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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    We have before us the sixth issue of INSAM Journal of Contemporary Music, Art and Technology. This is the second issue in a row dedicated to the global crisis caused by the Covid-19 pandemic. After the overwhelming response from all over the world to the call for papers and provocative inspections that ensued, here we wanted to discuss the ways in which technology shapes and enables work in the areas of music, arts, humanities, and the education process, this time inviting our collaborators to discuss the shortcomings and struggles of the working processes in these fields. The main theme, “Music, Art and Humanities in the Time of Global Crisis”, expanded from the Main Theme section into the interviews as well.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    In the seventh issue of INSAM Journal of Contemporary Music, Art and Technology, we are continuing our series on themes dedicated to art, music, and humanities in times of global crisis. After dealing with more general questions regarding these areas of creation, in this volume we are thinking about the issue of mental and bodily health during the Covid-19 pandemic and its possible ties and representations in music and art.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    The papers in this thematic issue are dedicated to the following topics: interreligious dialogue, negotiation of ethnic and religious affiliation in everyday life, religious conversion, inherited institutions of the Ottoman society and attitude towards them, (re)presentation of historical figures and events in literary narratives, Muslim religious organizations in the past and present. The thematic issue aims to contribute to academic dialogue in domestic and international context, in which strategies, topoi and actors related to the Ottoman heritage, Muslims and Islam are very current. Радови у овом тематском броју посвећени су следећим темама: међурелигијски дијалог, преговарање о етничкој и верској припадности у свакодневном животу, верска конверзија, наслеђене институције османског друштва и однос према њима, (ре)презентација историјских личности и догађаја у књижевни наративи, муслиманске верске организације у прошлости и садашњости. Тематско издање има за циљ да допринесе академском дијалогу у домаћем и међународном контексту, у којем су веома актуелне стратегије, топои и актери везани за отоманско наслеђе, муслимане и ислам.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
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    Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired. This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ivetić, Dušica;

    Light-ness is an interdisciplinary art project where the theoretical research results in the artistic work being produced through the use of digital technology. The main goal of the project is to explore the dynamic link between the categories of lightness and heaviness. This paper examines the question of these relations as universal phenomena, which therefore make it an inevitable part of artistic practice. The starting point for this argument is Italo Kalvino's essay American Lectures and his thesis about lightness. The concept is further observed with a study of various theoretical, newmedia and philosophical views. The written part of the art project is divided into four parts: Theoretical framework and poetic description, Methodological considerations, Analysis of practical work and Final considerations. The production of the practical part of the project involves the use of digital technology in order to materialize virtual data and construct multimedia installations. This approach involves the collecting and processing of data and the use of the CNC machine for production. Light-ness је интердисциплинарни уметнички пројекат, чије теоријско истраживање резултира уметничким радом реализованим употребом дигиталне технологије. Основни циљ пројекта је да истражи спрегу између динамичких категорија лако и тешко. У раду се проучава питање односа ових феномена као универзалних и свеприсутних животних појава, које као такве чине и неизоставан део уметничке праксе. Полазна основа пројекта је есеј Итала Калвина Америчка предавања, у коме аутор анализира лакоћу насупрот тежини. Концепт је додатно разрађен студијом различитих теоријских, новомедијских и филозофских становишта. Писани део докторског уметничког пројекта подељен је на четири целине: „Теоријски оквир и поетички опис”, „Методолошкa разматрања”, „Aнализа практичног рада” и „Закључна разматрања”. Реализација практичног дела рада подразумева употребу дигиталне технологије у циљу материјализације виртуелних података и конструкције мултимедијалних инсталација. Овакав приступ подразумева дигитално прикупљање, обраду података и употребу ЦНЦ машине за њихову продукцију.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NaRDuS - Nacionalni ...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NaRDuS - Nacionalni ...arrow_drop_down
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    Authors: Jablonski, Daniel; Urošević, Aleksandar; Andjelković, Marko; Džukić, Georg;

    : Data type: Adobe Acrobat Document (.pdf)

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    ZENODO
    Dataset . 2019
    License: CC 0
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      ZENODO
      Dataset . 2019
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    Authors: Lukić-Krstanović Miroslava;

    Analyzing a scientific institution and its protagonists in diachronic perspective also entails different levels of (self)assessment - retrospection, introspection, and extrospection, which also points out to turmoils, stratifications, and contradictions of scientific temporal strategies. In this paper I am interpreting processes of the establishment of normative strategies, institutional politics, construction of collectivities, and individual aspirations at the Institute of Ethnography SASA from 1947 until present. Historical self-reflection encompasses five options through which scientific subjectivities and objectivities were formed and confronted: 1. Routinization of meaningful systems and sliding individual inventiveness; 2. Efficiency of the institutional order and distinctiveness in reaching scientific goals; 3. Determined order and individual agility in the zone of enterprising and skillful activism; 4. Consistency of scientific order and constant dynamics in the zones of public visibility; 5. Verifiability in accordance with institutional standards and coordinated work at the collegial level. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177026: Kulturno nasleđe i identitet]

