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6,888 Research products

  • Digital Humanities and Cultural Heritage
  • 2013-2022
  • Digitala Vetenskapliga Arkivet - Academic Archive On-line
  • Publikationer från KTH

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sverker Sörlin;

    Part of book: ISBN 978-1-009-10023-6QC 20221219

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Publikationer från KTH
    Part of book or chapter of book . 2022
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978100...
    Part of book or chapter of book . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publikationer från KTH
      Part of book or chapter of book . 2022
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1017/978100...
      Part of book or chapter of book . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sverker Sörlin; Brigt Dale; Arn Keeling; Joan Nymand Larsen;

    Extractivism has been predominant in the Arctic since whaling and sealing campaigns began in the sixteenth century, followed by mining and drilling for oil and gas. In this chapter we present some of the main features of this ‘extractivist history’ of the circumpolar region. We organize this development along a set of themes. First, we explore the extractive frame of mind in Western thought and how it has continued to shape visions of the region. Second, we explore the material and social impacts of historical extractivism. Third, we use the theoretical lens of colonialism and decolonialism to understand the social and political relations, especially with aboriginal populations. Fourth, we examine the, often fraught, recent and contemporary debates around contemporary and future extractivism and its implications for the Arctic. The historical overview serves the purpose of providing a legible pattern from what is also a range of diverse and rich variations. A key finding is that extractivism is a lasting legacy and a path dependency of the region. At the same time resource extraction has many problematic sides that the seeking of new Arctic futures will have to deal with. QC 20221215Chapter in book: ISBN 978-1-009-10023-6

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
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    Publikationer från KTH
    Part of book or chapter of book . 2022
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978100...
    Part of book or chapter of book . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publikationer från KTH
      Part of book or chapter of book . 2022
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1017/978100...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sverker Sörlin;

    Part of book: ISBN 978-1-009-10023-6QC 20221219

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
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    Publikationer från KTH
    Part of book or chapter of book . 2022
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978100...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publikationer från KTH
      Part of book or chapter of book . 2022
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1017/978100...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Torben Trier Christiansen;

    Based on the study of 1,859 metal-detected brooches recovered at different sites in the Limfjord region, this paper discusses patterns of production, distribution, use, and deposition of brooches. Widespread indications of non-ferrous metalwork and a modest number of models for brooch production suggest that brooches were produced at many settlements in the region during the period studied (AD 400–1150), and traces of technical change and varying distribution patterns in the finished brooches suggest temporally as well as spatially differing modes of production. Furthermore, analyses suggests that most brooches were intact when they entered the soil, and seemingly random distribution patterns likely reflect the fact that many, perhaps most, were simply accidentally dropped. However, over and above, the interpretational difficulties are consequent on the recovery of all of the metal-detector finds in the plough layer detached from their original context. The interpretation of distribution patterns is at most sites also markedly challenged by the fact that many brooches, along with other metal artefacts, appear to having been secondarily deposited in the fields surrounding the settlements, probably during the manuring of the fields.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frands Herschend;

    Venantius Fortunatus was a Latin, Ravenna educated, semi-political rhetorical poet active in Merovingian Francia in the late 6th century. Arriving in Austrasia from the Alps in the spring of 566, he wrote three poems, not least an epithalamium publicly performed at the wedding of Sigibert and Brunhild. This literary genre, its structure and the three addressees of his poems can be seen as a surprisingly detailed template for the Norse poem Skírnismál. The value of Fortunatus’ poetry rests with his ability to amalgamate Germanic, Christian and Latin Roman culture in a period of transition from a pagan to a Christian society. Since these periods of transition are reoccurring, it is possible to see an education in the 10th–11th century as the background for the Norse Skírnismál author, who probably must have read Fortunatus in order to compose his Norse wedding entertainment. Skírnismál is thus neither a purely Norse nor a purely oral composition.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Journal of Archa...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Journal of Archa...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jimmy Jönsson; Janina Priebe; Erland Mårald; Tomas Lundmark;

