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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kamolphat, Atsawawaranunt; Comas-Bru, Laia;

    Files needed for Quality Control checks of the SISALworkbook_v12 (Comas-Bru and Harrison, 2019). This includes a Python script (wb_check_v12_compatible.py) for automatic checks and an R script (plot_agemodels_hiatus_v12) for manual checks. Instructions on how to run these scripts are provided in a README_instructions.txt file. See supplementary material of Comas-Bru et al (2020, https://doi.org/10.5194/essd-2020-39) for further information on the checks.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This text is the first of the series RUTTER Technical Notes, research materials and studies resulting from the activities of members of the Project RUTTER - Making the Earth Global. It clarifies the history of 17th- and 18th-century Portuguese printed rutters, offering a detailed inventory of 21 different editions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ figsharearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Direito, Bárbara; Ferreira, José Miguel;

    publishersversion published

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lousada, Isabel Cruz;

    UIDB/04647/2020 UIDP/04647/2020 Nada faria supor aquando da publicação do anterior volume que o mundo fosse assolado por tão dramática pandemia – a COVID 19 - que num ápice atingiu o mundo inteiro. A nota mais expressiva de pesar pelas mortes registadas que possamos querer deixar patente ficará sempre muito aquém da tragédia humana sentida; sem precedentes, se atendermos ao facto da velocidade inédita a que se propagou, numa escala global e, mediaticamente, monitorada ao minuto. publishersversion published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lloret, C. P. Odriozola; Cordero, J. A. Garrido; Sousa, Ana Catarina; Gonçalves, V. S.; +1 Authors

    Prehistoric ornaments are considered as aesthetic categories that show, emphasize and materialize codes, metaphors and narratives socially shared (Bar-Yosef Mayer and Porat 2008; DeMarrais et al. 1996; Hodder 1982; Tilley 1999; Wright and Garrard, 2003). Some values and properties as colour (Jones and MacGregor, 2002; Sahlins, 1976), but also brightness (Gaydarska y Chapman, 2008), have been highlighted as determinant of cultural/symbolic and technological choices in Prehistoric materiality, conditionating the raw material selection. Transparent and translucent minerals are considered for the Neolithic onwards as rare and highly symbolic elements. This paper shows that translucent beads accounts for an ample variety of raw material (i.e., calcite, muscovite, quartz varieties…). Fluorite (CaF2) occurs worldwide, and it´s relatively frequent in western Europe, and the Iberian Peninsula. Its properties (4 hardness in Mohs´ Scale) made it easy to worked out and cleavage for making ornaments. Some Belgium´s Upper Palaeolithic sites gave important evidences of its use (Goemaere et al., 2013; Jungels and Goemaere, 2007) and French and Belgian Neolithic and Copper Age communities used fluorite as a rare raw material for personal ornaments. N/A

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório Aberto d...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório Aberto d...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramos, António Pedro;

