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29 Research products, page 1 of 3

  • Digital Humanities and Cultural Heritage
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  • Servicio de Difusión de la Creación Intelectual

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  • Open Access Spanish
    Authors: 
    Rovere, Alessio; Pappalardo, Marta; Richiano, Sebastián Miguel; Aguirre, Marina Laura; Sandstrom, Michael R.; Hearty, Paul J.; Austermann, Jacqueline; Castellanos, Ignacio; Raymo, Maureen E.;
    Country: Argentina

    The dataset consists of a spreadsheet containing data on GPS surveys, dynamic topography extracted from published models (gplates.org), Shell preservation scoring, Strontium Isotopic Stratigraphy ages, and Global mean Sea Level calculations. Facultad de Ciencias Naturales y Museo

  • Open Access Spanish
    Authors: 
    García Santa Cruz, Mauro Gabriel; García Santa Cruz, María Jimena; Di Santo, Walter Patricio;
    Country: Argentina

    In recent years there has been a significant increase in the number and impact of damage caused by natural disasters, as well as the frequency, extent and duration of extreme weather events. In that sense, the 2030 Agenda for Sustainable Development proposes 17 objectives through which countries will intensify their efforts to combat climate change. Among the goals is proposed to increase efforts to protect and safeguard the world's cultural and natural heritage. This article presents one of the case studies of an ongoing doctoral research that assesses the level of conservation and sustainability in cultural buildings. The case is the Museum of Contemporary Art Beato Angelico, which is located in La Plata, Argentina. The objective is to carry out environmental monitoring of the museum for a period of twelve months. This consists in the recording and analysis of environmental conditions through the continuous measurement of temperature and relative humidity. This article presents the results of the winter measurement of 2015. The spatial characteristics of the rooms and their relative location within the building are considered, it is concluded by determining the behavior of the different exhibition spaces. Facultad de Bellas Artes

  • Open Access Spanish
    Authors: 
    Yacuzzi, María Luciana;
    Country: Argentina

    El siguiente trabajo se constituye como una aproximación al concepto de representación desde la teoría psicoanalítica freudiana. Para ello, se harán consideraciones epistemológicas acerca de los orígenes filosóficos del término, un rastreo histórico de los diferentes modelos de aparato psíquico y un análisis metapsicológico para clasificar las distintas definiciones del concepto de representación a partir de los modelos que intentan dar explicación al origen del aparato psíquico. Cada uno de estos sistemas supone diversos tipos de inscripciones que se rigen por distintas legalidades: signo de percepción, representación-cosa y representación-palabra. Se privilegiará el modelo de la “Carta 52”, donde expone por primera vez su hipótesis acerca de la composición del aparato psíquico como un sistema de inscripciones en términos de signos. El objetivo será, por lo tanto, caracterizar estas tres formas de representación de “la cosa del mundo” tomando en cuenta sus coincidencias, diferencias y relaciones. Fundamentalmente, qué suponen en tanto inscripciones y retranscripciones en función de los intercambios al interior del psiquismo y sus relaciones con el mundo. Se fundamentará una lectura del concepto de representación enfatizando su carácter de producto resultante de la actividad simbolizante del sujeto. The following work is constituted as an approximation to the concept of representation from the Freudian psychoanalytic theory. For this, epistemological considerations will be made about the philosophical origins of the term, a historical tracing of the different models of psychic apparatus and a metapsychological analysis to classify the different definitions of the concept of representation from the models that try to explain the origin of the Psychic apparatus Each of these systems involves different types of inscriptions that are governed by different legalities: sign of perception, representationthing and representation-word. The model of “Letter 52” will be privileged, where it exposes for the first time its hypothesis about the composition of the psychic apparatus as a system of inscriptions in terms of signs. The objective will be, therefore, to characterize these three forms of representation of “the thing of the world” taking into account their coincidences, differences and relations. Fundamentally, what do they imply in both inscriptions and retranscriptions in terms of exchanges within the psyche and its relations with the world. A reading of the concept of representation will be based emphasizing its product character resulting from the symbolizing activity of the subject. Facultad de Psicología

  • Open Access Spanish
    Authors: 
    Rio Riande, María Gimena del; González Blanco García, Elena; O'Donnell, Daniel; Bordalejo, Barbara;
    Country: Argentina

