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The biblioclastía was defined as the human compulsion for destroying books. From immemorial times the man has wanted to impose his(her,your) ideas across the destruction of those that were opposed to the own(proper) ones and the books have been an object of this " drive biblioclástica " during the whole history of the humanity. The last military dictatorship that suffered our country left important sequels in the society. By means of the censorship and intervention in different areas (education, cinema, theatre, literature, between(among) others) constructed themselves a speech, a language and a few practices that today are recognized like own(proper) of this historical time. Like it(he,she) happened(passed) with the disappearance of the persons and his(her,your) bodies, the repression in the area of the culture was a part(report) of a systematic, well-considered plan, calculated and carried out by dependences of the Argentine State destined to such an end(purpose) and by civil servants (military men and civilians) that were a part(report) of this plan. It is considered of special importance that the librarians, as part(report) of professional those who contribute(pay) day after day to the preservation of the memory(report), we should approach this type of problematic and should think around her(it) same. This work places in the investigations(researches) on the recent past, taking as an axis(axle) the Universal Declaration of the Human rights and his(her,your) position(attitude) opposite to the freedom of expression. It(he,she) tries to reconstruct the mechanisms censorios and how they took form of the experiences of different actors related to the area of the book and of the cultural movement and politician platense, with the aim(lens) to contribute(pay) to the social memory(report) of our city. La biblioclastía fue definida como la compulsión humana por destruir libros. Desde tiempos inmemoriales el hombre ha querido imponer sus ideas a través de la destrucción de aquellas que se contraponían a las propias y los libros han sido objeto de esa "pulsión biblioclástica" durante toda la historia de la humanidad. La última dictadura militar que sufrió nuestro país dejó importantes secuelas en la sociedad. Mediante la censura e intervención en diferentes ámbitos (educación, cine, teatro, literatura, entre otros) se construyeron un discurso, un lenguaje y unas prácticas que hoy se reconocen como propias de ese tiempo histórico. Igual que pasó con la desaparición de las personas y sus cuerpos, la represión en el ámbito de la cultura fue parte de un plan sistemático, pensado, calculado y llevado a cabo por dependencias del Estado argentino destinadas a tal fin y por funcionarios (militares y civiles) que fueron parte de ese plan. Se considera de especial importancia que los bibliotecarios, como parte de aquéllos profesionales que contribuyen día a día a la preservación de la memoria, abordemos este tipo de problemáticas y reflexionemos en torno de la mismas. Este trabajo se enmarca en las investigaciones sobre el pasado reciente, teniendo como eje la Declaración Universal de los Derechos Humanos y su postura frente a la libertad de expresión. Intenta reconstruir los mecanismos censorios y cómo se plasmaron en las vivencias de diferentes actores relacionados con el ámbito del libro y del movimiento cultural y político platense, con el objetivo de contribuir a la memoria social de nuestra ciudad. Trabajo presentado en el Simposio Biblioteca y Sociedad. Facultad de Humanidades y Ciencias de la Educación

This paper presents a series of semi-supervised learning algorithms which were designed to classify words or expressions with temporal meanings. The algorithms use a set of pre-tagged temporal expressions and a set of semantic classes which were defined within a research project on the lexical coding of temporal meaning in Spanish. The algorithms in this article are mostly based on word embeddings, but they also make use of other methods. The results obtained strongly depend on the temporal classes considered, but, for some classes, results have reached 90% precision or above. Sociedad Argentina de Informática e Investigación Operativa

