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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zenzaro, Simone; Del Grosso, Angelo Mario; Boschetti, Federico; Ranocchia, Graziano;

    CophiEditor is a Digital Scholarly Editing Web platform based on Domain Specific Languages (DSL-based DSE). We are developing this platform in the context of the GreekSchools-885222 ERC project in which it is being used for the constitutio textus of Philodemus of Gadara’s Arrangement of the Philosophers. The digital papyrological edition of these texts is challenging in many ways, as most of the Herculaneum papyri are highly fragmentary because they are carbonized and damaged. One of the main goals of the CophiEditor is to provide a full-fledged collaborative environment in order to support the scholar's editorial work. In this poster we show how the progress of CophiEditor eases the collaboration between scholars and the role played by the Web Annotation Data Model (WADM) for data representation and interchange.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5281/zenodo...
    Other ORP type . 2023
    License: CC BY SA
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5281/zenodo...
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      License: CC BY SA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zenzaro, Simone; Del Grosso, Angelo Mario; Boschetti, Federico; Ranocchia, Graziano;

    Il contributo propone alcuni criteri di valutazione per l'analisi degli approcci all'editing testuale. Dopo averli presentati brevemente, si mostra come sono stati applicati alle attività finora svolte nel contesto del progetto ERC-885222 GreekSchools per quanto riguarda la progettazione e lo sviluppo di una piattaforma web collaborativa che fa uso di linguaggi specifici di dominio (DSL) finalizzata allo studio scientifico e alla pubblicazione di testi papiracei mediante edizioni critiche digitali.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5281/zenodo...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5281/zenodo...
      Other ORP type . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Emma, Richard-Trémeau; Brogan Catriona; John, Betts;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the pottery manufactured in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) periods. This catalogue will be associated with a submitted paper reviewing the Pre-Temple Wares in Malta and will be released concomitantly to the paper if accepted. This document is a PDF; the data and photographs can be accessed by contacting the authors. This catalogue was compiled in 2023. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. Data collection was carried out between 2018-2020 and 2023. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Monella, Paolo;

    These are the learning materials of a workshop held within the "Corso di Digital Humanities per i Dottorandi della Scuola di Scienze Umanistiche 2022-23", a series of workshops and lectures for PhD students organized by the DISH Center (Digital Scholarship in the Humanities) at the University of Turin, Italy. I am uploading are a zip archive including a folder which constitutes a website. Please unzip the archive and open index.html to see the website homepage. As of June 2023, the website is available and functioning in http://www.paolomonella.it/torino2023/ {"references": ["Monella, P. and Rosselli Del Turco, R. (2020), Extending the DSE: LOD support and TEI/IIIF integration in EVT, in Cristina Marras and Marco Passarotti and Greta Franzini and Eleonora Litta, ed., 'Atti del IX Convegno Annuale dell'Associazione per l'Informatica Umanistica e la Cultura Digitale (AIUCD). La svolta inevitabile: sfide e prospettive per l'Informatica Umanistica', Associazione per l'Informatica Umanistica e la Cultura Digitale, Milano, pp. 148-155."]} Course attendants will learn how to enrich their scholarly digital edition in the direction of the "distributed edition" with two advanced features: (1) linking to the source document images through IIIF; (2) linking concepts and named entities (including places and persons) to LOD entities They will explore strategies to visualize these features in EVT (Edition Visualization Software).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Richard-Trémeau, Emma; Brogan, Catriona; Betts, John Charles;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the nature of the materials used in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Żebbuġ (Late Neolithic) phases. This catalogue presents sherds from the Żebbuġ phase, photographs, microphotographs, and descriptions of sherds and their archaeological contexts. This catalogue was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. Although the results of these analyses await publication, this catalogue presents the sherds which were analysed using these destructive techniques to provide comparative material whilst safeguarding information about the characteristics of these sherds which have been partially destroyed. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. This document is a PDF document; to access the original photographs and data, please email the authors. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Richard-Trémeau, Emma; Brogan, Catriona; Betts, John Charles;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the nature of the materials used in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This catalogue presents sherds from the Għar Dalam and Skorba phases, photographs, microphotographs, and descriptions of sherds and their archaeological contexts. This catalogue was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. Although the results of these analyses await publication, this catalogue presents the sherds which were analysed using these destructive techniques to provide comparative material whilst safeguarding information about the characteristics of these sherds which have been partially destroyed. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. This document is a PDF document; to access the original photographs and data, please email the authors. For more Għar Dalam phase photos see: https://zenodo.org/record/7941624#.ZGW8v3ZBw2w

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Carvalho, Jason; Daga, Enrico; Asprino, Luigi; Gangemi, Aldo; +4 Authors

    SPICE is an EU H-2020 project dedicated to research on novel methods for citizen curation of cultural heritage through an ecosystem of tools co-designed by an interdisciplinary team of researchers, technologists, and museum curators and engagement experts, and user communities. This demo paper presents the output of Work Package 4 of the SPICE project, focusing on improving the state of the art of content management and delivery strategies of museums. Within this context, we analysed the challenges of integrating citizen experiences in cultural heritage archives. Objective of the work is developing an approach to giving citizen curation partner organisations (e.g. museums or engagement companies) meaningful control over their data, by expressing fine-grained, user-tailored policies and terms of use and by developing an approach to dealing with privacy violations in user-contributed content. The work capitalise on the research on managing data catalogues and integration metadata in the smart cities context. Crucially, the SPICE LDH integrates data from museum collections and user-generated content from applications, leveraging a multiplicity of ontological viewpoints, using the novel SPARQL Anything system. Alongside presenting novel functionalities of the Linked Data Hub, we illustrate concrete applications within the SPICE pilot 'Deep Viewpoints', which focuses on supporting the Irish Museum of Modern Art (IMMA) in citizen curation activities.