    The theme of this session is the Digital Humanities as a "Boundary Land" - i.e. a locus in which such objects are common. As O´Donnell argues in his paper, this aspect is one of the defining features of contemporary Digital Humanities and an important cause of its recent rapid growth. As the field grows, DH workshops, panels, and journals see increasing work by practitioners trained in more and more traditionally distinct disciplinary traditions: textual scholars, literary critics, historians, New Media specialists, as well as theologians, computer scientists, archaeologists, Cultural Heritage specialists... and geographers, physicists, biologists, and medical professionals.It is the contention of the speakers of this panel that interpersonal diversity (i.e. diversity along lines such as gender, ethnicity, sexual orientation, language, economic region, etc.) is as an important element of this aspect of DH. The Digital Humanities is not only a place where different disciplines work together (and at times at odds to each other): it is also a place where different people work together and at odds in developing our field. In other words, diversity initiatives in the Digital Humanities are important not only because they let more people into our field, they are important because they change the nature of our field as its practice widens.The papers in this session each approach the issue from a different perspective. In the first paper, O'Donnell looks at the theoretical background to this understanding of diversity as a component of DH as a boundary discipline, grounding his approach in early work on interdisciplinarity and boundary work. In the second paper, Murray Ray and Bordalejo discuss the ways in which efforts to promote diversity within DH can paradoxically undermine its theoretical importance to the field, before turning to different examples of diversity´s intellectual importance. In the third paper, del Rio and González-Blanco examine the institutional and social pressures that promote and hinder dialogue among researchers in developing and developed countries and across linguistic and other boundaries before proposing new approaches in Digital Humanities that go beyond lingüistic diversity focusing on theories such as Sociology of Culture and Education and other reformulations. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

  • Open Access Spanish
    Authors: 
    Rio Riande, María Gimena del; González Blanco García, Elena; Martínez Cantón, Clara; Robles, Antonio;
    Country: Argentina

    Although Digital Humanities have been defined from a discipline perspective in many ways, it is surely a field still looking for its own objects, practices and methodologies. Their development in the Spanish-speaking countries is no exception to this process and, even it is complex to trace a unique genealogy to give account for the evolving field in Spain and Latin America (Gonzalez-Blanco, 2013; Spence and Gonzalez-Blanco, 2014; Rio Riande 2014a, 2014b), the emergence of various associations in Mexico (RedDH), Spain (HDH) and Argentina (AAHD) that seek for a constant dialogue (Galina, González-Blanco and Rio Riande, 2015), and academic lab and DH center initiatives such as LINHD (Spain and Argentina), GRINUGR (Spain), Medialab USAL, LABTEC (Argentina), TadeoLab (Colombia), Elabora HD (Mexico), among others, make it clear that research has become increasingly “global, multipolar and networked” (Llewellyn Smith, et al., 2011) and that the academic field is looking for a global outreach and aims to open spaces of shared virtual work. Virtual Research Communities (VRCs) are a consequence of these changes. (Párrafo extraído a modo de resumen) Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

  • Open Access Spanish
    Authors: 
    Rio Riande, María Gimena del; González Blanco García, Elena; Torrent Allès, Susanna;
    Country: Argentina

    #dariahTeach is developing open source, community-driven, source, high quality, multilingual teaching materials for the digital arts and humanities. Begun in January 2015 and running through June 2017, #dariahTeach is funded through an Erasmus + Strategic Partnership Grant. The #dariahTeach consortium has eight partners, coordinated by Maynooth University, Ireland. LINHD UNED is part of this initiative and is collaborating through the experience of Elena González Blanco and Gimena del Rio as experts in online distant teaching on Digital Humanities. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

  • Open Access Spanish
    Authors: 
    González-Blanco, Elena; Allés Torrent, Susanna; Rio Riande, María Gimena del; Martínez, Clara;
    Country: Argentina

    The creation of the first Digital Humanities Innovation Lab (LINHD), hosted by the Spanish National Distance University (UNED) in 2014, opened a new a new opportunity for courses and and certificates in Digital Humanities for the Spanish speaking world. While the digital switch and interdisciplinarity in the Humanities has hardly been applied to the majority of public Spanish Universities, LINHD has proudly invested time and energy in the creation of an innovative training way oriented to digital humanities and offered mostly as an online education. Our presentation will offer a general overview of the three main initiatives: standalone courses and seminars, two long specialized degrees on DH basics and digital editions, and a yearly summer school. All these initiatives have boosted the birth of this discipline in the Spanish-speaking world, generating new DH materials (in Spanish and adapted to diverse profiles of Humanities Spanish Speaking students), new types of students? assessments, and innovations and challenges for Digital Humanities as a discipline for which online training has proven to be a successful way of approaching people from different countries and places. LINHD launched its first DH summer school: "Introducción a las Humanidades Digitales" in July 2014, getting more than 50 students involved. The summer school was followed by a longer DH program of 30 units, lasting from December to September and amplifying all the contents that had been announced in the summer school. The strategy has been similar in the following years, in 2015, summer school was devoted to digital scholarly editing and a new longer winter training program was launched for 2015-2016. This last year, we decided to focus on DH methodologies applied to a specific field, poetry, which had as a result a high-quality summer school on this topic that is at the heart of LINHD projects and research interests. Taking into account the interests of the community, the needs of the field and the offers of new programs in different places, our new proposal for this year, starting in January 2017 is stylometry, a technique that is still very much unknown for Spanish DH research.Our strategy for designing curricula for all these programs has been twofold: first, we have always had as a model the reference curricula for DH above mentioned, together with the needs of the scholars in our own environment. The keys for success have been three: having a DH compliant interdisciplinary teaching faculty, variety in contents (our first DH course covered a huge range of topics going from databases, TEI markup, semantic web, visualization to digital libraries), and flexibility to change thanks to the lessons learned every year. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