El siguiente trabajo se constituye como una aproximación al concepto de representación desde la teoría psicoanalítica freudiana. Para ello, se harán consideraciones epistemológicas acerca de los orígenes filosóficos del término, un rastreo histórico de los diferentes modelos de aparato psíquico y un análisis metapsicológico para clasificar las distintas definiciones del concepto de representación a partir de los modelos que intentan dar explicación al origen del aparato psíquico. Cada uno de estos sistemas supone diversos tipos de inscripciones que se rigen por distintas legalidades: signo de percepción, representación-cosa y representación-palabra. Se privilegiará el modelo de la “Carta 52”, donde expone por primera vez su hipótesis acerca de la composición del aparato psíquico como un sistema de inscripciones en términos de signos. El objetivo será, por lo tanto, caracterizar estas tres formas de representación de “la cosa del mundo” tomando en cuenta sus coincidencias, diferencias y relaciones. Fundamentalmente, qué suponen en tanto inscripciones y retranscripciones en función de los intercambios al interior del psiquismo y sus relaciones con el mundo. Se fundamentará una lectura del concepto de representación enfatizando su carácter de producto resultante de la actividad simbolizante del sujeto. The following work is constituted as an approximation to the concept of representation from the Freudian psychoanalytic theory. For this, epistemological considerations will be made about the philosophical origins of the term, a historical tracing of the different models of psychic apparatus and a metapsychological analysis to classify the different definitions of the concept of representation from the models that try to explain the origin of the Psychic apparatus Each of these systems involves different types of inscriptions that are governed by different legalities: sign of perception, representationthing and representation-word. The model of “Letter 52” will be privileged, where it exposes for the first time its hypothesis about the composition of the psychic apparatus as a system of inscriptions in terms of signs. The objective will be, therefore, to characterize these three forms of representation of “the thing of the world” taking into account their coincidences, differences and relations. Fundamentally, what do they imply in both inscriptions and retranscriptions in terms of exchanges within the psyche and its relations with the world. A reading of the concept of representation will be based emphasizing its product character resulting from the symbolizing activity of the subject. Facultad de Psicología

This paper presents work-in-progress of the POSTDATA project. This project aims to provide means to solve the interoperability issues that exist among the digital poetry repertoires. These repertoires hold data of poetry metrics that is locked in their own databases and it is not freely available to be compared and to be used by intelligent machines that could infer over the data. The POSTDATA project will use Linked Open Data (LOD) technologies to overcome the interoperability problems. POSTDATA is developing a metadata application proFIle (MAP) for the digital poetry repertoires, a construct that enhances interoperability.This development follows the method for the development of MAP (Me4MAP).A MAP for the digital poetry repertoires will open doors for this repertoires to be able to structure the data with a common model in order to publish it as Linked Open Data. This paper presents how this MAP is being developed so far. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

In this paper we propose the application of feature hashing to create word embeddings for natural language processing. Feature hashing has been used successfully to create document vectors in related tasks like document classification. In this work we show that feature hashing can be applied to obtain word embeddings in linear time with the size of the data. The results show that this algorithm, that does not need training, is able to capture the semantic meaning of words.We compare the results against GloVe showing that they are similar. As far as we know this is the first application of feature hashing to the word embeddings problem and the results indicate this is a scalable technique with practical results for NLP applications. Sociedad Argentina de Informática e Investigación Operativa (SADIO)

Although Digital Humanities have been defined from a discipline perspective in many ways, it is surely a field still looking for its own objects, practices and methodologies. Their development in the Spanish-speaking countries is no exception to this process and, even it is complex to trace a unique genealogy to give account for the evolving field in Spain and Latin America (Gonzalez-Blanco, 2013; Spence and Gonzalez-Blanco, 2014; Rio Riande 2014a, 2014b), the emergence of various associations in Mexico (RedDH), Spain (HDH) and Argentina (AAHD) that seek for a constant dialogue (Galina, González-Blanco and Rio Riande, 2015), and academic lab and DH center initiatives such as LINHD (Spain and Argentina), GRINUGR (Spain), Medialab USAL, LABTEC (Argentina), TadeoLab (Colombia), Elabora HD (Mexico), among others, make it clear that research has become increasingly “global, multipolar and networked” (Llewellyn Smith, et al., 2011) and that the academic field is looking for a global outreach and aims to open spaces of shared virtual work. Virtual Research Communities (VRCs) are a consequence of these changes. (Párrafo extraído a modo de resumen) Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

