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  • Digital Humanities and Cultural Heritage
  • 2018-2022
  • Danish
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Larsen V. Asger; Rasmussen, Michael; Bøgsted, Martin; Pica, Claudio; +8 Authors

    Synopsis af interview med CLARIN. Bilag fra arbejdsgruppe B til rapporten: 'Afrapportering vedrørende den Nationale Strategi for Data Management baseret på FAIR Principper (2022)' 

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    Authors: Birgitte Skar; Jørgen Rosvold; Pål Nymoen;

    Submerged archaeological sites from the early Holocene, along the south-western and western Norwegian coastline are important sources of new information about stone-age human populations and coastal adaptation. In this article we present a Mesolithic hatchet made of bone that was found at the harbor floor at Kirkehavn in southern Norway in 1997. While radiocarbon dating proved this hatchet to be the oldest directly dated in Scandinavia (9884–9480 cal BP), aDNA analysis has identified the species from which this hatchet was made as either bowhead whale (Balaena mysticetus) or northern right whale (Eubalaena glacialis). The deposit of the hatchet must be understood in light of other contemporary ritual deposits along the south coast of Norway like the sub-merged Middle Mesolithic ritual site at Hummervikholmen and the cultural transformations taking place during this time. The result supplements the tale of new introductions in cultural practice and in material culture concurrently indicating the introduction of more complex hunter gatherer societies, while the distinctly marine adaptation continued on this part of the coast. 

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    Authors: Johanna Bokedal;

    For Jews, the Jerusalem Temple is the historical focus of ritual practice and pilgrimage. After its destruction in 70 ce, synagogues gradually became important centres for community and ritual, yet the Temple remained a symbolic site of hope and longing in diasporic Judaism in manifold ways. By means of a case-study of a fifth-century synagogue in the town of Sepphoris, this article examines the synagogue and its mosaic floor to consider the hypoth­esis that the Jews that commissioned and used this synagogue had a self-categorised religious identity (cf. Turner et al. 1987) which referenced a symbolic universe of the Temple (cf. Berger and Luckmann 1966) and can be studied through visual, material and ritual symbols. It is further suggested that material and visual evidence must be seen in relation to the rituals performed in the synagogue, and the synagogue itself.

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    Nordisk Judaistik
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    Authors: Monica Kristiansen; Kristoffer Hillesland; Erich Nau; Lars Gustavsen; +2 Authors

    An estimated 2000 churches are believed to have been built in Norway during the medieval period. Although many of the associated church sites are still in use, a considerable number have since been dissolved or moved. Thus, the location of more than 600 abandoned church sites is known, whilst several are only known through historical sources, place names and tradition. From a cultural heritage management viewpoint this is a challenge as the sites are often located in arable land and are therefore under constant threat from agricultural activities and natural erosion. Furthermore, the sites can be difficult to detect and map without resorting to expensive and intrusive methods. The aim of this paper is to discuss the use of ground-penetrating radar as a potential tool for the management of medieval church sites. We present the results from ground-penetrating radar surveys undertaken at Furulund, Hylestad and Habbarstad, and we highlight advantages and challenges in using this type of technology on abandoned church sites in rural settings.

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    Authors: Wenche Brun; Annette Øvrelid;

    The Norwegian University museums responsibility and practice related to recording and documenting cultural heritage sites and archaeological objects, require solid management. Technologies, tools and methods that have emerged during the last 10-20 years demand new strategies of documentation as well as robust infrastructures. Digital transformations within archaeology, a profession based on material culture, require awareness of the nature of the technologies and possible impact on the epistemology of archaeology. At the Museum of Archaeology, University of Stavanger, we experience that innovative technologies affect our workflow, methodological development and data management strategies. Introducing state of the art tools as supplement to previous approaches might introduce new dimensions and perspectives, but our use of any tool, method or technology should be reasoned by its potential for additional learning and information. Recent practice of 3D-documentation of rock art in the county of Rogaland raises both challenges and new possibilities. Up to date-equipment might benefit research, but emergent technologies could impact our practice in unforeseen directions.

