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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arrow@TU Dublin
    Other literature type . 2023
    License: CC BY NC SA
    Data sources: Arrow@TU Dublin
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
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      Arrow@TU Dublin
      Other literature type . 2023
      License: CC BY NC SA
      Data sources: Arrow@TU Dublin
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    In the wake of the era of Trump and Brexit, legacies and values of European Enlightenment seem under threat as never before. Cosmopolitanism in particular, generally understood as an Enlightenment virtue, has come to be associated with a sort of rootlessness, and has not, as generally understood, valued local affiliation. For David Goodhart, writing in 2017, this characteristic has resulted in a polarisation between “anywheres” (liberal middle-class cosmopolitans) and “somewheres” (broadly speaking, conservative working-class voters who have strong attachments to their nation and places of origin). An Irish Tory monarchist who sought in his poem The Deserted Village (1770) to defend rural communities from the ravages of economic modernity, Oliver Goldsmith (1728-74) was also in other key works a cosmopolitan commentator who compared countries in order to warn Britain against the dangers of economic liberalism, as he did in The Traveller, or a Prospect of Society (1764). Thus, he could be thought of as a more conservative cosmopolitan than many of his British and French peers; as such his particular enlightenment legacy is his example of a middle ground between the “anywheres” and “somewheres” of Goodhart’s thesis.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Estudios Irlandesesarrow_drop_down
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    Estudios Irlandeses
    Article . 2023 . Peer-reviewed
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    Estudios Irlandeses
    Article . 2023
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    https://doi.org/10.34961/resea...
    Other literature type . 2024
    License: CC BY NC SA
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    https://doi.org/10.34961/resea...
    Other literature type . 2024
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Estudios Irlandesesarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Estudios Irlandeses
      Article . 2023 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Estudios Irlandeses
      Article . 2023
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      https://doi.org/10.34961/resea...
      Other literature type . 2024
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      https://doi.org/10.34961/resea...
      Other literature type . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Veronica Biolcati; James Woolley; Élodie Lévêque; Andrea Rossi; +4 Authors

    AbstractThis work presents the results of a transdisciplinary analysis performed on Harward’s Almanac (Dublin, 1666), an extremely rare volume currently housed in the National Library of Ireland. The uniqueness and historical value of the Almanac is related to the presence of nineteen handwritten poems, entered by an anonymous scribe. These record textually important English clandestine satire circulating anonymously in Dublin in the late seventeenth and early eighteenth century. Following a comprehensive historical assessment, it appeared evident that the current order of leaves was incorrect. To reconstruct the correct order of the leaves, and hence the likely sequence in which the manuscript poems were inscribed, this study employed a codicological/paleographic analysis complemented by analytical (X-ray fluorescence, XRF) and statistical (Self Organizing Map, SOM) investigation. Specifically, point XRF analysis was carried out for each handwritten page of the Almanac, allowing identification of ink elemental compositions (iron-based ink) and successfully supporting the validity of historical hypotheses on the poems’ order of inscription. The statistical organization of XRF data by SOMs allowed easy bi-dimensional visualization of the data set (54 points) and identification of ink similarities, once more validating the historical assessment.

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    Heritage Science
    Article . 2023 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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    Heritage Science
    Article . 2023
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      Heritage Science
      Article . 2023 . Peer-reviewed
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      Heritage Science
      Article . 2023
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  • Authors: Elliott Mills;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: James O’Sullivan; Michael Pidd;

    AbstractEditorial scholarship is once again in a state of upheaval. Digital scholarly editing, for all it has achieved, has not accommodated the increasingly digital nature of cultural production and consumption. The theories and practices of digital scholarly editing need to better account for born-digital cultural materials like social media content, digital fiction, and video games. This paper discusses the state-of-the-art in digital scholarly editing, and advocates for future forms of digital scholarly editing and publishing suited to the born-digital.

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    Humanities & Social Sciences Communications
    Article . 2023 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Humanities & Soc...arrow_drop_down
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      Humanities & Social Sciences Communications
      Article . 2023 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nothaft, C. Philipp E.;

    Abstract Two Latin manuscripts in Oxford and Florence preserve diverging recensions of a previously unnoticed astronomical treatise beginning Infra signiferi poli regionem (Oxford recension) or Circulorum alius est sub quo (Florence recension). It can be shown that this anonymous text was originally intended to accompany the Tables of Marseilles in Raymond of Marseilles’s twelfth-century Liber cursuum planetarum (ca. 1141). While the core tables for planetary longitudes in this set were founded on Ptolemy’s kinematic models, as known from the Almagest, this new source frequently deviates from the Ptolemaic norm, for instance by explicitly rejecting an epicyclic explanation of planetary stations and retrogradations. In place of the latter, it argues in favour of a heliodynamic theory inspired by Roman sources such as Pliny, which underwent certain developments in the works of twelfth-century Latin writers such as William of Conches. Rather than being wholly exceptional, these features are indicative of a degree of disconnect between planetary theory and computational practice in twelfth-century Latin astronomy, which is also detectable in other sources from this period.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Early Science and Me...arrow_drop_down
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  • Authors: Álvaro José Campillo Bo;