    A aprovação do Sistema de Normalização Contabilística para as Administrações Públicas (SNC-AP) constitui-se como um marco importante na administração pública, principalmente porque aproxima e normaliza os sistemas contabilísticos privados e públicos. Seguidamente à sua aprovação prescreveram-se normas para o tratamento contabilístico aos ativos fixos tangíveis (AFT), em que se incorporam nessas normas, os bens de relevância histórico-cultural, que até aqui e no anterior normativo Plano Oficial de Contabilidade Pública, eram escriturados normalmente com valor zero ou lançados simbolicamente por 1 Euro no Sistema Integrado de Gestão da Defesa Nacional, a plataforma de gestão da informação orçamental, financeira e logística da Defesa Nacional, pela impossibilidade técnica da sua escrituração com valor zero. Sendo a Marinha detentora de um vasto património histórico, tornou-se relevante desenvolver o presente trabalho de investigação, estruturado como um estudo de caso exploratório na procura de um modelo de mensuração do património museológico da Marinha à luz do SNC-AP e, consequentemente, a sua prescrição contabilística, procurando se contribuir como uma fonte de informação para a gestão eficiente dos recursos da Marinha. A primeira parte da investigação consistiu em analisar a aplicabilidade do SNC-AP aos ativos museológicos da Marinha, através de um processo indutivo de interpretação normativa. Na segunda parte analisou-se os critérios de mensuração, através de processo indutivo de interpretação normativa e entrevistas aos responsáveis financeiros e patrimoniais da Marinha, para adquirir contributos e aceitação técnica e os impactes na qualidade da informação financeira e a viabilidade na implementação de soluções técnicas. Na terceira parte, e igualmente através de processo indutivo de interpretação normativa e por entrevistas, conclui-se pela aplicação de um modelo referencial de mensuração que cumpra as prescrições contabilísticas legais aos AFT e que represente, no objetivo derradeiro, uma oportunidade de melhoria da qualidade da informação financeira e patrimonial. Abstract: The approval of the Sistema de Normalização Contabilística para a Administração Pública (SNC-AP) estabilishes itself as an important milestone in the administração pública, especially because it proposes approaching and normalizing the private and public accounting systems. Following the approval of the SNC-AP, rules were prescribed for the accounting treatment of the fixed assets (AFT), in which were incorporated goods for historical-cultural relevance, that until then, and in the previous normative Plano Oficial de Contabilidade Pública, were normally carried with the value of zero or launched symbolically as 1 Euro in the Sistema Integrado de Gestão da Defesa Nacional (SIGDN), the budget, financial and logistics information management platform, by the technical impossibility of its bookkeeping for zero value. Since the Marinha has a vast historical heritage, the present research work, developed as an exploratory case study in the search for a model of measurement of the museological heritage of the Marinha, has become of all relevance according to the SNC-AP and, consequently, its accounting prescription, seeking to contribute as a source of information for the efficient management of Marinha resources. The first part of the investigation consisted in analyzing the applicability of the SNC AP to the museological assets of the Marinha, through an inductive process of normative interpretation. The second part analyzed the criteria for measuring, through an inductive process of normative interpretation and interviews with the financial and patrimonial officers of the Marinha, to acquire contributions and technical acceptance and the impacts on the quality of financial information and the feasibility in the implementation of technical solutions. In the third part, and also through an inductive process of normative interpretation and interviews, we conclude by applying a reference model of measurement that complies with the legal accounting prescriptions to the AFT and that represents, in the ultimate objective, as an opportunity to improve the quality of financial information. N/A

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Cardoso, António Barros;

    Tendo por base a evolução histórica dos sistemas de condução da videira nas duas regiões vitícolas de que a cidade do Porto é cabeça, procuramos fazer compreender a diferença qualitativa entre os Vinhos Verdes e o Vinho do Porto e a respetiva disparidade paisagística. Based on the historical evolution of the vine driving systems in the two wine-growing regions where the city of Porto is head, we try to understand the qualitative difference between Vinho Verde and Port Wine and the respective landscape disparity.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repositório Aberto d...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Herberto, Luís;

    O que faz falta... é malhar na malta! Catálogo da exposição de Pintura e Desenho apresentada na Biblioteca-FCT/ NOVA, de 12 de Outubro a 18 de Dezembro de 2018. Este conjunto de desenhos e pinturas apresenta uma primeira parte do projecto. Biblioteca FCT/ NOVA [Universidade Nova de Lisboa]; Luís Herberto

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    Authors: Rangel, Leonardo Coutinho de Carvalho;