    Previous research has paid little attention to the multiple meanings of the concept of forest restoration. To gain a more comprehensive view of forest restoration, this paper compares the US forest restoration debate of the 1940s and 1990s, in the disciplines of ecology and forestry. The paper focuses on historical approaches to pasts and futures, and on “sociotechnical imaginaries” providing societal legitimacy to restoration ventures. Historical scientific papers constitute the paper’s empirical sources. The analysis shows that, among ecologists and foresters, forest restoration of the 1940s was oriented towards efficiency and challenges such as wood demands during World War II, whereas restoration of the 1990s was oriented towards conservation and environmental challenges. The approaches of the 1940s′ ecologists and foresters seem motivated by a sociotechnical imaginary connecting forest restoration to societal progress, whereas the approaches of their 1990s′ counterparts seem motivated by a sociotechnical imaginary connecting forest restoration to the task of mitigating society’s impacts. Based on the conclusions, it is argued that future research on forest restoration would benefit from comparing the idealized pasts of both yield- and conservation-oriented conceptions of forest restoration.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Environmental Scienc...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Environmental Scienc...arrow_drop_down
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    Authors: Fredrik Bertilsson;

    This chapter explores knowledge associated with the humanities that hasbeen developed in practice-oriented research domains of the Swedishgovernment to help solve societal challenges. I study the Swedish NationalDefense Research Establishment [Försvarets forskningsanstalt] (FOA). Theconcept of “borderline humanities” refers to research activities that didnot abide by academic distinctions between the humanities, the socialsciences, and the natural sciences. The study shows how knowledge onhuman culture, history, language, and beliefs developed in a researchenvironment that drew on diverse fields of both research and practice.The chapter brings to the fore shared themes and concepts betweendifferent research fields and draws attention to how this affects the viewof research impact. Part of book: ISBN 978-90-485-5502-4QC 20220815

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    Publikationer från KTH
    Part of book or chapter of book . 2022
    https://doi.org/10.2307/j.ctv2...
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      Publikationer från KTH
      Part of book or chapter of book . 2022
      https://doi.org/10.2307/j.ctv2...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Victoria Martinez;

    Among the hundreds of sites that housed survivors of Nazi persecution who came to Sweden in the spring and summer of 1945, one of the largest was at the small village of Öreryd. Between June 1945 and September 1946, around a thousand Jewish and non-Jewish Polish survivors came to this site, where they were expected to stay only until they were well enough to return to their home countries or migrate elsewhere. This article contributes to filling a gap in refugee history in Sweden, dealing with how survivors experienced Swedish refugee camps and shaped the refugee camp environment on their own terms. Thinking with Peter Gatrell’s framework of ‘refugeedom’, a wide range of sources have been examined for insight into how Polish survivors in the Öreryd refugee camp navigated the precarity and uncertainty of their existence as survivors and refugees in Sweden and endeavoured to shape their immediate and future lives.

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    Authors: Philip Buckland; Alexis Rojas; Francesca Pilotto;

    Since the last Ice Age ( ca 115 000–11 700 years ago), the geographical ranges of most plants and animals have shifted, expanded or contracted. Understanding the timing, geographical patterns and drivers of past changes in insect communities is essential for evaluating the biodiversity implications of future climate changes, yet our knowledge of long-term patterns is limited. We applied a network modelling approach to the recent fossil record of northwestern European beetles to investigate how their taxonomic and trait composition changed during the past 16 000 years. We found two major changes in beetle faunas 4000–3500 and 10 000–9500 years ago, coinciding with periods of human population growth in the Late Holocene and climate warming in the Early Holocene. Our results demonstrate that humans have affected insect biodiversity since at least the introduction of agropastoralism, with landscape-scale effects that can be observed at sites away from areas of direct human impact.