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    Authors: Emma, Richard-Trémeau; Brogan Catriona; Betts, John Charles;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Skorba phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs. This upload complements the upload MaltaPot Għar Dalam photograph collection (MPotPhotosGD2023v1); 10.5281/zenodo.7941624

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Richard-Trémeau Emma; Betts John Charles; Brogan Catriona;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Għar Dalam phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds which were not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs. 

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  • Authors: Durrant, Louis; Vadher, Atish N.; Teller, Jacques;

    Research into the sustainable management of the world's cultural heritage (CH) is increasing. This is due to the vulnerability of CH to climate-related disasters and the perceived contribution of CH to the achievement of broader sustainability goals. Despite the perceived benefits of bringing together CH and sustainability, researchers have identified barriers that slow integration. These barriers are theoretical and practical, and targeted research would help improve the resilience of our CH. This article aims to explore the perceptions of a group of UNESCO world heritage site managers (WHSM) on disaster risk management. A questionnaire was sent to WHSM via professional email boxes. The questionnaire consisted of 26 questions designed to explore the perception of WHSM. In total, 58 responses were received, and the results produced findings worthy of discussion. WHSM still have limited access to disaster risk management strategies or practical implementation experience. Practitioners in this field perceive multiple risks, not just those related to climate change. The researchers noted that there was a tendency to focus on the most immediate problem, rather than the full range of risks they might face. It is clear that there is an opportunity to improve resilience through knowledge sharing and better communication across all CH. This is also true of individual world cultural heritage sites, with opportunities to engage more effectively with local stakeholders. This article pinpoints the current perceptions of WHSM for the academic community and highlights critical avenues of research that will aid in the overarching theoretical and operational integration of CH and sustainability. https://shelter-project.com/ The SHELTER Project

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zenzaro, Simone; Del Grosso, Angelo Mario; Boschetti, Federico; Ranocchia, Graziano;

    CophiEditor is a Digital Scholarly Editing Web platform based on Domain Specific Languages (DSL-based DSE). We are developing this platform in the context of the GreekSchools-885222 ERC project in which it is being used for the constitutio textus of Philodemus of Gadara’s Arrangement of the Philosophers. The digital papyrological edition of these texts is challenging in many ways, as most of the Herculaneum papyri are highly fragmentary because they are carbonized and damaged. One of the main goals of the CophiEditor is to provide a full-fledged collaborative environment in order to support the scholar's editorial work. In this poster we show how the progress of CophiEditor eases the collaboration between scholars and the role played by the Web Annotation Data Model (WADM) for data representation and interchange.

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    Authors: Zenzaro, Simone; Del Grosso, Angelo Mario; Boschetti, Federico; Ranocchia, Graziano;

    Il contributo propone alcuni criteri di valutazione per l'analisi degli approcci all'editing testuale. Dopo averli presentati brevemente, si mostra come sono stati applicati alle attività finora svolte nel contesto del progetto ERC-885222 GreekSchools per quanto riguarda la progettazione e lo sviluppo di una piattaforma web collaborativa che fa uso di linguaggi specifici di dominio (DSL) finalizzata allo studio scientifico e alla pubblicazione di testi papiracei mediante edizioni critiche digitali.

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    Authors: Emma, Richard-Trémeau; Brogan Catriona; John, Betts;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the pottery manufactured in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) periods. This catalogue will be associated with a submitted paper reviewing the Pre-Temple Wares in Malta and will be released concomitantly to the paper if accepted. This document is a PDF; the data and photographs can be accessed by contacting the authors. This catalogue was compiled in 2023. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. Data collection was carried out between 2018-2020 and 2023. 

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    Authors: Monella, Paolo;

    These are the learning materials of a workshop held within the "Corso di Digital Humanities per i Dottorandi della Scuola di Scienze Umanistiche 2022-23", a series of workshops and lectures for PhD students organized by the DISH Center (Digital Scholarship in the Humanities) at the University of Turin, Italy. I am uploading are a zip archive including a folder which constitutes a website. Please unzip the archive and open index.html to see the website homepage. As of June 2023, the website is available and functioning in http://www.paolomonella.it/torino2023/ {"references": ["Monella, P. and Rosselli Del Turco, R. (2020), Extending the DSE: LOD support and TEI/IIIF integration in EVT, in Cristina Marras and Marco Passarotti and Greta Franzini and Eleonora Litta, ed., 'Atti del IX Convegno Annuale dell'Associazione per l'Informatica Umanistica e la Cultura Digitale (AIUCD). La svolta inevitabile: sfide e prospettive per l'Informatica Umanistica', Associazione per l'Informatica Umanistica e la Cultura Digitale, Milano, pp. 148-155."]} Course attendants will learn how to enrich their scholarly digital edition in the direction of the "distributed edition" with two advanced features: (1) linking to the source document images through IIIF; (2) linking concepts and named entities (including places and persons) to LOD entities They will explore strategies to visualize these features in EVT (Edition Visualization Software).

