tracing Rhythm to reach a ground zero from where the images could be at the forefront. The result was a hiccup: that is, it produced a phenomenological equivalent—or, the event—of Shannon’s definition of information as entropy. On account of the multiplication of images perceived owing to the many instrumental shifts in the production of a photogravure, the techniques becomes an experimental laboratory to explore image collapse into object perception. The Kahina lineup attempts to transpose the production of this transition into an exhibition space, in making the image to object perception available to the viewer in the form of a debatable proposition. However, the photogravure process also features an artistic proposition (exposition) as an active model of similar types of problem (outlined above): notably types of processes where object perception is indeterminately anticipated and proposed. Calling on a hammerbolt, or featuring a counter-beat. As an entry/exit device in working with diary materials—as is the case in the National Library residency in which the project is currently hatching—photgravure has a similar function as the wind-rose on maps. One that steers towards the hatching of an object. Most probably a book. The hosting PKU project—Matter Gesture and Soul—is one of the unique arenas where academic pursuits and research can combine with workshop premises of the art field. Matter Gesture and Soul (DIKU/KMD)

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    Authors: Gomez-Baggethun, Erik;

    Except for sleep, humans spend more of their lifetimes on work than on any other activity. Many people take for granted the centrality of work in society, conceiving the prevailing 40 h workweeks in high-income countries as a ‘natural’ configuration of time. However, work and working time have been fiercely contested phenomena and have taken many different forms throughout history as they were reshaped by technological development, social struggle, and changing cultural values. Drawing on insight from history, anthropological research, and time use studies, this paper attempts to broaden the frames harnessing current debates about the future of work. First, we examine evolving conceptions of work in different cultures. Second, we review patterns of working time throughout history, contrasting some widely held assumptions against the background of the long dur´ee. Finally, we present ideas and principles to rethink dominant conceptions about the meaning, purpose, volume, content, distribution, and remuneration of work along ecological economic principles of sustainability and justice. Work time reduction Post-growth Automation Sustainability Utopia History Degrowth

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    Authors: Stana, Ingeborg;

    The phenomenon of artistic research attracts a significant amount of attention because of the growing integration between art and science. At the same time, it remains a challenging research subject that is interpreted differently by various scientists and artists. This paper presents an attempt to investigate the role of artistic research in artists’ books. It aims to present a brief history of the artists’ books and show how various artists have captured the complex artistic processes, results, or the stories behind the works of art. The article discusses further the problem and potential of representation in artists´ books and examine the artists’ books as an effective mechanism of disseminating findings of artistic research. To present the complex artistic processes and the stories behind a work of art implies challenges. My own attempts to capture knowledge from my artistic research have been challenged while working on my own project the last year, and will be discussed. Eventually, the study will illustrate how artists’ books contribute to the process of capturing the reflections of artistic research and make the manifestations accessible to people outside of the formal contexts of the lecture halls.

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    Authors: Shabani, Amirhosein; Skamantzari, Margarita; Tapinaki, Sevasti; Georgopoulos, Andreas; +2 Authors

    Structural vulnerability assessment of heritage structures is a pivotal part of a risk mitigation strategy for preserving these valuable assets for the nations. For this purpose, developing digital twins has gained much attention lately to provide an accurate digital model for performing finite element (FE) analyses. Three-dimensional (3D) geometric documentation is the first step in developing the digital twin, and various equipment and methodologies have been developed to facilitate the procedure. Both aerial and terrestrial close-range photogrammetry can be combined with 3D laser scanning and geodetic methods for the accurate 3D geometric documentation. The data processing procedure in these cases mostly focuses on developing detailed, accurate 3D models that can be used for the FE modeling. The final 3D surface or volumes are produced mainly by combining the 3D point clouds obtained from the laser scanner and the photogrammetric methods. 3D FE models can be developed based on the geometries derived from the 3D models using FE software packages. As an alternative, developed 3D volumes provided in the previous step can be directly imported to some FE software packages. In this study, the challenges and strategies of each step are investigated by providing examples of surveyed heritage structures.

