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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ippolitova, Aleksandra B.;

    rather, encryption was used to emphasize the elements that are of special importance. In the book of incantations called the Olonets Codex, dating back to the 17th century, ciphering was used for the names and titles of sacred and demonological characters, antagonists, descriptions of certain rituals, closing phrases for the incantations (amen, “key”), etc. We hypothesize that the encryption is used in the Olonets Codex as a means of retaining the magical strength of all the texts in the manuscripts, protecting from hostile beings, sacralizing where necessary, tabooing what was considered sinful for religious reasons, accentuating the main meanings of the incantations, etc. In the herbals, cryptography is basically used for tabooing of “sinful” or trappy topics (love magic, magic used against courts and authorities, some contexts concerning sorcery, jinx, and “secret” knowledge), and in the texts that had to bear sacral meaning (incantations and prayers). Linguistic taboos (euphemisms, omissions, and other) are an essential part of Slavic verbal and written culture. In this article, we analyze cryptography as a form of tabooing in the magical texts of the grassroots manuscript tradition of the 17th and 18th centuries (handwritten incantations and herbals). Our main objective is trying to see a system behind separate examples and define which kinds of texts are usually tabooed in incantations and herbals, their topics, and messages. We have managed to find out that the function of keeping secrecy is not relevant for the magical tradition

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Religions
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
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    Religions
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
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      Other literature type . Article . 2021 . Peer-reviewed
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      Article . 2021
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      Religions
      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Andrey Toporkov;

    such contamination of works belonging to different folkloric genres is also characteristic of other of Sakharov’s publications. The carol that Sakharov published attracted the particular interest of researchers of Slavic mythology due to the fact that it described how an old man was going to sacrifice a goat. Several generations of historians saw in this pseudo-folkloric text a description of a ritual that pagan Slavs performed in ancient times. Considering the carol as an historical document, researchers of mythology built their interpretations based on the supposed time of its appearance, the nature of its genre, plot, and individual details. Thus, Sakharov’s pseudo-folkloric creation found an eager audience among scholars, and it stimulated their imagination in picturing the life of pagan Rus’. In publications of Russian folklore, along with authentic texts there are a number of literary stylizations based on folklore. The article traces the history of one such pseudo-folkloric text—a carol which was first published by Ivan Petrovich Sakharov (1807 to 1863) in 1837. It has been established that this carol is a montage of two texts: the first is a carol, printed in 1817 by I.E. Sreznevsky in the Ukrainian Bulletin, and the second is a song included in the Tale of Brother Ivanushka and his Sister Alyonushka (SUS 450). Such contamination is unique and is found only in this one text, which was later reprinted many times. Taking into account Sakharov’s reputation as a falsifier of folklore, there is no reason to doubt that it was he who composed this carol

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
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    Religions
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
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    Article . 2021
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    Article . 2021
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      Other literature type . Article . 2021 . Peer-reviewed
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    Authors: Dmitri M. Bondarenko; Andrey V. Tutorskiy;

    s original and only true form. In 1946, Ugandan Orthodox Christians aligned with the Eastern Orthodox Church of Alexandria. Since the 1990s, new trends in conversion to Orthodox Christianity in Uganda can be observed: one is some growth in the number of new converts to the canonical Orthodox Church, while another is the appearance of new Orthodox Churches, including parishes of the Russian Orthodox Church Outside of Russia and the Russian Orthodox Old-Rite Church. The questions we raise in this article are: Why did some Ugandans switch from other religions to Orthodox Christianity in the first half of the 20th century and in more recent years? Were there common reasons for these two developments? We argue that both processes should be understood as attempts by some Ugandans to find their own way in the modern world. Trying to escape spiritually from the impact of colonialism, post-coloniality, and globalization, they viewed Catholicism, Anglicanism, and Islam as part of the legacy they rejected. These people did not turn to African traditional beliefs either. They already firmly saw their own tradition as Christian, but were (and are) seeking its &ldquo modernity, these Ugandans themselves turn out to be modern products, and this speaks volumes about the nature of conversion in contemporary Africa. The article is based on field evidence collected in 2017&ndash form. We emphasize that by rejecting post-colonial globalist modernity and embracing Orthodox Christianity as the basis of their own &ldquo In 1919, three Ugandan Anglicans converted to Orthodox Christianity, as they became sure that this was Christianity&rsquo 2019 as well as on print sources. alternative&rdquo original&rdquo true&rdquo , &ldquo

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Religionsarrow_drop_down
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    Other literature type . Article . 2020 . Peer-reviewed
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    Article . 2020
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      Other literature type . Article . 2020 . Peer-reviewed
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    Authors: Anna Bochkovskaya;

    This article explores individual and collective pilgrimages to the Mumbai-based cremation ground (samādhi) of Bhimrao Ramji (Babasaheb) Ambedkar (1891–1956), a renowned economist and lawyer, academician and philosopher, political leader and social reformer who dedicated his life to the struggle for rights of the untouchables (Dalits) in India. In October 1956, Dr. Ambedkar together with almost half a million of low-caste followers converted to Buddhism. After Babasaheb’s death on 6 December, 1956, his cremation ground became an object of worship for Buddhists and adherents of other religions. In December 1971, on the eve of the 15th year of his demise, the Chaityabhoomi memorial was inaugurated there. A dramatic increase in the number of pilgrims coming from all across India to Dr. Ambedkar’s samādhi as well as to other places associated with him has become instrumental in building up Dalits’ sites of memory/lieux de mémoire in contemporary India. The growing interest to Chaityabhoomi has also acquired a political dimension in contemporary India.