    Esta tese objetiva contribuir para o entendimento das complexidades relacionadas à santidade feminina, tanto na sua forma aprovada quanto na tida, pelas autoridades da Igreja, como simulada, no Portugal do século XVII. O trabalho se desenvolve em torno de estudos de caso, nomeadamente o de Mariana da Purificação (1623-1695), freira carmelita do Convento da Esperança de Beja, e os de Guiomar (~1601-1642+) e Maria Mazeda (~1615-1642+), terceiras franciscanas todas acusadas de fingimento de santidade. As principais fontes empregadas foram a obra Fragmentos da prodigiosa vida da [] veneravel Madre Marianna da Purificaçam (1747) de Fr. Caetano do Vencimento; o processo inquisitorial de Mariana da Purificação (1668-1670), contendo os cadernos autógrafos da religiosa que serviram de base para os Fragmentos; e também os processos de Guiomar Mazeda e Maria Mazeda (ambos, 1641-1642). A maneira como se retratavam as veneráveis e as santas nas vitae seguia padrões que enquadravam trajetórias complexas como a de sóror Mariana em modelos preestabelecidos, visando atingir interesses específicos, incluindo os dos financiadores do livro. Para tanto, eliminavam-se e/ou reescreviam-se passagens possivelmente comprometedoras. Essas obras poderiam ainda ser uma forma de enquadramento dos manuscritos femininos, os quais, geralmente, serviam de base para a elaboração das vitae, a exemplo dos cadernos de Mariana. Estes foram retirados do seu contexto original e moldados conforme a visão das autoridades masculinas. Conquanto essa prática seja amplamente conhecida pelos especialistas, apenas em raros casos é possível ter acesso ao manuscrito em que se baseou a obra para observar as mudanças no discurso, bem como procurar entender as possíveis razões para as omissões e adições. A investigação evidencia que mesmo indivíduos inequivocamente considerados santos poderiam apresentar contradições e incoerências, próprias de todos os seres humanos, quando analisados sob a ótica de fontes cujo objetivo não era o de construir uma imagem laudatória, a exemplo da documentação inquisitorial. Verificou-se ainda que a simulação de santidade feminina poderia ser motivada ou causada pelas mais diversas razões, a exemplo de uma direção espiritual ineficiente; possíveis problemas psicológicos; bem como a situação de vulnerabilidade socioeconômica a que estavam expostas mulheres pobres e não-casadas. Isso leva a uma explicação menos simplista do que o mero desejo de fama, cuja importância pode ser superestimada se não se consideram outros fatores. This thesis aims to contribute to the comprehension of complexities related to female sanctity, whether in its approved form, whether in simulated, by the point of view of authorities of the Church, in the kingdom of Portugal of XVIIth century. The work is developed around case studies, namely of Mariana da Purificação (1623-1695), Carmelite nun from the Convento da Esperança de Beja, also Guiomar (~1601-1642+) and Maria Mazeda (~1615-1642+), Franciscan tertiaries all of them accused of simulation of sanctity. The main sources used were the Fragmentos da prodigiosa vida da [] veneravel Madre Marianna da Purificaçam (1747) written by Fr. Caetano do Vencimento; the inquisitorial process of Mariana da Purificação (1668-1670), including the notebooks written by herself, which were used as the main source of the Fragmentos; also the processes of Guiomar Mazeda e Maria Mazeda (both from 1641-1642). The way vitæ portrayed the venerables and saints followed patterns that framed complex trajectories as sor. Marianas in pre-established patterns, aiming specific interests, including the financers of the book. Therefore, passages possibly compromising would be removed and/or rewritten. Those works could be also a way of framing feminine manuscripts, in which the vitæ where usually based, just as Marianas notebooks. Those were removed from their original context and they were shaped according to the vision of masculine authorities. Although this practice is widely know among scholars, only in few instances it is possible to access the manuscript that based the work and verify changes in discourse, and possible reasons to omissions and additions. The research also showed that even individuals unequivocally regarded as saints could present contradictions and incoherences, as any human being, when analyzed from the viewpoint of sources, which the main goal was not to build a praiseful image, as the inquisitorial documents. We verified also, that many reasons could cause or motivate female simulation of sanctity, for instance an inneficient spiritual guidance; possible psychological conditions; and the situation of socioeconomic vulnerability which poor and unmarried women were exposed. That leads to a less simplistic explanation than mere desire of fame, which significance could be overestimated if other possibilities are not considered.