  • Open Access Spanish
    Authors: 
    Renovell, Estela Julia;
    Country: Argentina

    El presente trabajo tiene el propósito de situar algunas especificidades de la recepción de Lacan realizada por Szpilka en el periodo 1970-1976: en este caso se pondrá el acento en determinar la influencia que tuvo otro autor francés, Althusser, en esta recepción. Con tal fin, se tomara como fuente primaria de análisis todos los artículos que Szpilka escribió en el órgano de difusión de la Asociación Psicoanalítica Argentina, la Revista de Psicoanálisis, de dicho periodo, y se compara los mismos con el libro escrito por el autor en 1973, por fuera del órgano difusión de la APA. This paper aims to place some specificities reception of Lacan by Szpilka in the period 1970-1976: in this case the emphasis will be on determining the influence of another French author, Althusser, in this reception. To that purpose, we take as primary source of analysis all items Szpilka wrote in the Journal of Psychoanalysis, the main source of diffusion of the Argentina Psychoanalytic Association, and we compare them with another publication, a book written by the author in this period, outside the body of the APA. Trabajos libres: Historia de la psicología Facultad de Psicología

  • Open Access Spanish
    Authors: 
    Rodríguez, Juan Manuel; Merlino, Hernán; García Martínez, Ramón;
    Country: Argentina

    En esta comunicación se revisa la evolución los métodos de extracción de conocimiento, con foco en la extracción de relaciones semánticas desde el año 2005 hasta la fecha, teniendo como hilo conductor aquellos métodos creados para trabajar en la Web, centrados en grandes volúmenes de información no estructurada en lenguaje natural y sin dominio especifico. Se resumen distintas comparaciones realizadas entre los métodos relevados. Red de Universidades con Carreras en Informática (RedUNCI) XII Workshop Ingeniería de Software (WIS)

  • Open Access Spanish
    Authors: 
    Yacuzzi, María Luciana;
    Country: Argentina

    El siguiente trabajo se constituye como una aproximación al concepto de representación desde la corriente del Realismo del Inconciente, tomando como bibliografía primaria la obra de Jean Laplanche y Silvia Bleichmar. Para ello, se hará un análisis de las interpretaciones que dichos autores han hecho sobre la Metapsicología freudiana, para rastrear las distintas definiciones del concepto de representación a partir de los modelos que intentan dar explicación al origen del aparato psíquico. La corriente del Realismo del Inconciente supone un inconciente fundado a partir de la represión originaria (entendida como real y no mítica) en tanto da origen al aparato psíquico conceptualizado como un aparato dividido en dos sistemas: Inconciente y Preconciente-Conciente. Cada uno de estos sistemas supone diversos tipos de inscripciones que se rigen por distintas legalidades: signo de percepción, representación-cosa y representación-palabra. El objetivo será, por lo tanto, caracterizar estas tres formas de representación de “la cosa del mundo” tomando en cuenta sus coincidencias, diferencias y relaciones. Fundamentalmente, qué suponen en tanto inscripciones y retranscripciones en función de los intercambios al interior del psiquismo y sus relaciones con el mundo. Se fundamentará una lectura del concepto de representación enfatizando su carácter de producto resultante de la actividad simbolizante del sujeto. The forthcoming text is as an approach to the concept of presentation from the theory of Realism of the Unconscious, based on the works of Jean Laplanche and Silvia Bleichmar. In order to do so, it would be made an analysis of the interpretations that these authors have on the Freudian metapsychology, to search for the various definitions of presentation from models that attempt to explain the origin of the psychic apparatus. The theory of Realism of the Unconscious assumes an unconscious founded from original repression (understood as real and not mythical) that gives rise to psychic apparatus conceptualized as a unit divided into two systems: Unconscious and preconscious-concius. Each of these systems involves various types of inscriptions which are governed by different legalities: signs of perception, thing-presentation and word-presentation. The aim will be to characterize these three forms of presentation of “the thing in the world” considering their similarities, differences and relationships. Fundamentally, accounting transcriptions and retranscriptions as a function of exchanges within the psyche and in their relations with the world. The literature review will allow a reading of the concept of presentation, emphasizing its characteristic as a product resulting from the symbolizing activity of the subject. Facultad de Psicología