    Abstract The goal of this paper is to show – by way of a case study – how the contents of Proclus’ Commentary on the First Book of Euclid’s Elements were incorporated into university teaching in the sixteenth century. I analyse the impact of Proclus on the works of the Spanish mathematician and university professor Jerónimo Muñoz (ca. 1520–1591). In order to do so, I examine two manuscripts: Adnotationes in commentaria Procli super Euclidem (MS Vat. Lat. 6996), and Astrologicarum et geographicarum institutionum libri sex (MS Vat. Lat. 6998). I show that the contents of Proclus’ commentary pervade Muñoz’s mathematical writings and influence his mathematical ontology, his classification of mathematical disciplines, and the history and terminology of geometry that he adopts. Moreover, I expound on how Proclus’ text inspired Muñoz to maintain that the fifth postulate was a theorem, leading him to attempt a demonstration of it which pre-dates knowledge in the Latin West of Naṣīr ad-Dīn’s (1201–1274) previous attempt.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Louis Mahon; Carl Vogel;

    This paper presents FASTFOOD, a rule-based natural language generation (NLG) program for cooking recipes. We consider the representation of cooking recipes as discourse representation, because the meaning of each sentence needs to consider the context of the others. Our discourse representation system is based on states of affairs and transtions between states of affairs, and does not use discourse referents. Recipes are generated by using an automated theorem-proving procedure to select the ingredients and instructions, with ingredients corresponding to axioms and instructions to implications. FASTFOOD also contains a temporal optimization module which can rearrange the recipe to make it more time efficient for the user, e.g. the recipe specifies to chop the vegetables while the rice is boiling. The system is described in detail, including the decision to forgo discourse referents and how plausible representations of nouns and verbs emerge purely as a by-product of the practical requirements of efficiently representing recipe content. A comparison is then made with existing recipe generation systems, NLG systems more generally, and automated theorem provers.

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2022
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    https://doi.org/10.21248/jlcl....
    Article . 2023 . Peer-reviewed
    License: CC BY SA
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    https://doi.org/10.48550/arxiv...
    Article . 2022
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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      https://doi.org/10.21248/jlcl....
      Article . 2023 . Peer-reviewed
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      https://doi.org/10.48550/arxiv...
      Article . 2022
      License: CC BY
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Brian Griffin;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Irish Economic and S...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Irish Economic and Social History
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Irish Economic and S...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Irish Economic and Social History
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Juliana Adelman;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Irish Economic and S...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Irish Economic and Social History
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Irish Economic and S...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Irish Economic and Social History
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arrow@TU Dublin
    Other literature type . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Arrow@TU Dublin
      Other literature type . 2023
      License: CC BY NC SA
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    In the wake of the era of Trump and Brexit, legacies and values of European Enlightenment seem under threat as never before. Cosmopolitanism in particular, generally understood as an Enlightenment virtue, has come to be associated with a sort of rootlessness, and has not, as generally understood, valued local affiliation. For David Goodhart, writing in 2017, this characteristic has resulted in a polarisation between “anywheres” (liberal middle-class cosmopolitans) and “somewheres” (broadly speaking, conservative working-class voters who have strong attachments to their nation and places of origin). An Irish Tory monarchist who sought in his poem The Deserted Village (1770) to defend rural communities from the ravages of economic modernity, Oliver Goldsmith (1728-74) was also in other key works a cosmopolitan commentator who compared countries in order to warn Britain against the dangers of economic liberalism, as he did in The Traveller, or a Prospect of Society (1764). Thus, he could be thought of as a more conservative cosmopolitan than many of his British and French peers; as such his particular enlightenment legacy is his example of a middle ground between the “anywheres” and “somewheres” of Goodhart’s thesis.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Estudios Irlandesesarrow_drop_down
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    Estudios Irlandeses
    Article . 2023 . Peer-reviewed
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    Estudios Irlandeses
    Article . 2023
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    https://doi.org/10.34961/resea...
    Other literature type . 2024
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    https://doi.org/10.34961/resea...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Estudios Irlandesesarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Estudios Irlandeses
      Article . 2023 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Estudios Irlandeses
      Article . 2023
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      https://doi.org/10.34961/resea...
      Other literature type . 2024
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      https://doi.org/10.34961/resea...
      Other literature type . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Veronica Biolcati; James Woolley; Élodie Lévêque; Andrea Rossi; +4 Authors