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    Authors: Sudar Milan N.; Gawlick Hans-Jürgen;

    Age, microfacies and depositional realm of the Grivska Formation is controversially discussed due to the fact that detailed investigations are missing. Based on reinvestigations of the type locality of the Grivska Formation and in adjacent areas, the following results can be drawn: 1) The Grivska Formation is of Late Triassic (Early Carnian to Rhaetian) age according to conodont dating. 2) Sedimentological and microfacies studies evidenced that the Grivska Formation was deposited on the continental slope and transitional to the Neo-Tethys Ocean. Based on the results of these investigations in the type area and several reference sections in the Dinaridic Ophiolite Belt, the Grivska Formation is emended and clearly defined. In the Dinaridic Ophiolite Belt, the Grivska Formation occurs only as clasts and blocks in the ophiolitic melange. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. ON-176015]

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    Authors: Naumović Nada; Slavić Danijel; Karaba-Jakovljević Dea; Bogdan Maja; +1 Authors

    In the course of several decades at the Faculty of Medicine in Novi Sad, fundamental studies in the field of neurosciences were of great importance and continually up-to-date with global scientific achievements. These studies were applied by using the stereotactic method, single unit recording and electroencephalography. Laboratory of Neurophysiology was established in 1965 and since 1978 microelectrode and microiontophoretic techniques important for the registration and analysis of the activity of individual neurons were fully developed. Under the great influence of Russian neurophysiological school (P.K. Anokhin, K.V. Sudakov) the emphasis was on the study of the theory of Anokhin’s functional systems. Recently, epilepsy, brain ischemia and the influence of different medications, auxiliary medicinal products and physical agents (electromagnetic radiation) on central nervous system, behaviour, learning and investigated pathological conditions have been studied. Scientific collaboration with renowned institutions in the country and abroad was established, numerous scientific projects were relized, expert international meetings were organized and numerous significant studies were published. These results have often been the basis for further clinical investigations and the improvement of preventive or curative treatment of patients. Researchers from the Laboratory participated in the education of new generations of neurophysiologists encouraging their scientific curiosity and love for fascinating mechanisms of nervous system functioning.

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    We have before us the sixth issue of INSAM Journal of Contemporary Music, Art and Technology. This is the second issue in a row dedicated to the global crisis caused by the Covid-19 pandemic. After the overwhelming response from all over the world to the call for papers and provocative inspections that ensued, here we wanted to discuss the ways in which technology shapes and enables work in the areas of music, arts, humanities, and the education process, this time inviting our collaborators to discuss the shortcomings and struggles of the working processes in these fields. The main theme, “Music, Art and Humanities in the Time of Global Crisis”, expanded from the Main Theme section into the interviews as well.

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    In the seventh issue of INSAM Journal of Contemporary Music, Art and Technology, we are continuing our series on themes dedicated to art, music, and humanities in times of global crisis. After dealing with more general questions regarding these areas of creation, in this volume we are thinking about the issue of mental and bodily health during the Covid-19 pandemic and its possible ties and representations in music and art.

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    The papers in this thematic issue are dedicated to the following topics: interreligious dialogue, negotiation of ethnic and religious affiliation in everyday life, religious conversion, inherited institutions of the Ottoman society and attitude towards them, (re)presentation of historical figures and events in literary narratives, Muslim religious organizations in the past and present. The thematic issue aims to contribute to academic dialogue in domestic and international context, in which strategies, topoi and actors related to the Ottoman heritage, Muslims and Islam are very current. Радови у овом тематском броју посвећени су следећим темама: међурелигијски дијалог, преговарање о етничкој и верској припадности у свакодневном животу, верска конверзија, наслеђене институције османског друштва и однос према њима, (ре)презентација историјских личности и догађаја у књижевни наративи, муслиманске верске организације у прошлости и садашњости. Тематско издање има за циљ да допринесе академском дијалогу у домаћем и међународном контексту, у којем су веома актуелне стратегије, топои и актери везани за отоманско наслеђе, муслимане и ислам.

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    Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.

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    The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired. This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.

