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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morejón Labrada, Sonia; Marquez-Barja, Johann; Ramírez Martin, Carlos;

    Abstract: The 'Management Platform for the Cultural Heritage of eastern Cuba' was developed in collaboration among the Universidad de Oriente and the University of Antwerp with the support of the VlirUos Program. It shows the results of research carried out by professors from the Universidad de Oriente. In its content there are documents on the built heritage of the city of Santiago de Cuba, the documentary heritage of notarial documents from the five eastern provinces, the audiovisual heritage with documentaries produced in eastern Cuba from 1986 -2016, as well as other documents that support the heritage values of the Universidad de Oriente. Its development has a multidisciplinary approach, it is flexible and secure, it facilitates the relationship among content and cross-searches, it allows the management of geographic information. From all the stored information, statistical reports are created that support decision-making about preventive conservation and the valorization of cultural heritage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: de Groof, Matthias; Van Hecken, Gert; Shaery-Yazdi, Roschanack; Meers, Philippe; +6 Authors
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    Authors: Buelens-Terryn, Margo;

    Abstract: Eind vorig jaar zette de prestigieuze Sight & Sound-poll voor het eerst een film van een vrouwelijke regisseur bovenaan de lijst van ‘Best Films of All Time’. Het was de Belgische Chantal Akerman aan wie deze eer te beurt viel, met haar film ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ uit 1975. Deze film wordt gezien als “the first masterpiece of the feminine in the history of the cinema”. Vrouwen die door middel van projecties en beelden hun agency tentoonstellen, hun kijk op de huidige samenleving weergeven en op deze manier een plekje in de publieke sfeer opeisen, kennen een langere geschiedenis dan vaak verondersteld wordt. En ook vrouwelijke lanternisten, sprekers die gebruik maakten van de projectielantaarn, belanden nog steeds in het vergetelhoekje van het vroegtwintigste-eeuwse lezingencircuit.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: De Smet, Charris;

    Abstract: PoHis-blogpost (in Dutch) about the tirailleurs sénégalais in rural Burgundy during the Second World War and the broader tensions within their memorial culture revealed by local celebrations.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buelens-Terryn, Margo;

    Abstract: Vanaf het einde van de negentiende eeuw werden de Belgische steden overspoeld met lichtbeelden. Dit kwam mede door het wijdverspreide en vernieuwende gebruik van de projectielantaarn, de voorloper van de diaprojector. Hiermee werden op grote schaal beelden over actuele gebeurtenissen en (nieuwe) kennis verspreid.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Scheltiens, Vincent;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Marschall, Bente; Jensen, Arnoud; Moors, Sofie;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: Smits, Lieke;

    Abstract: Twee recente publicaties over heksenvervolgingen laten een kloof zien tussen feministische interpretaties en historisch onderzoek. Onjuiste claims over het verleden doen geen recht aan historische slachtoffers en schaden de feministische beweging, betoogt Lieke Smits.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: Laes, Christian;
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    Abstract: Wie waren de ‘Kinderen van de zorg’? Het Instituut voor Tropische Geneeskunde (ITG), het Maagdenhuis (stad Antwerpen) en Universiteit Antwerpen (UAntwerpen) slaan de handen in elkaar en geven je een unieke kijk in het leven in het voormalige Vondelingenhuis (ITG), het Maagdenhuis en het Knechtjeshuis (UAntwerpen). Ze belichten ook hun hedendaagse invulling. Het pas gerenoveerde Knechtjeshuis is vandaag een thuishaven voor toekomstige productontwikkelaars. En waar ooit het vondelingenhuis was, voert het Instituut voor Tropische Geneeskunde onderzoek naar het welzijn van moeders en kinderen wereldwijd.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morejón Labrada, Sonia; Marquez-Barja, Johann; Ramírez Martin, Carlos;

    Abstract: The 'Management Platform for the Cultural Heritage of eastern Cuba' was developed in collaboration among the Universidad de Oriente and the University of Antwerp with the support of the VlirUos Program. It shows the results of research carried out by professors from the Universidad de Oriente. In its content there are documents on the built heritage of the city of Santiago de Cuba, the documentary heritage of notarial documents from the five eastern provinces, the audiovisual heritage with documentaries produced in eastern Cuba from 1986 -2016, as well as other documents that support the heritage values of the Universidad de Oriente. Its development has a multidisciplinary approach, it is flexible and secure, it facilitates the relationship among content and cross-searches, it allows the management of geographic information. From all the stored information, statistical reports are created that support decision-making about preventive conservation and the valorization of cultural heritage.

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    Authors: de Groof, Matthias; Van Hecken, Gert; Shaery-Yazdi, Roschanack; Meers, Philippe; +6 Authors
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    Authors: Buelens-Terryn, Margo;

    Abstract: Eind vorig jaar zette de prestigieuze Sight & Sound-poll voor het eerst een film van een vrouwelijke regisseur bovenaan de lijst van ‘Best Films of All Time’. Het was de Belgische Chantal Akerman aan wie deze eer te beurt viel, met haar film ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ uit 1975. Deze film wordt gezien als “the first masterpiece of the feminine in the history of the cinema”. Vrouwen die door middel van projecties en beelden hun agency tentoonstellen, hun kijk op de huidige samenleving weergeven en op deze manier een plekje in de publieke sfeer opeisen, kennen een langere geschiedenis dan vaak verondersteld wordt. En ook vrouwelijke lanternisten, sprekers die gebruik maakten van de projectielantaarn, belanden nog steeds in het vergetelhoekje van het vroegtwintigste-eeuwse lezingencircuit.

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    Authors: De Smet, Charris;

    Abstract: PoHis-blogpost (in Dutch) about the tirailleurs sénégalais in rural Burgundy during the Second World War and the broader tensions within their memorial culture revealed by local celebrations.

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    Authors: Buelens-Terryn, Margo;

    Abstract: Vanaf het einde van de negentiende eeuw werden de Belgische steden overspoeld met lichtbeelden. Dit kwam mede door het wijdverspreide en vernieuwende gebruik van de projectielantaarn, de voorloper van de diaprojector. Hiermee werden op grote schaal beelden over actuele gebeurtenissen en (nieuwe) kennis verspreid.

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    Authors: Scheltiens, Vincent;
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    Authors: Marschall, Bente; Jensen, Arnoud; Moors, Sofie;
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    Authors: Smits, Lieke;

    Abstract: Twee recente publicaties over heksenvervolgingen laten een kloof zien tussen feministische interpretaties en historisch onderzoek. Onjuiste claims over het verleden doen geen recht aan historische slachtoffers en schaden de feministische beweging, betoogt Lieke Smits.

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    Authors: Laes, Christian;
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    Abstract: Wie waren de ‘Kinderen van de zorg’? Het Instituut voor Tropische Geneeskunde (ITG), het Maagdenhuis (stad Antwerpen) en Universiteit Antwerpen (UAntwerpen) slaan de handen in elkaar en geven je een unieke kijk in het leven in het voormalige Vondelingenhuis (ITG), het Maagdenhuis en het Knechtjeshuis (UAntwerpen). Ze belichten ook hun hedendaagse invulling. Het pas gerenoveerde Knechtjeshuis is vandaag een thuishaven voor toekomstige productontwikkelaars. En waar ooit het vondelingenhuis was, voert het Instituut voor Tropische Geneeskunde onderzoek naar het welzijn van moeders en kinderen wereldwijd.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.