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    Other literature type . Article . 2018 . Peer-reviewed
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      Other literature type . Article . 2018 . Peer-reviewed
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    Authors: Ippolitova, Aleksandra B.;

    rather, encryption was used to emphasize the elements that are of special importance. In the book of incantations called the Olonets Codex, dating back to the 17th century, ciphering was used for the names and titles of sacred and demonological characters, antagonists, descriptions of certain rituals, closing phrases for the incantations (amen, “key”), etc. We hypothesize that the encryption is used in the Olonets Codex as a means of retaining the magical strength of all the texts in the manuscripts, protecting from hostile beings, sacralizing where necessary, tabooing what was considered sinful for religious reasons, accentuating the main meanings of the incantations, etc. In the herbals, cryptography is basically used for tabooing of “sinful” or trappy topics (love magic, magic used against courts and authorities, some contexts concerning sorcery, jinx, and “secret” knowledge), and in the texts that had to bear sacral meaning (incantations and prayers). Linguistic taboos (euphemisms, omissions, and other) are an essential part of Slavic verbal and written culture. In this article, we analyze cryptography as a form of tabooing in the magical texts of the grassroots manuscript tradition of the 17th and 18th centuries (handwritten incantations and herbals). Our main objective is trying to see a system behind separate examples and define which kinds of texts are usually tabooed in incantations and herbals, their topics, and messages. We have managed to find out that the function of keeping secrecy is not relevant for the magical tradition

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    Authors: Andrey Toporkov;

    such contamination of works belonging to different folkloric genres is also characteristic of other of Sakharov’s publications. The carol that Sakharov published attracted the particular interest of researchers of Slavic mythology due to the fact that it described how an old man was going to sacrifice a goat. Several generations of historians saw in this pseudo-folkloric text a description of a ritual that pagan Slavs performed in ancient times. Considering the carol as an historical document, researchers of mythology built their interpretations based on the supposed time of its appearance, the nature of its genre, plot, and individual details. Thus, Sakharov’s pseudo-folkloric creation found an eager audience among scholars, and it stimulated their imagination in picturing the life of pagan Rus’. In publications of Russian folklore, along with authentic texts there are a number of literary stylizations based on folklore. The article traces the history of one such pseudo-folkloric text—a carol which was first published by Ivan Petrovich Sakharov (1807 to 1863) in 1837. It has been established that this carol is a montage of two texts: the first is a carol, printed in 1817 by I.E. Sreznevsky in the Ukrainian Bulletin, and the second is a song included in the Tale of Brother Ivanushka and his Sister Alyonushka (SUS 450). Such contamination is unique and is found only in this one text, which was later reprinted many times. Taking into account Sakharov’s reputation as a falsifier of folklore, there is no reason to doubt that it was he who composed this carol

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    Authors: Dmitri M. Bondarenko; Andrey V. Tutorskiy;

    s original and only true form. In 1946, Ugandan Orthodox Christians aligned with the Eastern Orthodox Church of Alexandria. Since the 1990s, new trends in conversion to Orthodox Christianity in Uganda can be observed: one is some growth in the number of new converts to the canonical Orthodox Church, while another is the appearance of new Orthodox Churches, including parishes of the Russian Orthodox Church Outside of Russia and the Russian Orthodox Old-Rite Church. The questions we raise in this article are: Why did some Ugandans switch from other religions to Orthodox Christianity in the first half of the 20th century and in more recent years? Were there common reasons for these two developments? We argue that both processes should be understood as attempts by some Ugandans to find their own way in the modern world. Trying to escape spiritually from the impact of colonialism, post-coloniality, and globalization, they viewed Catholicism, Anglicanism, and Islam as part of the legacy they rejected. These people did not turn to African traditional beliefs either. They already firmly saw their own tradition as Christian, but were (and are) seeking its &ldquo modernity, these Ugandans themselves turn out to be modern products, and this speaks volumes about the nature of conversion in contemporary Africa. The article is based on field evidence collected in 2017&ndash form. We emphasize that by rejecting post-colonial globalist modernity and embracing Orthodox Christianity as the basis of their own &ldquo In 1919, three Ugandan Anglicans converted to Orthodox Christianity, as they became sure that this was Christianity&rsquo 2019 as well as on print sources. alternative&rdquo original&rdquo true&rdquo , &ldquo

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    Authors: Anna Bochkovskaya;

    This article explores individual and collective pilgrimages to the Mumbai-based cremation ground (samādhi) of Bhimrao Ramji (Babasaheb) Ambedkar (1891–1956), a renowned economist and lawyer, academician and philosopher, political leader and social reformer who dedicated his life to the struggle for rights of the untouchables (Dalits) in India. In October 1956, Dr. Ambedkar together with almost half a million of low-caste followers converted to Buddhism. After Babasaheb’s death on 6 December, 1956, his cremation ground became an object of worship for Buddhists and adherents of other religions. In December 1971, on the eve of the 15th year of his demise, the Chaityabhoomi memorial was inaugurated there. A dramatic increase in the number of pilgrims coming from all across India to Dr. Ambedkar’s samādhi as well as to other places associated with him has become instrumental in building up Dalits’ sites of memory/lieux de mémoire in contemporary India. The growing interest to Chaityabhoomi has also acquired a political dimension in contemporary India.

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