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    Authors: Choidis, Petros; Sharma, Akriti; Grottesi, Giulia; Kraniotis, Dimitrios;

    Climate change is expected to significantly affect the interior climate of old, leaky buildings without HVAC systems. As a result, the items of cultural significance that are hosted indoors will experience new ambient conditions, which will affect their degradation. In the current research, the impact of climate change on the biological, mechanical, and chemical degradation of a cabinet and a storage trunk which are made of wood and have paintings on their outer surface is investigated. These two items are found in two different rooms of a historic timber building in Vestfold, Norway. Data from the REMO2015 driven by the global model MPI-ESM-LR are used in order to account for past, present, and future climate conditions. In addition, climate data from ERA5 reanalysis are used in order to assess the accuracy of the MPI-ES-LR_REMO2015 model results. Whole building hygrothermal simulations are employed to calculate the temperature and the relative humidity inside the rooms that host the items of interest. The transient hygrothermal condition and certain characteristics of the timber surfaces are used as inputs in models that describe their degradation. The biological degradation is examined by using i) the updated VTT mould model and ii) the Growing Degree Days (GDD) for temperature and humidity dependant insects. The mechanical deterioration is assessed by the method proposed by Mecklenburg et al. (1998). The concept of the Lifetime Multiplier (LM) is used in order to assess the chemical deterioration of the furniture. Results reveal a significant mechanical degradation risk and a very high chemical deterioration risk. The biodeterioration risk remains at acceptable levels. Moreover, it could be possible that the storage trunk would be damaged by certain insects in the future. It is then suggested that both items should be moved to a room with proper conditions in order to minimize their chemical and mechanical deterioration risk and extend their life span. Finally, the significance of implementing bias correction in the data from climate models is underlined.

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    Authors: Lazarevic, Sladjana;

    The archaeological and cultural heritage sites' role in urban regeneration in UNESCO’s protected areas becomes increasingly important for natural and cultural heritage protection in tourist cities with urban expansion. However, there is no straightforward methodological approach for the inclusion of these important natural and cultural heritage sites in the process of urban regeneration of the cities. This study aims to analyze how two contemporary urban planning tools, sustainable urban mobility plans and heritage impact assessments, contribute to archaeological sites' protection and sustainable use. The methodology used in this study is dual, theoretical, through literature review, and empirical, through the appliance of the case study method and expert observation and mapping of the most valuable archaeological sites in Boka Bay. The results of this study show that practical usage of the two proposed tools in the urban regeneration projects could help in cultural and natural heritage protection and their inclusion as drivers of sustainable urban planning and cultural heritage management. The results of the study confirm the authors’ hypothesis that the role of the archaeological sites in the process of urban regeneration is evident in the touristic cities in the coastal area of Montenegro, concluding that urban mobility principles and heritage impact assessment studies must be considered in the process of urban regeneration while at the same time, cultural (archaeological) heritage management is an integral part of this process.

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    Authors: Trantas, Georgios;

    The Levant has diachronically been a highly contested region in terms of rights and entitlement, and, ultimately, in terms of sovereignty over territory. This is not a new phenomenon, particularly in a region that is laden with history. Religion has been, and still is, central in the demarcation and distinction of territorial custodianship, administration, and ownership, as it codetermines the terms and limits of boundaries by way of materiality in the public sphere. Antitheses and frictions are frequent over disputed territories and spatialities, where religioscapes overlap or intersect in a non-harmonious fashion. Especially at times of political unrest, religion, as a value system, as cultural heritage and as a collective identifier of self-perception, has a central role in the signification of (pre)dominance over territory. This holds true particularly for the Christian minorities in the Levant, with immediate consequences on their religious sites and their overall religiocultural heritage. In this light, I argue that this issue deserves extensive further study, to better understand and explain the complex georeligious landscape in the region, and specifically the place of Christianity therein by way of its materiality, given that the latter is mutatis mutandis under threat.

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