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    Authors: Lousada, Isabel;

    UIDB/04647/2020 UIDP/04647/2020 publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kamolphat, Atsawawaranunt; Comas-Bru, Laia;

    Files needed for Quality Control checks of the SISALworkbook_v12 (Comas-Bru and Harrison, 2019). This includes a Python script (wb_check_v12_compatible.py) for automatic checks and an R script (plot_agemodels_hiatus_v12) for manual checks. Instructions on how to run these scripts are provided in a README_instructions.txt file. See supplementary material of Comas-Bru et al (2020, https://doi.org/10.5194/essd-2020-39) for further information on the checks.

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    This text is the first of the series RUTTER Technical Notes, research materials and studies resulting from the activities of members of the Project RUTTER - Making the Earth Global. It clarifies the history of 17th- and 18th-century Portuguese printed rutters, offering a detailed inventory of 21 different editions.

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    Authors: Direito, Bárbara; Ferreira, José Miguel;

    publishersversion published

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    Authors: Lousada, Isabel Cruz;

    UIDB/04647/2020 UIDP/04647/2020 Nada faria supor aquando da publicação do anterior volume que o mundo fosse assolado por tão dramática pandemia – a COVID 19 - que num ápice atingiu o mundo inteiro. A nota mais expressiva de pesar pelas mortes registadas que possamos querer deixar patente ficará sempre muito aquém da tragédia humana sentida; sem precedentes, se atendermos ao facto da velocidade inédita a que se propagou, numa escala global e, mediaticamente, monitorada ao minuto. publishersversion published

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    Authors: Lloret, C. P. Odriozola; Cordero, J. A. Garrido; Sousa, Ana Catarina; Gonçalves, V. S.; +1 Authors

    Prehistoric ornaments are considered as aesthetic categories that show, emphasize and materialize codes, metaphors and narratives socially shared (Bar-Yosef Mayer and Porat 2008; DeMarrais et al. 1996; Hodder 1982; Tilley 1999; Wright and Garrard, 2003). Some values and properties as colour (Jones and MacGregor, 2002; Sahlins, 1976), but also brightness (Gaydarska y Chapman, 2008), have been highlighted as determinant of cultural/symbolic and technological choices in Prehistoric materiality, conditionating the raw material selection. Transparent and translucent minerals are considered for the Neolithic onwards as rare and highly symbolic elements. This paper shows that translucent beads accounts for an ample variety of raw material (i.e., calcite, muscovite, quartz varieties…). Fluorite (CaF2) occurs worldwide, and it´s relatively frequent in western Europe, and the Iberian Peninsula. Its properties (4 hardness in Mohs´ Scale) made it easy to worked out and cleavage for making ornaments. Some Belgium´s Upper Palaeolithic sites gave important evidences of its use (Goemaere et al., 2013; Jungels and Goemaere, 2007) and French and Belgian Neolithic and Copper Age communities used fluorite as a rare raw material for personal ornaments. N/A

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    Authors: Ramos, António Pedro;