    AbstractThis work presents the results of a transdisciplinary analysis performed on Harward’s Almanac (Dublin, 1666), an extremely rare volume currently housed in the National Library of Ireland. The uniqueness and historical value of the Almanac is related to the presence of nineteen handwritten poems, entered by an anonymous scribe. These record textually important English clandestine satire circulating anonymously in Dublin in the late seventeenth and early eighteenth century. Following a comprehensive historical assessment, it appeared evident that the current order of leaves was incorrect. To reconstruct the correct order of the leaves, and hence the likely sequence in which the manuscript poems were inscribed, this study employed a codicological/paleographic analysis complemented by analytical (X-ray fluorescence, XRF) and statistical (Self Organizing Map, SOM) investigation. Specifically, point XRF analysis was carried out for each handwritten page of the Almanac, allowing identification of ink elemental compositions (iron-based ink) and successfully supporting the validity of historical hypotheses on the poems’ order of inscription. The statistical organization of XRF data by SOMs allowed easy bi-dimensional visualization of the data set (54 points) and identification of ink similarities, once more validating the historical assessment.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Heritage Science
    Article . 2023 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Heritage Science
    Article . 2023
    Data sources: DOAJ
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage Science
      Article . 2023 . Peer-reviewed
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      Heritage Science
      Article . 2023
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  • Authors: Elliott Mills;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: James O’Sullivan; Michael Pidd;

    AbstractEditorial scholarship is once again in a state of upheaval. Digital scholarly editing, for all it has achieved, has not accommodated the increasingly digital nature of cultural production and consumption. The theories and practices of digital scholarly editing need to better account for born-digital cultural materials like social media content, digital fiction, and video games. This paper discusses the state-of-the-art in digital scholarly editing, and advocates for future forms of digital scholarly editing and publishing suited to the born-digital.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Humanities & Social Sciences Communications
    Article . 2023 . Peer-reviewed
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Humanities & Social Sciences Communications
      Article . 2023 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nothaft, C. Philipp E.;

    Abstract Two Latin manuscripts in Oxford and Florence preserve diverging recensions of a previously unnoticed astronomical treatise beginning Infra signiferi poli regionem (Oxford recension) or Circulorum alius est sub quo (Florence recension). It can be shown that this anonymous text was originally intended to accompany the Tables of Marseilles in Raymond of Marseilles’s twelfth-century Liber cursuum planetarum (ca. 1141). While the core tables for planetary longitudes in this set were founded on Ptolemy’s kinematic models, as known from the Almagest, this new source frequently deviates from the Ptolemaic norm, for instance by explicitly rejecting an epicyclic explanation of planetary stations and retrogradations. In place of the latter, it argues in favour of a heliodynamic theory inspired by Roman sources such as Pliny, which underwent certain developments in the works of twelfth-century Latin writers such as William of Conches. Rather than being wholly exceptional, these features are indicative of a degree of disconnect between planetary theory and computational practice in twelfth-century Latin astronomy, which is also detectable in other sources from this period.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Early Science and Me...arrow_drop_down
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  • Authors: Álvaro José Campillo Bo;

    Abstract The goal of this paper is to show – by way of a case study – how the contents of Proclus’ Commentary on the First Book of Euclid’s Elements were incorporated into university teaching in the sixteenth century. I analyse the impact of Proclus on the works of the Spanish mathematician and university professor Jerónimo Muñoz (ca. 1520–1591). In order to do so, I examine two manuscripts: Adnotationes in commentaria Procli super Euclidem (MS Vat. Lat. 6996), and Astrologicarum et geographicarum institutionum libri sex (MS Vat. Lat. 6998). I show that the contents of Proclus’ commentary pervade Muñoz’s mathematical writings and influence his mathematical ontology, his classification of mathematical disciplines, and the history and terminology of geometry that he adopts. Moreover, I expound on how Proclus’ text inspired Muñoz to maintain that the fifth postulate was a theorem, leading him to attempt a demonstration of it which pre-dates knowledge in the Latin West of Naṣīr ad-Dīn’s (1201–1274) previous attempt.

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    Authors: Louis Mahon; Carl Vogel;

    This paper presents FASTFOOD, a rule-based natural language generation (NLG) program for cooking recipes. We consider the representation of cooking recipes as discourse representation, because the meaning of each sentence needs to consider the context of the others. Our discourse representation system is based on states of affairs and transtions between states of affairs, and does not use discourse referents. Recipes are generated by using an automated theorem-proving procedure to select the ingredients and instructions, with ingredients corresponding to axioms and instructions to implications. FASTFOOD also contains a temporal optimization module which can rearrange the recipe to make it more time efficient for the user, e.g. the recipe specifies to chop the vegetables while the rice is boiling. The system is described in detail, including the decision to forgo discourse referents and how plausible representations of nouns and verbs emerge purely as a by-product of the practical requirements of efficiently representing recipe content. A comparison is then made with existing recipe generation systems, NLG systems more generally, and automated theorem provers.

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    https://doi.org/10.21248/jlcl....
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    https://doi.org/10.48550/arxiv...
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      https://doi.org/10.21248/jlcl....
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      https://doi.org/10.48550/arxiv...
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    Authors: Brian Griffin;
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    Authors: Juliana Adelman;
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