The theme of this session is the Digital Humanities as a "Boundary Land" - i.e. a locus in which such objects are common. As O´Donnell argues in his paper, this aspect is one of the defining features of contemporary Digital Humanities and an important cause of its recent rapid growth. As the field grows, DH workshops, panels, and journals see increasing work by practitioners trained in more and more traditionally distinct disciplinary traditions: textual scholars, literary critics, historians, New Media specialists, as well as theologians, computer scientists, archaeologists, Cultural Heritage specialists... and geographers, physicists, biologists, and medical professionals.It is the contention of the speakers of this panel that interpersonal diversity (i.e. diversity along lines such as gender, ethnicity, sexual orientation, language, economic region, etc.) is as an important element of this aspect of DH. The Digital Humanities is not only a place where different disciplines work together (and at times at odds to each other): it is also a place where different people work together and at odds in developing our field. In other words, diversity initiatives in the Digital Humanities are important not only because they let more people into our field, they are important because they change the nature of our field as its practice widens.The papers in this session each approach the issue from a different perspective. In the first paper, O'Donnell looks at the theoretical background to this understanding of diversity as a component of DH as a boundary discipline, grounding his approach in early work on interdisciplinarity and boundary work. In the second paper, Murray Ray and Bordalejo discuss the ways in which efforts to promote diversity within DH can paradoxically undermine its theoretical importance to the field, before turning to different examples of diversity´s intellectual importance. In the third paper, del Rio and González-Blanco examine the institutional and social pressures that promote and hinder dialogue among researchers in developing and developed countries and across linguistic and other boundaries before proposing new approaches in Digital Humanities that go beyond lingüistic diversity focusing on theories such as Sociology of Culture and Education and other reformulations. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

#dariahTeach is developing open source, community-driven, source, high quality, multilingual teaching materials for the digital arts and humanities. Begun in January 2015 and running through June 2017, #dariahTeach is funded through an Erasmus + Strategic Partnership Grant. The #dariahTeach consortium has eight partners, coordinated by Maynooth University, Ireland. LINHD UNED is part of this initiative and is collaborating through the experience of Elena González Blanco and Gimena del Rio as experts in online distant teaching on Digital Humanities. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

The creation of the first Digital Humanities Innovation Lab (LINHD), hosted by the Spanish National Distance University (UNED) in 2014, opened a new a new opportunity for courses and and certificates in Digital Humanities for the Spanish speaking world. While the digital switch and interdisciplinarity in the Humanities has hardly been applied to the majority of public Spanish Universities, LINHD has proudly invested time and energy in the creation of an innovative training way oriented to digital humanities and offered mostly as an online education. Our presentation will offer a general overview of the three main initiatives: standalone courses and seminars, two long specialized degrees on DH basics and digital editions, and a yearly summer school. All these initiatives have boosted the birth of this discipline in the Spanish-speaking world, generating new DH materials (in Spanish and adapted to diverse profiles of Humanities Spanish Speaking students), new types of students? assessments, and innovations and challenges for Digital Humanities as a discipline for which online training has proven to be a successful way of approaching people from different countries and places. LINHD launched its first DH summer school: "Introducción a las Humanidades Digitales" in July 2014, getting more than 50 students involved. The summer school was followed by a longer DH program of 30 units, lasting from December to September and amplifying all the contents that had been announced in the summer school. The strategy has been similar in the following years, in 2015, summer school was devoted to digital scholarly editing and a new longer winter training program was launched for 2015-2016. This last year, we decided to focus on DH methodologies applied to a specific field, poetry, which had as a result a high-quality summer school on this topic that is at the heart of LINHD projects and research interests. Taking into account the interests of the community, the needs of the field and the offers of new programs in different places, our new proposal for this year, starting in January 2017 is stylometry, a technique that is still very much unknown for Spanish DH research.Our strategy for designing curricula for all these programs has been twofold: first, we have always had as a model the reference curricula for DH above mentioned, together with the needs of the scholars in our own environment. The keys for success have been three: having a DH compliant interdisciplinary teaching faculty, variety in contents (our first DH course covered a huge range of topics going from databases, TEI markup, semantic web, visualization to digital libraries), and flexibility to change thanks to the lessons learned every year. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

El presente trabajo tiene el propósito de situar algunas especificidades de la recepción de Lacan realizada por Szpilka en el periodo 1970-1976: en este caso se pondrá el acento en determinar la influencia que tuvo otro autor francés, Althusser, en esta recepción. Con tal fin, se tomara como fuente primaria de análisis todos los artículos que Szpilka escribió en el órgano de difusión de la Asociación Psicoanalítica Argentina, la Revista de Psicoanálisis, de dicho periodo, y se compara los mismos con el libro escrito por el autor en 1973, por fuera del órgano difusión de la APA. This paper aims to place some specificities reception of Lacan by Szpilka in the period 1970-1976: in this case the emphasis will be on determining the influence of another French author, Althusser, in this reception. To that purpose, we take as primary source of analysis all items Szpilka wrote in the Journal of Psychoanalysis, the main source of diffusion of the Argentina Psychoanalytic Association, and we compare them with another publication, a book written by the author in this period, outside the body of the APA. Trabajos libres: Historia de la psicología Facultad de Psicología