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    Authors: Meriem Boulaziz;

    Anmeldelse av utstillingen Fabelaktige dyr – fra jernalderen til vikingtid, Historisk museum, Universitetet i Oslo

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    Authors: Pieterjan Deckers;
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    Authors: Nina Cramer; Emil Elg;
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    Authors: Klaus Müller-Wille;
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    Authors: Ruth Campau;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Larsen V. Asger; Rasmussen, Michael; Bøgsted, Martin; Pica, Claudio; +8 Authors

    Synopsis af interview med CLARIN. Bilag fra arbejdsgruppe B til rapporten: 'Afrapportering vedrørende den Nationale Strategi for Data Management baseret på FAIR Principper (2022)' 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Birgitte Skar; Jørgen Rosvold; Pål Nymoen;

    Submerged archaeological sites from the early Holocene, along the south-western and western Norwegian coastline are important sources of new information about stone-age human populations and coastal adaptation. In this article we present a Mesolithic hatchet made of bone that was found at the harbor floor at Kirkehavn in southern Norway in 1997. While radiocarbon dating proved this hatchet to be the oldest directly dated in Scandinavia (9884–9480 cal BP), aDNA analysis has identified the species from which this hatchet was made as either bowhead whale (Balaena mysticetus) or northern right whale (Eubalaena glacialis). The deposit of the hatchet must be understood in light of other contemporary ritual deposits along the south coast of Norway like the sub-merged Middle Mesolithic ritual site at Hummervikholmen and the cultural transformations taking place during this time. The result supplements the tale of new introductions in cultural practice and in material culture concurrently indicating the introduction of more complex hunter gatherer societies, while the distinctly marine adaptation continued on this part of the coast. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Primitive Tiderarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Johanna Bokedal;

    For Jews, the Jerusalem Temple is the historical focus of ritual practice and pilgrimage. After its destruction in 70 ce, synagogues gradually became important centres for community and ritual, yet the Temple remained a symbolic site of hope and longing in diasporic Judaism in manifold ways. By means of a case-study of a fifth-century synagogue in the town of Sepphoris, this article examines the synagogue and its mosaic floor to consider the hypoth­esis that the Jews that commissioned and used this synagogue had a self-categorised religious identity (cf. Turner et al. 1987) which referenced a symbolic universe of the Temple (cf. Berger and Luckmann 1966) and can be studied through visual, material and ritual symbols. It is further suggested that material and visual evidence must be seen in relation to the rituals performed in the synagogue, and the synagogue itself.

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    Nordisk Judaistik
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      Nordisk Judaistik
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    Authors: Monica Kristiansen; Kristoffer Hillesland; Erich Nau; Lars Gustavsen; +2 Authors

    An estimated 2000 churches are believed to have been built in Norway during the medieval period. Although many of the associated church sites are still in use, a considerable number have since been dissolved or moved. Thus, the location of more than 600 abandoned church sites is known, whilst several are only known through historical sources, place names and tradition. From a cultural heritage management viewpoint this is a challenge as the sites are often located in arable land and are therefore under constant threat from agricultural activities and natural erosion. Furthermore, the sites can be difficult to detect and map without resorting to expensive and intrusive methods. The aim of this paper is to discuss the use of ground-penetrating radar as a potential tool for the management of medieval church sites. We present the results from ground-penetrating radar surveys undertaken at Furulund, Hylestad and Habbarstad, and we highlight advantages and challenges in using this type of technology on abandoned church sites in rural settings.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Wenche Brun; Annette Øvrelid;

    The Norwegian University museums responsibility and practice related to recording and documenting cultural heritage sites and archaeological objects, require solid management. Technologies, tools and methods that have emerged during the last 10-20 years demand new strategies of documentation as well as robust infrastructures. Digital transformations within archaeology, a profession based on material culture, require awareness of the nature of the technologies and possible impact on the epistemology of archaeology. At the Museum of Archaeology, University of Stavanger, we experience that innovative technologies affect our workflow, methodological development and data management strategies. Introducing state of the art tools as supplement to previous approaches might introduce new dimensions and perspectives, but our use of any tool, method or technology should be reasoned by its potential for additional learning and information. Recent practice of 3D-documentation of rock art in the county of Rogaland raises both challenges and new possibilities. Up to date-equipment might benefit research, but emergent technologies could impact our practice in unforeseen directions.

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    Authors: Meriem Boulaziz;

    Anmeldelse av utstillingen Fabelaktige dyr – fra jernalderen til vikingtid, Historisk museum, Universitetet i Oslo

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    Authors: Pieterjan Deckers;
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    Authors: Nina Cramer; Emil Elg;
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    Authors: Klaus Müller-Wille;
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    Authors: Ruth Campau;
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