    A aprovação do Sistema de Normalização Contabilística para as Administrações Públicas (SNC-AP) constitui-se como um marco importante na administração pública, principalmente porque aproxima e normaliza os sistemas contabilísticos privados e públicos. Seguidamente à sua aprovação prescreveram-se normas para o tratamento contabilístico aos ativos fixos tangíveis (AFT), em que se incorporam nessas normas, os bens de relevância histórico-cultural, que até aqui e no anterior normativo Plano Oficial de Contabilidade Pública, eram escriturados normalmente com valor zero ou lançados simbolicamente por 1 Euro no Sistema Integrado de Gestão da Defesa Nacional, a plataforma de gestão da informação orçamental, financeira e logística da Defesa Nacional, pela impossibilidade técnica da sua escrituração com valor zero. Sendo a Marinha detentora de um vasto património histórico, tornou-se relevante desenvolver o presente trabalho de investigação, estruturado como um estudo de caso exploratório na procura de um modelo de mensuração do património museológico da Marinha à luz do SNC-AP e, consequentemente, a sua prescrição contabilística, procurando se contribuir como uma fonte de informação para a gestão eficiente dos recursos da Marinha. A primeira parte da investigação consistiu em analisar a aplicabilidade do SNC-AP aos ativos museológicos da Marinha, através de um processo indutivo de interpretação normativa. Na segunda parte analisou-se os critérios de mensuração, através de processo indutivo de interpretação normativa e entrevistas aos responsáveis financeiros e patrimoniais da Marinha, para adquirir contributos e aceitação técnica e os impactes na qualidade da informação financeira e a viabilidade na implementação de soluções técnicas. Na terceira parte, e igualmente através de processo indutivo de interpretação normativa e por entrevistas, conclui-se pela aplicação de um modelo referencial de mensuração que cumpra as prescrições contabilísticas legais aos AFT e que represente, no objetivo derradeiro, uma oportunidade de melhoria da qualidade da informação financeira e patrimonial. Abstract: The approval of the Sistema de Normalização Contabilística para a Administração Pública (SNC-AP) estabilishes itself as an important milestone in the administração pública, especially because it proposes approaching and normalizing the private and public accounting systems. Following the approval of the SNC-AP, rules were prescribed for the accounting treatment of the fixed assets (AFT), in which were incorporated goods for historical-cultural relevance, that until then, and in the previous normative Plano Oficial de Contabilidade Pública, were normally carried with the value of zero or launched symbolically as 1 Euro in the Sistema Integrado de Gestão da Defesa Nacional (SIGDN), the budget, financial and logistics information management platform, by the technical impossibility of its bookkeeping for zero value. Since the Marinha has a vast historical heritage, the present research work, developed as an exploratory case study in the search for a model of measurement of the museological heritage of the Marinha, has become of all relevance according to the SNC-AP and, consequently, its accounting prescription, seeking to contribute as a source of information for the efficient management of Marinha resources. The first part of the investigation consisted in analyzing the applicability of the SNC AP to the museological assets of the Marinha, through an inductive process of normative interpretation. The second part analyzed the criteria for measuring, through an inductive process of normative interpretation and interviews with the financial and patrimonial officers of the Marinha, to acquire contributions and technical acceptance and the impacts on the quality of financial information and the feasibility in the implementation of technical solutions. In the third part, and also through an inductive process of normative interpretation and interviews, we conclude by applying a reference model of measurement that complies with the legal accounting prescriptions to the AFT and that represents, in the ultimate objective, as an opportunity to improve the quality of financial information. N/A

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    Authors: Cardoso, António Barros;

    Tendo por base a evolução histórica dos sistemas de condução da videira nas duas regiões vitícolas de que a cidade do Porto é cabeça, procuramos fazer compreender a diferença qualitativa entre os Vinhos Verdes e o Vinho do Porto e a respetiva disparidade paisagística. Based on the historical evolution of the vine driving systems in the two wine-growing regions where the city of Porto is head, we try to understand the qualitative difference between Vinho Verde and Port Wine and the respective landscape disparity.

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    Authors: Herberto, Luís;

    O que faz falta... é malhar na malta! Catálogo da exposição de Pintura e Desenho apresentada na Biblioteca-FCT/ NOVA, de 12 de Outubro a 18 de Dezembro de 2018. Este conjunto de desenhos e pinturas apresenta uma primeira parte do projecto. Biblioteca FCT/ NOVA [Universidade Nova de Lisboa]; Luís Herberto

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    Authors: Rangel, Leonardo Coutinho de Carvalho;