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    Article . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Svante Fischer;

    This paper is a study of the Late Roman and Early Byzantine solidi from the province of Scania in southern Sweden and the solidi kept in the coin cabinet of the Lund University History Museum. The catalogue lists 34 solidi and classifies the recorded issues according to modern numismatic standards using the current DOC, MIBE and RIC typologies. It is argued that most of the preserved coins from Scania are probably of different types than those originally imported during the solidus influx to Scandinavia. It is more probable than not that the vast majority of solidi imported to Scania in the fifth century came as war booty with returning veterans. As Scania may have had a more hierarchical structure than other parts of Scandinavia, it seems likely that most solidi were recast as ring gold or jewelry in an effort to concentrate wealth and power to inland central places. The few solidi that remain are mainly found along the shorelines of Scania, many of which are looped and have been worn as pendants. As symbolic manifestations of political alliances, these solidi have served a different function than most solidi preserved elsewhere in Scandinavia, notably on neighboring Bornholm, and Öland. 

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sverker Sörlin;

    Part of book: ISBN 978-1-009-10023-6QC 20221219

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    Publikationer från KTH
    Part of book or chapter of book . 2022
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978100...
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      Publikationer från KTH
      Part of book or chapter of book . 2022
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1017/978100...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sverker Sörlin; Brigt Dale; Arn Keeling; Joan Nymand Larsen;

    Extractivism has been predominant in the Arctic since whaling and sealing campaigns began in the sixteenth century, followed by mining and drilling for oil and gas. In this chapter we present some of the main features of this ‘extractivist history’ of the circumpolar region. We organize this development along a set of themes. First, we explore the extractive frame of mind in Western thought and how it has continued to shape visions of the region. Second, we explore the material and social impacts of historical extractivism. Third, we use the theoretical lens of colonialism and decolonialism to understand the social and political relations, especially with aboriginal populations. Fourth, we examine the, often fraught, recent and contemporary debates around contemporary and future extractivism and its implications for the Arctic. The historical overview serves the purpose of providing a legible pattern from what is also a range of diverse and rich variations. A key finding is that extractivism is a lasting legacy and a path dependency of the region. At the same time resource extraction has many problematic sides that the seeking of new Arctic futures will have to deal with. QC 20221215Chapter in book: ISBN 978-1-009-10023-6

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Sverker Sörlin;

    Part of book: ISBN 978-1-009-10023-6QC 20221219

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978100...
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      Publikationer från KTH
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1017/978100...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Torben Trier Christiansen;

    Based on the study of 1,859 metal-detected brooches recovered at different sites in the Limfjord region, this paper discusses patterns of production, distribution, use, and deposition of brooches. Widespread indications of non-ferrous metalwork and a modest number of models for brooch production suggest that brooches were produced at many settlements in the region during the period studied (AD 400–1150), and traces of technical change and varying distribution patterns in the finished brooches suggest temporally as well as spatially differing modes of production. Furthermore, analyses suggests that most brooches were intact when they entered the soil, and seemingly random distribution patterns likely reflect the fact that many, perhaps most, were simply accidentally dropped. However, over and above, the interpretational difficulties are consequent on the recovery of all of the metal-detector finds in the plough layer detached from their original context. The interpretation of distribution patterns is at most sites also markedly challenged by the fact that many brooches, along with other metal artefacts, appear to having been secondarily deposited in the fields surrounding the settlements, probably during the manuring of the fields.

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    Authors: Frands Herschend;

    Venantius Fortunatus was a Latin, Ravenna educated, semi-political rhetorical poet active in Merovingian Francia in the late 6th century. Arriving in Austrasia from the Alps in the spring of 566, he wrote three poems, not least an epithalamium publicly performed at the wedding of Sigibert and Brunhild. This literary genre, its structure and the three addressees of his poems can be seen as a surprisingly detailed template for the Norse poem Skírnismál. The value of Fortunatus’ poetry rests with his ability to amalgamate Germanic, Christian and Latin Roman culture in a period of transition from a pagan to a Christian society. Since these periods of transition are reoccurring, it is possible to see an education in the 10th–11th century as the background for the Norse Skírnismál author, who probably must have read Fortunatus in order to compose his Norse wedding entertainment. Skírnismál is thus neither a purely Norse nor a purely oral composition.

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