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    Authors: Ivetić, Dušica;

    Light-ness is an interdisciplinary art project where the theoretical research results in the artistic work being produced through the use of digital technology. The main goal of the project is to explore the dynamic link between the categories of lightness and heaviness. This paper examines the question of these relations as universal phenomena, which therefore make it an inevitable part of artistic practice. The starting point for this argument is Italo Kalvino's essay American Lectures and his thesis about lightness. The concept is further observed with a study of various theoretical, newmedia and philosophical views. The written part of the art project is divided into four parts: Theoretical framework and poetic description, Methodological considerations, Analysis of practical work and Final considerations. The production of the practical part of the project involves the use of digital technology in order to materialize virtual data and construct multimedia installations. This approach involves the collecting and processing of data and the use of the CNC machine for production. Light-ness је интердисциплинарни уметнички пројекат, чије теоријско истраживање резултира уметничким радом реализованим употребом дигиталне технологије. Основни циљ пројекта је да истражи спрегу између динамичких категорија лако и тешко. У раду се проучава питање односа ових феномена као универзалних и свеприсутних животних појава, које као такве чине и неизоставан део уметничке праксе. Полазна основа пројекта је есеј Итала Калвина Америчка предавања, у коме аутор анализира лакоћу насупрот тежини. Концепт је додатно разрађен студијом различитих теоријских, новомедијских и филозофских становишта. Писани део докторског уметничког пројекта подељен је на четири целине: „Теоријски оквир и поетички опис”, „Методолошкa разматрања”, „Aнализа практичног рада” и „Закључна разматрања”. Реализација практичног дела рада подразумева употребу дигиталне технологије у циљу материјализације виртуелних података и конструкције мултимедијалних инсталација. Овакав приступ подразумева дигитално прикупљање, обраду података и употребу ЦНЦ машине за њихову продукцију.

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    Authors: Jablonski, Daniel; Urošević, Aleksandar; Andjelković, Marko; Džukić, Georg;

    : Data type: Adobe Acrobat Document (.pdf)

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    ZENODO
    Dataset . 2019
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      ZENODO
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      Data sources: ZENODO
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    Authors: Lukić-Krstanović Miroslava;

    Analyzing a scientific institution and its protagonists in diachronic perspective also entails different levels of (self)assessment - retrospection, introspection, and extrospection, which also points out to turmoils, stratifications, and contradictions of scientific temporal strategies. In this paper I am interpreting processes of the establishment of normative strategies, institutional politics, construction of collectivities, and individual aspirations at the Institute of Ethnography SASA from 1947 until present. Historical self-reflection encompasses five options through which scientific subjectivities and objectivities were formed and confronted: 1. Routinization of meaningful systems and sliding individual inventiveness; 2. Efficiency of the institutional order and distinctiveness in reaching scientific goals; 3. Determined order and individual agility in the zone of enterprising and skillful activism; 4. Consistency of scientific order and constant dynamics in the zones of public visibility; 5. Verifiability in accordance with institutional standards and coordinated work at the collegial level. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177026: Kulturno nasleđe i identitet]

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    Authors: Sudar Milan N.; Gawlick Hans-Jürgen;

    Age, microfacies and depositional realm of the Grivska Formation is controversially discussed due to the fact that detailed investigations are missing. Based on reinvestigations of the type locality of the Grivska Formation and in adjacent areas, the following results can be drawn: 1) The Grivska Formation is of Late Triassic (Early Carnian to Rhaetian) age according to conodont dating. 2) Sedimentological and microfacies studies evidenced that the Grivska Formation was deposited on the continental slope and transitional to the Neo-Tethys Ocean. Based on the results of these investigations in the type area and several reference sections in the Dinaridic Ophiolite Belt, the Grivska Formation is emended and clearly defined. In the Dinaridic Ophiolite Belt, the Grivska Formation occurs only as clasts and blocks in the ophiolitic melange. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. ON-176015]

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    Authors: Naumović Nada; Slavić Danijel; Karaba-Jakovljević Dea; Bogdan Maja; +1 Authors

    In the course of several decades at the Faculty of Medicine in Novi Sad, fundamental studies in the field of neurosciences were of great importance and continually up-to-date with global scientific achievements. These studies were applied by using the stereotactic method, single unit recording and electroencephalography. Laboratory of Neurophysiology was established in 1965 and since 1978 microelectrode and microiontophoretic techniques important for the registration and analysis of the activity of individual neurons were fully developed. Under the great influence of Russian neurophysiological school (P.K. Anokhin, K.V. Sudakov) the emphasis was on the study of the theory of Anokhin’s functional systems. Recently, epilepsy, brain ischemia and the influence of different medications, auxiliary medicinal products and physical agents (electromagnetic radiation) on central nervous system, behaviour, learning and investigated pathological conditions have been studied. Scientific collaboration with renowned institutions in the country and abroad was established, numerous scientific projects were relized, expert international meetings were organized and numerous significant studies were published. These results have often been the basis for further clinical investigations and the improvement of preventive or curative treatment of patients. Researchers from the Laboratory participated in the education of new generations of neurophysiologists encouraging their scientific curiosity and love for fascinating mechanisms of nervous system functioning.

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