    Esta tese objetiva contribuir para o entendimento das complexidades relacionadas à santidade feminina, tanto na sua forma aprovada quanto na tida, pelas autoridades da Igreja, como simulada, no Portugal do século XVII. O trabalho se desenvolve em torno de estudos de caso, nomeadamente o de Mariana da Purificação (1623-1695), freira carmelita do Convento da Esperança de Beja, e os de Guiomar (~1601-1642+) e Maria Mazeda (~1615-1642+), terceiras franciscanas todas acusadas de fingimento de santidade. As principais fontes empregadas foram a obra Fragmentos da prodigiosa vida da [] veneravel Madre Marianna da Purificaçam (1747) de Fr. Caetano do Vencimento; o processo inquisitorial de Mariana da Purificação (1668-1670), contendo os cadernos autógrafos da religiosa que serviram de base para os Fragmentos; e também os processos de Guiomar Mazeda e Maria Mazeda (ambos, 1641-1642). A maneira como se retratavam as veneráveis e as santas nas vitae seguia padrões que enquadravam trajetórias complexas como a de sóror Mariana em modelos preestabelecidos, visando atingir interesses específicos, incluindo os dos financiadores do livro. Para tanto, eliminavam-se e/ou reescreviam-se passagens possivelmente comprometedoras. Essas obras poderiam ainda ser uma forma de enquadramento dos manuscritos femininos, os quais, geralmente, serviam de base para a elaboração das vitae, a exemplo dos cadernos de Mariana. Estes foram retirados do seu contexto original e moldados conforme a visão das autoridades masculinas. Conquanto essa prática seja amplamente conhecida pelos especialistas, apenas em raros casos é possível ter acesso ao manuscrito em que se baseou a obra para observar as mudanças no discurso, bem como procurar entender as possíveis razões para as omissões e adições. A investigação evidencia que mesmo indivíduos inequivocamente considerados santos poderiam apresentar contradições e incoerências, próprias de todos os seres humanos, quando analisados sob a ótica de fontes cujo objetivo não era o de construir uma imagem laudatória, a exemplo da documentação inquisitorial. Verificou-se ainda que a simulação de santidade feminina poderia ser motivada ou causada pelas mais diversas razões, a exemplo de uma direção espiritual ineficiente; possíveis problemas psicológicos; bem como a situação de vulnerabilidade socioeconômica a que estavam expostas mulheres pobres e não-casadas. Isso leva a uma explicação menos simplista do que o mero desejo de fama, cuja importância pode ser superestimada se não se consideram outros fatores. This thesis aims to contribute to the comprehension of complexities related to female sanctity, whether in its approved form, whether in simulated, by the point of view of authorities of the Church, in the kingdom of Portugal of XVIIth century. The work is developed around case studies, namely of Mariana da Purificação (1623-1695), Carmelite nun from the Convento da Esperança de Beja, also Guiomar (~1601-1642+) and Maria Mazeda (~1615-1642+), Franciscan tertiaries all of them accused of simulation of sanctity. The main sources used were the Fragmentos da prodigiosa vida da [] veneravel Madre Marianna da Purificaçam (1747) written by Fr. Caetano do Vencimento; the inquisitorial process of Mariana da Purificação (1668-1670), including the notebooks written by herself, which were used as the main source of the Fragmentos; also the processes of Guiomar Mazeda e Maria Mazeda (both from 1641-1642). The way vitæ portrayed the venerables and saints followed patterns that framed complex trajectories as sor. Marianas in pre-established patterns, aiming specific interests, including the financers of the book. Therefore, passages possibly compromising would be removed and/or rewritten. Those works could be also a way of framing feminine manuscripts, in which the vitæ where usually based, just as Marianas notebooks. Those were removed from their original context and they were shaped according to the vision of masculine authorities. Although this practice is widely know among scholars, only in few instances it is possible to access the manuscript that based the work and verify changes in discourse, and possible reasons to omissions and additions. The research also showed that even individuals unequivocally regarded as saints could present contradictions and incoherences, as any human being, when analyzed from the viewpoint of sources, which the main goal was not to build a praiseful image, as the inquisitorial documents. We verified also, that many reasons could cause or motivate female simulation of sanctity, for instance an inneficient spiritual guidance; possible psychological conditions; and the situation of socioeconomic vulnerability which poor and unmarried women were exposed. That leads to a less simplistic explanation than mere desire of fame, which significance could be overestimated if other possibilities are not considered.

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    Authors: Lousada, Isabel;

    UIDB/04647/2020 UIDP/04647/2020 publishersversion published

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.