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    Authors: Richard-Trémeau, Emma; Brogan, Catriona; Betts, John Charles;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the nature of the materials used in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Żebbuġ (Late Neolithic) phases. This catalogue presents sherds from the Żebbuġ phase, photographs, microphotographs, and descriptions of sherds and their archaeological contexts. This catalogue was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. Although the results of these analyses await publication, this catalogue presents the sherds which were analysed using these destructive techniques to provide comparative material whilst safeguarding information about the characteristics of these sherds which have been partially destroyed. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. This document is a PDF document; to access the original photographs and data, please email the authors. 

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    Authors: Richard-Trémeau, Emma; Brogan, Catriona; Betts, John Charles;

    This catalogue was compiled as part of the MaltaPot project at the University of Malta. This project aims to understand better the nature of the materials used in Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This catalogue presents sherds from the Għar Dalam and Skorba phases, photographs, microphotographs, and descriptions of sherds and their archaeological contexts. This catalogue was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. Although the results of these analyses await publication, this catalogue presents the sherds which were analysed using these destructive techniques to provide comparative material whilst safeguarding information about the characteristics of these sherds which have been partially destroyed. Data collection was carried out between 2018-2020 and 2023. This catalogue was compiled in 2023. This document is a PDF document; to access the original photographs and data, please email the authors. For more Għar Dalam phase photos see: https://zenodo.org/record/7941624#.ZGW8v3ZBw2w

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Carvalho, Jason; Daga, Enrico; Asprino, Luigi; Gangemi, Aldo; +4 Authors

    SPICE is an EU H-2020 project dedicated to research on novel methods for citizen curation of cultural heritage through an ecosystem of tools co-designed by an interdisciplinary team of researchers, technologists, and museum curators and engagement experts, and user communities. This demo paper presents the output of Work Package 4 of the SPICE project, focusing on improving the state of the art of content management and delivery strategies of museums. Within this context, we analysed the challenges of integrating citizen experiences in cultural heritage archives. Objective of the work is developing an approach to giving citizen curation partner organisations (e.g. museums or engagement companies) meaningful control over their data, by expressing fine-grained, user-tailored policies and terms of use and by developing an approach to dealing with privacy violations in user-contributed content. The work capitalise on the research on managing data catalogues and integration metadata in the smart cities context. Crucially, the SPICE LDH integrates data from museum collections and user-generated content from applications, leveraging a multiplicity of ontological viewpoints, using the novel SPARQL Anything system. Alongside presenting novel functionalities of the Linked Data Hub, we illustrate concrete applications within the SPICE pilot 'Deep Viewpoints', which focuses on supporting the Irish Museum of Modern Art (IMMA) in citizen curation activities.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Emma, Richard-Trémeau; Brogan Catriona; Betts, John Charles;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Skorba phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs. This upload complements the upload MaltaPot Għar Dalam photograph collection (MPotPhotosGD2023v1); 10.5281/zenodo.7941624

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Richard-Trémeau Emma; Betts John Charles; Brogan Catriona;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Għar Dalam phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds which were not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs. 

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  • Authors: Durrant, Louis; Vadher, Atish N.; Teller, Jacques;

    Research into the sustainable management of the world's cultural heritage (CH) is increasing. This is due to the vulnerability of CH to climate-related disasters and the perceived contribution of CH to the achievement of broader sustainability goals. Despite the perceived benefits of bringing together CH and sustainability, researchers have identified barriers that slow integration. These barriers are theoretical and practical, and targeted research would help improve the resilience of our CH. This article aims to explore the perceptions of a group of UNESCO world heritage site managers (WHSM) on disaster risk management. A questionnaire was sent to WHSM via professional email boxes. The questionnaire consisted of 26 questions designed to explore the perception of WHSM. In total, 58 responses were received, and the results produced findings worthy of discussion. WHSM still have limited access to disaster risk management strategies or practical implementation experience. Practitioners in this field perceive multiple risks, not just those related to climate change. The researchers noted that there was a tendency to focus on the most immediate problem, rather than the full range of risks they might face. It is clear that there is an opportunity to improve resilience through knowledge sharing and better communication across all CH. This is also true of individual world cultural heritage sites, with opportunities to engage more effectively with local stakeholders. This article pinpoints the current perceptions of WHSM for the academic community and highlights critical avenues of research that will aid in the overarching theoretical and operational integration of CH and sustainability. https://shelter-project.com/ The SHELTER Project

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