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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ackermann, Rahel C.; Gautschy, Rita;

    Demo accompanying the poster.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
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    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
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    ARCHE
    Collection . 2022
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      Collection . 2022
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  • Authors: Ingo Börner; Johannes Knüchel; Isabel Langkabel; Laura Untner;
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    Collection . 2022
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      Collection . 2022
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    Collection . 2022
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      Collection . 2022
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  • Authors: Michael Radeka; Angelika Breiteneder; Hannes Pirker; Marie-Luise Pitzl-Hagin; +10 Authors
    ARCHEarrow_drop_down
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    Collection . 2022
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      Collection . 2022
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    Collection . 2022
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  • Authors: orcid.org/0000-0002-1129-5604;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

    DARIAH-DEarrow_drop_down
    DARIAH-DE
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      Other ORP type . 2022
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  • Authors: Orcid.Org/0000-0002-1129-5604;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

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  • Authors: Cienfuegos Pérez, Alejandro;

    This paper presents the use of some of the tools offered by the digital humanities to try to bring new perspectives to a long-discussed case of authorship attribution: that of the short novel “La tía fingida» (The Pretended Aunt) attributed to Cervantes. In order to achieve this aim, we will first present some theoretical aspects of the concept of style and its definition in the digital humanities sphere. The process of compilation of the corpus and some of the problems of the texts in the Spanish Golden Age will be shown. Throught the use of stylometry methods and using “stylo” as a tool, the different experiments carried out, both for attribution and authorship verification,will be presented. The results show that “El celoso extremeño” and “La tía fingida” seem to have a stylistic relatedness so it will be concluded with a summary of the literary analysis to finally contrast both works from the stylometric and literary criticism perspective. A folder with the corpus used can be founded as a rar archive

    DARIAH-DEarrow_drop_down
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    Other ORP type . 2022
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      Other ORP type . 2022
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  • Authors: Martin Anton Müller; Gerd-Hermann Susen;
    ARCHEarrow_drop_down
    ARCHE
    Collection . 2021
    Data sources: ARCHE
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      Collection . 2021
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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ackermann, Rahel C.; Gautschy, Rita;

    Demo accompanying the poster.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: ZENODO
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    ARCHE
    Collection . 2022
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  • Authors: Ingo Börner; Johannes Knüchel; Isabel Langkabel; Laura Untner;
    ARCHEarrow_drop_down
    ARCHE
    Collection . 2022
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      Collection . 2022
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    Collection . 2022
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      Collection . 2022
      Data sources: ARCHE
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  • Authors: Michael Radeka; Angelika Breiteneder; Hannes Pirker; Marie-Luise Pitzl-Hagin; +10 Authors
    ARCHEarrow_drop_down
    ARCHE
    Collection . 2022
    Data sources: ARCHE
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      Collection . 2022
      Data sources: ARCHE
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    ARCHE
    Collection . 2022
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      Collection . 2022
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  • Authors: orcid.org/0000-0002-1129-5604;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

    DARIAH-DEarrow_drop_down
    DARIAH-DE
    Other ORP type . 2022
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      Other ORP type . 2022
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  • Authors: Orcid.Org/0000-0002-1129-5604;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

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  • Authors: Cienfuegos Pérez, Alejandro;

    This paper presents the use of some of the tools offered by the digital humanities to try to bring new perspectives to a long-discussed case of authorship attribution: that of the short novel “La tía fingida» (The Pretended Aunt) attributed to Cervantes. In order to achieve this aim, we will first present some theoretical aspects of the concept of style and its definition in the digital humanities sphere. The process of compilation of the corpus and some of the problems of the texts in the Spanish Golden Age will be shown. Throught the use of stylometry methods and using “stylo” as a tool, the different experiments carried out, both for attribution and authorship verification,will be presented. The results show that “El celoso extremeño” and “La tía fingida” seem to have a stylistic relatedness so it will be concluded with a summary of the literary analysis to finally contrast both works from the stylometric and literary criticism perspective. A folder with the corpus used can be founded as a rar archive

    DARIAH-DEarrow_drop_down
    DARIAH-DE
    Other ORP type . 2022
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      Other ORP type . 2022
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  • Authors: Martin Anton Müller; Gerd-Hermann Susen;
    ARCHEarrow_drop_down
    ARCHE
    Collection . 2021
    Data sources: ARCHE
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      ARCHEarrow_drop_down
      ARCHE
      Collection . 2021
      Data sources: ARCHE
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